Im Schülerkreis um J. S. Bach nimmt Johann Ludwig Krebs eine Schlüsselposition ein. Als einer der begabtesten Eleven Bachs galt Krebs bereits zu Lebzeiten als außergewöhnlicher Komponist und Organist mit virtuosen Fähigkeiten. Beim Studium seines umfangreichen Orgelschaffens spürt man seine großen organistischen Fähigkeiten, die sich in einer virtuosen Finger- und Pedaltechnik äußern. Auf kompositorischem Gebiet begegnet uns Krebs als ein die kontrapunktischen Regeln perfekt beherrschender Künstler. Neben der perfekten Nachahmung seines Lehrmeisters Bach hatte sich Krebs auch den neuen galanten und empfindsamen Tendenzen seiner Zeit zugewandt. Er zeigte sich damit sehr aufgeschlossen gegenüber den zu seiner Zeit aufkommenden neuen musikalischen Strömungen, die in seinen Kompositionen eine besondere Rolle spielen. / Orgue

Instrument : organ Nombre de Pages : 62 This School of Organ Playing presupposes a certain technical facility on the piano. The pedal exercises at the beginning are rudimentary and should be practiced in all keys, gradually accelerating the tempo. The studies are graded according to their polyphony, beginning with simple two part exercises, followed by those in three and more parts. This acquaintance with the strict principles of polyphonic music, and the introduction to effective part writing, with a knowledge of harmonic form and architectonic values, provide the essential background for the correct performance of polyphonic music, especialle the fugue. The most important musical forms have been used to illustrate the various possibilites of registration and its relationship to style (colourful, individualistic and smooth playing). The studies are so arranged that earlier technical points, etc. are constantly reviewed, through comparison of style and form, in order to fix, or refreshen, the ideas in the student's mind. It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music during the centuries and thus prepared for an artistic execution and interpretation of old and new words, especially for the incomparable art of our great Johann Sebastian Bach. Content : Grundlagen des Pedalspiels - T.L. da Vittoria: Bicinium: Bonum erat - A. Zoilo: Bicinium: Quare fremuerunt - Melius illi - W. Dietrich: Übung in e-Moll - G.P. Telemann: Largo - J.K.F. Fischer: Übung d-Moll - G.P. Telemann: Kanon - J. Pachelbel: Magnificat peregrini toni Meine Seele erhebt den Herrn - T.L. da Vittoria: Accedentes principes - J.K.F. Fischer: Übung in g-Moll - W. Dietrich: Pedalübung - S. Scheidt: Vater unser im Himmelreich VI. Versus Choralis in Basi - H.L. Haßler: Crucifixus - J.K.F. Fischer: Praeludium D-Dur - J. Pachelbel: Übung in a-Moll - W. Dietrich: Übung in As-Dur - R. Schwarz-Schilling: Kanon a 2 - Kanon a 3 - G. Aichinger: Stabat mater - J. Pachelbel: Durch Adams Fall ist ganz verderbt - J.K.F. Fischer: Praeludium fis-Moll - H.L. Haßler: Benedictus - J. Pachelbel: Was mein Gott will, das gescheh' allzeit - T.L.da Vittoria: Exclamans Jesus - S.Scheidt: Warum betrübst du dich, mein Herz IX. Versus. Choralis in Basso - D. Zipoli: Pastorale - J. Pachelbel: Vom Himmel hoch - J.S. Bach: Pedal-Exercitium - J.K.F. Fischer: Fuga g-Moll - J. Pachelbel: Komm, Gott Schöpfer, heiliger Geist - J.K.F. Fischer: Praeludium und Fuga cis-Moll - W. Dietrich: Pedalsolo - Übungen für mehrstimmiges Spiel in einer Hand: J.K.F. Fischer: Praeludium und Fuga e-Moll - H.L. Haßler: Da Jesus an dem Kreuze stund - M. Praetorius: Es ist ein Ros entsprungen - S. Scheidt: Vom Himmel hoch - M. Praetorius: Nun bitten wir den heiligen Geist - B. Resinarius: Nun bitten wir den heiligen Geist - S. Scheidt: Psalmus: Da Jesus an dem Kreuze stund - J.K.F. Fischer: Praeludium und Fuga h-Moll - J.S. Bach: Vom Himmel hoch - O Welt ich muß dich lassen - Herzlich tut mich verlangen - D. Buxtehude: Ach Herr, ich armen Sünder - J.S. Bach: Trio c-Moll - W. Dietrich: Pedalsolo/Trillerübung - J.S. Bach: Allein Gott in der Höh' sei Ehr' - J.K.F. Fischer: Praeludium und Fuga e-Moll - J.L. Krebs: Trio für 2 Manuale und Pedal

