Par HUGON ROMAIN. / Musique Instrumentale / Date parution : 2023-03-21/ Recueil / Violoncelle et Piano

Par HUGON ROMAIN. / Niveau : Cycle 1 / Musique Instrumentale / Répertoire / Violoncelle et Piano

La référence PN4562 1 de l'éditeur Billaudot dont l'auteur célèbre est Maingueneau Louis, qui a pour titre 3 PIECES (SARABANDE VALSE LENTE GIGUE), a été écrite et composée pour Violoncelle et plus particulièrement pour Violoncelle Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violoncelle Et Piano / Partition

Collection dirigée par Bruno Giner L'idée du carnet, renvoie à quelque chose proche de l'intime : idées importantes, gestes essentiels, mots clés ou fulgurances sonores?Ainsi, les Carnets du 21o siècle proposent des ' coups de coeur ' ou plus exactement des ' coups d'oreille '. Des ' coups de musique ' dirons-nous, tant pour nos musiciens en herbe que pour leurs aînés, déjà confirmés mais toujours curieux et enthousiastes. Ainsi, la collection se décline à deux niveaux différents mais complémentaires : oeuvres pour l'apprentissage, oeuvres pour le concert.Les différents compositeurs qui contribuent à faire vivre ces carnets partagent - au-delà de leur langage respectif - une grande complicité musicale autant qu'humaine.Si, à l'évidence, le 21o siècle est celui qui nous survivra, le carnet est une sorte de trace, comme une mémoire de papier incarnée par des sons. / Cordes, Violoncelle Et Piano

Par SHCHEDRIN RODION. Les émotions profondes slaves et virtuosité préhension - qu'est ce qui caractérise les nombreuses compositions par Rodion Shchedrin. Même s'il a été un cosmopolite depuis longtemps, le compositeur né à Moscou demeure néanmoins un compositeur russe à l'origine, dont l'attachement à la musique russe folklore et de la poésie n'a jamais été interrompu. Cette tradition se montre aussi en ' Belcanto ', qui a été commandé par le célèbre Festival de Verbier et créée par le dédicataire Mischa Maisky, avec le compositeur au piano. La partie violoncelle maintient principalement un caractère cantabile, tandis que le piano accompagne et commente la partie vocale avec divers sons transparents et figures./ Répertoire / Violoncelle et Piano

Nocturnes is a set of four studies for Cello and Piano by Bohuslav Martinu. These four pieces can be played for a recital or a contest separately or following one another by upper-intermediate players and above. This volume features:  I. Andantino moderato – two first parts starting with a solo of Piano including many accidentals some trills and some pizzicatos  II. Lento– starts by an exchange of sets of chords between the Piano and the Cello which is played a second time at the end of the piece  III. Moderato –starts by the Piano on its own which is the joined by the Cello  IV. Allegretto moderato – swapping from pizzicato to bow few times in the suite  Bohuslav Martinu (1890-1959) is a Czech composer and a violinist. Even though he was interested in different genres (including Romanticism Jazz and Expressionism) he wrote mainly neo-classical pieces including 16 symphonies 14 ballets and 15 operas.

Composed in 1948 the Cello Sonata or Sonata for Cello and Piano by Francis Poulenc (1899-1963) was dedicated to Pierre Fournier the French cellist. Its four movements mainly ternary are as listed below: - Allegro (Tempo di Marcia) - Cavatine - Ballabile - Finale Pierre Fournier partly helped Francis Poulenc to compose the Cello part as this latter was not a specialist of this instrument. Francis Poulenc is French composer and pianist. He also produced Piano and Chamber pieces Operas ('Dialogues des Carmélites') ballets ('Les Biches') as well as some orchestralworks.

