SKU: BT.DHP-1135511-070
ISBN 9789043149235. 9x12 inches.
MODERATO, QUASI MARCIA is the first movement from the Serenade in D minor op. 44 for winds, violoncello and bass by Antonin Dvorak.Moderato, quasi marcia is het eerste deel van Serenade in D minor opus 44 voor blazers, cello en bas van Anton n Dvoák, genaamd Grande Serenade in een bewerking voor klarinetensemble.Moderato, quasi marcia ist der erste von vier Sätzen aus der Serenade in d-moll op. 44 für Bläser, Violoncello und Kontrabass von Antonin Dvorak. Instrumentation 1 - Conductor 1 - Eb Clarinet 2 - Bb Clarinet 1 2 - Bb Clarinet 2 2 -Bb Clarinet 3 2 - Bb Clarinet 4 1 - Eb Alto Clarinet 1 - Bb Bass Clarinet 1 - Bb Contrabass ClarinetModerato, quasi marcia est le premier des quatre mouvements qui composent la Sérénade en Ré mineur opus 44 pour vents, violoncelle et contrebasse, dite Grande sérénade, d Antonin Dvorak. Instrumentation : Cla. Mi/Cla. Si 1, 2& 3/Cla. Alto/Cla. Basse/Cla. Contralto Mi/Cla. Contrebasse Si.Moderato, quasi marcia è il primo dei quattro movimenti che compongono la Serenata in re minore opus 44 per fiati, violoncello e contrabbasso, detta Grande serenata, composta da Anton n Dvoák. Strumentazione : Cla. Mi/Cla. Si 1, 2 & 3/Cla. Alto/Cla. Basso/Cla. Contralto Mi/Cla. Contrabbasso Si.
SKU: P2.30083
Beethoven's Sextet for Two Horns and String Quartet, Op. 81b is a bit of an oddity in the composer's catalog. The sextet for the very old-fashioned instrumentation of two horns, two violins, viola and cello, is especially rare. The work seems to have been written around 1795, in the period when Beethoven was beginning to make his way in Viennese society as a composer and keyboard virtuoso after a period of study with Haydn. The work has the light-hearted, easy-going tone of the serenade/divertimento tradition, although the way that Beethoven writes for the horns makes the Sextet unusual. In this work, the horns are featured, with brilliant fanfares and technically challenging passages, while the four strings are relegated to a subsidiary role. In this arrangement, the Eb clarinet and a solo Bb clarinet play the role of the horns, while the rest of the choir assume the position of the string parts.
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