By Larry Shackley. For SATB / 2-part mixed Choir and Piano. Sacred Anthem: General, Pentecost, Transfiguration. Octavo. 12 pages. Published by Lorenz Publishing Company

(Easy Anthems for the Church Year). By Larry Pugh. For SATB choir (SAB, 2-part mixed), piano. Choral collection. Ready to Worship. Sacred, Choral. Published by Lorenz Publishing Company

SATB choir, divisi - Intermediate

SKU: GI.WJMS1162

Composed by Traditional Spiritual. Arranged by Stacey V. Gibbs. Jo-Michael Scheibe Choral Series. Classical. Octavo. 12 pages. Walton Music #WJMS1162. Published by Walton Music (GI.WJMS1162).

UPC: 785147006060. English. Text source: Traditional spiritual.

A new setting of the well-loved spiritual by arranger Stacey Gibbs. Gibbs upholds the integrity of the spiritual while still offering some new and unique compositional ideas. Suitable for school choirs and church choirs alike. Jo-Michael Scheibe Choral Series.

Arranged by Kirby Shaw. (SATB). Choral. Size 6.7x10.5 inches. 12 pages. Published by Hal Leonard.

By William Smith. For choir. (Satb). Choral Octavos. Sacred. Level: Grade 2. Choral Octavo. Published by Neil A. Kjos Music Company.

SATB choir with some divisi, organ - Medium

SKU: PL.0122

Composed by Peter Pindar Stearns. Parish. Choral, General. Octavo. Paraclete Press #0122. Published by Paraclete Press (PL.0122).

This imaginative setting of words by John White Chadwick creates a feeling of eternal strength from its constant musical flow. Peter Pindar Stearns is well known for his sensitivity to text and choir alike and this anthem reflects his keen imagination as well. The first verse is set in unison with a lovely soaring melody while the second verse supports the melody in four-part writing. A brief organ interlude ensues before the final verse which is for two part women and men's voices concluding in a spirit of unity.

Peter Pindar Stearns has surpassed even my highest expectations for him with his Eternal Ruler, a tribute to Edwardian and post-Edwardian hymn anthems. Where to begin? Imagine the finest, broadest melody Gustav Holst could write, add the impassioned fervor of Balfour Gardiner's Evening Hymn or Stanford in B-flat, and hold all that together with Stearns's ultimate integrity and infallible taste. Every time I play and sing through this, it leaves me in tears, and I haven't even mentioned the amazing subtlety of Stearns's harmony, the genius of his part writing, and the overwhleming sweep of his lines. This is gorgeous, glorious music. - Dr. John Hooker AAM Journal November 2001.