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Piano and Orchestra
UKULELE
Cello, Piano
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Bartok Bela - First Rhapsody - Cello And Orchestra
Cello, Piano
[Reduction]
Boosey and Hawkes
Folk dances Instrument : cello and orchestra Type : piano reduction with solo p...
(+)
Folk dances Instrument : cello and orchestra Type : piano reduction with solo part Nombre de Pages : 32
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Introduction Et Rondo Capriccioso Op. 28 For Violin And Orchestra (SAINT-SAENS CAMILLE)
Cello, Piano
G. Henle
Par SAINT-SAENS CAMILLE. with marked and unmarked string parts / Jost, Peter / ...
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Par SAINT-SAENS CAMILLE. with marked and unmarked string parts / Jost, Peter / Répertoire / Violon et Piano
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Edward Elgar: Concerto For Cello And Orchestra In E Minor Op.85: Cello:
Cello, Piano
[Sheet music]
-
Intermediate/advanced
Novello & Co Ltd.
Recognised as one of the most important works of the Cello repertoire Elgar's C...
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Recognised as one of the most important works of the Cello repertoire Elgar's Conerto Op.85 was completed in 1919 and stands as his final major completed work. This new edition edited by John Pickard of the Elgar Society uses for the first time the composer's original sketches to piece together an authoritative and definitive arrangement for Cello and Piano. A wonderful new edition of one of the most frequently performed works for the Cello.
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Francis Poulenc: Sonata For Cello And Piano: Cello: Instrumental Work
Français
Cello, Piano
Leduc, Alphonse
Composed in 1948 the Cello Sonata or Sonata for Cello and Piano by Francis Poul...
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Composed in 1948 the Cello Sonata or Sonata for Cello and Piano by Francis Poulenc (1899-1963) was dedicated to Pierre Fournier the French cellist. Its four movements mainly ternary are as listed below: - Allegro (Tempo di Marcia) - Cavatine - Ballabile - Finale Pierre Fournier partly helped Francis Poulenc to compose the Cello part as this latter was not a specialist of this instrument. Francis Poulenc is French composer and pianist. He also produced Piano and Chamber pieces Operas ('Dialogues des Carmélites') ballets ('Les Biches') as well as some orchestralworks.
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Stephen Albert: Concerto for Cello and Orchestra: Cello and Accomp.: Score
Cello, Piano
[Sheet music]
Schirmer
Stephen Albert's Concerto For Cello And Orchestra. Piano reduction. First perfor...
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Stephen Albert's Concerto For Cello And Orchestra. Piano reduction. First performed and recorded by Yo Yo Ma and the Baltimore Symphony Orchestra.
34.99 GBP - Sold by Musicroom UK
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Piano
Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...
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Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
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M. Goddard: Buffoonery For Cello And Piano: Cello: Instrumental Album
Cello, Piano
[Score and Parts]
Spartan Press
This piece was originally written for the trombonist Michael Skitt as the final...
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This piece was originally written for the trombonist Michael Skitt as the final 'prank' movement of a concerto for trombone and orchestra. By popular request the piece has been given a separate piano part and has since been proved equally entertaining for trombone bassoon or cello!Grade: 8
6.95 GBP - Sold by Musicroom UK
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Herbert Howells: Threnody (Cello/Piano): Cello: Instrumental Work
Cello, Piano
[Sheet music]
Novello & Co Ltd.
This is a Cello/Piano reduction of the work for Cello and Orchestra.
14.99 GBP - Sold by Musicroom UK
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John Williams: Elegy for Cello and Orchestra: Orchestra and Solo: Score
Cello, Piano
Hal Leonard
Cello with Piano Reduction
16.99 GBP - Sold by Musicroom UK
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Richard Danielpour: Concerto for Cello and Orchestra: Cello and Accomp.:
Cello, Piano
[Sheet music]
Associated
Danielpour's Cello Concerto was premiered by Yo-Yo Ma and the San Francisco Symp...
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Danielpour's Cello Concerto was premiered by Yo-Yo Ma and the San Francisco Symphony in 1994. In four movements: Invocation Profanation Soliloquy Prayer and Lamentation.
39.99 GBP - Sold by Musicroom UK
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Arnold Schönberg: Concerto for Violoncello and Orchestra: Cello and Accomp.:
Cello, Piano
Schirmer
Piano reduction of the Cello Concerto after the concerto for clavicembalo compo...
