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Per Nørgård: Musaic: Brass Ensemble: Score
Brass ensemble
Wilhelm Hansen
Musaic (1969) by Per Nørgård - for Brass Ensemble and Electronics. Instr.: 5 C...
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Musaic (1969) by Per NørgÃ¥rd - for Brass Ensemble and Electronics. Instr.: 5 Cornets 3 Trombones and Electronics Progamme Note Among my compositions for brass band three (“Backlight” “Massifs” - crystals - cascades” “Musaic”) all belong to a three-dimensional space. Thus “Massifs - crystals - cascades” was proclaimed from a mountainside towards the audience in the Norwegian town Tromsø and “Backlight” to the special room of the new concert hall at The Music Conservatory of Jutland Denmark. “Musaic” was composed in 1969 for the inauguration of Edition Wilhelm Hansen’s new branch in Ã…rhus Jutland. Short movements for brass were intermittently heard on the street. In the concert hall all the movements were however heard - also the ones already played; by means of a continuous tape individual fragments of the ´street music´ were gradually collected into one concluding uninterrupted piece lasting all in all 10 minutes a mus(a)ic/muza(i)k… A synthesis can be heard on a CD from 2007 (by the Brass Ensemble of The Royal Danish Conservatory Jutland) with the note that the work might be much longer when performed live. Per NørgÃ¥rd (2007) Parts available: KP01903A
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Per Nørgård: Musaic: Brass Ensemble: Parts
Brass ensemble
Wilhelm Hansen
Musaic (1969) by Per Nørgård - for Brass Ensemble and Electronics. Instr: 5 Co...
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Musaic (1969) by Per NørgÃ¥rd - for Brass Ensemble and Electronics. Instr: 5 Cornets 3 Trombones and Electronics Progamme Note Among my compositions for brass band three (“Backlight” “Massifs” - crystals - cascades” “Musaic”) all belong to a three-dimensional space. Thus “Massifs - crystals - cascades” was proclaimed from a mountainside towards the audience in the Norwegian town Tromsø and “Backlight” to the special room of the new concert hall at The Music Conservatory of Jutland Denmark. “Musaic” was composed in 1969 for the inauguration of Edition Wilhelm Hansen’s new branch in Ã…rhus Jutland. Short movements for brass were intermittently heard on the street. In the concert hall all the movements were however heard - also the ones already played; by means of a continuous tape individual fragments of the ´street music´ were gradually collected into one concluding uninterrupted piece lasting all in all 10 minutes a mus(a)ic/muza(i)k… A synthesis can be heard on a CD from 2007 (by the Brass Ensemble of The Royal Danish Conservatory Jutland) with the note that the work might be much longer when performed live. Per NørgÃ¥rd (2007) Â
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Samuel Scheidt: Canzone Bergamasca: Brass Ensemble: Score and Parts
Brass ensemble
[Sheet music]
Associated
Score and Parts-Samuel Scheidt's Canzone Bergamasca for Brass Quintet. Score and...
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Score and Parts-Samuel Scheidt's Canzone Bergamasca for Brass Quintet. Score and parts.Samuel Scheidt (1587-1654) was one of the influential trio of S's (with Heinrich Schutz and Johann Hermann Schein)who played an important part in both the development of German music of the early Baroque and in the survival of a high level of musical life during the devastation of the Thirty Years War.The son of a musical family of Halle in central Germany Scheidt spent most of his life in the city which saw both his birth and his death. From 1605 to 1608 however he went ot Amsterdam to study with the famous Ducth composer and organist Jan PietersSweelinck.Renowned in his day for his Vocal works - especially for his 'Concerti Sacri' - Scheidt achieved lasting fame for his revolutionary contributions to Organ literature. He introduced elements of tonal harmonyin his music and his masterwork 'Tabulatura Nova' marked the end of the German tablature system of notation for Organ.The Canzone Bergamasca marked by lively rhythms and contrapuntal inventiveness comesfrom an early collection of canzonas and dances published in Hamburg in 1621. The work is a 'chain' canzona (similar in form to the canzonas of Gabrieli) in which the material for one section develops out of the material of theprevious section uniquely linking all of the sections together. For additional contrast there is a tripla section in the middle and the work ends with a recapitulation of the first theme.The 'Bergamasca' of the title atthis period refers to the use of melodic material based on a harmonic ground derived from an Italian folk dance of the Bergamo region.
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Witold Lutoslawski: Fanfare For Louisville: Brass Ensemble: Score
Brass ensemble
[Sheet music]
Chester
A fanfare lasting one minute for wind and brass instruments with timpani tambou...
