Par PAGANINI NICCOLO. Paganini’s Inno patriottico con variazioni for solo violin M.S. 81 is a composition dating back to the period between 1796 and 1800, during which he also composed works such as the Carmagnola con variazioni M.S. 1 for violin and guitar, the Grande Concerto M.S. 75, the Tema variato for violin M.S. 82 and the Sonata a violin solo M.S. 83. There is not very much background material regarding the piece: the only certainties we have about it are that it dates from his early period, springs from a Genovese environment and has numerous similarities to the Carmagnola con variazioni M.S. 1: both compositions are based on a sprightly popular theme in 6/8 that can be traced back to the Perigordino, a French dance that first appeared in the Ligurian Apennines during the Napoleonic period. The structure of the Inno patriottico con variazioni substantially follows that of the Carmagnola and Tema variato: a theme followed by a series of variations in which Paganini demonstrates his personal concept of variation. This edition is based on a recently rediscovered, non-autograph source owned by the descendants of Eredi Sivori, in combination with the copy held by the Archivio Storico del Comune di Genova and printed sources./ Répertoire / Violon

Attainable for almost everyone-Paganini wrote virtuoso violin music that could only be played by a few musicians. However in this book celebrated compositions by Paganini have been adapted and simplified in such a way that they are playable for practically every violinist - without violating the character and the typical features of his music. Tours de force such as pizzicato in the left hand ricochet and harmonics are retained in a simplified form so the pieces in Easy Paganini still sound spectacular and are very violinistic. When it comes to technical requirements for the left hand the third position (with the occasional further extension) will suffice.

Four virtuosic Encores by Paganini as played by the famous violinist Ruggiero Ricci and of course Paganini himself. Ideal for ending a concert with a real flourish! Includes a 'Duet for Solo Violin' and the 'God Save The King Variations'. This is the Great Performer's Edition edited by Ruggiero Ricci.

Par PAGANINI NICCOLO. The autograph composition entitled Alla spagnola is a fleeting piece, similar, in size, to other small works that Paganini called “capricci”, that he gave, on more than one occasion, to friends, colleagues and other figures he encountered during his travels: a piece which gives us a clear sense of the spirit of the Genoese master of brief compositions. The publication of this pleasant piece will add to his significant and varied body of pieces for solo violin./ Répertoire / Violon

Paganini's Op.11 Moto Perpetuo for the violin with piano accompaniment edited and fingered by Leopold Lichtenberg.

Nicolò Paganini’s works for solo violin are one of the most significant components of his musical production, and consist of compositions written throughout his entire lifetime. This collection highlights various elements of interest, including the exploration of different sounds and instrumental techniques. / Partitions classique / Cordes / Violon / RICORDI

Edizione critica di - Critical edition by Italo Vescovo-This Capriccio per violino solo M.S. 54 should be considered as part of the group of short musical dedications that Paganini was in the habit of giving away to friends colleagues and the personalities he met during his travels. Dated 1828 dedicated to Count Maurizio Dietrichstein is a truly unique work not only for the way in which the music is organised (notated on four staves one for each string) but also because of the way in which it was conceived musically. The concept of polyphony is brought to an extreme level at least in conceptual and visual terms in this composition. Its brief structure is reminiscent of a kind of four-part chorale written in score. It is characterised by its lyrical and elegant writing style where the four voices move in polyphonic fashion giving birth to an extremely refined harmonic texture. This critical edition is based on the manuscript kept in the Ã?sterreichische Nationalbibliothek of Vienna compared with the modern editions.

Difficile. Par PAGANINI NICCOLO. Capriccio de Paganini 'In cor più non mi sento” pour violon solo est une oeuvre pratiquement inconnue dans sa forme originale à deux mouvements, respectivement Andante et Presto. La première (Andante) est une variation basée sur le thème de Paisello, tandis que la seconde (Presto) est une variation virtuose. Beaucoup moins célèbre que la version de Carl Guhr intitulée Introduction et Variations sur le thème 'Nel cor più non m sento' pour violon seul de Nicolo Paganini, qu'il a incluse dans son 'traité'. La version de Guhr, pour laquelle nous n'avons pas de source originale, a été publiée à plusieurs reprises. Il est beaucoup plus long et comporte beaucoup plus de variations que le Capriccio original, ce dernier étant souvent considéré comme une sorte de 'premier croquis' de l'oeuvre plus longue. La version de Guhr a, à bien des égards, éclipsé celle de Paganini, de sorte que l'originalité de sa composition et son intégrité en tant que pièce autonome n'ont pas été suffisamment appréciées. La présente édition critique est basée sur un manuscrit trouvé dans la Staatsbibliothek de Berlin. Il est comparé à l'édition de Zimmermann (1960), assez peu fiable du point de vue philologique, et au 'Tema' et 'Settima variazione' qui correspondent aux deux mouvements du Capriccio des fils de B. Schott (édition de 1829). / Niveau : Difficile / Répertoire / Violon

Edizione critica di - Critical edition by Italo Vescovo. Par PAGANINI NICCOLO. This Capriccio per violino solo M.S. 54 should be considered as part of the group of short musical dedications that Paganini was in the habit of giving away to friends, colleagues and the personalities he met during his travels. Dated 1828, dedicated to Count Maurizio Dietrichstein, is a truly unique work, not only for the way in which the music is organised (notated on four staves, one for each string) but also because of the way in which it was conceived musically. The concept of polyphony is brought to an extreme level, at least in conceptual and visual terms, in this composition. Its brief structure is reminiscent of a kind of four-part chorale written in score. It is characterised by its lyrical and elegant writing style, where the four voices move in polyphonic fashion, giving birth to an extremely refined harmonic texture. This critical edition is based on the manuscript kept in the Österreichische Nationalbibliothek of Vienna compared with the modern editions. / Niveau : Avancé / Répertoire / Violon

Tenant compte des conseils des grands maîtres, l'auteur respecte une progression qui permet à l'élève de franchir avec assurance les difficultés du premier apprentissage. Le petit Paganini est la méthode la plus utilisée dans les écoles de musique.

Référence unique par son ISBN 9790044004133 cette partition musique de Paganini n'est autre que 24 CAPRICES VIOLON SEUL qui a été composée pour Violon. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Durand. La référence catalogue de cette oeuvre est DC00946700. / Violon / Partition