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UKULELE
Piano and Orchestra
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String Quintet: 2 violins, vio… (22)
Pocket, Study conductor (22)
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Balalaïka Et Piano (21)
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Piccolo (20)
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Balalaika (20)
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Double Quintette de Bois et Co… (20)
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Viola da Gamba (20)
Bandoneon, Guitar (20)
Clavecin (20)
Xylophone (20)
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Choeur SSATTB, (6 Instruments,… (19)
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Musique Légère (18)
Book (18)
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Choeur De Femmes (17)
Flute Quartet: Flute, Violin, … (17)
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Conga (17)
Trombone et Basse Continue (17)
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2 Clarinets, Piano (17)
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Violon, Alto, Violoncelle et C… (16)
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Flûte Traversière, Hautbois … (16)
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Saxophone Quintet: 5 Saxophone… (16)
Trombone en Sib (16)
2 Mandolines (16)
Tout Instrument (16)
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Solistes TB, Choeur SATB, 2 Ha… (15)
Voice, String Quartet (15)
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Trio (2 Soli Avec Réduction D… (15)
Chœur Mixte SATB et Ensemble (15)
2 Trompettes (duo) (15)
2 Oboes, Piano (15)
String Quartet : 4 violas (15)
Viola, Cello (duet) (15)
2 Violons, Alto, Violoncelle (15)
3 Trombones (trio) (15)
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Choral CD (15)
Choeur SATB et Basse Continue,… (15)
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String quartet: 4 violins (15)
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2 Violons, Alto, Violoncelle e… (15)
Edition Critique des oeuvres d… (15)
Ukulele Ensemble (15)
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Quintette de Cuivres (14)
Flûte Traversière, Violon, I… (14)
Flute, Clarinet, Piano (trio) (14)
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Mug (14)
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Lap Steel Guitar (14)
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Basse (14)
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Medium Voice (14)
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Petit Choeur SAT et 2 Violons,… (11)
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Baritone Ukulele (11)
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SATBasse (2 Grands Choeurs Mix… (11)
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Didgeridoo (11)
DVD Show / Broadway (11)
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DVD Opera and Ballets (11)
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Choeur D'Enfants Avec Narrateu… (10)
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Choeur Mixte (SATB), Orchestre… (10)
Solo S, Choeur SATB/SATB, 2 Or… (10)
2 Mandolines Et Orchestre D'In… (10)
String Quintet: 2 violins, vio… (10)
Solo à et Orchestre (10)
Snare drums, Piano (10)
Conducteur En Do (10)
Petit Choeur SSATTB et 6 Instr… (10)
Petit Choeur ATB, 3 Trombones,… (10)
Choeur SATB, (Basse Continue) (10)
Choeur SATTB, (5 Instruments, … (10)
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Orchestre De Chambre (10)
Tenor Banjo (10)
Cordes (10)
Organ, Piano (duet) (10)
Choeur et Orchestre (10)
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Solo B et Orchestre (10)
Flûte Traversière, Clarinett… (10)
Harpe Et Instruments Divers (10)
Petit Choeur STTB, 2 Violons, … (10)
Guitare Tablatures Electrique (10)
5 Part Ensemble (Clavier, Guit… (10)
Ensemble à cordes (10)
Solistes SATB, Choeur SATB, 2 … (10)
2 Oboes (duet) (10)
2 Harps (duet) (10)
Viola, Organ (10)
Voix Et Instruments Divers (10)
Piano, Chant et Guitare Tablat… (10)
2 Mandolines et Basse Continue… (10)
Marimba, Piano (duet) (10)
Alto et Orchestre (10)
4 Cellos (10)
Solistes SATB, Choeur SATB, Ha… (9)
Solistes SATB, Choeur SSATTB, … (9)
Solistes SST, Choeur SATB/SATB… (9)
Baryton ou Tuba Basse Continue… (9)
Choeur D'Enfants (SMezA) Avec … (9)
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Saxhorn en Sib en Clé de Sol … (9)
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Voix Seule (9)
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DVD (9)
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Beethoven, Ludwig Van : Rondo in B flat major WoO 6 for Piano and Orchestra
Piano and Orchestra
[Sheet music]
-
Intermediate
G. Henle
Le Rondo en Si bémol majeur de Beethoven ne fut publié que deux ans après sa ...
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Le Rondo en Si bémol majeur de Beethoven ne fut publié que deux ans après sa mort dans un arrangement de Carl Czerny.
On a pu prouver entretemps qu?il s?agissait à l?origine du dernier mouvement du 2e Concerto pour piano op. 19 que Beethoven remplaça vers 1794/95 par le final actuel.
La forte influence de Mozart que l?on décèle dans ce mouvement n?est certainement pas étrangère à cette décision.
Beethoven conserva toutefois sa vie durant le manuscrit autographe du Rondo qu?il estimait particulièrement.
Johannes Umbreit présente ici une nouvelle réduction pour piano, tout à fait jouable et reposant sur la partition de l?édition complète des oeuvres de Beethoven. / [Rondo Si bémol majeur WoO 6 pour Piano et Orchestre] / Classique / Partition / Agrafé /
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Rondo In B Flat Major Woo 6
Piano and Orchestra
Breitkopf & Härtel
Mozart faisait bien sûr figure de grand maîtrepour le genre ' concerto pour pi...
