SKU: BA.BA05448
ISBN 9790006471478. 33.2 x 26.5 cm inches. Text Language: French. Text: Berlioz, Hector / Nerval, Gérard de.
In 1828 Berlioz wrote the Huit scènes de Faust. The work was soon withdrawn but almost twenty years later each of the eight scenes found a place in the Lgende dramatique La damnation de Faust dedicated to Franz Liszt. The first part of the Damnation exposes the figure of Faust and has an introductory nature. From the second part onwards, the course of action is largely based on Goethe’s drama.Contrasting characters and dramatic effect are of central importance in understanding Berlioz’s musical thought and his compositional process. Magic and fairy tale, incantations and ghosts, have been the ever-recurring themes of opera since the Baroque. It is precisely this fantasy in Berlioz's Faust, the “Opra de Concert en Quatre actsâ€, which comes very close to the spirit of Goethe's presentation.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.2704409
ISBN 9790007199326. Language: Latin.
Following the Carus recording (Carus 83.169) of Ristori's Mass for the most holy birth of our Lord, this important discovery among the music of the Dresden Court is now presented in a critical edition. Its festive character is marked by a polished instrumentation, powerful choruses and highly expressive solo parts. Score and parts available separately - see item CA.2704400.
SKU: CA.2704411
ISBN 9790007199333. Language: Latin.
Following the Carus recording (Carus 83.169) of Ristori's Mass for the most holy birth of our Lord, this important discovery among the music of the Dresden Court is now presented in a critical edition. Its festive character is marked by a polished instrumentation, powerful choruses and highly expressive solo parts. Score and part available separately - see item CA.2704400.
SKU: CA.2704413
ISBN 9790007199357. Language: Latin.
SKU: CA.2704414
ISBN 9790007199364. Language: Latin.
SKU: CA.2704412
ISBN 9790007199340. Language: Latin.
SKU: CA.2704449
ISBN 9790007199388. Language: Latin.
SKU: CA.2704405
ISBN 9790007129415. Language: Latin.
Following the Carus recording (Carus 83.169) of Ristori's Mass for the most holy birth of our Lord, this important discovery among the music of the Dresden Court is now presented in a critical edition. Its festive character is marked by a polished instrumentation, powerful choruses and highly expressive solo parts. Score available separately - see item CA.2704400.
SKU: CA.9105719
ISBN 9790007231415. Language: Latin.
Score and parts available separately - see item CA.9105700.
SKU: CA.3106212
ISBN 9790007043629. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200.
SKU: CA.3106249
ISBN 9790007043650. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
SKU: CA.3106209
ISBN 9790007043605. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and parts available separately - see item CA.3106200.
SKU: CA.3106214
ISBN 9790007043643. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
SKU: CA.3106211
ISBN 9790007043612. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
SKU: CA.3106213
ISBN 9790007043636. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
SKU: CA.3106207
ISBN 9790007043599. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score available separately - see item CA.3106200.
SKU: CA.3106205
ISBN 9790007043582. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
SKU: CA.9105705
ISBN 9790007114855. Language: Latin.
Score available separately - see item CA.9105700.
SKU: CA.9105713
ISBN 9790007231408. Language: Latin.
SKU: CA.9105711
ISBN 9790007231385. Language: Latin.
SKU: CA.9105712
ISBN 9790007231392. Language: Latin.
SKU: TM.650-3004SET
Includes adlib cello. Sonata No. 7 Allegro – Grave – Allegro; Sonata No. 8 Grave – Allegro – Largo – Vivace; Sonata No. 9 Allegro – Allegro – Adagio.
SKU: CA.2100119
ISBN 9790007138844. Language: Latin/German.
Score and parts available separately - see item CA.2100100.
SKU: CA.2100111
ISBN 9790007197643. Language: Latin/German.
Score available separately - see item CA.2100100.
SKU: CA.2100113
ISBN 9790007197667. Language: Latin/German.
SKU: CA.2100112
ISBN 9790007197650. Language: Latin/German.
SKU: TM.12224SET
Coro di Crociati e Pellegrini o Signore dal Tetto Natio.
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