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Cello, Piano
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I Could Sing Of Your Love Forever Vol.4
Cello, Piano
Hal Leonard
Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship ...
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Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship Series with I Could Sing of Your Love Forever: 12 instrumental duets for piano and cello. These tasteful, worship-centric arrangements by Christopher Phillips, Music Director at Christ Church Nashville, are perfect for offertories, postludes, or as intimate, stand-alone performances. With a focus on flexibility, these inspiring arrangements also offer the solo instrumental part transposed to include C instruments (Violin/Flute/etc.) and Bb instruments (Trumpet/Clarinet/etc.).As an added bonus, this folio comes with a complete demonstration listening CD which can be used both as a reference recording for your rehearsals or simply for your own listening pleasure and quiet times of reflection and worship.Further enhancing the value and usability of this featured publication, a CD Piano Accompaniment Track is available as a separate purchase. This enables the solo instrumentalist to perform these arrangements without the need of live piano accompaniment. / Violoncelle Et Piano
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Juan Lamote De Grignon: Reverie For Cello And Piano: Cello: Instrumental Work
Español
Cello, Piano
[Sheet music]
Unión Musical Ediciones
Reverie For Cello And Piano
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Stéphane Altier: Cinq Pieces Breves: Cello: Score
Français
Cello, Piano
[Sheet music]
Billaudot
Cinq Pieces Breves
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Piano
Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...
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Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
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Concertino #4 En Ut Maj. (BREVAL JEAN-BAPTISTE)
Français
Cello, Piano
[Sheet music]
Delrieu
Par BREVAL JEAN-BAPTISTE. / classique / Répertoire / Violoncelle et Piano
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Concertino #1 En Fa Maj. (BREVAL JEAN-BAPTISTE)
Français
Cello, Piano
[Sheet music]
Delrieu
Par BREVAL JEAN-BAPTISTE. / classique / Répertoire / Violoncelle et Piano
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Concertino #2 En Ut Maj. (BREVAL JEAN-BAPTISTE)
Français
Cello, Piano
[Sheet music]
Delrieu
Par BREVAL JEAN-BAPTISTE. / classique / Répertoire / Violoncelle et Piano
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Concerto #1 En Sol Maj. (BREVAL JEAN-BAPTISTE)
Français
Cello, Piano
[Sheet music]
Delrieu
Par BREVAL JEAN-BAPTISTE. / classique / Répertoire / Violoncelle et Piano
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Breval J.b. - Concertino N°2 En Ut Maj. - Violoncelle, Piano
Français
Cello, Piano
-
Beginner
Durand
Compositeur/Auteur : BREVAL Jean-Baptiste Discipline/Instrument : violoncelle et...
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Compositeur/Auteur : BREVAL Jean-Baptiste Discipline/Instrument : violoncelle et piano Support : Partition Style/Genre : classique Date de parution : nov.-32 Nombre de pages : 16
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Concertino #3 En La Maj. (BREVAL JEAN-BAPTISTE)
Français
Cello, Piano
[Sheet music]
Delrieu
Par BREVAL JEAN-BAPTISTE. / classique / Répertoire / Violoncelle et Piano
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Concertino #5 En Ré Maj. (BREVAL JEAN-BAPTISTE)
Français
Cello, Piano
[Sheet music]
Delrieu
Par BREVAL JEAN-BAPTISTE. / classique / Répertoire / Violoncelle et Piano
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Concerto #2 En Ré Maj. (BREVAL JEAN-BAPTISTE)
Français
Cello, Piano
[Sheet music]
Delrieu
Par BREVAL JEAN-BAPTISTE. / classique / Répertoire / Violoncelle et Piano
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Breval J.b. - Concertino N°1 En Fa Maj. - Violoncelle, Piano
Français
Cello, Piano
Durand
Compositeur/Auteur : BREVAL Jean-Baptiste Discipline/Instrument : violoncelle et...
