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Opera
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Crescendo (CORDUAS / CUSANO / MAGGIORE / DI NAT)
Opera
[Sheet music]
Carisch
Par CORDUAS / CUSANO / MAGGIORE / DI NAT. Classical/ Recueil / Opéra Théorique...
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Par CORDUAS / CUSANO / MAGGIORE / DI NAT. Classical/ Recueil / Opéra Théorique ou Didactique
19.20 EUR - Sold by LMI-partitions
(Seller in french langage)
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Suena Suena Bits Sonoros+Cd (VELILLA NATALIA)
Español
Opera
[Sheet music + CD]
Real Musical
Par VELILLA NATALIA. Los bits sonoros Suena suena, consisten en 82 tarjetas dond...
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Par VELILLA NATALIA. Los bits sonoros Suena suena, consisten en 82 tarjetas donde se han fotografiado diferentes fuentes sonoras, desde un perro, un objeto o fenómeno de la naturaleza, hasta un instrumento musical. Cada tarjeta se acompaña de su sonido, el cual está grab un CD y además se incluye un cuadernillo con sugerencias para realizar diferentes actividades a partir de los bits sonoros./ Etude / Opéra Théorique ou Didactique
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Thomas Adès Tom Cairns: The Exterminating Angel: Opera: Vocal Work
Opera
[Vocal Score]
Faber Music Limited
An Opera in Three Acts-Adès?s third opera The Exterminating Angel premiered at...
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An Opera in Three Acts-Adès?s third opera The Exterminating Angel premiered at the Salzburg Festival in July 2016. Based on Luis Buñuel?s surrealist classic El ángel exterminador the opera sees a collection of society?s grandees inexplicably trapped in a room.The libretto adapted from the original Buñuel-Alcoriza screenplay by the composer together with the director Tom Cairns brilliantly captures their descent into anarchy. Featuring a jaw-dropping 15 principals (who remain on stage for the majority of the piece) The Exterminating Angel is a true ensemble opera and the skill with which Adès delineates the many intricacies and undercurrents present over itsdensely-packed span (just under two hours plus interval) is breathtaking. Like the shipwrecked characters of The Tempest the cast of this new opera are held in a state of entrapment and dramatic stasis. Like the glittering high-society world of Powder Her Face the dinner party guests are denizens of a nightmarish world of aristocratic pretension.
13.99 GBP - Sold by Musicroom UK
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Philip Glass: Akhnaten Act 1-3: Opera: Score
Opera
[Sheet music]
Dunvagen Music Publishers
Einstein the man of science; Gandhi the man of politics; Akhnaten the man of ...
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Einstein the man of science; Gandhi the man of politics; Akhnaten the man of religion. These three men revolutionised the thoughts and ideas of their times and the subject of this Opera in three acts. The libretto wascompleted by Glass in association with Shalom Goldman Robert Israel and Richard Riddell. The Opera itself was commissioned by The Stuttgart State Opera and premiered in March 1984.
239.99 GBP - Sold by Musicroom UK
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Musica And Musica Alumno V.1+Dvd (VELILLA NATALIA)
Español
Opera
[Sheet music]
Real Musical
Par VELILLA NATALIA. Education / Formation musicale / Recueil / Opéra Théoriq...
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Par VELILLA NATALIA. Education / Formation musicale / Recueil / Opéra Théorique ou Didactique
23.30 EUR - Sold by LMI-partitions
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Appunti Di Analisi Formale (DIONISI RENATO)
Opera
[Sheet music]
Curci
Par DIONISI RENATO. / Autre FM / Opéra Théorique ou Didactique
16.41 EUR - Sold by LMI-partitions
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Lezioni Armonia Complementare (DIONISI RENATO)
Opera
[Sheet music]
Curci
Par DIONISI RENATO. / Études et exercices / Etude / Opéra Théorique ou Dida...
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Par DIONISI RENATO. / Études et exercices / Etude / Opéra Théorique ou Didactique
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Solfeggi Cantati (GRISONI RENATO)
Opera
[Sheet music]
Curci
Par GRISONI RENATO. / Solfège/Formation Musicale / Opéra Théorique ou Didacti...
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Par GRISONI RENATO. / Solfège/Formation Musicale / Opéra Théorique ou Didactique
16.41 EUR - Sold by LMI-partitions
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Philip Glass: Akhnaten - Opera In 3 Acts: Opera: Vocal Score
Opera
[Sheet music]
Dunvagen Music Publishers
Complete Vocal Score of Philip Glass's Opera In 3 Acts Akhnaten. Inlcudes full ...
