Par MARTIN MATTHEW. Invocation to the Holy Spirit is a short and simple work, dedicated to the memory of David Trendell. It sets two Latin texts concerning baptism and the Holy Spirit. It is an ideal piece for confirmation or baptism services as well as for the season of Pentecost. SATB with Soprano Solo / Unaccompanied. Part of Faber Music’s Choral Signature Series. / Choral Music / Répertoire / Voix Mixtes et Soprano

Two beloved Christmas songs captured in one dramatic setting! Flowing quite naturally from 'Silent Night, Holy Night' to 'O Holy Night,' then pairing the two, this ingenious setting is beautifully done! In 3 voicings for treble and mixed choirs, and singers of all ages! Optional flute part included. / Choeur Mixte (SATB)

Praise The Lord Among His Holy Ones. Par BYRD WILLIAM. SSATB unaccompanied Latin and English Texts Edited by E H Fellowes. Revised by Thurston Dart/ Répertoire / SATB a Cappella

Arranged for SATB, here are five all-time classic Christmas songs with a warm and nostalgic feeling.O Holy Night and Silent Night both originated in 19th century Europe while Have Yourself A Merry Little Christmas was introduced by Judy Garland in a 1944 Hollywood musical. Silver Bells was a 1950 Livingston-Evans pop hit but surely the most famous of them all is Irving Berlin's White Christmas, the 1940 song for which its composer had high hopes the moment he completed it. Conceived as a nostalgic number, White Christmas was a slow starter but went on to become a huge success and, for many, the ultimate Christmas song.These arrangements lend themselves to being performed separately or in seamless succession for a Classic Christmas recital audiences will love. / Choeur Mixte (SATB) Et Piano

O Most Holy and Mighty Lord. Par TAVERNER JOHN. SATBaB unaccompanied Latin and English texts. Edited by Philip Brett/ Répertoire / SATBaB sans Accompagnement

From the In Celebration of the Trinity Choral Cycle, this composition focuses on the Godhead of the Trinity. Reverent and majestic, this offering of praise moves from contemplative to stirring. Beautifully incorporates 'Holy, Holy, Holy.' Optional spoken narrative is included. / Choeur Mixte (SATB)

Lully, Lullay was written at the request of Philip Reed, music director of the Bury St Edmunds Bach Choir, which gave the first performance on 17 December 2011 at Holy Trinity Church, Long Melford, Suffolk. Inspired by the familiar medieval text of the Coventry Carol , it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonality of the opening verse is reflected in the continuous interaction between the tonic and dominant keys and resolving dissonances. This develops into broader passages of increased range and dynamics during the second and third verses, where the melody is passed between the upper and lower voices, clearly invoking the poignancy of the text. The last verse returns to the original theme with subtle harmonic changes and a reflective final cadence. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Harriet Wybor was born in Leeds in 1986 and read music as an undergraduate at Durham University, followed by an M.A. in composition with Martyn Harry and António Pinho Vargas. Harriet's main compositional interests are sacred and secular contemporary choral and chamber music, and the relationship between music and time. Her work reflects a wide range of influences from renaissance choral music and medieval texts to 20th-century literature and art. Harriet has had works performed by the Northern Sinfonia (conducted by H K Gruber), Psappha, the Allegri String Quartet, St John's College Choir, Durham, the Bury St Edmunds Bach Choir and the Fishburn Band - broadcast on BBC Radio 2's Listen to the Band . After graduating from Durham University, Harriet continued her studies at the University of Edinburgh, where she read for an LL.M. in innovation, technology and the law. She has subsequently pursued a career in music publishing where she works in copyright and composes in her spare time. / Choeur SATB

