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Etienne Ozi: Concerto No. 1 For In F For Bassoon And Orchestra: Orchestra: Score
Orchestra
Southern Music Ltd
Concerto No. 1 For In F For Bassoon And Orchestra
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Wolfgang Amadeus Mozart: Bassoon Concerto B Flat Major K 191: Orchestra:
Orchestra
Eulenburg
Bassoon Concerto B Flat Major K 191
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Girolamo Frescobaldi: Ricercar Et Canzon - Bassoon 1 And 2: Bassoon: Parts
Orchestra
Novello & Co Ltd.
Ricercar Et Canzon - Bassoon 1 And 2
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Richard Strauss: Der Zweikampf [The Duel] (1884): Orchestra: Score and Parts
Orchestra
Spartan Press
o.Op. 82 TrV 133- We are grateful to the University of Edinburgh Library Centr...
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o.Op. 82 TrV 133- We are grateful to the University of Edinburgh Library Centre for Research Collections for providing us with access to a manuscript of this work. At shelf-mark Mus.M.645 is a set of parts in the hand of an unknown copyist annotated by John Parr (the bassoonist of Sheffield) who also wrote a full score and second copies of the bassoon and bass parts. The score is dated 1930 and the bassoon part 1934. It is here entitled merely 'duet for flute and bassoon with orchestra' and ascribed to R. Strauss. We are also grateful for advice from Dr Christian Wolf of the Richard-Strauss-Institut in Munich whohave access to a copy of 'der Zweikampf' made by Cl. Schubert but the Richard-Strauss-Archiv in Garmisch-Partenkirchen will not permit them to make a complete copy for us but has permitted sample pages to be copied confirming the identity of the music. They also affirm the considerable doubt as to Richard Strauss being the composer however no other composer has been suggested in his stead. In the Strauss bibliography a date of composition of 1884 is given when he was twenty years old. We would also like to acknowledge with thanks the help of Drs Jenny Nex and Lance Whitehead of Edinburgh in deciphering the manuscript and advising on the piano reduction. In editing the work we have corrected a few evident errors and made the dynamics consistent. There was no given tempo indication in some of the parts but Parr added 'allegro moderato' which is also the tempo indication in the Munich manuscript. He also suggested the bass pizzicato in most of the polacca but perhaps this was intended only for the double bass should one be present. There are some discrepancies between the Edinburgh score and parts which we have resolved somewhat arbitrarily on musical grounds. The differences between the Munich and Edinburgh versions are mostly small as far as we can discern; the
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Bertold Hummel: Scherzo op. 13e: Orchestra: Score
Orchestra
Schott
Although Bertold Hummel composed this Scherzo for bassoon and chamber orchestra ...
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Although Bertold Hummel composed this Scherzo for bassoon and chamber orchestra more than fifty years ago the piece still captivates every listener with its youthful carefree liveliness. Virtuoso and witty it does justice to its title in every respect. It was created in 1957 upon commission of the Kleines Unterhaltungsorchester Südwestfunk Baden-Baden. The solo part of the four-minute concert piece with the tempo indication 'allegro molto' was tailor-made by Hummel for the orchestra's principal bassoonist Helmut Böker.In addition to the hire material a piano score with solo part is now available on sale.
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Poul Ruders: Symphony No.3 - Dream Catcher: Orchestra: Score
Orchestra
Wilhelm Hansen
For Orchestra. Premiered by The Royal Danish Orchestra conducted by Michael Sch...
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For Orchestra. Premiered by The Royal Danish Orchestra conducted by Michael Schonwandt Koncerthuset DR 29th May 2009.Commissioned by and written for The Serge Koussevitzky Music Foundation in the Library of Congress.Dedicated to the memory of Serge and Natalie Koussevitzky.Instrumentation.3 Flutes 3rd doubling Piccolo3 Oboe 3rd doubling Cor Anglais3 Clarinets in Bb 3rd doubling Bass Clarinet In Bb3 Bassoons 3rd doubling Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba3 Percussion (three players)1 - Triangle Mark Tree Tubular Bells TamTam (Large) Glockenspiel Snare Drum Lion's Roar.2 - TamTam (Large) Chinese Cymbal Spring Coil (Mounted) TamTam (Large) Reco-Reco.3 - Bass Drum (Large) Antique Cymbals (full range) Spring Coil (mounted) TamTam (large) Cymbal (suspended) Reco-Reco.The three large TamTams should differ slightly in pitch.Strings (minimum 16-14-12-10-8)
87.99 GBP - Sold by Musicroom UK
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Poul Ruders: Listening Earth - A Symphonic Drama for Orchestra: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchest...
