Twelve Fantasias for treble Recorder solo based on the fantasias for flauto traverso solo TWV 40:2-13. This arrangement of Telemann’s “Twelve Fantasias” for treble Recorder is based on our edition for solo flute BA2971. With the exception of Nos 4 5 & 12 which were transposed up a fourth for the Recorder all other fantasias are transposed up a third following a technique often used in the 18th Century. The Fantasias for Flute without bass address themselves less to the virtuoso than to the amateur flutist who will find everything he wishes in these pieces. Although Telemann himself mayhave lost track of his works the many flutists who have perfected their technique and musical interpretation with the help of these lovely Fantasias will never forget them.

A collection of twenty-five studies for Treble Recorder by Hans P. Keuning. Perfect practice for flowing fingers and breath control this is an ideal study method for those progressing from the early to the intermediategrades.

The infamous Six Cello Suites by J. S. Bach are perfectly adapted for the Recorder by French wind specialist Jean-Claude Veilhan. Bach originally composed the Cello Suites some of the most frequently performed and recognised solo compositions ever written for the instrument during the period 1717-1723 when he served as Kapellmeister in Köthen. The second volume of Veilhan's adaptions for Recorder contains suites four five and six and includes phrase marks dynamic markings articulation breath marks and performance directions. Veilhan's adaptions are flawless makingthe notorious Suites enjoyably accessible to the Recorder.

From Works by: Mazas Haydn Bach Mozart Beethoven Veracini Tchaikovsky Saint-Saëns Fauré Ibert Ravel and Taki