Par CONSTAS ROBERT. Ici, dans une seule collection est toute la musique que vous avez besoin pour toutes les phases d'une cérémonie de mariage traditionnel. Ces sélections classiques et originale sont disposées comme instrumentales duos principalement pour alto et ténor enregistreurs, avec certains pour c doigté seulement et bass facultatives. La musique est fournie pour prélude, la procession des demoiselles d'honneur, le cortège nuptial, l'unité chandelle, sortie des mariés et postlude. Un long article de préludes et postludes fournit une foule de la belle musique pour utilisation lors de la cérémonie ou à la réception, jusqu'à quand la bande ou le DJ commence à jouer ! / Niveau : Débutant à Intermédiaire / Wedding - Duets / Recueil / Flûte à Bec Alto

Der erste Band dieser Altblockflötenschule umfasst 68 durchwegs farbig illustrierte Seiten mit abwechslungsreichen Liedern und Spielstücken sowie umfangreiches Arbeitsmaterial für die Bereiche Technik Theorie und Notenkenntnisse.Bedeutenden Raum nehmen auch die Improvisationen ein die sich durch den ganzen Lehrgang hindurchziehen.Jedes Heft enthält zudem 3 Mitspiel-CD's auf denen alle Spielstücke mit Blockflöte und Begleitung eingespielt sind.An wen richtet sich diese Schule?An Kinder ab ca. 10 Jahren aber auch an Erwachsene mit und ohne Vorkenntnisse aufder SopranblockflöteWas zeichnet diese Schule aus? Grosse stilistische Vielfalt in den Spielstücken Übersichtlicher Aufbau mit klaren grafischen Symbolen 3 Mitspiel-CD's live eingespielt auf akustischen Instrumenten zahlreiche farbige Illustrationen Improvisationen zu Akkordmustern Zum Inhalt Spielstücke Kompositionen von Daniel Hellbach: Diese Kompositionen sind jeweils exakt auf die betreffenden Lernschritte zugeschnitten. Volkslieder: Der Lehrgang enthält eine breite Palette an Volkslieder aus aller Welt u.a. irische Volksmusik und Stücke aus Südamerika. Alte MusikDie Schule enthält einige Stücke aus Mittelalter Renaissance und Barock auf den CD's eingespielt auf Originalsintrumenten Pop/Rock-Musik:Unser Lehrgang enthält auch einige bekannte Titel aus der Pop/Rockmusik u.a. 'A Groovy Kind of Love' (Phil Collins) oder 'All my Loving' (Beatles) Es ist uns wichtig dass die Schüler alle unterschiedlichen Musikstile in authentischen Aufnahmen hören. Die 2 CD's wurden daher live mit akustischen Instrumenten in unterschiedlichen Besetzungen eingespielt: . Fidel Pommer Drehleier Perkussion - Streichquartett Klarinette Oboe Klavier - Irische Folkgruppe - Rockband.Die meisten Stücke sind in zwei verschiedenen Tempi

Twenty-four solos for alto (treble) recorder based on famous classic melodies by Beethoven Brahms Chopin Corelli Dvorak FaurÈ Grieg Mozart and others as well as several folk songs and original pieces by the author. Thismusic is specially arranged for the beginning-level pupil. Piano accompaniment included.

New Full-Colour Edition-This new edition of John Pitts' Treble Recorder From The Beginning is a complete course in playing Treble Recorder and now comes in full colour with 2 CDs. It is particularly suitable for Descant playerswho are progressing to the Treble Recorder. This beginning Recorder course contains a wide selection of tunes that combine a lot of the old favourites with some new additions including music from Latin America ScottJoplin compositions classical pieces and folk songs! Other innovations included in Treble Recorder From The Beginning are consolidation material at all levels seven new duets and two includedmusic CDs. These CDs contain solo Recorder demonstrations of every piece plus performance backing tracks and help to make this course helpful to non-specialist teachers as well as being a source of inspiration for people learningto play at home. A companion Treble Recorder From The Beginning Teacher's Book  is also available containing Piano and Guitaraccompaniments. If you've already learned the Descant Recorder or you are learning the Treble Recorder with no prior knowledge this Treble Recorder From The Beginning tutor is a great entryinto the world of this wonderful instrument.

Berio could have called “Gesti” a “Sequenza”; the approach is the same. The work calls for (almost literally) breathtaking virtuosity – fingers tongue and respiration must be skilfully coordinated. The instrumental sounds combined over and over with the flutist’s voice occasionally have a humorous effect such as when the flute suggests a bird gone mad; in the final section we hear that the instrument can sing as well.