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A fanfare lasting one minute for wind and brass instruments with timpani tambourine and snare drum.
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Simon Dobson: Torsion: Brass Band: Score and Parts
Brass ensemble
Faber Music Limited
Torsion was commissioned by the Leyland Band and first performed on 23 January 2...
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Torsion was commissioned by the Leyland Band and first performed on 23 January 2010 at the Royal Northern College of Music Festival of Brass Manchester by Leyland Band conducted by Jason Katsikaris.This colourful and dynamic work is the most personal and ambitious that Simon Dobson composed during his residency with the Lancashire brass band. The dictionary defines torsion as the state of being twisted and the composer interprets this as the imagined dis-torsions and con-torsions of Time Light and Sound in three contrasting movements. Simon Dobson fuses the traditional brass band sound with drive and energy of pop and funk jazz with optional digitally distorted'echoes' providing added aural confusion at the points of climax.Although composed as a substantial concert work Torsion would also make a challenging test-piece for contesting brass bands in the elite divisions.
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Norge i rødt, hvitt og blått
Brass ensemble
[Score and Parts]
Norsk Noteservice
Par LARSSON LARS-ERIK. Norge i rødt, hvitt og blått ('Norway in Red, White and...
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Par LARSSON LARS-ERIK. Norge i rødt, hvitt og blått ('Norway in Red, White and Blue') was commissioned by the Oslo Fagott Choir (yes, that is indeed a gay men?s choir) for a concert with The Staff Band of the Armed Forces in 2015. I was given artistic licence to write a more modern and somewhat ?eclectic? arrangement for this originally Swedish melody written by Lars-Erik Larsson, which became something of a national liberation anthem when Nazi occupation ended in May 1945 ? then with new lyrics by Finn Bø, Bias Bernhoft and Arild Feldborg. After the premiere in Oslo, and a music video with Oslo Fagott Choir and The Staff Band, broadcasted by Norwegian Broadcasting Corporation (NRK) on Constitution Day during coronavirus lockdown in 2020, I was approached by many to write an instrumental version of the arrangement for concert band. This version is now available through Norsk Noteservice. Reid Gilje has made this instrumentation for Brass Band. / Date parution : 2023-07-31/ Répertoire / Ensemble de Cuivres
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Music for Celebrations: Brass Ensemble: Score & Parts
Brass ensemble
De Haske Publications
11 celebratory pieces for weddings and other occasions-Qu’il s’agiss...
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11 celebratory pieces for weddings and other occasions-Qu’il s’agisse d’anniversaires de mariages ou de funérailles il y a de nombreuses occasions qui font appel ? la musique de cérémonie pour ensembles de cuivres. Que l’instant se pr?te ? la gaieté ou aurecueillement Music for Celebrations de Markus Schenk est l’ouvrage idéal puisqu’il rassemble des oeuvres classiques connues et moins connues spécialement arrangées pour cette édition. Ces oeuvres compl?tes se distinguentpar leur diversité de style et de caract?re mais aussi par leur durée en partant du court choral de Bach jusqu’? la pi?ce de concert plus longue. Cette collection polyvalente est donc adaptée ? un large éventaild’interprétation.Aussi disponible pour ensemble à vent - instrumentation variable (DHP 1145593-070).
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Philip Sparke: David of the White Rock: Brass Band: Score
Brass ensemble
Anglo Music
This is an ancient Welsh air that was first published in Relics of the Welsh Bar...
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This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd Carnarnvonshire North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody requesting that it be played at his funeral. Accordingly it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes which describe the melody's inspiration. This version for brass band retains all the beauty and simplicity of the original.
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Hermann Pallhuber: The Spirit of Puccini: Brass Band: Score
Brass ensemble
Beriato Music
on Themes of Giacomo Puccini-The famous Puccini motifs in this work are taken fr...
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on Themes of Giacomo Puccini-The famous Puccini motifs in this work are taken from Tosca (E lucevan le stelle) Turandot (Nessun dorma) Gianni Schicci (O mio babbino caro) and a quite funny little persifl age of the aria Senti L’ora e vicina from Tosca. The Spirit of Puccini has testing moments for each of the principal players of the band´s sections. Even although the music was inspired by this famous Italian composer Hermann Pallhuber has succeeded in creating a piece of ‘real band music’ combining both the Italian influences and the modern British brass band sound.
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Philip Sparke: David of the White Rock: Brass Band: Score & Parts
Brass ensemble
Anglo Music
This is an ancient Welsh air that was first published in Relics of the Welsh Bar...
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This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd Carnarnvonshire North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody requesting that it be played at his funeral. Accordingly it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes which describe the melody's inspiration. This version for brass band retains all the beauty and simplicity of the original.