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Complete Vocal Score of Philip Glass's Opera In 3 Acts Akhnaten. Inlcudes full lyrics and Piao accompaniment.
42.50 GBP - Sold by Musicroom UK
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Akhnaten (GLASS PHILIP)
Opera
Dunvagen Music Publishers
Par GLASS PHILIP. The third in Glass' trilogy of operas about men who changed th...
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Par GLASS PHILIP. The third in Glass' trilogy of operas about men who changed the world in which they lived through the power of their ideas, Akhnaten's subject is religion. The Pharaoh Akhnaten was the first monotheist in recorded history, and his substitution of a one-god religion for the multi-god worship in use when he came to power was responsible for his violent overthrow. The opera describes the rise, reign, and fall of Akhnaten in a series of tableaux. This newly typeset edition is in accord with the vocal score, DU11199, first released in 2017./ Répertoire / Opéra
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Die Harmonie der Welt Teil C (HINDEMITH PAUL)
Opera
Schott
Par HINDEMITH PAUL. The opera is set in a variety of locations between the years...
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Par HINDEMITH PAUL. The opera is set in a variety of locations between the years 1608 and 1630 and throws a spotlight on individual scenes, sometimes presented simultaneously, from the life of the astronomer Johannes Kepler (1571-1630); the opera takes its name from Kepler’s theoretical work ‘Harmonices mundi’. Hindemith utilises substantial historical studies as the basis for his sketches of individuals within Kepler’s circle who each accompany the astronomer’s scientific endeavours with a variety of personal ambitions. The military commander Wallenstein attempts to utilise Kepler’s astrological abilities to realise his own pretensions to power while Kepler’s assistant Ulrich aspires to scientific fame and recognition. Kepler’s mother urges her son to apply his scientific abilities to the services of her black magic and the Lutheran minister Hizler forbids the astronomer to receive communion because Kepler questions the doctrine of Holy Communion in the Lutheran church and expresses sympathy for Calvinist doctrine. The few figures shed in a positive light include Kepler’s wife Susanna who supports her husband’s pursuit of truth and knowledge and the child Susanna who listens to the voices of nature and the moon in her childish naivety, thereby gaining revelatory knowledge. At the end of his life, Kepler takes stock of his situation, succumbs to a state of resignation and considers death as the greatest harmony of all. In his state of agony, music of the spheres can be heard; the constellations appear as allegorical figures in the opera and contradict Kepler’s negative concepts: lying beyond all that can be researched by mankind is a final majestic realm with the powers to ‘permit us to be amalgamated into a gigantic harmony of the spheres.’ / Date parution : 2022-07-20/ Répertoire / Opéra
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Gioachino Rossini: Mosè In Egitto (Volume 1 + 2): Voice: Vocal Score
Opera
[Sheet music]
Ricordi
Ed. critica di Charles S. Brauner - Riduzione per canto e pianoforte-Mosè in Eg...
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Ed. critica di Charles S. Brauner - Riduzione per canto e pianoforte-Mosè in Egitto (1818) is the fourth of the nine opere serie that Rossini composed for Naples between 1815 and 1822. As his letters to his mother show Rossini was very proud of this opera considering it an especially fine achievement that might appeal more to posterity than to the audiences of his day. In fact it proved to be one of his most frequently performed opere serie. The present reduction for voice and piano in two volumes derives from the critical edition of the score published by Fondazione Rossini Pesaro in collaboration with Casa Ricordi by Charles S. Brauner: the edition is based mainly on the autograph score now housed in theBibliothèque nationale de France in Paris. This autograph score is complete but it is not completely autograph and many sections have offered some problems for the reconstruction of the text: the recitative in Act I and the Aria Mosè in Act II are not by Rossini the first five recitatives in Act II are not in Rossini’s hand and may or may not be by Rossini also not in Rossini’s hand is the Aria Amaltea although undoubtedly by Rossini because borrowed from his earlier opera Ciro in Babilonia. The Preface and the Critical Commentary offer for the first time some valid tools to reconstruct the entire history of the opera since the first performance in Naples (1818 1819) to the Parisian ones (1822 – 1840). In particular in the appendices are included the original Aria Faraone which composed by Michele Carafa for the first two productions of the opera in Naples in 1818 and 1819 was later replaced by the Aria Faraone Rossini himself composed in 1820 and in Appendix II the new ending of the recitative following Duetto N. 3 which Rossini composed for one of the Parisian performances after 1822.
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Richard Wagner: Tannh?user: Mixed Choir: Vocal Score
Opera
[Sheet music]
Schirmer
Wagner completed the first version of the opera in 1845 during his tenure as Kap...
