Für Oboe (Klarinette), Fagott Und Klavier. Par GERNOT WOLFGANG. Die Komposition verbindet aufs Neue die zwei Lieblingsbereiche des Komponisten: die 'E'-Musik des 20. Jh. sowie den Jazz. Vom Jazz kommen die rhythmischen Elemente, während die die Einflüsse der 'E'-Musik in der kompositorischen Entwicklung sowie in den formalen Aspekten hörbar sind. In harmonischer Hinsischt fühlt sich der in L. A. /USA lebende Komponist von beiden musikalischen Welten gleichermaßen inspiriert. Endlich wurde das Repertoire in der klassischen Poulenc-Trio Besetzung um ein zeitgemäßes Werk erweitert./ Répertoire / Musique de Chambre

Par WOLFF CHRISTIAN. Composed, as the title suggests, for the 80th birthday of Alvin Lucier on May 14, 2011, At 80, Plus for Alvin Lucier by Christian Wolff is largely open in form and can be performed by any players, with variable duration. The performing score, published here as a facsimile of the autograph manuscript, consists of 14 short phrases to be performed in any sequence, followed by a 15th concluding phrase. In addition, all but one of the phrases may be performed in any clef or any transposition. / Date parution : 2022-09-07/ Répertoire / Ensemble de Chambre

For Professional and Amateur Chamber Musicians. Par USUI SHIORI. / Date parution : 2023-06-01/ Répertoire / Ensemble de Chambre

Arrangeur: Joseph Knaus. Par SUZUKI SHINICHI. Comprised of works from Volumes 1, 2 and 3 of the Suzuki Violin School, which have been arranged for string quartet by violinist/arranger Joseph Knaus. With lower string parts providing melodic and rhythmic counterpoint to set off the simple melodies (which match the Suzuki Method[R] repertoire), these quartets are nevertheless simple enough for beginning level players ready for their first chamber music experience. String Quartets for Beginning Ensembles are sold in sets including full score and one part book per instrument. Volume 1 contents are: Twinkle, Twinkle, Little Star Theme and Variations (Shinichi Suzuki) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go TellAunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Long, Long Ago (T. H. Bayly) * Allegro (Shinichi Suzuki) * Etude (Shinichi Suzuki) * Perpetual Motion (Shinichi Suzuki) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Gavotte (F. J. Gossec). / Niveau : Débutant / Méthode / Recueil / Orchestre de Chambre

This unique collection of 20 Beatles tunes presents, in score format, the parts played by the band's studio session players, so that you can study and play exactly what those Violins, Harps or Trumpets were playing. / Tout Instrument

Musique A Grande Vitesse (MGV ) translates as 'high speed music' and was commissioned by the Festival de Lille for the inauguration of the TGV North European Paris-Lille line in 1993.The piece runs continuously, but was conceived as an abstract, imaginary journey- or rather five inter-connected journeys, each ending with a slow, mainly stepwise melody which is only heard in its 'genuine' form when the piece reaches its destination.Thematic 'transformation' is a key to MGV as a whole. Throughout the piece ideas - rhythmic, melodic, harmonic, motivic, textural - constantly change their identity as they pass through different musical 'environments'.The opening bars establish both a recurrent rhythmic principle - 9, 11, or 13-beat rhythmic cycles heard against a regular 8 - and a harmonic process - chord sequences (mainly over C and E) which have the note E in common. (Coincidentally, MGV begins in C and ends in E). A later scalic, syncopated figure (again first heard over C, E and A) begins the second section, featuring Brass, in D flat.The topography of MGV should be experienced without reference to planning, description or timetables. The piece's tempo changes and unpredictable slowings down bear no logical relation to the high speed of the Paris-Lille journey, while the temptation to treat MGV as a concerto grosso, with the Michael Nyman band as the ripeno, was resisted: more suitably the band (amplified in live performance) lays down the tracks on which MGV runs. / Orchestre

Symphonies. Par RAMEAU JEAN-PHILIPPE. This edition unites all the purely instrumental and dance numbers from one of Rameau?s most popular operas, along with those from his last one-act opéra-ballet ?Io?, which was left unfinished at the time of his death. ?Platée? is the setting of a libretto by Jacques Autreau that Rameau arranged to be adapted for his own purposes, especially with regard to comic effects. In grotesque form, it shows Jupiter curing his wife Juno of her jealousy by feigning a marriage of love with the ugly swamp nymph Platée. Faced with such a ludicrous rival, Juno is forced to admit that her suspicions were unfounded. The opera was premièred in Versailles in 1745 for the wedding of the Dauphin Louis and Maria Theresia of Spain. The performance was a fiasco, however, for the coarse comedy and bizarre characters were deemed inappropriate by the wedding audience. It was not until 1749 in Paris that ?Platée? achieved its breakthrough, becoming Rameau?s greatest triumph to date. Another version with an altered text was performed from 1754 on. The plot of the fragmentary ?Io? deals with the amorous relations between the nymph Io and Jupiter in the guise of the shepherd Hylas, who becomes a rival of Apollo, disguised as Philemon. Now the inventive and richly varied orchestral numbers from this cruelly comical bonfire of the vanities can be presented in concert with greater flexibility. / Date parution : 2022-04-05/ Répertoire / Ensemble de Chambre