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Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra conducted by David Robertson 29th November 2002.3 Flutes 1st and 2nd also Alto Flutes in G 3rd also Piccolo3 Oboes 3rd also Cor Anglais in F3 Clarinets in Bb 3rd also Bass Clarinet in Bb3 Bassoons 3rd also Contra Bassoon4 Horn in F3 Trumpets in Bb3 Trombones1 TubaTimpani4 Percussion four playersPlayer 1 - Vibraphone Glockenspiel Water Chime Bell Tree Japanese Wood Blocks Cymbal (Suspended) TamTam (Medium)Player 2 - Triangle Tubular Bells Crotales Marimba Chinese CymbalPlayer 3 - TamTam (Large) Java Gong(Large very low) Bell Lyra (Handheld) Sizzle CymbalPlayer 4 - Bass Drum Glockenspiel Xylophone1 Harp1 Piano also CelestaStrings - 16/14/12/10/8All transposing instruments are notated in their relevant transpositions.Any accidental apply only to the note that it immediately precedes except tied notes.Naturals appear occasionally 'for safety'.'LISTENING EARTH' is a symphonic drama a one- movement composition in four parts based on the work by two writers Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English a classical scholar essayist poet and politician but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems nature paintings I was immediately convinced when I carne across the Addison hymn that here was exactly what I wanted to use as my major source of inspiration for this piece commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety but have chosen the following 3 excerpts all acting as mottos for the first three sections of the piece thus turning the piece into a straightforward tonepoem in the classical
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Arthur Bliss: Arthur Bliss Two Studies for Orchestra: Orchestra: Study
Orchestra
Novello & Co Ltd.
Arthur Bliss’s first orchestral compositions his studies for Full Orches...
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Arthur Bliss’s first orchestral compositions his studies for Full Orchestra are believed to have been composed in 1920. The first performance in 1921 was conducted by Arthur Bliss. Orchestration: 2 Flutes Oboe Cor Anglais 2 Clarinets in Bflat Bass Clarinet in Bflat 2 Bassoons Contrabassoon 4 Horns in F 2 Trumpets in C 3 Trombones Tuba Timpani Percussion Harp Celesta Strings. Full score and orchestral parts are available on hire from the publishers. Duration: c. 12 minutes.
22.99 GBP - Sold by Musicroom UK
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Luís Tinoco: Abertura Festiva: Orchestra: Score
Português
Orchestra
University Of York Music Press
Abertura Festiva by Lu s Tinoco commissioned by the Teatro Nacional de S.Carlos...
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Abertura Festiva by Lu s Tinoco commissioned by the Teatro Nacional de S.Carlos / Opart to celebrate the 20th anniversary of the Portuguese Symphony Orchestra.3 flutes (3rd = piccolo) 2 oboes 1 cor anglais 2 clarinets in Bb 1 bass clarinet 2 bassoons 1 contrabassoon 4 horns in F 3 trumpets in C 2 trombones 1 bass trombone 1 tuba timpani percussion (2 players) Harp Strings
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Silvestre Revueltas: Sensemay? (1938): Orchestra: Score
Orchestra
Schirmer
Score-Silvestre Revueltas' ‘Sensemaya’ was written in 1937 for cham...
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Score-Silvestre Revueltas' ‘Sensemaya’ was written in 1937 for chamber orchestra; one year later the composer transcribed it for a huge orchestra of twenty-seven wind instruments fourteen percussion instruments and strings. The rhythms are laid out precisely and have considerable visceral impact very much in a manner that recalls Igor Stravinsky's The Rite of Spring. However Revueltas' masterful orchestration and ability to evoke the ancient Maya civilization with decidedly modern music are uniquely his own. It is a unique orchestral spectacle something only Revueltas could have written and in its way it is one of the most brutal works of its time. The workbegins with a low note in the bassoon as the percussion plays the sinuous syncopated rhythm that drives the work. Soon a solo horn enters playing the first of this work's two major themes a muscular ominous motif. Other horns join the first one to play the theme growing louder and more emphatic but rigorously yoked to the underlying rhythm. Eventually the horns blast as loudly as they can with obsessive trills on the bassoon far underneath and the violins enter with the slashing second theme. The horns take up this new theme and bring it to a climax after which the music returns to its opening texture. This recapitulation brings with it a mood of foreboding. The rhythm becomes even more obsessive and finally the music reaches a massive climax during which both themes are played overlapping sometimes in part and sometimes in whole by woodwinds brass and violins in what sounds like a musical riot. The coda feels like the final dropping of a knife.