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Wagner completed the first version of the opera in 1845 during his tenure as Kapellmeister at the royal court of Dresden but he continued to redraft and revise it for the rest of his life. The setting is medieval Germany: the minstrel Tannhauser has fallen into sin with the goddess Venus but after a year in a moment of realisation he demands to leave. He finds himself near his home and is reunited with Elisabeth a girl he once loved. Elisabeth's uncle the landgrave organises a singing competition between Tannhauser and Wolfram who also loves her. Wolfram's song is simple and moving while Tannhauser confused by Venus outrages the audience by singing of profane love.He is banished to Rome on a pilgrimage to seek redemption and Elisabeth follows him with Wolfram. After much searching she gives up and dies just missing Tannhauser who Wolfram discovers creeping back to Venus the Pope having said that it was as impossible for him to be forgiven as for his staff to sprout flowers. Tannhauser sees Elisabeth and casts himself to die by her coffin and the Pope's staff bursts into bloom. This is the Schirmer edition of the Vocal Score edited and translated into English by Natalia MacFarren.
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Daníel Bjarnason: Brothers: Mixed Choir and Ensemble: Vocal Score
Opera
[Vocal Score]
Peters
Daníel Bjarnason?s Brothers is an opera in three acts. The 100-minute work, wit...
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Daníel Bjarnason?s Brothers is an opera in three acts. The 100-minute work, with a libretto by Kerstin Perski, is based on the screenplay of the same name by Susanne Bier and Anders Thomas Jensen. Commissioned by the Danish National Opera / Den Jyske Opera, the opera follows a miliary officer after he returns home from the war in Afghanistan, finding that his relationship with his family has changed forever. The first performance took place on 16 August 2017 at Musikhuset Aarhus. This Edition Peters product is the opera vocal score. The full score and parts are available to hire.
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Georg Friedrich Händel: Xerxes (Serse): Opera: Vocal Score
Opera
[Sheet music]
Chester
Georg Frideric Händel?s Serse (Xerxes) has everything one would expect from a B...
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Georg Frideric Händel?s Serse (Xerxes) has everything one would expect from a Baroque opera - many intertwining love stories affairs intrigues scheming misunderstanding and forgiving allpresented in the great master?s magnificent music.The opera is set in Persia in 480 BC and is very loosely based upon Xerxes I of Persia though there is little in either the Baroque libretto or music that is relevant tothat setting the main focus is on the characters (Serse Arsamene Amastre Romilda Atalanta Ariodate and Elviro some of which are based on real historical persons) and their plotting. The English version forthe opera in three acts was made for the English National Opera?s production first performed in 1985 on the 300th anniversary of Händel?s birth.In this edition of the Vocal score with the original Italian and thelater English lyrics accompaniment is provided by the instruments indicated in the orchestration (2 Recorders (or Flutes) 2 Oboes 2 Horns in F Trumpet in D Strings and Continuo [Harpsichord Cello Double Bass Bassoon]) butcan also be played by the Piano. Serse?s part originally sung by a castrato can be performed by a Soprano or a Countertenor.
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Georges Bizet: Carmen: Opera: Libretto
Opera
Schirmer
Standard Version with sung recitatives-Although almost unanimously condemned by ...
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Standard Version with sung recitatives-Although almost unanimously condemned by contemporary Parisian critics for its overt sexuality and graphic final scene Carmen ultimately reached the public in a way that perhaps no other opera has. Bizet's aim (with Meilhac andHalevy who wrote the libretto) had been to transform the flaccid moralistic bourgeois genre of opéra comique into a more sophisticated type of staged work and he seems to have suceeded in Carmen. Each character has a musicalsignificance and a unique expressive idiom the ultimate example being the dangerous exotic sensual Carmen herself depicted by an exotic and sinewy chromatic motive that also implies the insurmountable power of fate. In aclassic plot device she is contrasted with the 'good girl' of the opera Micaela whose main aria is set in the ternary form of the elevated bel canto French Grand Opera aria to imply her traditionally 'ladylike' retiring nature.Don José's musical styles reflect different levels in his descent from dutiful soldier to the underworld of obsession.This is the Schirmer edition of the Libretto in the original French with an English translation by Ruthand Thomas Martin.
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Scipione Affricano (CAVALLI FRANCESCO)
Opera
Barenreiter
Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two do...
