Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Piano, Piccolo, Timpani, Trombone 1, Trombone 2 and more.

SKU: PR.446411390

For Cello. Composed by Donald Erb. Full score (study). With Standard notation. 70 pages. Theodore Presser Company #446-41139. Published by Theodore Presser Company (PR.446411390).

UPC: 680160096619. 11 x 17 inches.

Clarinet, Flute, Violin, String Orchestra

SKU: HL.4491326

Cello. Arranged by Leonard Slatkin. Easy Music For Strings. Folk. Softcover. 12 pages. Published by Hal Leonard (HL.4491326).

ISBN 9781480366237. UPC: 884088962562. 9x12 inches.

World Songs for Solo Instruments and Strings is the newest in a series of publications by internationally acclaimed conductor Leonard Slatkin, long known for his commitment to music education. These easy to intermediate folk song settings for flexibie solo (violin, flute or clarinet*) with youth orchestra accompaniment are a wonderful set of pieces for your concert catalog - and with 25 minutes of concert programming they're also a great value! Add flair to your performance with the optional percussion parts. Includes:

• *When Johnny Comes Marching Home (features all three solo instruments)

• Volga Boatmen's Song

• Danny Boy

• Dance of the Cockroach

• Funiculì, Funiculà

• *Simple Grace (setting of Simple Gifts and Amazing Grace for solo piano with strings)

• O Waly, Waly (The Water Is Wide)

• Frère Jacques

• Ich hab die Nacht Geträumet (I Dreamed This Night)

• Home on the Range.

Cello

SKU: HL.49044054

For Solo Cello without Bow. Composed by Zoe Martlew. This edition: Saddle stitching. Sheet music. String Solo. Classical, Contemporary. Softcover. Composed 2012. 8 pages. Duration 4'. Schott Music #ED13547. Published by Schott Music (HL.49044054).

ISBN 9790220134029. UPC: 888680029128. 9.25x12.0x0.073 inches.

'Stir' takes its title from the sound made while slowly making circles on the body of the cello with the fingertips, and to the mixing of non-bowed percussive and melodic elements. The piece uses a wide range of extended techniques and the performer's pitched voice, which takes on a more traditionally cello-like role.