Par POULENC FRANCIS. Composed in 1948, the Cello Sonata or Sonata for Cello and Piano by Francis Poulenc (1899-1963) was dedicated to Pierre Fournier, the French cellist. Its four movements, mainly ternary, are as listed below: - Allegro (Tempo di Marcia) - Cavatine - Ballabile - Finale Pierre Fournier partly helped Francis Poulenc to compose the Cello part as this latter was not a specialist of this instrument. Francis Poulenc is French composer and pianist. He also produced Piano and Chamber pieces, Operas ('Dialogues des Carmelites'), ballets ('Les Biches') as well as some orchestralworks./ Répertoire / Violoncelle et Piano

For quite some time posterity remembered Reynaldo Hahn (1874-1947) for just a handful of songs and the operetta Ciboulette overlooking the incredible diversity of a catalogue as eclectic as it is appealing. Yet his chamber music contains many little-known treasures: thus cellist Steven Isserlis in his preface hastens to hail the first modern edition of these two scores which he regularly plays in recital so much does their beauty enchant the audience. Published in 1911 the Two Improvisations on Irish Airs for cello and piano turn out to be the transcription of his first and third Preludes for piano four hands (1894). Thesefolk themes come from the collection Songs of Old Ireland published 12 years earlier by Charles Villiers Stanford: gracefully and tenderly The Little Red Lark unfurls a melancholic tune of which the regular foundation respects the breadth of phrase typical of folk songs; in The Willow-Tree the lover begs his beloved in vain to take him in her arms one last time before he lies down lifeless in the shade of the tree. Beyond this sensitive exploration of the Irish soul Hahn offers us a journey into the past: the Variations chantantes sur un air ancien develop a theme borrowed from Cavalli’s opera Xerse. In this aria (1660 version: Act IV sc. 6) Ambassador Periarco dreams of moving away from court intrigues to be able to taste the pleasures ‘to which the gods have destined him’. Reynaldo Hahn’s variations succeed in maintaining the sweet simplicity of this theme as noble as it is refined.

It is a surprising fact of Beethoven’s life that of all the categories of pieces he composed there are more settings of Irish songs than of any other type of music. Scottish poet Robert Burns convinced a Scottish music publisher to commission Beethoven to set his own words to Irish airs. The death of Burns in 1796 ended the project but Beethoven went on to harmonise and arrange the songs in 1814 through 1816 mainly and they were published though never achieved as great a popularity as a rival set by Thomas Moore.This simplified version for easy Cello and Piano was arranged by composer Hugo Cole an accomplished cellist who was for many years a music critic for theGuardian newspaper.

22 easy pieces for cello and piano from the Baroque, Classical and Romantic eras. The pieces are mainly playable in the first position and are particularly suitable from the second year of tuition. Many of the piano arrangements can also be played by pupils. / Violoncelle Et Piano

Instrumental Solos-Since its opening in 1957 the musical West Side Story has been a hit on Broadway. Made into a successful film starring Rita Moreno Natalie Wood and Richard Beymer in 1961 this tale of star-crossed lovers caught between feuding New York gangs has been gripping audiences for decades.The arrangements in the West Side Story: Instrumental Solos series remain faithful to Bernstein's original score. In this edition the pieces have been idiomatically adapted for the solo Cello.This book features 10 of the best-known songs from the musical including Maria Tonight America I Feel Pretty and more.West Side Story:Instrumental Solos - Cello comes with an enhanced CD featuring Piano accompaniments for all tracks. Playable on both CD player and computer tempo adjustment software is also included for CD-Rom computer use only.

Recueil Collector (limité à 1000 exemplaires) avec Illustrations et textes en français et en anglais. Réalisé pour et autour de l'album "Lift" interprété par le compositeur Koki Nakano (piano) et Vincent Ségal (violoncelle), le livre propose la partition du premier titre de l'album "petite pièce pour un inconnu", et de nombreux textes explicatifs sur la démarche du compositeur. "Dans le minuscule studio des Buttes-Chaumont où Koki résidait, je pouvais avec mon archet toucher le piano droit et de la main gauche faire chauffer de l?eau, mais en sortant j?avais l?impression d?avoir été sur Mars, au bord d?un lac, dans un loft berlinois, avec des fées. La musique ne signifie rien et pourtant c?est une question de vie et de mort pour Koki Nakano. Vincent Segal" Co-édition No Format / Editions Bourgès R.