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Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two dozen operas he had written for Venice had helped establish Venice as the world’s first operatic superpower. “Scipione Affricano” (Venice 1664), Cavalli’s first opera after returning from France, was one of his most successful compositions. In a period that valued new works over familiar ones, “Scipione” was one of a handful of operas to live on after its premiere season: it was revived eight times and chosen to inaugurate Rome’s Teatro Tordinona in 1671. Cavalli’s librettist, Nicolò Minato, was inspired by historical accounts of the life of the Roman general Scipio, whose defeat of Carthage in 202 BCE earned him the honorary agnomen “Africanus.” In setting Minato’s libretto, Cavalli drew upon the lyrical gifts that have made operas like “La Calisto” and “Giasone” so popular today. But at the same time “Scipione Affricano” also shows the composer embracing aspects of his two years in France, and responding to musical changes that, in the 1660s, were rapidly altering the face of Italian opera: the growing dominance of arias, a clearer sense of aria organization, and increased interplay between voice and instruments. The first goal of this edition is a practical one: to develop a version of the opera suited to the needs of both professional and student performers. A second goal is to reconstruct the opera’s complete performance history. An amply documented appendix reconstructs earlier versions of 21 arias. Other appendices print the surviving additional music from revivals in Rome and Venice. The edition is framed by a substantial Introduction, covering the drama, the musical style, the composition, premiere, and revivals, and a guide for performance today, plus a detailed “decoding” of the sources. - series Francesco Cavalli – Opere / Date parution : 2022-11-08/ Répertoire / Opéra
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Carl Maria Von Weber Der Freischutz Opera - Choral
Opera
Schirmer
Description Carl Maria Von Weber: Der Freischutz (Vocal Score) Weber had alwa...
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Description Carl Maria Von Weber: Der Freischutz (Vocal Score) Weber had always been attracted to the common Central European tale of the free-shooter.' This is the Schirmer edition of the Vocal Score, in the original German with an English translation by Natalia Macfarren. Songlist Der Freischutz
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Peter Maxwell Davies: Kommilitonen! (Young Blood!) - Full Score: Opera: Score
Opera
[Sheet music]
Chester
Lyric opera in two acts. Libretto by David Pountney.Commissioned?jointly by the ...
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Lyric opera in two acts. Libretto by David Pountney.Commissioned?jointly by the Royal Academy of Music London UK and The Juilliard School New York USA.UK premiere: 18th March 2011 - Royal Academy of MusicOpera and Sinfonia at the Royal Academy of Music London conducted by Jane Glover.US premiere: 16th November 2011 - Students of The Julliard School at Peter Jay Sharp Theatre New York conducted by AnneManson.Overview.The piece consists of three interlocking stories of students involved in political action in three different situations.?Die Weiße Rose? was the name taken by a group of students atthe University of Munich led by Sophie and Hans Scholl. They produced leaflets protesting against the National Socialist government of Germany in 1942-3 until they were arrested and guillotined.?Soar to Heaven? follows twocharacters Wu and Zhou involved on opposite sides of the Cultural Revolution in China.?The Oxford Revolution? tells the story of James Meredith who fought a lonely battle against segregation and racial prejudice to becomethe first black student to enrol at ?Ole Miss? the University of Mississippi in the USA.Librettist's Note.There are inevitably and properly some differences between the original libretto and whatMax ultimately set to music. Most of these are insignificant but all the Latin texts in the opera were added by Max and texts for the alternating black / white choruses (Scene 19) and final chorus (Scene 28) were written by him.
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Poul Ruders: Tycho: Opera: Score
Opera
[Sheet music]
Wilhelm Hansen
Poul Ruders' opera Tycho in 3 Acts was premiered May 15 1987 by Aarhus Symphony...
