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Cello and Orchestra
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Hugh Colledge: A Celtic Suite: String Ensemble: Score and Parts
String Orchestra
[Score and Parts + CD]
Boosey and Hawkes
Four pieces for elementary string orchestra-Four pieces for elementary string or...
(+)
Four pieces for elementary string orchestra-Four pieces for elementary string orchestra. score and parts - with CD containing printable string parts - strings (violins and cellos violas and double basses ad libitum) and piano - John Ryan's Polka (A lively dance from Ireland featuring an accelerando at the end) - The Dark Island (A slower movement with a haunting melody. The 'Dark Island' is the Isle of Barra in the Outer Hebrides) - The Piper o' Dundee (Starting with a drone this tune from Scotland explores a wide range of dynamics as the piper marches off into the distance) - Three Reels (The Rake of Mallow The Reel of Tullochgorum and Davy Nick Nack. A medley of three reels from Scotland andIreland guaranteed to get feet tapping)
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Philip Glass: Concerto For Cello And Orchestra: Cello: Score
Cello, Orchestra
[Sheet music]
-
Intermediate/advanced
Dunvagen Music Publishers
Remarkably for a work by Philip Glass the Cello Concerto No 1 or Concerto For ...
(+)
Remarkably for a work by Philip Glass the Cello Concerto No 1 or Concerto For Cello And Orchestra conforms broadly to the three-movement form of classic concerti with fast-slow-fast tempi.This concerto is designated as part ofThe Concerto Project recording series started by Glass in the year 2000 currently in four volumes and including eight concerti.American composer Philip Glass is widely known as one of the most celebrated influential and prolificof the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach are performedacross the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Orchestra
Peters
Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edi...
(+)
Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.'
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Stephen Albert: Concerto for Cello and Orchestra: Cello and Accomp.: Score
Cello, Piano
[Sheet music]
Schirmer
Stephen Albert's Concerto For Cello And Orchestra. Piano reduction. First perfor...
(+)
Stephen Albert's Concerto For Cello And Orchestra. Piano reduction. First performed and recorded by Yo Yo Ma and the Baltimore Symphony Orchestra.
34.99 GBP - Sold by Musicroom UK
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Bent Sørensen: L'Isola Della Citta: Violin & Cello: Score
VLN/VLC/PF/ORCH::Violin, Cello, Piano, Orchestra
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
L'Isola Della Citta for Violin Cello Piano and Orchestra (2104-15) by Bent Sø...
(+)
L'Isola Della Citta for Violin Cello Piano and Orchestra (2104-15) by Bent Sørensen. Commissioned by the Danish Radio Trondheim Symphony Orchestra and Trondheim Chamber Music Festival. Written for Trio con Brio Copenhagen.
60.99 GBP - Sold by Musicroom UK
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Ezra Laderman: Concerto for Cello and Orchestra: Cello and Accomp.: Instrumental
Cello
Schirmer
Work for Cello and Orchestra commissioned by the Chicago Symphony Orchestra and ...
(+)
Work for Cello and Orchestra commissioned by the Chicago Symphony Orchestra and premiered by Yo-Yo Ma in 1990.
29.99 GBP - Sold by Musicroom UK
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Concerto In D Minor For Violin, Cello And Chamber Orchestra
Parties Orchestrales
Peters
/ Parties Orchestrales
13.05 EUR - Sold by LMI-partitions
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Concerto In D Minor For Violin, Cello And Chamber Orchestra
Parties Orchestrales
Peters
/ Parties Orchestrales
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Concerto In D Minor For Violin, Cello And Chamber Orchestra
Parties Orchestrales
Peters
/ Parties Orchestrales
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Concerto In D Minor For Violin, Cello And Chamber Orchestra
Parties Orchestrales
Peters
/ Parties Orchestrales
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Poul Ruders: Polydrama: Cello: Score
Cello, Orchestra
[Sheet music]
Wilhelm Hansen
Cello Concerto No. 1-Poul Ruders Polydrama (Manyfold Event) for cello and orches...
(+)
Cello Concerto No. 1-Poul Ruders Polydrama (Manyfold Event) for cello and orchestra is the last part of a drama trilogy otherwise consisting of Dramaphonia' for piano and 11 instruments and Monodrama for percussion and 32 instruments. In this abstract drama the individual listener is left entirely to his own associations. The composer has compared polydrama with the gradual defoliation of a big tree: the vigorously growing organism is attacked by a swarm of locusts until finally nothing remains but bare branches in a landscape of long shadows; a solitary singing bird remains however like a streak of hope in an increasingly dark and pessimistic universe.
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Philip Glass: Double Concerto for Violin and Cello (Cello part): Other Strings:
Violin, Cello (duet)
Dunvagen Music Publishers
Double Concerto for Violin and Cello (Cello part). Philip Glass?s Double Concert...