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Compositeur/Auteur : BREVAL Jean-Baptiste Discipline/Instrument : violoncelle et piano Support : Partition Style/Genre : classique Date de parution : févr.-32 Nombre de pages : 12
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François Couperin: Pièces En Concert: Cello: Instrumental Work
Français
Cello, Piano
[Sheet music]
Leduc, Alphonse
Initially written by Couperin this set of Pièces En Concert was reviewed and...
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Initially written by Couperin this set of Pièces En Concert was reviewed and commented by Paul Bazelaire a professor at the Paris Conservatoire. This Cello and Piano version written for intermediate or upper intermediate players includes 5 pieces: - Prélude - Sicilienne - La Tromba - Plainte - Air de Diable Written in increasing difficulty these pieces also exist in a version for Cello and String Quartet. François Couperin is a very famous French composer who played the Harpsichord and the Organ. Coming from afamous family of musicians he was nicknamed “Couperin le Grand” ('Couperin the Great').
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Mario Pilati: Sonata per violoncello e pianoforte: Cello
Cello, Piano
Ricordi
Revisione sull'autografo di / autograph revised by Rina You
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Antonín Dvo?ák: Cello Concerto In B Minor Op.104 (Cello & Piano): Cello:
Cello, Piano
[Sheet music]
Barenreiter
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concer...
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Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.
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Nadia Boulanger: 3 Pièces No.3 In C Sharp Minor: Cello: Instrumental Work
Cello, Piano
Heugel
The third of revered composer and teacher Nadia Boulanger's 3 Pieces for Cello a...
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The third of revered composer and teacher Nadia Boulanger's 3 Pieces for Cello and Piano.
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Arnold Bax: A Folk-Tale (Conte Populaire) for Cello And Piano: Cello:
Cello, Piano
Chester
Sir Arnold Edward Trevor Bax (1883-1953) was an English composer and poet. He st...
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Sir Arnold Edward Trevor Bax (1883-1953) was an English composer and poet. He studied Piano and composition at the Royal Academy of Music and was considered for a time to be in the leading group of British composersalong with Ralph Vaughan Williams and William Walton. He was appointed Master of the King’s Music in 1942.A Folk Tale (Conte Populaire) is scored for Cello and Piano. It is dedicated to Felix Salmond(1888-1962) an English cellist and teacher who enjoyed much success during his lifetime both in the UK and in north America.
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3 Pieces N03 Ut Diese Mineur Violoncelle Et Piano (BOULANGER NADIA)
Cello, Piano
[Sheet music]
Heugel
Par BOULANGER NADIA. The third of revered composer and teacher Nadia Boulanger's...
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Par BOULANGER NADIA. The third of revered composer and teacher Nadia Boulanger's 3 Pieces for Cello and Piano. / Répertoire d'Examen / Répertoire / Violoncelle et Piano
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Francis Poulenc: Souvenirs: Cello: Score and Parts
Cello, Piano
[Sheet music]
Salabert
extrait de la musique de scène pour « Le Voyageur sans bagages »-A prev...
