SKU: GH.GE-10526
ISBN 9790070105262. A4 inches. Key: G moll / g minor.
SKU: GH.GE-10528
ISBN 9790070105286. A4 inches. Key: A moll / a minor.
SKU: GH.SK-779S
SKU: CA.3116315
ISBN 9790007208998. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.
SKU: GI.WW1607A
UPC: 888680603502. English. Text by Emily Dickinson.
Cello part for Heavenly Hurt.
SKU: OU.9780193570290
ISBN 9780193570290. 12 x 8 inches.
For SATB and solo cello This anthology draws twelve compelling pieces for SATB and solo cello into a collection that may be used to form a complete concert programme. Edited by composer and cellist Becky McGlade, it includes a rich diversity of styles, with an impressive array of new compositions and adaptations of works from the classical canon.
SKU: OU.9780193570283
ISBN 9780193570283. 10 x 7 inches.
SKU: HL.49044071
ISBN 9790001199063. German.
With Carl Friedrich Zelter's motet Wachet auf, ruft uns die Stimme, Hermann Max, editor of the Choral Treasury series, has uncovered a real treasure. The three-verse text of the motet for mixed choir (SATB) and basso continuo was written by Friedrich Gottlob Klopstock who kept close to the Advent song of the same name by Philipp Nicolai. During Zelter's lifetime, the motet enjoyed great popularity. And quite rightly so: For the music teacher and friend of Goethe turned out to be a composer with an extraordinary sense of tone. An introductory choral movement is followed by a captivating bass aria which can be optionally sung by all basses of the choir. The piece culminates in an elaborate virtuoso fugue with an interwoven cantus firmus in the bass. A demanding, yet highly rewarding rarity in church music!
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