Treble Recorder Hub is a collection of colourful and quirky new pieces studies duets and trios for bassoons. The book will inspire elementary and intermediate players providing new music that will support exam preparation as well as fun arrangements of well-known tunes. There are also duets and trios to play with other bassoonists. Treble Recorder Hub is a highly useful resource with plenty of new material for teachers and students.

A collection of twenty-five studies for Treble Recorder by Hans P. Keuning. Perfect practice for flowing fingers and breath control this is an ideal study method for those progressing from the early to the intermediategrades.

The second part of a two-volume anthology providing a graded selection of well-crafted and idiomatic arrangements for Treble/Alto Recorder and Piano. All the works ranging from 14th century Renaissance music to contemporary pieces have been selected and edited by Kathyrn Bennetts and Peter Bowman.

Tune Book 1-This Method for Alto Recorder which is a continuation of the three volumes for soprano recorder will continue to place great importance on developing musicianship breathing technique sound production rhythmic security and the introduction of music theory. At the heart of this method lies a seamless crossover from soprano to alto recorder whilst maintaining and developing the student's soprano recorder playing. The first volumes of Fun and Games with the Recorder for soprano recorder are intended for use with children from about six years of age. This method for alto recorder is therefore aimed at children of around 10-12 years. As in the previous books in this series weaddress the child directly and provide carefully planned and precisely formulated exercises.This method is suitable for use both in group and individual lessons. The accompanying Tune Books offer a broad range of solo and ensemble music which is graded to match the technical and musical progression of the Tutor Books.

Media Type : Book Level : Beginning Musical Genre : All Styles Series : Fun With Number of pages : 32 This beginner's method for the alto (F) recorder presents carefully written examples, studies, and a wealth of songs to teach important concepts. This method is suited for either individual or classroom instruction. It may be used in class with the companion for the soprano recorder, Fun with the Recorder.

23 Works for Alto Recorder with Piano Accompaniment-This anthology presents pieces by 17th and 18th century composers in a variety of different styles providing an informed introduction to the musical forms of the Baroque period. The volume contains works by major composers such as Bach Handel and Telemann as well as lesser known composers including Caix d’Hervelois and Marcello. Insightful teaching notes and composer biographies accompany the works as well as a CD of the pieces performed by Gudrun Heyens and Wolfgang Kostujak.Ideal for players and teachers looking to explore the repertoire for their instrument further this collection provides pieces suitable for concerts festivals and competitions.Suitable for students with 8 or more years playing experience (grades 7-8).Content - Handel: Andante (from Sonata in D minor) - Handel: A Tempo di Menuet (from Sonata in D minor) - Valentine: Adagio (from Sonata in G minor) - Valentine: Corrente (from Sonata in G minor) - Valentine: Adagio (from Sonata in G minor) - Valentine: Giga (from Sonata in G minor) - Parcham: Solo - Danican-Philidor: Le Tombeau (from Sixieme Ensemble de Pieces) - Danican-Philidor: Air tendre (from Sixieme Ensemble de Pieces) - Danican-Philidor: Le Badin (from Sixieme Ensemble de Pieces) - Marcello: Ciaconna (from Sonata No.12 in F major) - Graun: Adagio (from Sonata in C major) - Graun: Allegro (from Sonata in C major) - d'Hervelois: Muzette (from the Premiere Suite) - d'Hervelois: Marche du Czar (from the Premiere Suite) - Barsanti: Adagio (from Sonata in G minor) - Barsanti: Allegro (from Sonata in G minor)- Gavotta: Adagio (from Sonata in G minor) - Teleman: Air a L'Italien - Wassenaer: Grave (from Sonata Prima in F major) - Wassenaer: Allegro (from Sonata Prima in F major) - J.S. Bach: Giga (from BWV 997) - J.S. Bach: Double (from BWV 997)

Markus Zahnhausen’s Lux Aeterna belongs to a very special category in my repertoire. The tender and dangerous beauty of his music has fascinated me for years. In a contemporary musical language Zahnhausen has managed to bring theinstrument back to what it once was: flauto - the flute! His expressive music never takes the instrument beyond its limits thus avoiding the trap of many a modern work. There is a perfect balance between form content andidiomatic writing that places both his music and the recorder where they belong: in the hearts of the listeners! I have had a tremendous time when studying Lux Aeterna. I sometimes wondered whether I played the piece or the piecewas playing me ... Dan Laurin