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The Works of John Whitgift D.D Vol. 1: Containing the Defence of the Answer to the Admonition Against the Reply of Thomas Cartwright: Tractates I-Vi (Classic Reprint)
Brass ensemble
Beriato Music
on Themes of Giacomo Puccini-The famous Puccini motifs in this work are taken fr...
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on Themes of Giacomo Puccini-The famous Puccini motifs in this work are taken from Tosca (E lucevan le stelle) Turandot (Nessun dorma) Gianni Schicci (O mio babbino caro) and a quite funny little persifl age of the aria Senti L’ora e vicina from Tosca. The Spirit of Puccini has testing moments for each of the principal players of the band´s sections. Even although the music was inspired by this famous Italian composer Hermann Pallhuber has succeeded in creating a piece of ‘real band music’ combining both the Italian influences and the modern British brass band sound.
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Philip Sparke: Skilful Duets: Brass Ensemble: Instrumental Album
Brass ensemble
Anglo Music
40 Progressive Duets for Trombones or Euphoniums BC-Philip Sparke’s Skilf...
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40 Progressive Duets for Trombones or Euphoniums BC-Philip Sparke’s Skilful Duets is the second volume of a progressive series of duet books that takes the young wind player from beginner to accomplished musician. Following on from the first book in the series (Starter Duets) this collection generally contains longer pieces suitable for the developing young musician. Specifically tailored for each instrument Skilful Duets introduces the concept of phrasing by suggesting suitable breathing points and takes the player into new keys with extended instrument ranges; the concept of tempo and style indications is also introduced. Skilful Duets provides invaluable additional material to complement any teaching method.
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Philip Sparke: Skilful Duets: Brass Ensemble: Instrumental Album
Brass ensemble
Anglo Music Press
40 Progressive Duets for Trombones or Euphoniums BC-Philip Sparke’s Skilf...
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40 Progressive Duets for Trombones or Euphoniums BC-Philip Sparke’s Skilful Duets is the second volume of a progressive series of duet books that takes the young wind player from beginner to accomplished musician. Following on from the first book in the series (Starter Duets) this collection generally contains longer pieces suitable for the developing young musician. Specifically tailored for each instrument Skilful Duets introduces the concept of phrasing by suggesting suitable breathing points and takes the player into new keys with extended instrument ranges; the concept of tempo and style indications is also introduced. Skilful Duets provides invaluable additional material to complement any teaching method.
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Edward MacDowell: Woodland Sketches Op. 51: Brass Ensemble: Part
Brass ensemble
Rubank Publications
For two Bb Cornets/Trumpets Horn in F or Eb Trombone Baritone B.C. or T.C. T...
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For two Bb Cornets/Trumpets Horn in F or Eb Trombone Baritone B.C. or T.C. Tuba Includes: To a Wild Rose At an Old Trysting Place To a Water Lily A Deserted Farm.
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William Vean: The Irish Dancemaster: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
During the eighteenth century a person called 'the Dance Master' made his appear...
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During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg the dance master used to tie a small bunch of straw or hay to their leg and then would order them to either lift their 'hay-leg' or their 'straw-leg'. The dancing masters used to stay in one particular village for about six weeks (if they were not claimed by a neighbouringvillage) after which they continued their journey. Having a famous dance master gave a village a certain distinction and did not seldom lead to boasting and pride. Also on account of the popularity of Celtic music in general at the moment William Vean was inspired to writing 'The Irish Dance Master'. He 'teaches' you two dances the Reel and the Jig. In between these two dances there is a short breathing space during which a traditional Irish rhythm can be enjoyed.
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Philip Sparke: Royal Salute: Brass Band: Score & Parts
Brass ensemble
Anglo Music
La plupart des pays ayant institué la tradition des musiques militaires ont dé...
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La plupart des pays ayant institué la tradition des musiques militaires ont développé un style de marche caractéristique. Ainsi il est relativement aisé de distinguer une marche américaine d?une marche militaire française ou une marche allemande d?une marche espagnole. À l?intérieur du cadre structurel rigide d?une marche on réussit à percevoir même les plus subtiles différences de rythme d?harmonie et de tempo qui caractérisent les traditions de chaque pays.Il existe un ou plus exactement deux styles de marche typiquement anglais : celui des marches militaires représenté par des compositeurs tels que Kenneth J. Alford et celui des marches cérémonielles ou de concert quiatteindra l?excellence avec les marches orchestrales d?Elgar et Walton entre autres.Royal Salute (?Salut royal?) est une marche de difficulté moyenne qui perpétue cette grande tradition. On y retrouve des éléments typiques : des mélodies et contremélodies amples et un trio nobilmente.