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Leonard Bernstein: West Side Story - Selections For Orchestra: Orchestra: Score
Orchestra
Boosey and Hawkes
Jack Mason's showcase features six songs skillfully scored for school orchestra....
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Jack Mason's showcase features six songs skillfully scored for school orchestra. This set from Bernstein's timeless West Side Story contains score and seperate parts for Flute I Flute II Piccolo Oboe I Oboe II English Horn Clarinet in B I Clarinet in B II Bassoon I Bassoon II Alto-Sax I Alto-Sax II Tenor-Sax. Baritone-Sax F-Horn I-IV Trompete I-III Posaune I-III Tuba 3 Timpani-Percussion Harp 8 Violin I 8 Violin II 4 Viola 4 Cello and 4 Double Bass.
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Michael Daugherty: Red Cape Tango: Orchestra: Score
Orchestra
Peermusic Classical
(1993)Since its premiere by the Baltimore Symphony in 1994 at Carnegie Hall the...
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(1993)Since its premiere by the Baltimore Symphony in 1994 at Carnegie Hall the GRAMMY®-winning Metropolis Symphony has entered the orchestral repertoire and been performed by orchestras all over the world.Metropolis Symphony is a five-movement musical response to the world of Superman; Red Cape Tango Daugherty's final work based on the Superman mythology is set after Superman's fight to the death withDoomsday. The principal melody (first heard in the bassoon) is derived from the medieval Latin death chant Dies Irae. This dance of death is conceived as a tango presented at times like a concertino comprising stringquintet brass trio bassoon chimes and castanets. The orchestra alternates between legato and staccato sections to suggest a musical bullfight.
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Kaija Saariaho: Lumière et Pesanteur: Orchestra: Score
Orchestra
[Sheet music]
Chester
Orchestral Score. Instrumentation. 3 Flutes (3=Piccolo) 2 Oboes 2 Cla...
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Orchestral Score. Instrumentation. 3 Flutes (3=Piccolo) 2 Oboes 2 Clarinets in B - 2 Bassoons(2=Contrabassoon) 4 Horns in F 2 Trumpets in C 2 Trombones Tuba Timpani (1 set) Percussion (3 players) TamtamCrotales Vibraphone Glass Chimes Bass Drum Tamtam Bass Drum Marimba 3 Gongs (G+ A B) Harp Celesta Strings The score is transposed.Crotales sound two octaves higher than writtenDuration: c. 6 minutesOrchestral parts areavailable on hire from the publisher
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Johannes Brahms: Symphonie Nr.3 F-Dur Op.90: Orchestra: Study Score
Orchestra
[Study Score / Miniature]
G. Henle
Urtext. Study edition of the score. For two Flutes two Oboes two Clarinets tw...
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Urtext. Study edition of the score. For two Flutes two Oboes two Clarinets two Bassoons a Contrabassoon two Horns in C two Horns in F three Trombones Timpani in F and E and full string ensemble (Violins 1 & 2 Viola Cello and Double Bass).
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Orchanics 2: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orc...
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Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 2 contains:-Marching through Mud (Richard Ling); When I was a lad (from HMS Pinafore); Ghost Ride (Richard Ling); Largo (Dvorak); Battle Zone (Richard Ling); Persian March (J Strauss II); Lazy Horse (Richard Ling); Good King Wenceslas.
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Orchanics 3: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orc...
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Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 3 contains:-Hallelujah + Ode to joy (Handel/Beethoven); Mairi's Wedding (Roberton); Ragtime Roundup (Richard Ling); Samborina (Richard Ling); Spring from Four Seasons (Vivaldi); Danserie (Susato); Yellow Bird (arr Ling); Silent Night.
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Poul Ruders: Final Nightshade - An Adagio Of The Night: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fish...