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Piano reduction of the Cello Concerto after the concerto for clavicembalo composed in 1746 for Georg Matthias Moon. Includes score and part.
23.99 GBP - Sold by Musicroom UK
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Max Bruch: Kol Nidrei Opus 47 for Violoncello and Orchestra: Cello: Instrumental
Cello, Piano
G. Henle
Aside from his popular Violin Concerto no. 1 ?Kol Nidrei? numbers among Max Bru...
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Aside from his popular Violin Concerto no. 1 ?Kol Nidrei? numbers among Max Bruch?s most famous compositions. The melancholy ?Adagio after Hebrew melodies? was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch by his own admission. The tenor Cello sound is the ideal medium for the voice of a Jewish cantor and thus to this day ?Kol Nidrei? offers every cellist a wonderful opportunity to make the instrument ?sing?. In this text based on the first edition of 1881 ?Kol Nidrei? appears for the first time in an Urtextedition substantiated by scholarly research for which not just the musical sources but also numerous letters and documents from the Max Bruch Archive were consulted. Christian Poltéra was able to be procured for the markings in the solo part.
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Rozsa Miklos - Violoncellokonzert Op. 32 - Cello, Orchestra
Cello, Piano
Breitkopf & Härtel
Composer : Rozsa, Miklos Instrumentation : Vc,Klav Edition : Piano and solo
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Concerto For Cello And Orchestra.Op. 66. Piano Score.
Cello, Piano
[Sheet music]
Muzyka
/ Violoncelle Et Piano / 56 pages / Partition
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Gustav Holst: Invocation - Cello And Piano: Cello: Instrumental Work
Cello, Piano
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Intermediate/advanced
Faber Music Limited
Invocation was composed in 1911 and first performed on May 2nd of that year in t...
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Invocation was composed in 1911 and first performed on May 2nd of that year in the Queen's Hall London by May Mukle with the New Symphony Orchestra conducted by Landon Ronald. The work received several performances with Piano accompaniment before 1914 but with the public success of The Planets it became one of many works that Holst never had time to revise or publish. A certain amount of editing of dynamics and phrasing has been necessary and the Piano reduction has occasionally been slightly adjusted to match the orchestral accompaniment more closely. The separate Cello part has been edited by Julian Lloyd-Webber.
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Marin-Marais: Folia: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Leduc, Alphonse
Composed by Marin Marais La Folia is a piece for Cello and Orchestra. Arranged...
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Composed by Marin Marais La Folia is a piece for Cello and Orchestra. Arranged by Paul Bazelaire this edition presents the scores for Cello and Piano and can be played by advanced players. This melodious composition is based on “The folies of Spain” in terms of theme and rhythms and the arrangement was created for the Paris Conservatoire contest. While the beginning of the piece is quite slow it has some faster parts that are more cheerful. Marin Marais (1656-1728) was a French composer and master of the Viol. He wrote many pieces for the Viol some trio pieces and some orchestras.
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Peter Maxwell Davies: Strathclyde Concerto No. 2: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Chester
This work for cello and orchestra was commissioned by the Strathclyde Regional C...
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This work for cello and orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the second of ten concerti to be written for principal players of the Scottish Chamber Orchestra. Thefirst performance was given in February 1989 by William Conway and the Scottish Chamber Orchestra conducted by the composer.If Davies's Cello Concerto has already evoked comparisons with Elgar's that is perhaps an indicationnot only of its wealth of solo melody (there is hardly a page where the cello is not singing or if not that then dancing) and of its predominantly slow tempos but also of its musical stature. This second Strathclyde concertois a virtuoso piece for the entire ensemble which is used almost throughout as a clutch of soloists rather than as a tutti block. The general tone is one of passionate but interior dialogue especially in the opening Moderato andthe slow movement; and though the finale is more extrovert the work ends back in quietness and rumination.This book contains the solo cello part and a piano reduction of the orchestral score.
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Franz Joseph Haydn: Cello Concerto In C Hob.VIIb: Cello: Instrumental Work
Cello, Piano
G. Henle
Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) w...