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extrait de la musique de scène pour « Le Voyageur sans bagages »-A previously unreleased piece by Francis Poulenc published with permission from the Bibliothèque Historique de la Ville de Paris and Benoît Seringe secretary of the Association des amis de Francis Poulenc [Association of the Friends of Francis Poulenc]. Le Voyageur sans bagage [The Traveller Without Luggage] which had been premiered in 1937 with music by Darius Milhaud was reprised on 1 April 1944 at the Théâtre de la Michodière; Francis Poulenc was asked to compose new stage music. The entire unpublished score lay undiscovered until Bérengère del’Épine a librarian at the Bibliothèque Historique de la Ville de Paris announced the existence of a manuscript in the Association de la Régie Théâtrale collection. Poulenc finalised the score between 19 and 21 March 1944. It contains nine songs all written for a small instrumental ensemble including Oboe Clarinet Cello and Piano. However at the end of the manuscript the composer echoes the second song – Lent [Slow] – and creates another version for Cello and Piano; curiously the original version of the song has not been erased in the manuscript. Poulenc seems to suggest that we consider the piece for Cello and Piano that we have published here as a different piece of music. It was premiered on Wednesday 23 January 2013 by Marc Coppey accompanied by Jean-François Heisser in the organ auditorium of the Conservatoire National Supérieur de Musique et Danse de Paris (CNSMDP) during the symposium for the fiftieth anniversary of Poulenc’s death. Given in a dramatic context some elements allow us to get an idea of the character of the piece which Benoît Seringe Poulenc’s beneficiary judiciously chose to name Souvenirs. The main character of Anouilh’s play Gaston is suffering from amnesia at the end of World
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Camille Saint-Saëns: Complete Shorter Works For Cello And Piano: Cello:
Cello, Piano
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Intermediate/advanced
Kevin Mayhew
Saint-Saens' life-long admiration of the cello led to some of his finest composi...
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Saint-Saens' life-long admiration of the cello led to some of his finest compositions. This edition by celebrated cellist Steven Isserlis and Saint-Saens scholar Sabina Teller Ratner brings together a collection as varied as it is appealing for Solo Cello with Piano Accompaniment. This volume includes some of Saint-Saens' best-loved pieces such as Allegro Appasionato and Le Cygne alongside his previously unpublished Gavotte.Primary sources have been consulted in preparation of the edition which includes performance notes by Steven Isserlis and an informative introduction.The solo cello part is also includedon a separate insert.
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Franz Joseph Haydn: Cello Concerto In C Hob.VIIb: Cello: Instrumental Work
Cello, Piano
G. Henle
Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) w...
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Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) was probably composed between 1762 and 1765 when he was already director of music to Prince Esterh zy. It may have been writtenfor the cellist in the court Orchestra Joseph Weigl (1740-1820) for whom Haydn most likely also wrote the solo Cello parts in his early symphonies. Weigl was a member of the Esterh zy ensemble from 1761 to 1769 andthereafter served as a principle cellist in various Viennese ensembles.The concerto was rediscovered by Oldrich Pulkert who in 1961 found an eighteenth-century manuscript copy (Prag National Museum Fonds Radenin) andpublished the concerto in 1962. Previously the existence of this piece was known only through Haydn’s entry in his private list of works (the so-called ‘Entwurf’ [‘draft’] catalogue).The Orchestral setting ismodest: besides the Strings (with a non-obligato Bassoon doubling the Bass part) there are two Oboes and two Horns which are reserved almost exclusively for the tutti passages.This Piano reduction is based on the text givenin the complete edition of Haydn’s works as edited by the Joseph Haydn Institute Cologne (Joseph Haydn Werke Series III Vol.2 with Preface and Critical Report published by G. Henle Verlag Munich 1981). The Cello partin the Piano reduction is identical to that of the complete edition and thus follows the Prague source as closely as possible even in the expression marks and in certain peculiarities of notation.
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Sheku Kanneh-Mason: The Sheku Kanneh-Mason Cello Collection: Cello and Accomp.:
Cello, Piano
Faber Music Limited
The Sheku Kanneh-Mason Cello Collection. The Sheku Kanneh-Mason Cello Collection...
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The Sheku Kanneh-Mason Cello Collection. The Sheku Kanneh-Mason Cello Collection combines the artist?s renowned performance repertoire with his own inspirational compositions, all as performed by Sheku himself. Suitable for the intermediate cellist and beyond, this dynamic volume is sure to spark a desire to perform. With commentary from Sheku revealing the stories behind the pieces and his own expert advice, this collection is a must-have for all aspiring cellists.
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The Sheku Kanneh-Mason Cello Collection
Cello, Piano
[Sheet music]
Faber Music Limited
The Sheku Kanneh-Mason Cello Collection combines the artist’s renowned perform...
