Creep by the English alternative rock group Radiohead gained worldwide attention when first released in 1993. In recent years it has become relevant as an anti-bullying theme song. This reflective melody and tempo emote to make for a moving change of pace within the production of Jay Dawson's redHOTradioCITY. Scored for small bands with reduced instrumentation.

Although composed by Stevie Wonder Jay's arrangement is based on the version popularized by the Red Hot Chili Peppers. Aggressive stylization and propelling tempo render this arrangement a choice opener or production. Scored forsmall bands with reduced instrumentation.

from Burlesque-A centerpiece of the motion picture Burlesque this sassy and upbeat jazz-swing tune provides great material for assembling a fantastic production for your horn line percussion and dancers. Scored for small bands withreduced instrumentation.

Jay captures the full array of musical material contained in this hit by Billy Joel one of the legendary honorees at the 2013 Kennedy Center Honors. This arrangement with its message and musical content provides a great sourceof programming material. Score for small bands with reduced instrumentation.

This work by the group Imagine Dragons has been performed at many events including the 57th Presidential Inauguration the NFL Superbowl and numerous media outlets. It's positive and upbeat message is reflected in its musicalmelodies and rhythms. Scored for small bands with reduced instrumentation.

This arrangement is the opening work in Tom Wallace's complete theme show entitled The Music of John Curiale. From the bustling opening fanfare to the solid closing there are incredible contrasts of mood and instrumentation.

Fleeting shadows fertive visions night birds and dawn - these are the images we confront while on Night Watch. This is the opening production from Jay's evocative show Night Watch. Intense but scored for small instrumentation ;And there are melodies!

‘Rhapsody for Tienhoven’ is a short concert for saxophone and fanfare band. The solo part in its instrumentation distinguishes itself from the other saxophone solos.The soloist should be able to play both the alto and soprano saxophone.The piece consists of four parts which almost blend into one another.A four-tone motif (which is played a number of times by the soloist at the beginning) has been taken as the point of departure for this composition.This motif has been worked out in different ways and can be heard in a swing rhythm in the final part.This piece exacts a high standard of the soloist’s technical skills.The ‘Rhapsody forTienhoven’ was originally written for the fanfare band ‘Soli Deo Gloria’ from Tienhoven. ‘Rhapsody for Tienhoven’ is een klein concert voor saxofoon en fanfare-orkest. De solopartij onderscheidt zich qua instrumentatie van andere saxofoon-solo’s. De solist(e) moet zowel altsaxofoon als sopraansaxofoon spelen.Het stuk bestaat uit vier deeltjes die vrijwel in elkaar overlopen.Een vier-tonig motief (wordt in het begin een aantal malen door de solist gespeeld) is het uitgangspunt van deze compositie. Dit motief wordt op verschillende manieren uitgewerkt en wordt in het slot gedeelte ten tonele gevoerd in een swingritme.Dit werk stelt hoge eisen aan de technische vaardigheden van de solist.De ‘Rhapsody’ werd geschreven voor de fanfare ‘Soli Deo Gloria’ uit Tienhoven.