Cor En Fa Et Piano-Évocation En Swing is a work composed by Armando Ghidoni for Horn and Piano.

Cor En Fa Et Piano-Mississipi Souvenir is a work by Armando Ghidoni for Horn and Piano Accompaniment.

A challenging Concerto for Horn and Strings by Gordon Jacob transcined for Horn and Piano by the composer. Set for the Associated Board examinations.

Timeless Cornish Melodies-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

cor et piano. Par CARDONA L. / SOLDANO JEAN-CLAUDE. / Niveau : 1er Cycle / Répertoire / Cor en Fa et Piano

Cor (Fa). La collection Ecouter, lire et jouer est aujourd'hui une référence pour l'enseignement des cuivres et des bois. Tous accompagnés d'un CD, ces ouvrages passionnants destinés aux débutants contiennent des chansons, des casse-tête musicaux et des jeux pour mieux comprendre la musique, des informations sur l'instrument concerné, et de nombreuses pièces agréables à jouer. Les trois volumes de la méthode qui forment la base de cette collection sont complétés par plusieurs volumes de matériel complémentaire correspondant aux diverses étapes de cette méthode. Dans Les Grands Classiques, les mélodies sont présentées en ordre croissant de difficulté et peuvent être travaillées conjointement avec les trois volumes de la méthode Ecouter, lire et jouer. Emmenés dans un voyage à travers l'histoire de la musique, les élèves rencontrent les plus importants compositeurs de la musique classique, depuis Tielman Susato jusqu'à Antonín Dvorák, et bénéficient de commentaires historiques pertinents. La présente édition comprend des partitions pour accompagnement au piano soigneusement arrangées dans un niveau de difficulté modéré, dont les enregistrements sont disponibles sous forme de fichiers en ligne à écouter en streaming ou à télécharger. / Niveau : Très Facile à Elémentaire / Recueil / Cor en Fa et Piano

La référence GB4573 de l'éditeur Billaudot dont l'auteur célèbre est Blanquer Amando, qui a pour titre SONATE, a été écrite et composée pour Cor et plus particulièrement pour Cor Et Piano. Cette partition musicale appartient à la catégorie Classique. / Cor Et Piano / Partition

La référence GB3595 de l'éditeur Billaudot dont l'auteur célèbre est Blanquer Amando, qui a pour titre CONCERTO, a été écrite et composée pour Cor et plus particulièrement pour Cor Et Piano. Cette partition musicale appartient à la catégorie Classique. / Cor Et Piano / Partition

Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition, vous pourrez découvrir une des oeuvres de Lewy Josef Rudolf en l'occurence 12 ETUDES VOLUME 1 : 5 ETUDES qui a été éditée par la maison d'édition Billaudot. / Etudes / Partition

Standard: IntermediateA languid melody for solo horn and a rich-coloured piano accompaniment evoke a mood not so far from the landscape tradition of The Lark Ascending but with an out-of-doors quality entirely its own. Summer Pastures is set for the Guildhall School and London College examinations.

Editée au cours de l'exercice 2011-2012 par les éditions Fertile Plaine, la partition qui a pour titre La princesse endormie du compositeur Telman André a été cataloguée sous la référence FP 1306 par l'éditeur. Cette oeuvre est écrite pour Cor . En 3 clics et quelques jours elle peut être chez vous. / Cor Et Piano / Partition

Par DOUANE JULES. / Niveau : Elémentaire / classique / Répertoire / Cor et Piano

Villanelle for Horn and Piano-Paul Dukas wrote his Villanelle as a demanding exam piece for the horn class of the Paris Conservatoire in 1906. The title referencing a cheerful traditional vocal genre that originated in 16th century Italy already shows that it is by no means a dry etude.Alongside the technical challenges (stopped notes fast scales playing without valves using natural horn techniques) the piece is successful because of its refreshingmelodies for which reason the Villanelle is still one of the most popular performance pieces for the horn. For our Urtext edition we consulted the autograph as well as the first edition that was originally for horn andpiano: the later version with orchestral accompaniment does not stem from the composer.

In the summer of 1888 while also working on his tone poem Don Juan Richard Strauss composed this brief Andante for his father Franz Strauss a member of the Munich Court Opera and one of the greatest horn players of his age. The Andante was intended as the slow movement ???of a still unfinished??? sonata that Strauss however never did complete (to the chagrin of all horn players). The piece thus remained unpublished until 1973. For the new Urtext edition by G. Henle Publishers the original autograph manuscript held at the Munich Public Library was able to be examined directly. The Andante is of only moderate difficulty and is ideally suited for teaching purposes and as aneffective Romantic performance piece. In the summer of 1888 while also working on his tone poem Don Juan Richard Strauss composed this brief Andante for his father Franz Strauss a member of the Munich Court Opera and one of the greatest horn players of his age. The Andante was intended as the slow movement ???of a still unfinished??? sonata that Strauss however never did complete (to the chagrin of all horn players). The piece thus remained unpublished until 1973. For the new Urtext edition by G. Henle Publishers the original autograph manuscript held at the Munich Public Library was able to be examined directly. The Andante is of only moderate difficulty and is ideally suited for teaching purposes and as aneffective Romantic performance piece.