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The Sheku Kanneh-Mason Cello Collection combines the artist’s renowned performance repertoire with his own inspirational compositions, all as performed by Sheku himself. Suitable for the intermediate cellist and beyond, this dynamic volume is sure to spark a desire to perform. With commentary from Sheku revealing the stories behind the pieces and his own expert advice, this collection is a must-have for all aspiring cellists./ Recueil / Violoncelle et Piano
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Felix Mendelssohn Bartholdy: Variationen Opus 17 Und Andere Stücke: Cello:
Cello, Piano
G. Henle
Besides two genuine Cello 'hits' from the pen of Felix Mendelssohn Bartholdy t...
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Besides two genuine Cello 'hits' from the pen of Felix Mendelssohn Bartholdy the 'Variations Op. 17' and the 'Song Without Words Op. 109' this urtext edition contains a little sensation: thepremière publication of a delightful and previously unknown original piece for Cello and Piano. Mendelssohn wrote it down in the album of his friend the distinguished cellist Julius Rietz in 1835 while at the pinnacleof his creative powers. All cellists will be happy to welcome this 'Album Leaf' into their repertoire.
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Sonata C Major, Op. 40/1
Cello, Piano
Schott
It is impossible to imagine today's cello lessons without the works by Jean-Bapt...
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It is impossible to imagine today's cello lessons without the works by Jean-Baptiste Bréval (1753-1823).This sonata is the first of the Six Sonates non difficiles pour le violoncelle Op. 40 (1795). To this day it remains popular among cello teachers and pupils alike. Because of its comfortable tonality and technical simplicity, it is an interesting classical sonata for cello students who are experienced in playing in first position and do not shy away from occasional excursions into other positions.As a performance piece, the sonata can be accompanied either by a second cello, as in Bréval's original version, by piano, or even by both instruments. The sonata is particularly suitable for music lessons and concertos in the popular version for violoncello and piano by Joachim Stutschewsky, which was revised for the Schott Student Edition by Rainer Mohrs and edited and prefaced by Beverly Ellis.The new Schott Student Edition series offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Barry John - James Bond Collection + Cd - Cello And Piano
Cello, Piano
[Sheet music + CD]
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Intermediate
Alfred Publishing
Category: String Series Format: Book & CD Instrument: Cello Instrumentation: Cel...
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Category: String Series Format: Book & CD Instrument: Cello Instrumentation: Cello (with Piano Acc.) Level: Level 2-3 The arrangements in this new series were written especially for violin, viola, and cello, taking into account the specific needs of each instrument. All the arrangements are completely compatible with each other and can be played in small ensembles or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. Each song on the fully orchestrated accompaniment CD includes a demo track, which features a live string performance, followed by the play-along track by itself. Titles are: Diamonds Are Forever * For Your Eyes Only * From Russia with Love * Goldfinger * The James Bond Theme * Live and Let Die * Nobody Does It Better * On Her Majesty's Secret Service * Thunderball * Tomorrow Never Dies * The World Is Not Enough * You Only Live Twice.
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Elizabeth Maconchy: Divertimento: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Alfred Lengnick
Elizabeth Maconchy's Divertimento For Cello And Piano. Previously AL03818
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Johannes Brahms: Sonata In E Minor Op. 38 For Cello & Piano: Cello: Instrumental
Cello, Piano
G. Henle
The E minor Cello Sonata is the first work for one solo instrument and Piano whi...
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The E minor Cello Sonata is the first work for one solo instrument and Piano which the meticulous composer also had printed. In summer 1865 Brahms offered it to the publisher Simrock as a sonata “whose twoinstruments are both absolutely easy to play” – and rightly so: contrary to the later F-major Sonata op. 99 (HN 1135) this early sonata is technically less demanding yet musically more striking at the same time sothat it is a hit with amateurs and professionals alike. This Henle edition is based on the new Brahms Complete Edition and thus boasts besides in-depth comments a musical text revised according to the latest scholarlyfindings; as always the Cello part is enhanced with additional markings.
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