Sonaten 1-3-This work contains numbers 1-3 of Johan Helmich Roman's 12 Sonatas for Flute and Bass Continuo.  Johan Helmich Roman goes down in the history books as Sweden's first internationally famed composer but mostly it is his sonatas for solo instruments that get recorded. He wrote a set of unaccompanied Violin sonatas that lie easily under the player's fingers and the same is true of this group of 12 sonatas for Flute and continuo.

How To Sit On A Rock-New owners of the Native American Flute are often told to go 'sit on a rock' and teach themselves how to play. Through eight lessons introducing the technique and theory of both the outer and inner 'game' of Native AmericanFlute improvisation players of all levels learn to express the music growing inside themselves.The exercises in this volume are presented in fingering diagrams and Nakai TAB-an easy-to-learn derivative of standard musicnotation most commonly used for Native American Flute. Access to online audio included.

Sonatas From Opus 1-This first volume comprises seven of Handel's elegant Flute sonatas from Opus 1. This edition was edited and realised by Lionel Salter and aims to provide Flautists and Recorder players with as authentic atext as possible in a practical form. The Flute part is also included in a separate booklet.

13 songs guaranteed to get the fans fired up including: Crazy Train · Don't Stop Believin' · Eye of the Tiger · Havana · Seven Nation Army · Sweet Caroline · We Are the Champions · and more. Songs are arranged for instrumentalists and feature access to great demonstration and backing tracks so they can play along and sound like a pro! Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right.

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière

for flute and piano- Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century Flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works forthe Flute this among them. Susan Milan acclaimed soloist and teacher has edited this elegant edition. Replaces the old edition HE35 from Hunt Edition. First published in Hamburg in 1888. In editing the Sonatinas Susan Milan has tidied some of the articulation making the Flute part consistent. Discrepancies between markings in the Flute and Piano part have been corrected. She has occasionally added some slurs where the lyrical nature of a section might be enhanced and staccati have been added where it appears to have been missing. On the whole expression marks have not been added or changed original markings.

This unique volume is the second collection of the renowned Galway flute player's compositions and includes his wonderful Ward's Eviction Suite.Vincent Broderick's tunes have all the qualities that have made them naturally and gracefully such an important part of the Irish music tradition. Hear all the tunes from this volume of Vincent Broderick's collection plus an archive recording of Vincent playing Ward's Eviction Suite.The arrangements are suitable for all melody instruments.

Marcel Moyse has become one of the legendary great flautists of the 20th century. As a pupil of Tannanel and successor to Gaubert at the Conservatoire National de Paris he stands in the direct tradition of the 'French School'. How I Stayed in Shape is his last book of studies (1974) presented here for the first time in a trilingual edition (French German English). His pedagogic and artistic experiences are set out in their entirety with the aim of helping professional flute players who have little time to practise and also ‘everyone who loves the flute while not forgetting the music’. This volume aims to improve the basic aspects of flute playing (formation oftone intonation articulation phrasing) using examples from the repertoire and Moyse's own detailed comments.

Music Minus One Flute or Violin-These Baroque flute pieces are beautiful and great fun for the budding chamber player. Lots of charming melodies and interplay between the instruments make them a great practice-ground for chamber-playing as well! Includes a high-quality printed music score and a compact disc containing a complete performance with soloist then a second version with the accompaniment minus the soloist. Performed by Rameau Trio: Jean Antrim flute Accompaniment: Fortunato Arico Jocelyn Chaparro harpsichord

Par DEHNHARD TILMANN. Tilmann Dehnhard is a creator of music which specialises in unusual playing and sound techniques. In Endlos, this remarkable work for solo flute he combines modern playing technique with extended breathing techniques. Dehnhard sets up the score with fingering patterns and playing instructions to approach intonationally the nuanced pitch changes that often require small variations around a single note. Many changes of meter in this piece for advanced players support the rhythmic differentiations which creates an energetic expressive solo. The use of circular breathing perfects the flow of the work, whose sound world is hard to escape. A ring-keyed flute with a B-foot is recommended, as well as previous knowledge of contemporary flute playing. / Date parution : 2023-03-21/ Répertoire / Flute Solo

13 songs guaranteed to get the fans fired up, including: Crazy Train · Don't Stop Believin' · Eye of the Tiger · Havana · Seven Nation Army · Sweet Caroline · We Are the Champions · and more. Songs are arranged for instrumentalists and feature access to great demonstration and backing tracks so they can play along and sound like a pro! Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Selected from the 2014-2017 Syllabus-This album contains nine pieces from ABRSM's 2014-2017 Grade 5 Flute syllabus.