SKU: BR.OB-5560-19
Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.
Have a look int. Oratorio/passion; Baroque. Part. 60 pages. Duration 120'. Breitkopf and Haertel #OB 5560-19. Published by Breitkopf and Haertel (BR.OB-5560-19).
ISBN 9790004344149. 10 x 12.5 inches.
Messiah 1741 - new light on Handel's masterpieceThe focus of this new edition is the Messiah as first conceived by the composer in 1741: before its first performance in Dublin in 1742, before the first London performances of the mid 1740s, before the final Foundling Hospital performances in the late 1750s. The editor succeeds in creating a 21st-century edition from the perspective of 1741, making clear that Messiah was a genius hit from the start.Messiah 1741 - the first and only complete edition of Handel's autograph scoreThorough information on Handel's performance practice in 1741 (including topics such as orchestration, continuo, text underlay and specific questions on interpretation)It offers a reconstruction of the wind parts according to contemporary sourcesPiano vocal score with contemporary vocal ornamentationFirst edition including the German text by Herder - a monument of the German enlightenment - which is contentwise and phonetically closer to Jennens' text than any other translation, therefore being a perfect singable alternativeThe appendix contains additionally the most popular and important aria versions composed after 1741 for practical reasons.Throughout this new edition, creative yet pragmatic scholarship shines through, and the Preface and Critical Report are thorough and unusually fascinating. ... I'm very happy to own the full score, and if I were starting out now, I'd invest in the whole kit and caboodle.(Jeremy Summerly, Choir & Organ)Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.
SKU: BA.BA05389-79
ISBN 9790006470457. 32.5 x 25.5 cm inches. Key: F major.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: MB.21315M
ISBN 9780786694242. 8.75 x 11.75 inches.
This is a collection of twelve sacred pieces from the classical repertory, arranged for viola solos with piano accompaniment. All-time favorites like the Pachelbel Canon, Jesu, Joy of Mans Desiring and Ave Maria are included. The viola part is intermediate level, with occasional use of third position. This collection offers a valuable source of solos that can be used in a variety of performance circumstances. Includes access to online PDF of piano accompaniment.
SKU: ST.Y305
ISBN 9790220223884.
Winner of the 1909 Cobbett Chamber Music Competition, John Ireland's Sonata No. 1 in D minor was among his first significant instrumental works. It was published in 1911 and revised in 1917. Martin Outram has arranged the violin part of the work for viola, to be used with the piano score of the sonata in its original form for violin and piano, ref. 1981, in which a full account of the piece may be found.
SKU: HL.49016822
ISBN 9790220127373. 9.0x12.0x0.09 inches.
For Viola and Piano.
SKU: HL.48180139
UPC: 888680794774. 9x12 inches.
For viola and piano.
SKU: AP.1-ADV14771
UPC: 805095147711. English.
A new and exciting way for viola players to learn and practice basic jazz style. Easy Jazz Conception: Viola Book & CD set features 15 solo etudes based on blues and standard chord progressions, demonstrated by Mark Feldman on violin along with a world-class rhythm section: Mike LeDonne, piano; Peter Washington, bass; and Kenny Washington, drums. The recording features two separate versions of each etude: one with the soloist and rhythm section, and one with the rhythm section only. See and hear how the soloist phrases, play with or without the soloist on the CD, and learn basic jazz style first hand.
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