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Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) was probably composed between 1762 and 1765 when he was already director of music to Prince Esterh zy. It may have been writtenfor the cellist in the court Orchestra Joseph Weigl (1740-1820) for whom Haydn most likely also wrote the solo Cello parts in his early symphonies. Weigl was a member of the Esterh zy ensemble from 1761 to 1769 andthereafter served as a principle cellist in various Viennese ensembles.The concerto was rediscovered by Oldrich Pulkert who in 1961 found an eighteenth-century manuscript copy (Prag National Museum Fonds Radenin) andpublished the concerto in 1962. Previously the existence of this piece was known only through Haydn’s entry in his private list of works (the so-called ‘Entwurf’ [‘draft’] catalogue).The Orchestral setting ismodest: besides the Strings (with a non-obligato Bassoon doubling the Bass part) there are two Oboes and two Horns which are reserved almost exclusively for the tutti passages.This Piano reduction is based on the text givenin the complete edition of Haydn’s works as edited by the Joseph Haydn Institute Cologne (Joseph Haydn Werke Series III Vol.2 with Preface and Critical Report published by G. Henle Verlag Munich 1981). The Cello partin the Piano reduction is identical to that of the complete edition and thus follows the Prague source as closely as possible even in the expression marks and in certain peculiarities of notation.
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Buxton Orr Georges Bizet: A Carmen Fantasy: Cello: Score and Parts
Cello, Piano
[Sheet music]
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Intermediate
Novello & Co Ltd.
Buxton Orr’s fantasies on famous themes are expert explorations of their ...
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Buxton Orr’s fantasies on famous themes are expert explorations of their source work rendered as brilliant new composition as is the virtuoso A Carmen Fantasy. It is equally demanding and rewarding in both parts. The composer also arranged it for Orchestra.British composer Buxton Orr was best known for his film and television scores particularly for the Hammer horror films and for a successful one-act opera The Wager. Upon becoming a professor at the Guildhall School of Music he founded their Contemporary Music Ensemble and was later conductor of the London Jazz Composer’s Orchestra.
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Sonate (POULENC FRANCIS)
Cello, Piano
[Sheet music]
Heugel
Par POULENC FRANCIS. Composed in 1948, the Cello Sonata or Sonata for Cello and ...
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Par POULENC FRANCIS. Composed in 1948, the Cello Sonata or Sonata for Cello and Piano by Francis Poulenc (1899-1963) was dedicated to Pierre Fournier, the French cellist. Its four movements, mainly ternary, are as listed below: - Allegro (Tempo di Marcia) - Cavatine - Ballabile - Finale Pierre Fournier partly helped Francis Poulenc to compose the Cello part as this latter was not a specialist of this instrument. Francis Poulenc is French composer and pianist. He also produced Piano and Chamber pieces, Operas ('Dialogues des Carmelites'), ballets ('Les Biches') as well as some orchestralworks./ Répertoire / Violoncelle et Piano
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Hungarian Rondo (Cello And Piano)
Cello, Piano
EMB (Editio Musica Budapest)
Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on mat...
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Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on material from the incidental music he had written for Zsigmond Móriczs play Pacsirtaszó (Skylarking). The rondo form is shaped out of four new-style Hungarian folk songs and an instrumental dance melody. Kodály prepared the piece in two somewhat different versions, one for two clarinets, two bassoons and string orchestra, and the other for cello and piano. The orchestral version received its first performance in Vienna on 12 January 1918 at a 'historical concert' organized by the War Ministry of the Austro-Hungarian Monarchy. The cello version was premi?red by Miklós Zsámboky and Ottó Herz at the Budapest Academy of Music on 4 November 1927. Neither version appeared in print in the composers lifetime. The version for string orchestra was edited in 1976 by Ferenc Farkas and István Máriássy (and is distributed as a hire material under the order number K-1). The cello version appears here in print for the first time. The publication is based on the composers surviving manuscript and a contemporary manuscript copy of this. The fingerings are by the editor. / Violoncelle Et Piano
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Concerto no (AHO KALEVI)
Cello, Piano
Fennica Gehrman
Par AHO KALEVI. Kalevi Aho's (b. 1949) concerto no. 2 for cello and orchestra (2...
