Score - Grade 5

SKU: HL.254282

For Sinfonietta (2017). Composed by Anders Nordentoft. Music Sales America. Classical. Softcover. Composed 2017. 82 pages. Duration 1200 seconds. Edition Wilhelm Hansen #WH32982. Published by Edition Wilhelm Hansen (HL.254282).

ISBN 9788759839683. 12.0x16.5x0.6 inches. English.

Stream for Sinfonietta by Anders Nordentoft (2017). Spiral bound. Commissioned by Athelas Sinfonietta Copenhagen. Parts are available on hire: hire@ewh.dk.

Score - Grade 5

SKU: HL.255172

(2015). Composed by Outi Tarkiainen. Music Sales America. Classical. Softcover. Composed 2017. 150 pages. Duration 2700 seconds. Edition Wilhelm Hansen #WH33009. Published by Edition Wilhelm Hansen (HL.255172).

ISBN 9788759839959. 12.0x16.5x0.66 inches. English.

Outi Tarkiainen's The Earth, Spring's Daughter - A Song Cycle for Mezzosoprano and Chamber Orchestra (2015). Spiral bound. Texts (in English and Sami) by Rose-Marie Huuva, Rauni Magga Lukkari, Timo Malmi, Aila Meriluoto, Leena Morottaja and Nils-Aslak Valkeapaa. Transl. by Veikko Holmberg. Compiled by Outi Tarkiainen. Program note: Eanan, gida nieida (in Engl. The Earth, Spring's Daughter) is a mythical epos illustrating the core experiences of the North from the history to our times. The text is a vast collage of Sami poetry - the Sami people being the only indigenous people in the Europe. The strong mutual bond between the generations and the Sami culture's cyclical perception of time are present also in the structure of the work: the music unfolds in layers and cycles, to be born again and again. The work was commissioned by three northernmost professional orchestras in Europe: Lapland Chamber Orchestra (FIN), Norrbotten Chamber Orchestra (SWE) and Arctic Philharmonic (NOR). Dedicated to John Storgards and Ulla-Maija Kanerva. First performance: Lapland Chamber Orchestra 1.9.2016, cond. John Storgards, Virpi Raisanen, mezzosoprano. Parts are available on hire: hire@ewh.dk.

Vocal and Orchestra - Grade 5

SKU: HL.14033509

Composed by Olav Anton Thommessen. Music Sales America. Classical. Score. Composed 2002. 31 pages. Edition Wilhelm Hansen #WH29331. Published by Edition Wilhelm Hansen (HL.14033509).

ISBN 9788759868997. English.

Opp-Ned / Up-Down for Symphony Orchestra and 2 voices by Olav Anton Thommessen (1972/73).

Orchestra - Grade 5

SKU: HL.14043021

Composed by Soren Nils. Music Sales America. Classical. Softcover. Composed 2013. Edition Wilhelm Hansen #WH31942. Published by Edition Wilhelm Hansen (HL.14043021).

ISBN 9788759829318.

Sedna is an Orchestral piece composed by Soren Nils Eichberg in 2013. Soren Nils Eichberg was announced as the first composer-in-residence of the Danish National Symphony Orchestra.

Violin and Orchestra - Grade 5

SKU: HL.14030249

Composed by Christian Sinding. Music Sales America. Classical. Set. Composed 2002. 54 pages. Edition Wilhelm Hansen #WH12303. Published by Edition Wilhelm Hansen (HL.14030249).

ISBN 9788759857182. International (more than one language).

An energetic and passionate piece from the Norwegian composer Christian Sinding. This piece is scored for Violin and Orchestra.

Orchestra - Grade 5

SKU: HL.14027279

Composed by Johan Halvorsen. Music Sales America. Classical. Score. Composed 2005. 72 pages. Edition Wilhelm Hansen #WH17582. Published by Edition Wilhelm Hansen (HL.14027279).

ISBN 9788759855546.

Violin, Cello and Orchestra - Grade 5

SKU: HL.14043771

Composed by Per Nø, rd, and rgå. Music Sales America. Classical. Softcover. Composed 2015. 54 pages. Edition Wilhelm Hansen #WH32728. Published by Edition Wilhelm Hansen (HL.14043771).

ISBN 9788759836910. 12.0x16.75x0.44 inches. English.

