SATB-Celebrate our legacy of liberty and the foundations of our faith with this thoughtful new choral collection from the pen of Joseph Martin. Newly composed chorals and arrangements mingle with bestsellers to create a work ofuncommon power and emotion. Included in this inspiring compilation are optional religious and civil service suggestions to make your presentation a meaningful and affirming declaration of our treasured values. Titles include: Songfor the Unsung Hero • God of Our Fathers • Faith of Our Fathers • Prayer for our Time • Once to Every Man and Nation • and more. Consider this collection essential repertoire for God and countrycelebrations.

Arranged for SATB chorus and Piano accompaniment. Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen. A favourite for the 2011 Christmas Number One, with support from radio DJ Chris Evans who has suggested every choir in the country should sing this song, it's and nbsp - the biggest threat to X-Factor chart domination this year. The text is taken from poems, letters and prayers written by the Military Wives, selected and adapted by Paul Mealor, and a passage from the Book of John: Wherever you are, my love will keep you safe - My heart will build a bridge of light, across both time and space. Wherever you are, our hearts still beat as one, I hold you in my dreams each night, until your task is done. Light up the darkness, my wondrous star, Our hopes and dreams, my heart and yours, forever shining far. Light up the darkness, my prince of peace - May the stars shine all around you, may your courage never cease. Wherever I am, I will love you day by day, I will keep you safe, cling on to faith, along the dark, dark way. Wherever I am, I will hold on through the night - I will pray each day, a safe return, will look now to the light. Greater love hath no man than this, that a man lay down his life for his friends. John 15:13 / SATB Et Piano

Arranged for SATB chorus and Piano accompaniment.Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen.A favourite for the 2011 Christmas Number One with support from radio DJ Chris Evans who has suggested every choir in the country should sing this song it's the biggest threat to X-Factor chart domination this year.The text is taken from poems letters and prayers written by the Military Wives selected and adapted by PaulMealor and a passage from the Book of John:Wherever you are my love will keep you safe;My heart will build a bridge of light across both time and space.Wherever you are our hearts still beat as one I hold you in my dreams each night until your task is done.Light up the darkness my wondrous star Our hopes and dreams my heart and yours forever shining far.Light up the darkness my prince of peace;May the stars shine all around you may your courage never cease.Wherever I am I will love you day by day I will keep you safe cling on to faith along the dark dark way.Wherever I am I will hold on through the night;I will pray each day a safe return will look now to the light.Greater love hath no man than this that a man lay down his life for his friends.John 15:13

Par RUTTER JOHN. for SATB and organ This superb Latin mass setting for choir and organ demonstrates the composer's strong melodic sense and innate feeling for the sound of choral worship. The atmospheric Kyrie leads to a Gloria that contrasts vibrantly rhythmic passages with smoother, expressive sections. The mysterious harmonies of the Sanctus pave the way for a tender Benedictus, and the Agnus Dei is a haunting and powerful prayer for peace. / Date parution : 2022-04-26/ Répertoire / Choeur SATB et Orgue

This exuberant new setting of a rousing spiritual will give your a cappella choir something to shout about! Conceived in the finest spiritual tradition with solo opportunities layered ostinati and hand claps on the final verse.

Vocal score for Paul Mealor's Gorffwysgan Hedd Wyn was composed in 2017 and is arranged for children's voices SATB choir percussion and strings. Duration approximately: 10 mins. Commissioned by the National Eisteddfod of Wales 2017 and first performed by the Eisteddfod Choir and the BBC National Orchestra of Wales on 4 August 2017. Instrumentation:Children’s VoicesSATB ChoirWine Glasses (played by a selection of choir members)Percussion (2 players)GlockenspielSuspended CymbalWind ChimesTubular BellsStrings

Uses: GeneralScripture: Matthew 6:9-13The celebrated passage where Jesus teaches His followers to pray is often set to music. This melodic original brings new understanding to the words of thisfoundational Scripture. Following the natural arch of the text the music rises and falls effortlessly with caressing tenderness. As the anthem develops the music grows in intensity to this regal final affirmation: “Foryours is the kingdom and the power and the glory forever!” The final sounds of the anthem are a series of meditative hushed “Amens” that bring the prayer to a gentle and reverent conclusion.

Uses: Christmas CommunionScripture: Luke 2:8-9; I Corinthians 11:23-29At the plaintive strains of Silent Night this sensitively designed anthem of reflection rises like a prayer to call thechurch to the grace of God's table. Surrounded by tender music this song delivers candlelit sonorities and cloistered chords to match the contemplative nature of the text. As the final verse issues a challenge for us to take thegift to the world an effective crescendo raises the call before allowing the anthem to end in peaceful calm as it began. Violin (or C-instrument) part included. Duration: ca. 4:16.

With a beautiful new piano accompaniment created for those without a classical guitar player this original composition for the Dale Warland Singers is perfect for accomplished choirs. With sensitive determination choirs will create a magical atmosphere with this choral gem.

This is a new take on Create in me a clean heart O God. But the message is the same. This dignified anthem with organ accompaniment is also a prayer before the offering or communion. The traditional nature of the melody and arrangement recalls the church of ancient times yet the strength of the writing reveals its modern placement.

Uses: AdventScripture: Isaiah 7:14Rising like a prayer this expressive anthem is intended to give thoughtful directors flexibility in their Advent programming. One can choose from one of the optionallyrical endings to coordinate with the respective lightings of the Advent candles. Beautiful poetic imagery weaves a spirit of worship as the choir sings of hope peace love and joy. Available: SATB cello. Duration: ca.3:31.

Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes

Amongst her dozens of famous Jewish-themed hits Debbie Friedman seems to have a penchant for penning the anthemic. Friedman's English interpretation of the Traveler's Prayer has become a classic and Werstch's fluid arrangement does the job just right. The absolutely perfect piece for a farewell graduation or other commemoration of a culmination of any sort.