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Par AHO KALEVI. Kalevi Aho's (b. 1949) concerto no. 2 for cello and orchestra (2013) is in five movements performed without a break. It begins with a swinging Berceuse, followed by a very quick, virtuosic Presto in 5/8 time. The heart of the concerto is the cadenza-like third movement, Adagio, dominated throughout by the soloist. A fairly short Allegretto is followed by the closing Epilogue. This has flashbacks to the opening movement, and they lead to a cadenza in which the soloist plays only flageolet notes and pizzicatos. The concerto ends with a virtuosic coda in 5/8 time evocative of the second movement. Arto Noras gave the concerto its first performance with the Lahti Symphony Orchestra conducted by Osmo Vänskä in Naantali on June 5, 2014. It was a joint commission from the Naantali Music Festival and the Lahti Symphony Orchestra. This product consists of the solo part (18 pages) and piano reduction by Kari Vehmanen (62 pages) - have a look inside by clicking “sample”. The concerto is scored for a fairly small orchestra. The instrumentation is 2(II=afl)2(II=ca)2(II=bcl)2-2200-bar-02-str and the orchestral material is available for hire from the publisher. / Date parution : 2022-05-31/ Répertoire / Violoncelle et Piano
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Season of Carols: Cello and Accomp.: Instrumental Album
Cello, Piano
Hal Leonard
Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (...
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Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (Grade 2) and piano accompaniment from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years tocome. Each carol is given a fresh creative treatment yet is expertly arranged with younger players in mind. Songs include: Away in a Manger ? We Wish You a Merry Christmas ? Deck the Halls ? Ding Dong Merrily onHigh ? God Rest Ye Merry Gentlemen ? Greensleeves ? O Come All Ye Faithful ? Chanukah Oy Chanukah ? O Holy Night ? Pat-A-Pan ? Silent Night ? Three Holiday Songs (Medley including TheDreydl Song Jingle Bells and Joy to the World).Also available for:00841986 Solo Violin and Piano 00842194 Solo Viola and Piano 04490404 String Quartet String Orchestra:? 04490308 Conductor Score ? 04490309 Violin 1 part ? 04490310 Violin 2 part ? 04490311 Violin 3 part (Viola T.C.) ? 04490312 Viola part ? 04490313Cello part ? 04490314 String Bass part ? 04490315 Piano ? 04490316 Opt. Harp ? 04490317 Opt. Percussion
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F. Bridge: Four Pieces: Cello & Piano: Instrumental Album
Cello, Piano
[Sheet music]
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Intermediate
Faber Music Limited
These four pieces for Cello and Piano accompaniment were composed separately be...
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These four pieces for Cello and Piano accompaniment were composed separately between the years 1901 and 1910 and appeared in print in several different versions ranging from piano solo to full orchestra. They were all primarily written however for cello and piano so appear here in their original form. The editor - Julian Lloyd Webber - has been responsible for the addition of bowings and fingerings.
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Prelude, Fantasy andamp; Chaconne (DYSON GEORGE)
Cello, Piano
Novello & Co Ltd.
Par DYSON GEORGE. First performed at the 1936 Three Choirs Festival in Hereford ...
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Par DYSON GEORGE. First performed at the 1936 Three Choirs Festival in Hereford by Thelma Reiss (cello) and the London Symphony Orchestra, conducted by the composer. / Date parution : 2022-09-07/ Répertoire / Violoncelle (ou Alto) et Piano
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Boccherini Luigi - Concerto No.2 In D Major G 479 - Cello And String Orchestra
Cello, Piano
Schott
Edition : piano reduction with solo part Instrumentation : cello and string orch...
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Edition : piano reduction with solo part Instrumentation : cello and string orchestra Catalogue of works : G 479 Duration : 20' Date of Publications : 18/04/1986 Number of Pages : 37 Arranger : Lebermann, Walter Series : Cello Library
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Henri Dutilleux: Henri Dutilleux: Tout Un Monde Lontain: Cello: Instrumental
Cello, Piano
Heugel
Composed between 1967 and 1970 Tout Un Monde Lontain for Cello and Orchestra ...
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Composed between 1967 and 1970 Tout Un Monde Lontain for Cello and Orchestra byHenri Dutilleux is one of the most important additions to the Cello repertoire in the 20th century. Lasting nearly half an hour each of the five movements are inspired by a poem of Charles Baudelaire: 1. Énigme / Enigma 2. Regard / Gaze 3. Houles / Surges 4. Miroirs / Mirrors 5. Hymne / Hymn The main theme initially introduced in the first part Énigme / Enigma is often replayed through the piece. The third part Houles / Surges is the most difficult to interpret with aScherzo part that's quite challenging and no break between the movements. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers among many others. His work also includes a Piano sonata two symphonies the Violin concerto 'L'arbre des songes' (The tree of dreams) and the String quartet 'Ainsi la nuit' (Thus the night).
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