Description Noël! 3 is an exciting collection of Advent, Christmas and Epiphany music for mixed-voice choirs, from the easy to learn to the more challenging and unconventional. The contents range from the Baroque to the present: familiar settings of traditional and lesser-known carols through the ages to Howells, Berkeley and Warlock, and works by today's composers including Richard Rodney Bennett, Paul Mealor, John Tavener, Francis Pott and Richard Allain. Mixed-voice choirs of all levels will enjoy these new arrangements of favourite carols as well as stimulating original works for the Christmas season. Songlist A Lullaby of the Nativity [Blackford, Richard] A Spotless Rose [Mealor, Paul] Annunciation [Tavener, John] As I Lay Upon A Night [Hall, Jamie W.] Balulalow [Allain, Richard] Balulalow [Burton, James] Benedicamus Domino [Warlock, Peter] Bright Star Carol [Muhly, Nico] Child Of The Stable's Secret Birth [Rathbone, Samuel] Coventry Carol [Bennett, Richard Rodney] Deck The Hall With Boughs Of Holly (Arr. Adrian Lucas) [Traditional] Ding Dong! Merrily On High (Arr. Malcolm Williamson) [Traditional] Hereford Carol (Arr. Christopher Robinson) [Traditional] Hodie Christus Natus Est [Locklair, Dan] Hurry On To Bethlehem (Arr. Jonathan Wikeley) [Traditional] I Saw Three Ships [Bennett, Richard Rodney] I Wonder As I Wander (Arr. Matthew O'Donovan) [Niles, John Jacob] In The Bleak Mid Winter [Allain, Richard] In The Snow [Cleary, Pippa] In Wintertime [Berkeley, Lennox] Infant Holy, Infant Lowly [Roberts, Keith] Joseph And The Angel [Terry, Richard Runciman] Joseph Lieber, Joseph Mein [Praetorius, Hieronymus] Lo, How A Rose E'er Blooming (Arr. Jan Sandström) [Praetorius, Michael] Lullay, My Liking [Hill, David] Lute-Book Lullaby [Pott, Francis] Mary, That Mother Mild (Arr. Adrian Lucas) [Gesangbuch, Kölner] My Jesu, Sleep [Harvey, Adam] O Holy Night! (Arr. John West) [Adam, Adolphe] O Magnum Mysterium [Locklair, Dan] O Mortal Man (Sussex Mummers' Carol) (Arr. Herbert Howells) [Traditional] O Radiant Dawn [MacMillan, James] Quelle est cette odeur agréable (Arr. Matthew O'Donovan) [Traditional] The Burning Babe [Wikeley, Jonathan] The Holly and The Ivy [Thompson, Stuart] There Is No Rose [Cusworth, Andrew] This is the Truth Sent From Above (Arr. Ralph Vaughan Williams) [Traditional] Tomorrow Shall Be My Dancing Day (Arr. Stuart Nicholson) [Traditional] Tua Bethlem Dref (Arr. Geoffrey Webber) [Traditional] 'Twas In The Winter Cold [Barnby, Joseph] Walking In The Air [Blake, Howard] We Wish You A Merry Christmas (Arr. John Gardner) [Traditional] Wexford Carol (Arr. Timothy Noon) [Traditional] Winter's Wait [Whitbourn, James] Xicochi [Fernandes, Gaspar]

The many moods of Holy Week followed by the triumph of Easter are captured in this moving work from Lloyd Larson and Mark Hayes, with compelling narration by Pamela Stewart. From the celebration of Palm Sunday to the despair of Good Friday followed by the resurrection, The Passion and the Promise presents fresh and dynamic words and music with creative narration. Perform each anthem separately during Holy Week and Easter or together as an unforgettable 25-minute cantata. / Choeur Mixte (SATB)

Using Christ's love and our response to that love as its central theme, this creative and moving cantata guides listeners through each of the five days of Holy week. The six anthems can easily be used separately during Lent or Holy Week, or together as a 25-minute cantata. Titles: Prayer of Peace * Sing Jubilate! * Canticle of Love * This Lonesome Valley * Jesus, Rose of Sharon * Prayer of Peace (Reprise). / SATB

A Cantata for Holy Week. Par MARTIN JOSEPH M.. Portraits in Grace is a musical gallery of faith displaying the life, ministry and passion of Jesus. Through scripture, narration and song, the backdrop is created for the reflections of the Lenten season, particularly during Holy Week. As the cantata moves through Christ's extraordinary life, each song displays the sacred beauty of the Savior, and lingers with His many graceful acts of love. The work ends with Christ's death on the cross and the bittersweet beauty of this redemptive gift to the world. With options that include the visual arts, the presentation can be expanded to include more members of your congregation, taking the cantata beyond the loft. A small consortof instruments is available, as well. Songs include: Prelude, Portrait, Fairest Lord Jesus, The Healer, Behold the King, We Remember, A Sacred Garden, Let Us Gather in the Shadow of the Cross, Portrait of the Cross, Recessional of Shadows. Score and Parts (fl, cl, hn, hp, pno, vn, vc) available as a Printed Editional and as a digital download./ Recueil / SATB

This celebrated instrumental piece has been adapted for sanctuary usage and joined with a poignant sacred text appropriate for Holy Week services. Sensitively arranged, this choral version layers beauty upon beauty, forming a tapestry of sound and message. A tasteful chamber orchestration is available for churches with instrumental resources. Score and Parts (hrpsi/pno, fl, ob, vn 1-2, va, vc, db) available as a digital download. / SATB

Par STANFORD CHARLES VILLIERS. The Benedictus and Agnus Dei in B flat is published as part of an ongoing policy to reissue works by Charles Villiers Stanford in the Autograph Edition, in new engravings but as the composer wrote and approved them, with no editing from another hand. Simple in texture but highly effective in performance, these two short movements are a useful addition to the repertoire of music available for a traditional celebration of Holy Communion, and would suit a small church choir with two or three voices per part./ Répertoire / SATB et Orgue

Commandé par le Guildford Philharmonic pour les Tallis Scholars. La première représentation eut lieu le 10 mars 2000 à l'église Holy Trinity de Guildford.Arrangé pour chorale SATB non accompagnée. 'The Lord's Prayer' devrait être chanté très doucement, avec une sérénité intérieure et un calme aboutissant presque à du silence. / Voix / Partition

The shame and pain of the cross was transformed into a triumphant symbol of hope through the message of Easter. This well-crafted 25-minute five song cantata beautifully and poetically depicts the Easter journey with fresh songs and familiar hymns . . . from reflection to resurrection. It's easily prepared, yet powerful, and perfect for large and small choirs alike. It can be performed as a complete cantata or as separate anthems during Lent, Holy Week, and Easter. Titles: Ride On! * I Am * Sing an Alleluia * The Alleluia Tree * Rejoice! My Redeemer Lives! / Choeur (SATB)