SATB choir

SKU: ST.EM39

Composed by George Kirbye. Edited by Ian Payne. Library Volumes. Edited Ian Payne. Paperback. Madrigals. Choral collection. Stainer & Bell Ltd. #EM39. Published by Stainer & Bell Ltd. (ST.EM39).

ISBN 9790220209895.

CONTENTS
A wise man poor (SAATB)
As sudden death (SSAATB)
But when himself (SSATB)
Farewell, false love (SSAB (or T))
From the Tarpeian Rock (SSATB)
Mourn now, my Muse (SSAATB)
My lady wept (SSATB)
My mistress is a paragon (SAATB)
O help, alas (SSAATB)
O Jesu, look (SSATB)
O shall I die (SSAATB)
O When my love (SSAATB)
See, what is life (SAATB)
Sleep aye, fond Hope (SSATB)
That man that climbeth (SAATB)
The ivy green (SSATB)
The tyrant Love (SAATB)
Unkind, alas (SSAATB)
Use thyme whose tender plant (SAATB).

SATB choir

SKU: ST.EM4

Composed by Thomas Morley. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Paperback. Madrigals. Choral Score. Stainer & Bell Ltd. #EM4. Published by Stainer & Bell Ltd. (ST.EM4).

ISBN 9790220211263.

CONTENTS
About the maypole (SATTB)
Dainty fine sweet nymph (SSATB)
Fire, fire my heart (SST (or A) TB)
I love, alas, I love thee (SAABB)
I saw my lovely Phillis (SSATB)
Lady those cherries plenty (ST (or A) TTB)
Leave alas this tormenting (SSATB)
Lo she flies (SSATB)
My bonny lass she smileth (Questo dulce sirena) (SAATB)
My lovely wanton jewel (SSATB)
No no Nigella (SSATB)
Now is the month of Maying (SATTB)
Phillis I fain would die now (Dialogue SSAATTB)
Shoot false love I care not (SSATB)
Sing we and chant it (A lieta vita) (SSATB)
Singing alone (SAATB)
Those dainty daffadillies (SAT (or A) BB)
Thus saith my Galatea (SSATB)
What saith my dainty darling? (SSAA (or T) B)
Why weeps alas (SATTB)
You that want to my pipes sound (SSATB).

SATB choir

SKU: ST.B642

Edited by Geoffrey Bush and Michael Hurd. Edited by Geoffrey Bush and Michael Hurd. Seven glees and madrigals by Horsley, Mornington, Pearsall, Spofforth, Sullivan and T. F. Walmisley.. SATB. Vocal Score. Stainer & Bell Ltd. #B642. Published by Stainer & Bell Ltd. (ST.B642).

ISBN 9790220208744.

CONTENTS
HORSLEY, William: When in the silent midnight grove
MORNINGTON, Lord: Here in cool grot
PEARSALL, R. L.: Shoot false love, I care not; Sweet as a flower in May
SPOFFORTH, Reginald: Come bounteous May
SULLIVAN, Arthur: Joy and sorrow alternate
WALMISLEY, Thomas: Music, all powerful.

(Mixed Choir)

SKU: HL.14065370

Composed by Robert Pearsall. Choral. General Merchandise. Duration 240 seconds. Music Sales #JC60798A. Published by Music Sales (HL.14065370).

SAB vocal soli, SATB choir, [2 oboes], 3 trombones, timpani, 2 violins, viola, basso continuo

SKU: CA.3913613

Cantata for St. Michael's Day. Composed by Georg Philipp Telemann. Edited by Brit Reipsch. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Siehe, Es Hat Uberwunden Der Lowe. Sacred vocal music, Cantatas, Special days. Single Part, Viola. Composed 1722/23. TVWV 1:1328. 8 pages. Duration 15 minutes. Carus Verlag #CV 39.136/13. Published by Carus Verlag (CA.3913613).

ISBN 9790007216054. Language: German. Text: von Lingen, Hermann Ulrich. Text: Hermann Ulrich von Lingen.

Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael's Day Siehe! es hat uberwunden der Lowe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann's works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an apocryphal Bach cantata. Alfred Durr was able to identify the work as a composition by Telemann in the 1950s. Score and part available separately - see item CA.3913600.