(+)
Double Concerto for Violin and Cello (Cello part). Philip Glass?s Double Concerto for Violin, Cello and Orchestra was composed in the spring of 2010 as a commission from the Netherlands Dance Theater, premiered by the Hague Philharmonic (Residentie Orkest) conducted by Jurjen Hempel on April 22, 2010 with violinist Cecilia Bernardini and cellist Maarte-Maria den Herder.
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Orchanics 3: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orc...
(+)
Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 3 contains:-Hallelujah + Ode to joy (Handel/Beethoven); Mairi's Wedding (Roberton); Ragtime Roundup (Richard Ling); Samborina (Richard Ling); Spring from Four Seasons (Vivaldi); Danserie (Susato); Yellow Bird (arr Ling); Silent Night.
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Chaconne From 'Roland'
Parties Orchestrales
Peters
/ Parties Orchestrales
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Erik Hojsgaard: Concerto For Cello and Orchestra: Cello: Score
Orchestra
Wilhelm Hansen
Concerto For Cello And Orchestra was composed by Erik Højsgaard in 1975 (rev....
(+)
Concerto For Cello And Orchestra was composed by Erik Højsgaard in 1975 (rev.1976-78).
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Henri Dutilleux: Henri Dutilleux: Tout Un Monde Lontain: Cello: Instrumental
Cello, Piano
Heugel
Composed between 1967 and 1970 Tout Un Monde Lontain for Cello and Orchestra ...
(+)
Composed between 1967 and 1970 Tout Un Monde Lontain for Cello and Orchestra byHenri Dutilleux is one of the most important additions to the Cello repertoire in the 20th century. Lasting nearly half an hour each of the five movements are inspired by a poem of Charles Baudelaire: 1. Énigme / Enigma 2. Regard / Gaze 3. Houles / Surges 4. Miroirs / Mirrors 5. Hymne / Hymn The main theme initially introduced in the first part Énigme / Enigma is often replayed through the piece. The third part Houles / Surges is the most difficult to interpret with aScherzo part that's quite challenging and no break between the movements. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers among many others. His work also includes a Piano sonata two symphonies the Violin concerto 'L'arbre des songes' (The tree of dreams) and the String quartet 'Ainsi la nuit' (Thus the night).
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Richard Dubugnon: Concerto for Cello and Orchestra: Orchestra: Score and Parts
Orchestra
[Score and Parts]
Peters
Concerto for Cello and Orchestra
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Piano
Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...
(+)
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
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Aram Il'yich Khachaturian: Cello Concerto: Cello: Instrumental Work
Cello
Boosey and Hawkes
Cello and Piano Reduction originally for Cello and Orchestra.
32.50 GBP - Sold by Musicroom UK
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James MacMillan: Symphony: Orchestra: Study Score
Orchestra
[Sheet music]
Boosey and Hawkes
Third Part Of The Orchestral Triptych Triduum-Symphony: ‘Vigil’ (19...
(+)
Third Part Of The Orchestral Triptych Triduum-Symphony: ‘Vigil’ (1997) is the last of three interrelated works forming Triduum commissioned by the London Symphony Orchestra the other works being The World’s Ransoming for cor anglais and orchestra and the Cello Concerto (both 1996). All three relate to the historical events and religious liturgies of the Easter Triduum namely Maundy Thursday Good Friday and the Easter Vigil. The symphony’s first movement ‘Light’ deals with the promise of a glimmer of light in the darkness. The central movement ‘Tuba insonet salutaris’ (Sound the trumpet of salvation) is based on the Exsultet melody sung at the Easter Vigil described by Mozart as probably the mostbeautiful ever written. The final movement ‘Water’ opens savagely but subsides towards the presentation of two conflicting principal materials a wild ecstatic dance followed by a slower more mysterious texture leading to a climax and a luminous floating close.
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Sergei Prokofiev: Concertino Op.132 (Miniature Score). Sheet Music for Cello Orchestra
Français
Cello, Orchestra
[Study Score / Miniature]
Chant du Monde
Sergei Prokofiev's Concertino Op.132 for Cello and Orchestra.
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Alfred Schnittke: Concerto No. 1. Sheet Music for Cello Orchestra
Français
Cello, Orchestra
[Score]
Chant du Monde
Alfred Schnittke's Concerto No. 1 for Solo Cello and Orchestra.
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John McCabe: Cello Concerto (Songline): Orchestra: Score
Cello, Orchestra
Novello & Co Ltd.
For Solo Cello And Orchestra
24.99 GBP - Sold by Musicroom UK
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Darius Milhaud: Concerto No. 2: Orchestra: Study Score
Orchestra
Associated
Score-This is the study score edition of Darius Milhaud's Cello Concerto No.2 fr...
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Score-This is the study score edition of Darius Milhaud's Cello Concerto No.2 from 1945 for Cello and Orchestra.
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