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Alan Laken: Cowboy Suite: Brass Band: Score
Brass ensemble
Gobelin Music Publications
In the tripartite 'Cowboy Suite' Alan Laken takes us to the Wild West the domai...
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In the tripartite 'Cowboy Suite' Alan Laken takes us to the Wild West the domain of cowboys indians trappers and other fortune hunters. Around 1890 the west coast of America was reached which in effect meant the end of the Wild West. Its stories however survived and have been a source of inspiration for many books films and of course music. Some characters such as Jesse James Billy the Kid and Buffalo Bill are forever linked to these tales. In the 'Cowboy Suite' we first hear the 'Hoedown'. At the end of an exhausting workday the labourers used to lay down their tools among others the 'hoes' and spontaneously began to play music on the instruments which they then possessed (guitars fiddles and banjos) and to dance. After being jolted on the 'Wagon Trail' we reach the third part the 'Cowboy Roundup'. In this last part it becomes clear that as a cattle driver it is imperative to stay firmly seated in the saddle. As the cattle are rounded up i.e. driven together spectacular things happen.
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Paul Epworth: Skyfall: Brass Band: Score
Brass ensemble
Hal Leonard
from the Motion Picture SKYFALL-Skyfall extrait de la bande originale du dernie...
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from the Motion Picture SKYFALL-Skyfall extrait de la bande originale du dernier James Bond 007 reprend certains accents du célèbre thème du non moins célèbre espion des services secrets britanniques et grand séducteur. L?arrangement signé Philip Sparke rend accessible cette musique grandiose dans une atmosphère de picotements et d?excitation ! L?univers du distingué espion enfin à votre porté de main pour le grand bonheur de vos musiciens et de votre public.
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Thomas Doss: REM-scapes: Brass Band: Score & Parts
Brass ensemble
Mitropa Music
...some moments for Ludwig van...-Sweet echoes of Beethoven’s Moonlight S...
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...some moments for Ludwig van...-Sweet echoes of Beethoven’s Moonlight Sonata in the introduction bring a gentle slumber. Breathing is calm and sleep holds the promise of rest and relaxation.With the onset of the REM sleep phase however in which most dreams take place and where the day’s events are worked through we hear other sounds played.With distorted sounds reminiscent of an old gramophone the music pulls the listener inevitably ever deeper into the dreamscape in a very realistic dangerous situation that comes to a dramatic head. It triggers a desperate struggle between theimpulse to awaken and the exhausting urge to flee. For a short moment it seems as if the wakeful urge has won out before dream’s powerful spell is again cast and there’s no escape…
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Only Time: Brass Band: Score & Parts
Brass ensemble
De Haske Publications
For many years Enya has been selling as many records as pop goddesses like Madon...
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For many years Enya has been selling as many records as pop goddesses like Madonna and Britney Spears. But it was the events of September 11 2001 that truly brought this Irish singer to the world stage with CNN broadcasting her ballad Only Time with the tragically dramatic images around the World Trade Center in New York. Ron has arranged this moving song in his own familiar creative way
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William Vean: The Irish Dancemaster: Brass Band: Score
Brass ensemble
Gobelin Music Publications
During the eighteenth century a person called 'the Dance Master' made his appear...
(+)
During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg the dance master used to tie a small bunch of straw or hay to their leg and then would order them to either lift their 'hay-leg' or their 'straw-leg'. The dancing masters used to stay in one particular village for about six weeks (if they were not claimed by a neighbouringvillage) after which they continued their journey. Having a famous dance master gave a village a certain distinction and did not seldom lead to boasting and pride. Also on account of the popularity of Celtic music in general at the moment William Vean was inspired to writing 'The Irish Dance Master'. He 'teaches' you two dances the Reel and the Jig. In between these two dances there is a short breathing space during which a traditional Irish rhythm can be enjoyed.
7.99 GBP - Sold by Musicroom UK
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Carl Wittrock: The Power of the Megatsunami: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
The word ‘tsunami’ is of Japanese origin. When you look it up in a ...
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The word ‘tsunami’ is of Japanese origin. When you look it up in a dictionary you will find that it means ‘a great sea wave produced by submarine earth movement or volcanic eruption’. A megatsunami is the superlative of this awesome expressionof power that nature can create and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred but since then we have become all too familiar with the disastrousconsequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunamitook the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami such as the island of La Palma one of the Canary Islands. This island is based on oceaniccrust at a fracture zone and as such is one of nature’s time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma the tidal wave will move in the direction of South America where it may reach 50km inland destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air the music creating an oppressiveatmosphere of impending disaster. Themes are interrupted broken off suddenly followed by silence suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake and the megatsunami isa fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature’s force has spent itself resignation sets in and the composition ends with a majestic ode to nature.
