No. 5 Nightingales-Nightingales is a beautiful song for 5-part mixed voices (SSATB) a cappella taken from Gerald Finzi's settings of Seven Poems of Robert Bridges.

Adaptation of the motet 'Tristis est anima mea' attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun into which movements by various other composers including Bach and Telemann were also later inserted. According to the research of Diethard Hellmann editor of this edition the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea' which then was adapted ? most likely by Bach ? with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun into which movements by various other composers including Bach and Telemann were also later inserted. From the research of Diethard Hellmann editor of this edition the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea' which then was adapted?most likely by Bach?with a new text and the addition of insturmental parts.

Spiritual-A traditional spiritual arranged for SSATB choir a cappella by Stephen Hatfield.

From Heaven Distilled a Clemency is the third movement of Triptych a cantata for choir and string orchestra. The aspirational text is underpinned by rhythmically-driving strings allowing the voices to soar excitedly overheard.

From Geistliche Chor-Music-Published in 1648 Heinrich Schütz’s “Geistliche Chor-Music” is still regarded as one of his seminal works. A two-volume performance edition based on Werner Breig’s revised new text is available (BA 5901/BA 5902).Now selected motets are being issued in separate volumes. They offer a modern notation and layout retain the original keys and include an integrated figured bass realisation.In keeping with contemporary performance practice the ‘choral’ parts can be performed by instruments as well as voices. Instrumental parts with underlaid words may be purchased separately for performances with instruments (seeperformance material for BA 5901 and BA 5902).- Gib unsern Fürsten und aller Obrigkeit No.5 SWV 373 from 'Geistliche Chor-Music'- Cantus Quintus Countertenor Tenor Bassus Basso continuo ad lib.

Choralmotette Vii. Par BORNEFELD HELMUT. BoWV 40 / Mottet / Répertoire / Choeur SSATB

Aus: Vierzehn Choralbearbeitungen. Par REGER MAX. with alternative text 'Jesus, meine Zuversicht' [text: Otto von Schwerin]/ Répertoire / Choeur SSATB

Aus: Vierzehn Choralbearbeitungen. Par REGER MAX / SERMISY CLAUDIN DE. with alternative text 'Was mein Gott will'/ Répertoire / Choeur SSATB

Tonalité : G-Dur -. Par SCHROTER LEONHART / HERMAN NIKOLAUS. Gattungen: Kirchenlieder, Sätze - Verwendung / Kirchenjahr: Wei cor achten - Langue : Allemand / Hymnes et chorals / Répertoire / Choeur SSATB

Par KOMMA KARL-MICHAEL. Marienfeste, Marianische Gesänge - Langue : Latin / Hymnes et chorals / Répertoire / Choeur SSATB