Solo and Piano Reduction. A notable Czech composer, Jaromir Weinberger achieved sudden fame with the production of his opera, Svanda dudâk (Schwanda, the Bagpiper), written in a popular Bohemian style, at the Czech Opera, in Prague in 1927. Weinberger fled Europe under the growing Nazi threat and took up residence in New York in 1939, where he enjoyed a number of major orchestral performances and commissions of all kinds. One of these came from renowned saxophonist Cecil Leeson, who aske Weinberger to compose a concerto for alto saxophone and orchestra. Due to the outbreak of World War II, the premiere would not happen until 1946, six years after the completion of the concerto in piano score. The work was revised following the premiere and it is only now that those revisions have been incorporated into the solo saxophone and piano reduction with this performance edition by Weinberger scholar, publisher and saxophonist Tristan Willems.

La référence GB3093 de l'éditeur Billaudot dont l'auteur célèbre est Lemaire Félix, qui a pour titre SUITE BREVE, a été écrite et composée pour Saxophone et plus particulièrement pour Saxophone En Mib Et Piano. Cette partition musicale appartient à la catégorie Classique. / Saxophone En Mib Et Piano / Partition

Pour Alto Saxophone et Piano-Born to an Italian father and a French mother Eugène Bozza (1905-1991) divided his music studies between the Academia Santa Cecilia in Rome and the Conservatoire de Paris where he was taught by Henri Büsser and Henri Rabaud. His chamber music compositions reveal a marked predilection for wind instruments as reflected in Fantaisie pastorale for oboe and piano (1939) and New-Orléans for bass saxhorn and piano (1944). During his stay a few years earlier at the Villa Medici in Rome (1936) Bozza had written his Aria Pour Saxophone Alto Et Piano – a free adaptation of the third movement of JohannSebastian Bach’s Organ Pastorale in F major BWV 590. This expansive and nostalgic melody which unfolds over a regular meter has become one of the most widely played Saxo­phone pieces in the world. Having enjoyed such success Éditions Leduc has decided to supplement its republication with an audio version that will enable saxo­phonists to carry out “full-scale” practice.

To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His Petite Gavotte for Alto Saxophone with Piano accompaniment is no exception to the composer's success. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes while remaining a prominent composer. Composed in 1964 Bozza's PetiteGavotte addresses a variety of features of the Alto Saxophone suitable for intermediate saxophonists. As music educationalist Paul Griffiths has written of Bozza's compositions 'his works reveal melodic fluency elegance of structure and a consistently sensitive concern of instrumental capabilities.'

Saxophone and Piano. Par NAULAIS JEROME. J'ai eu envie d'élaborer un Medley revu et corrigé' sur quelques pages célèbres de ce génial compositeur qu'est Mozart. L'interprète prendra du plaisir à jouer cette partition bien adaptée à son instrument. ' - Jérôme NAULAIS - Une Pièce originale adaptée pour une audition ou un examen de Cycle II - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Saxophone Alto 1 Piano - Niveau de Difficulté : 4/6 - Intermédiaire/Avancé - Durée : 5 mn 45 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Jérôme NAULAIS - / Niveau : Intermédiaire à Avancé / Classique, Pédagogique / Recueil / Saxophone Alto et Piano

La référence AF0018 C de l'éditeur Billaudot dont l'auteur célèbre est Jeanjean Paul, qui a pour titre REVERIE DE PRINTEMPS, a été écrite et composée pour Saxophone et plus particulièrement pour Saxophone En Mib Et Piano. Cette partition musicale appartient à la catégorie Classique. / Saxophone En Mib Et Piano / Partition

A term usually used to name a French dessert with many choux pastry balls this Croquembouches by Claude Delvincourt is a set of pieces for Alto Saxophone and Piano with dessert names. Featuring a Plum Pudding a Puit d’Amour a Nègre en Chemises a Linzer Tart a Grenadine and a Rahat Loukhoum Croquembouches is enough to enlighten your ears and make your mouth water! For upper beginners / intermediate players these one-page pieces are really melodic and thoroughly nice to play. This set was revised by Jean-Marie Londeix aFrench musician who was the student of Marcel Mule and Fernand Oubradous.

Dualité : coexistence de deux éléments différents en soi. Le saxophone et le piano sont deux instruments aux timbres totalement différents et utilisés ici dans leur complémentarité. D'autre part, deux écritures musicales sont en opposition. La partie de saxophone est constituée d'une suite de 61 séries docécaphoniques totalement différentes alors que la partie de piano est en revanche écrite de manière traditionnelle. / Saxophone En Mib Et Piano

What Else Can I Play? Alto Saxophone Grade 1 makes learning more fun with carefully selected and arranged supplementary repertoire for today's young player. Each piece offers suggestions and guidelines to bowing, dynamics and tempo together with technical tips, performance notes and a simple piano accompaniment.    / Instrumental Music, Methods & Tutors / Recueil / Saxophone Alto et Piano

Par DANGEL A.. / Contemporary / Date parution : 2020-10-15/ Répertoire / Saxophone Alto et Piano