SAB vocal soli, SATB choir, [2 oboes], 3 trombones, timpani, 2 violins, viola, basso continuo

SKU: CA.3913603

Cantata for St. Michael's Day. Composed by Georg Philipp Telemann. Edited by Brit Reipsch. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Siehe, Es Hat Uberwunden Der Lowe. Sacred vocal music, Cantatas, Special days. Vocal score. Composed 1722/23. TVWV 1:1328. 16 pages. Duration 15 minutes. Carus Verlag #CV 39.136/03. Published by Carus Verlag (CA.3913603).

ISBN 9790007074173. Language: German. Text: von Lingen, Hermann Ulrich. Text: Hermann Ulrich von Lingen.

Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael's Day Siehe! es hat uberwunden der Lowe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann's works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an apocryphal Bach cantata. Alfred Durr was able to identify the work as a composition by Telemann in the 1950s. Score available separately - see item CA.3913600.

SAB vocal soli, SATB choir, [2 oboes], 3 trombones, timpani, 2 violins, viola, basso continuo

SKU: CA.3913614

Cantata for St. Michael's Day. Composed by Georg Philipp Telemann. Edited by Brit Reipsch. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Siehe, Es Hat Uberwunden Der Lowe. Sacred vocal music, Cantatas, Special days. Single Part, Cello/Double Bass. Composed 1722/23. TVWV 1:1328. 8 pages. Duration 15 minutes. Carus Verlag #CV 39.136/14. Published by Carus Verlag (CA.3913614).

ISBN 9790007216061. Language: German. Text: von Lingen, Hermann Ulrich. Text: Hermann Ulrich von Lingen.

Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael's Day Siehe! es hat uberwunden der Lowe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann's works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an apocryphal Bach cantata. Alfred Durr was able to identify the work as a composition by Telemann in the 1950s. Score and part available separately - see item CA.3913600.

Choir Secular (SATB choir)

SKU: AP.49755

Arranged by Mark Hayes. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Christmas; Secular. Choral Octavo. 16 pages. Alfred Music #00-49755. Published by Alfred Music (AP.49755).

UPC: 038081568423. English.

It's a dynamic duo of fabulous '50s holiday hits! Choral singers will enjoy the traditional harmonies and laid-back swing of this mini-medley that clocks in at just over three minutes. The doo-wop falsetto pops near the end provide a nifty nod to nostalgia. For even more fun, add some showmanship with Santa hats, jingle bells, and riser choreography. SoundPax includes parts for a standard rhythm section.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105205

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Cantatas, End of the church year, Trinity. Choral Score. Composed 1726. BWV 52. 2 pages. Duration 18 minutes. Carus Verlag #CV 31.052/05. Published by Carus Verlag (CA.3105205).

ISBN 9790007187385. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105214

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Cantatas, End of the church year, Trinity. Single Part, basso continuo. Composed 1726. BWV 52. 12 pages. Duration 18 minutes. Carus Verlag #CV 31.052/14. Published by Carus Verlag (CA.3105214).

ISBN 9790007206345. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105249

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Organ. Cantatas, End of the church year, Trinity. Single Part, Organ. Composed 1726. BWV 52. 16 pages. Duration 18 minutes. Carus Verlag #CV 31.052/49. Published by Carus Verlag (CA.3105249).

ISBN 9790007206369. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105209

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. 1x 31.052/21 oboe 1, 1x 31.052/22 oboe 2, 1x 31.052/23 oboe 3, 1x 31.052/24 bassoon, 1x 31.052/31 horns 1 and 2, 1x 31.052/32 horn 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Cantatas, End of the church year, Trinity. Set of Orchestra Parts. Composed 1726. BWV 52. Duration 18 minutes. Carus Verlag #CV 31.052/09. Published by Carus Verlag (CA.3105209).

ISBN 9790007206307. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and parts available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105213

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Viola. Cantatas, End of the church year, Trinity. Single Part, Viola. Composed 1726. BWV 52. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.052/13. Published by Carus Verlag (CA.3105213).

ISBN 9790007206338. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.