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Philip Sparke: Royal Salute: Brass Band: Score
Brass ensemble
Anglo Music
La plupart des pays ayant institué la tradition des musiques militaires ont dé...
(+)
La plupart des pays ayant institué la tradition des musiques militaires ont développé un style de marche caractéristique. Ainsi il est relativement aisé de distinguer une marche américaine d?une marche militaire française ou une marche allemande d?une marche espagnole. À l?intérieur du cadre structurel rigide d?une marche on réussit à percevoir même les plus subtiles différences de rythme d?harmonie et de tempo qui caractérisent les traditions de chaque pays.Il existe un ou plus exactement deux styles de marche typiquement anglais : celui des marches militaires représenté par des compositeurs tels que Kenneth J. Alford et celui des marches cérémonielles ou de concert quiatteindra l?excellence avec les marches orchestrales d?Elgar et Walton entre autres.Royal Salute (?Salut royal?) est une marche de difficulté moyenne qui perpétue cette grande tradition. On y retrouve des éléments typiques : des mélodies et contremélodies amples et un trio nobilmente.
15.99 GBP - Sold by Musicroom UK
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Alan Laken: Cowboy Suite: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
In the tripartite 'Cowboy Suite' Alan Laken takes us to the Wild West the domai...
(+)
In the tripartite 'Cowboy Suite' Alan Laken takes us to the Wild West the domain of cowboys indians trappers and other fortune hunters. Around 1890 the west coast of America was reached which in effect meant the end of the Wild West. Its stories however survived and have been a source of inspiration for many books films and of course music. Some characters such as Jesse James Billy the Kid and Buffalo Bill are forever linked to these tales. In the 'Cowboy Suite' we first hear the 'Hoedown'. At the end of an exhausting workday the labourers used to lay down their tools among others the 'hoes' and spontaneously began to play music on the instruments which they then possessed (guitars fiddles and banjos) and to dance. After being jolted on the 'Wagon Trail' we reach the third part the 'Cowboy Roundup'. In this last part it becomes clear that as a cattle driver it is imperative to stay firmly seated in the saddle. As the cattle are rounded up i.e. driven together spectacular things happen.
49.99 GBP - Sold by Musicroom UK
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2 sellers
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Carl Wittrock: The Power of the Megatsunami: Brass Band: Score
Brass ensemble
Gobelin Music Publications
The word ‘tsunami’ is of Japanese origin. When you look it up in a ...
(+)
The word ‘tsunami’ is of Japanese origin. When you look it up in a dictionary you will find that it means ‘a great sea wave produced by submarine earth movement or volcanic eruption’. A megatsunami is the superlative of this awesome expressionof power that nature can create and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred but since then we have become all too familiar with the disastrousconsequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunamitook the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami such as the island of La Palma one of the Canary Islands. This island is based on oceaniccrust at a fracture zone and as such is one of nature’s time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma the tidal wave will move in the direction of South America where it may reach 50km inland destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air the music creating an oppressiveatmosphere of impending disaster. Themes are interrupted broken off suddenly followed by silence suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake and the megatsunami isa fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature’s force has spent itself resignation sets in and the composition ends with a majestic ode to nature.
16.99 GBP - Sold by Musicroom UK
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Thomas Doss: REM-scapes: Brass Band: Score
Brass ensemble
Mitropa Music
...some moments for Ludwig van...-Sweet echoes of Beethoven’s Moonlight S...
(+)
...some moments for Ludwig van...-Sweet echoes of Beethoven’s Moonlight Sonata in the introduction bring a gentle slumber. Breathing is calm and sleep holds the promise of rest and relaxation.With the onset of the REM sleep phase however in which most dreams take place and where the day’s events are worked through we hear other sounds played.With distorted sounds reminiscent of an old gramophone the music pulls the listener inevitably ever deeper into the dreamscape in a very realistic dangerous situation that comes to a dramatic head. It triggers a desperate struggle between theimpulse to awaken and the exhausting urge to flee. For a short moment it seems as if the wakeful urge has won out before dream’s powerful spell is again cast and there’s no escape…
23.99 GBP - Sold by Musicroom UK
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Sting: Stroman Spring Fever Score: Brass Ensemble: Score
Brass ensemble
Chester
Stroman Spring Fever Score
10.99 GBP - Sold by Musicroom UK
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