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Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be
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Peter Maxwell Davies: Strathclyde Concerto No. 9: String Orchestra: Score and
Orchestra
[Sheet music]
Chester
The solo group consists of a sextet of the woodwind instruments which are normal...
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The solo group consists of a sextet of the woodwind instruments which are normally doubled with more regular members of the orchestra: these six strangers now brought to the fore are piccolo alto flute cor anglais clarinet inEb bass clarinet in Bb and contrabassoon. They make a motley group diverse in colour as in register and one of the tasks of the piece sets itself is to have them blend and cohere both together as an ensemble and in partnershipwith the string orchestra (which itself is used with unusual variety and subtlety). Another evident task of the work is to provide fine solos for each member of the woodwind sextet: bright dances for the piccolo recitativesfor the alto flute a stoical song from the contrabassoon in the extreme bass. The work is cast as a single movement which begins in the composer's first-movement style of rapid regeneration. This is interrupted by slowinterventions including one for divided strings which gives rise to a sextuple cadenza for the soloists. Out of this comes a slow movement or sequence of short slow movements followed by a dancing finale with its own slowepisodes. Altogether this is music of songs and dances heavily tinged with Scottish rhythms and tonalities: one might think of a magic bagpipe having six chanters and a drone of variegated string texture.
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Orchanics 1: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Three new collections of varied pieces for orchestra for players from beginner t...
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Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 1 contains:-Playing Tag (Richard Ling); Eastern March (Richard Ling); Autumn from Four Seasons (Vivaldi); Entertainer (Joplin); St.Anthony Chorale (Brahms/Haydn); Jazz Train (Richard Ling); Caribbean Carnival (Richard Ling); Hark the herald angels sing.
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Georg Friedrich Händel: Concerto Grosso In G Major Op.6 No.1: Orchestra: Score
Orchestra
[Sheet music]
Barenreiter
Violin Violoncello and Orchestra-Handel's Concerto Grosso In G major Op.6/1 HWV...
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Violin Violoncello and Orchestra-Handel's Concerto Grosso In G major Op.6/1 HWV 319 is scored for 2 solo Violins solo Cello 2 Oboes Bassoon Strings and Basso continuo. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by a four-part string orchestra and Cembalo continuo. Originally published in 1739 they were written to be played during performances of Handel's oratorios and odes and are amongst the finest examples in the genre of Baroque Concerto Grosso.
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Wallingford Riegger: Music for Orchestra Op. 50: Orchestra: Score
Orchestra
[Sheet music]
Associated
Score-Wallingford Riegger's Music For Orchestra Op. 50.Instrumentation:3 Flutes...
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Score-Wallingford Riegger's Music For Orchestra Op. 50.Instrumentation:3 Flutes (III. also Piccolo)2 OboesEnglish Horn2 Clarinets in Bb2 BassoonsContra Bassoon4Horns3 Trumpets3 TrombonesTubaTimpaniPercussion (Snare Drum Cymbals Bass Drum)
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Ernesto Lecuona: Malaguena: Concert Band: Score & Parts
Orchestra
Southern Music Ltd
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest seriou...
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Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.
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Malaguena: Concert Band: Score
Orchestra
Southern Music Ltd
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest seriou...
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Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.
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Bohuslav Martinu: La Revue De Cuisine - Suite pour Orchestre: Orchestra: Score
Orchestra
[Sheet music]
Leduc, Alphonse
Composed by the Czech composer Bohuslav Martinü in 1927 La Revue De Cuisine ...
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Composed by the Czech composer Bohuslav Martinü in 1927 La Revue De Cuisine is a ballet initially created for a sextet. This score was reviewed and tailored for an Orchestra. This ballet talking about the life of kitchen utensils is divided in ten sections: 1. Prologue (Allegretto) 2. Introduction (Tempo de marche) 3. Danse du moulinet autour du caudron (Poco meno) 4. Danse du chaudron et du couvercle (Allegro) 5. Tango (Danse d'amour. Lento) 6. Duel (Poco a poco allegro. Tempo di Charleston) 7. Entracte (Lamentation du chaudron. Allegro moderato) 8. Marche funèbre(Adagio) 9. Danse radieuse (Tempo di marche) 10. Fin du drame (Allegretto) The story focuses on the marriage of the Pot and Lid which is put at risk by the Twirling Stick and the music features some strong jazz influences. Bohuslav Martinü(1890-1959) also wrote 13 other ballets 15 operas and 6 symphonies and some orchestral and chamber music. Instrumentation: Clarinet Bassoon Trumpet Violin Cello Piano.