Par BACH JOHANN SEBASTIAN. Although the ?fantasia? was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach ? he had since relocated to Köthen ? and theexperienced composer as well.Volume 3, the latest installment in the Complete Organ Works, gathers together all transmitted organ fantasias by Bach, the fragments of the fugues belonging to them and all individual fugues as well.They include, for instance, the Fantasia in C BWV 570, undoubtedly the master?s oldest free organ work.The most notable works in this edition are the celebrated Fantasia in g minor BWV 542/1 and the Fuga in g BWV 542/2.DidBach actually intend a combination of the two pieces as a joint composition? This and other intriguing questions concerning versions, sources and genre history are examined by editor Pieter Dirksen in the introduction andcomments, which contain a synopsis and a wealth of transposed and ornamented versions of the works which supplement the edition on the enclosed CD-ROM. / Date parution : 2021-11-25/ Recueil / Orgue

From 1772 onward Mozart wrote 17 short single movement works called Epistle Sonatas designed to be played in the Eucharist service between the Epistle and the Gospel. The Epistle Sonata in C (K.336) was the last of these written in 1780. Shortly afterwards the Archbishop decreed that a motet or hymn should be sung instead and they fell into disuse. The Epistle Sonata in C was originally scored for two Violins Basso Continuo and Baroque Organ. It has been arranged for solo Organ (with pedals) by Nigel Davison.

Original Works and Arrangements for Church Service and Concert-Original Works and Arrangements for Church Service and Concert.The ?Organ plus? one series was conceived primarily with semi-professional church musicians and instrumentalists in mind.Based on the liturgical year the pieces can be readily performed in church services evening recitals or small concerts.Included are pieces which are freely-composed or based on chorales both original works and arrangements.Each edition includes solo parts for instruments in C B-flat E-flat and F which can be played by Violin Flute Oboe Clarinet Trumpet and Horn in F. The range of the solo instruments remains in the middle register.Among the piecesin this edition are John Alcock Fuga; Christlieb Siegmund Binder Prelude in F major; Jacques-Nicolas Lemmens Fanfare; Max Philipp Zeyhold Concerto in A major; Johann Sebastian Bach Was Gott tut das ist wohlgetan; Karl Hoyer Liebster Jesu wir sind hier; Carl Piutti Lobe den Herren den mächtigen König; and Carsten Klomp Grosser Gott wir loben dich.

The Clarinet Quintet in A K. 581 is Mozart’s only completed Clarinet Quintet. It was written in 1789 for the clarinettist of the Viennese Imperial Court Orchestra Anton Stadler and is often named after him. Originally written for Basset Clarinet and String quartet it has been arranged for many different ensembles since. It is one of the composer’s most admired works with its idyllic flowing melodies and sumptuous harmony making it one of the highlights of the classical era. The Larghetto is the second movement written in sonata form. It has been arranged for Organ by the Henry Coleman (1888-1965) who was organist at PeterboroughCathedral from 1921-1944. Published 1953.

Le compositeur et organiste Paul Siefert, baptisé à Gdansk le 28 juin 1586 et y mourut le 6 mai 1666, appartient à le 'école d'orgue allemande du Nord'. Grâce à une subvention du Conseil de la ville de Gdansk, Siefert a passé les années de 1607 à étudier probablement fin de 1610 à Amsterdam où il obtient les idées importantes et suggestions comme élève de Sweelinck. Après son retour, il devient adjoint organiste à Gdansk. De 1611 à 1616 il travaille comme organiste d'abord à l'église de la vieille ville de Königsberg, puis à l'orchestre de Cour de Varsovie. Le 23 septembre 1623, il est nommé organiste à la Marienkirche de Gdansk, dans la succession de Michael Weyda, où il a travaillé jusqu'à la fin de sa vie. Cette édition de ses oeuvres pour orgue contient 13 fantaisies, deux préludes chorals et un motet ainsi une description détaillée des travaux dans la préface, ainsi que dans le rapport critique. / Orgue

[Neue Ausgabe sämtlicher Werke - Band 3 : Clavier- und Orgelwerke abschriftlicher Überlieferung / Partiten und Partitensätze, Teil 1] / Classique / Editeur : Siegbert Rampe / Assisté de : K. Gilbert / Partition / Cartonné / Plats de carton / Edition Urtext

L'élève de Scheidemann, Johann Adam Reinken lui succède comme organiste à l'église de Sainte-Catherine, à Hambourg, à partir de 1663. Son jeu était d'une telle norme élevée que nul autre que j. s. Bach a voyagé de Lunebourg et Köthen à Hambourg pour entendre les Reinken à jouer de l'orgue. / Orgue

Faszination Orgel-Faszination Orgel is a series especially designed for liturgical use. The first two volumes are dedicated to the parts of liturgy whilst other volumes cover events and festivals during the church year. All volumes can be played by lesser skilled organists or sight-read by advanced musicians. This volume contains entrance and procession pieces by J. G. Walther J.S. Bach J. K. Kuchar W. A. Mozart L. Boellmann E. Batiste F. A. Guilmant F. C. Th. Dubois S. Karg-Elert H. Schubert and G. Kaluza.