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Poul Ruders' opera Tycho in 3 Acts was premiered May 15 1987 by Aarhus Symphony Orchestra and Kaare Hansen (conductor) at Helsingør Theater in Aarhus Denmark. Libretto in Danish by Henrik Bjelke. Vocal score: WH31457C Synopsis: In 1597 the famous Danish astronomer and astrologist the nobleman Tycho Brahe flees his castle cum observatory Uraniburg on one of the small islands off the Danish coast. The newly coronated King Christian the Fourth has a grudge against Tycho who in 1572 discovered a new star Stella Nova by using his naked eye only; the telescopewasn’t invented yet. This discovery gained Tycho tremendous fame among his contemporaries within the European scientific circles. The now weakened and embittered old man moves together with his wife Christina whom he raped when she was an adolescent and Jeppe the Dwarf his fool-servant whose life Tycho once saved to the plague-infested city of Prague. There at the Benatky Castle Tycho encounters the main reason for his departure from Denmark: the young German mathematician Johannes Kepler the only scientist among his contemporaries Tycho acknowledges - Tycho is in severe need of intelligent challenge. Which he gets and with a disastrous result for himself. The encouraging encounter with Kepler turns into Tycho's scientific and earthly death verdict. Slowly Tycho realizes that his own conception of the Earth as the indisputable axes of the Universe is shattered by Kepler s theory about Earth encircling the stationary Sun. The ancient picture of the Universe collapses Tycho feels deceived by Kepler who leaves the castle shaken by Tycho's wrath. But they meet again and reunite in a Romanza a Due at Tycho’s death bed. The opera hovers above immense sadness and extreme ridicule - the cast is most peculiar indeed - so in many ways 'TYCHO' may be described at the best as a'Tragic Operetta'
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Thomas Adès: The Tempest: Opera: Vocal Score
Opera
[Sheet music]
Faber Music Limited
Opera in 3 acts Text: Meredith Oakes after Shakespeare-The opera The Tempest i...
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Opera in 3 acts Text: Meredith Oakes after Shakespeare-The opera The Tempest is inspired by Shakespeareâ??s play rather than literally being based on every aspect of it. There are key images from the play as well as new material. From among the playâ??s many themes and possible interpretations the opera focusses on the difficulty and the necessity of mercy. The libretto uses contemporary vocabulary. Its lines are short rhythmic and rhymed or semi-rhymed echoing Shakespeareâ??s strophic songs more than his blank verse. This choice reflects the playâ??s magical ritual childlike elements and acknowledges the traditional power of incantation in song. The operatic Prospero is the passionately vengeful man seen in the play more than the wise disconnected actor also seen there. Despite his near-omnipotence he finds things out as he goes along and experiences contradictory emotions to the end. Please note: Full Score and Parts are rental material. Please contact hire@fabermusic.com
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Philip Glass: Einstein On The Beach: Opera: Score
Opera
[Sheet music]
Chester
An opera in four acts for ensemble chorus and soloists in full score from minim...
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An opera in four acts for ensemble chorus and soloists in full score from minimalist composer Philip Glass. It is Glass's first and longest opera taking approximately five hours to complete with no intermission. Given thenature of the music - the lengthy repetition of small elements very gradual development and change recurring patterns - audience members are free to enter and leave as they wish.
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Gaetano Donizetti: L'elisir d'amore: Opera: Libretto
Opera
Schirmer
Gaetono Donizetti's 'The Elixir Of Love' (L'Elisir D'Amore) remains an important...
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Gaetono Donizetti's 'The Elixir Of Love' (L'Elisir D'Amore) remains an important work in the repertory of major opera houses of the twenty-first century. It is a good-natured story in which the peasant Nemorino attempts to winthe heart of his love Adina through the ingestion of a farcical magic elixir (which is in fact merely Bordeaux!). Nemorino's aria 'Una furtiva lagrima ' is the most famous excerpt from the opera.
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Jenufa (JANACEK LEOS)
Opera
[Score]
Universal Edition
Oper in 3 Akten aus dem mährischen Bauernleben. Par JANACEK LEOS. With his thir...
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Oper in 3 Akten aus dem mährischen Bauernleben. Par JANACEK LEOS. With his third opera Jenufa Leoš Janácek succeeded in making his breakthrough as an operatic composer. Since the premiere of this moving story about the fate of the sexton and her stepdaughter Jenufa at the Brno National Theatre in 1904, it has become one of the composer's most frequently performed works. Janácek was the first to succeed in transforming everyday speech directly into music. His method of using speech-melodic motives is clearly distinctive. It is known that the composer preserved everyday conversations in the form of little musical sketches: 'Jotting down genuine speech melody is, as it were, music's life class,' he said./ Répertoire / Opéra
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Jenufa (JANACEK LEOS)
Opera
[Study Score / Miniature]
Universal Edition
Par JANACEK LEOS. With his third opera Jenufa Leoš Janácek succeeded in making...
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Par JANACEK LEOS. With his third opera Jenufa Leoš Janácek succeeded in making his breakthrough as an operatic composer. Since the premiere of this moving story about the fate of the sexton and her stepdaughter Jenufa at the Brno National Theatre in 1904, it has become one of the composer's most frequently performed works. Janácek was the first to succeed in transforming everyday speech directly into music. His method of using speech-melodic motives is clearly distinctive. It is known that the composer preserved everyday conversations in the form of little musical sketches: 'Jotting down genuine speech melody is, as it were, music's life class,' he said/ Répertoire / Opéra
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