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Gabaye: Symphonie Concertante: Orchestra: Score
Français
Orchestra
[Study Score / Miniature]
Leduc, Alphonse
for flute oboe bassoon horn and chamber orchestra
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Joaquín Rodrigo: Soleriana: Orchestra: Score
Español
Orchestra
[Score]
Unión Musical Ediciones
Soleriana is one of the longest orchestral works of the Spanish composer Joaquin...
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Soleriana is one of the longest orchestral works of the Spanish composer Joaquin Rodrigo. Each of its eight movements are based on a different Harpsichord sonata by his compatriot Antonio Solar (1729-1783) hence the title. Scored for a chamber orchestra of Flute Piccolo Oboe Clarinet Bassoon Horn Trumpet and Strings it was first performed by the Berlin Philharmonic in 1953. The delightful orchestration mimics the sound of the original Harpsichord. Joaquin Rodrigo (1901-1999) was born in Valencia and lost his sight to diphtheria at the age of three. He began to study music five years later and became one of Spain’smost distinguished composers musicologists and pedagogues.
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Leos Janacek: Sumarovo díte -Des Spielmanns Kind: Orchestra: Score
Deutsch
Orchestra
Barenreiter
Orchester-Ballade-Hardback Complete Edition.Composed 1912-1014 The Fiddlerâ...
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Orchester-Ballade-Hardback Complete Edition.Composed 1912-1014 The Fiddler’s Child is a mature work a dramatic ballad for solo Violin and Orchestra. It is scored for Flute (2) Oboe (2) Clarinet (in B-flat) (2) Bass clarinet Bassoon (2) Horn (3) Trumpet (2) Trombone (3) Tuba Harp Timpani Drums Strings.
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Georg Friedrich Händel: In The Lord Put I My Trust HWV 248: Orchestra: Parts
Orchestra
[Partitions]
Novello & Co Ltd.
The Orchestra Parts for George Frideric Handel's 'Chandos Anthem' (No.2) In The...
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The Orchestra Parts for George Frideric Handel's 'Chandos Anthem' (No.2) In The Lord Put I My Trust expertly edited by Damien Cranmer. Arranged for Cello Bassoon Double Bass Oboe Violin I Violin II and Basso Continuo. You can purchase the Full Score separately here.
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Titanic: Orchestra: Score and Parts
Orchestra
[Score and Parts]
Hal Leonard
Music by James Horner from the motion picture Titanic arranged by John Moss for ...
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Music by James Horner from the motion picture Titanic arranged by John Moss for full orchestra. Conductor Flute 1 Flute 2 Oboe 1 Oboe2 Bb Clarinet 1 Bb Clarinet 2 Bb Bass Clarinet Bassoon Bb Trumpet 1 Bb Trumpet 2 Bb Trumpet 3 F Horn 1 F Horn 2 F Horn 3 F Horn 4 Trombone 1 Trombone 2 Trombone 3 Tuba Timpani Percussion 1 Percussion 2 Piano Violin 1 (8) Violin 2 (8) Viola (8) Cello (4) String Bass (4)
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William Walton: Crown Imperial - Score/Parts: Orchestra: Score and Parts
Orchestra
[Sheet music]
Goodmusic Publishing
This arrangement has been made from the original orchestration for full orchestr...
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This arrangement has been made from the original orchestration for full orchestra and incorporates the cuts authorized by the composer in 1963. The piano duet part is optional unless no wind is available. The brass parts are fully cued in both string and woodwind parts. The minimum wind required is 1 flute 1 oboe and 2 clarinets. This has recently been re-typeset by Goodmusic so is clearer than the original OUP printing but no musical changes have been made and the new edition is fully compaible with the old one.Duration: 7 minutes Orchestration2 Flutes 2 Oboes 2 Clarinets in Bb Bassoon 2 Horns in F 2 Trumpets in Bb 3 Trombones Timpani Percussion (3 players - Cymbals Triangle Bass drum Tenor drum Glockenspiel Tubular bell in C Side drum Large gong) Strings (Violin 1 Violin 2 Viola Cello Bass) Piano duet (optional) (Part included in Pack)
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