Three Nocturnal Movements - For Violin Solo, Violoncello Solo And Orchestra by Per Norgard (2015). Based on Remembering Child for Viola and Orchestra(1986). Premiered by Peter Herresthal (violin) and Jakob Kullberg (cello) with Bergen Philharmonic June 6th 2015 in Bergen, Norway. The original version was premiered by Pinchas Zukerman and the St. Paul' s Chamber Orchestra, conducted by Arturo di Mecke, on September 12th 1986. Programme Note: The news of the tragic death of Samantha Smith reached me in the early stages of preparation for the commissioned work for viola and chamber orchestra. Already an admirerer of this childworker for peace and nuclear disarmament, I completed mywork strongly inspired by this unique and uniquely symbolic fate of our time. Music from humble sources - including my composition Beach Poppy , a choral work from 1960 - are woven into the texture of the composition. I was guided by the original meaning of the word remembering (making whole, healing) in opposition to dismembering (tearing apart): The healing power of the child. (Per Norgard).

Piano and Orchestra - Grade 5

SKU: HL.14030243

Composed by Christian Sinding. Music Sales America. Classical. Score. Composed 2002. 148 pages. Edition Wilhelm Hansen #WH10544. Published by Edition Wilhelm Hansen (HL.14030243).

ISBN 9788759861271. International (more than one language).

The Full Score for Sinding's Piano Concerto from Opus 6 for Piano and Orchestra.

Orchestra Piano & Orchestra - Grade 5

SKU: MA.EMR-23115

Composed by Ludwig van Beethoven. Arranged by Michal Worek. Orchestra (Piano Solo). Score and parts. Duration 5'24. Editions Marc Reift #EMR 23115. Published by Editions Marc Reift (MA.EMR-23115).

Possible instrumentations:

Orchestra (Piano Solo)
Piano & Orchestra
Piano & Orchestra.

Orchestra Soli SATB, Coro SATB, Fl, Ob, Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl, Va, Vc, Cb, [Org] - Level 5

SKU: CA.4068950

Arrangement for chamber orchestra (Linckelmann). Composed by Ludwig van Beethoven. Arranged by Joachim Linckelmann. Carus sheet music series: Great choral works in small scorings. Foreword in German and English. Sacred vocal music, Masses, Latin. Full Score. Op. 123. Duration 90 minutes. Carus Verlag #CV 40.689/50. Published by Carus Verlag (CA.4068950).

ISBN 9790007254445. Key: D major. Latin.

Beethoven described his Missa solemnis several times as his greatest work. Coming from the heart, it was intended to touch and move audiences. Beethoven worked long and intensively on the composition in order to give what he felt was adequate expression to the text. In its length and musical demands, the Missa solemnis goes far beyond typical liturgical settings; for good reason, the premiere took place in a concert hall. With this arrangement for chamber orchestra (flute, oboe, clarinet, bassoon, horn, trumpet, trombone, timpani and strings, plus organ ad lib), smaller choirs, as well as choirs with more limited resources of space or finance, can now perform this work too. However, the symphonic character and wide dynamic range of the work remain. The scoring of 7 instead of 18 winds offers an optimal balance between transparency and orchestral sound. All the vocal parts (soloists and chorus) are identical with the original version, so that the vocal score and chorus score of that version can be used. Major mass can also be performed by smaller choir Wind and brass parts of the original version reduced to just seven single instruments Vocal scores and choral scores from the original version can be used. carus plus: the work (original version) is available in carus music, the choir app, and in the practice CD series Carus Choir Coach. Score available separately - see item CA.4068900.

Score and Parts Concert Band; Wind Orchestra (Score & Parts) - Grade 5

SKU: HL.4008644

Wind Orchestra, Grade 5, 12:45 Score and Parts. Composed by Johann Sebastian Bach. Arranged by Franco Cesarini. Editions Franco Cesarini. Classical, Fugue. Softcover. Duration 765 seconds. Hal Leonard #EFC004-CBHA. Published by Hal Leonard (HL.4008644).

ISBN 9798350115024. UPC: 196288189695.

The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini’s arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The “Thema fugatum” which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful “Neapolitan sixth” chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord.

Score and Parts Symphonic Band (Score & Parts) - Grade 5

SKU: HL.50606829

For Symphonic Band, Grade 5 12:00 Score and Parts. Composed by Laszlo Dubrovay. EMB. Classical. Softcover. Duration 720 seconds. Editio Musica Budapest #Z15175SET. Published by Editio Musica Budapest (HL.50606829).

ISBN 9798350114430. UPC: 196288188292.

László Dubrovay's work, written in 2006, on the 250th anniversary of Mozart's birth, is a salute of a 21st-century composer to one of the greatest geniuses in the history of music. The composer builds his original ideas on one of the best-known melodies of The Marriage of Figaro (Figaro's aria: ''Non pi? andrai, farfallone amoroso''). The series of variations on the theme of the aria is created by the involvement of special instruments, and by fully harnessing their technical abilities, while Dubrovay's hallmark of a perfect balance and peculiar compositional tone is realised on an exceptionally large orchestra. The work is suited to illustrate the potentials of crossovers between different periods in the history of music, but it can also be played at a festive, thematic concert.