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Mozart faisait bien sûr figure de grand maîtrepour le genre ' concerto pour piano ' lorsqueLudwig van Beethoven composa sa premièreoeuvre (si bémol majeur op. 19) à Bonn. En1793, le jeune compositeur écrivit donc toutd'abord un rondo final comportant un andante,suivant l'exemple de Mozart dans sonconcerto KV 482. Puis Beethoven opta pourun autre final et remisa la partition du rondoen si bémol majeur dans un tiroir. L'oeuvre nefut retrouvée qu'après la mort du compositeuret immédiatement publiée. L'autographereprésente donc la partition pour orchestre deBeethoven la plus ancienne qui nous soit parvenueintacte et entière. La nouvelle éditionUrtext du conducteur et des parties d'orchestrese base sur le volume de la nouvelle intégraleparue en 2003. / Piano Et Orchestre
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Rondo In B Flat Major Woo 6
Piano and Orchestra
Breitkopf & Härtel
Mozart faisait bien sûr figure de grand maîtrepour le genre ' concerto pour pi...
(+)
Mozart faisait bien sûr figure de grand maîtrepour le genre ' concerto pour piano ' lorsqueLudwig van Beethoven composa sa premièreoeuvre (si bémol majeur op. 19) à Bonn. En1793, le jeune compositeur écrivit donc toutd'abord un rondo final comportant un andante,suivant l'exemple de Mozart dans sonconcerto KV 482. Puis Beethoven opta pourun autre final et remisa la partition du rondoen si bémol majeur dans un tiroir. L'oeuvre nefut retrouvée qu'après la mort du compositeuret immédiatement publiée. L'autographereprésente donc la partition pour orchestre deBeethoven la plus ancienne qui nous soit parvenueintacte et entière. La nouvelle éditionUrtext du conducteur et des parties d'orchestrese base sur le volume de la nouvelle intégraleparue en 2003. / Piano Et Orchestre
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Robert Schumann: Great Works For Piano And Orchestra: Piano: Score
Piano and Orchestra
Dover Publications
Clara Wieck’s sincerest wish was that her future husband Robert Schumann ...
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Clara Wieck’s sincerest wish was that her future husband Robert Schumann turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839 just one year before her marriage she explained that “it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano…” In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music but he also found the time to comply with his beloved Clara’s wish by creating a number of musical pieces composed specifically for Piano andOrchestra. Although Schumann’s genius is most in evidence in his masterful solo Piano compositions and superb lieder his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann’s Piano music are evident in these compositions. Three of his finest are presented here in full score including the A Minor Piano Concerto one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music diverting substantially from the classic models of the day and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann’s compositions for Piano and Orchestra are: Piano Concerto In A minor Op. 54 (published 1846) Concertstück Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians music lovers and students as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at
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Franz Joseph Haydn: Concerto for Piano and Orchestra Hob XVIII:11: Piano
Piano and Orchestra
Dowani
in D Major-1 Vivace2 Un poco Adagio3 Rondo allUngherese (Allegro assai)
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Wolfgang Amadeus Mozart: Piano Concertos Nos. 23-27: Piano: Score
Piano and Orchestra
[Score]
Dover Publications
in Full Score. With Mozart's Cadenzas for No.s 23 and 27 and the Concert Rondo i...
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in Full Score. With Mozart's Cadenzas for No.s 23 and 27 and the Concert Rondo in D-Reprint of the Breitkopf and Hartel edition. With Mozart's Cadenzas for No.s 23 and 27 and the Concert Rondo in D.
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A Notte Alta (CASELLA ALFREDO)
Piano and Orchestra
[Score]
Ricordi
Poema Per Pianoforte E Orchestra. Par CASELLA ALFREDO. / oeuvre solo et Orchest...
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Poema Per Pianoforte E Orchestra. Par CASELLA ALFREDO. / oeuvre solo et Orchestre / Date parution : 1905-06-30/ Répertoire / Piano et Orchestre
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Beethoven, Ludwig Van : Concerto for Pianoforte und Orchestra no. 1 C major op. 15
Piano and Orchestra
-
Advanced
Barenreiter
[Concerto pour Piano et Orchestre no. 1 Do Majeur Opus 15] / Classique / Partiti...
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[Concerto pour Piano et Orchestre no. 1 Do Majeur Opus 15] / Classique / Partitions / Agrafé /
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John Williams: Indiana Jones and The Kingdom Of The Crystal Skull: Piano
Piano and Orchestra
Alfred Publishing
Piano accompaniments for a selection of superb John Williams' compositions from ...
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Piano accompaniments for a selection of superb John Williams' compositions from Indiana Jones and the Kingdom of the Crystal Skull. This piano accompaniment book is part of an instrumental series arranged for Flute Clarinet Alto Sax Tenor Sax Horn in F and Trombone. It includes a specially designed accompaniment that can be easily played by a teacher or intermediate piano student. A CD which features live demonstration performances of various instrument tracks from throughout the series has also been included. This terrific edition is full of images from the film including 6 pages of full-colour stills.
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Poul Ruders: Piano Concerto No.2: Piano: Score
Piano and Orchestra
[Score]
Wilhelm Hansen
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned ...
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Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Solo Piano part: WH31129CProgramme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonorous treasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing forone of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'.However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes.The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening.The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored.The finale is a crazy rondo of sorts. The marking 'Avanti Risoluto' (Forward with Resolve) is a bit of an understatement. It is a full throttle no hold barred ride -
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Modest Mussorgsky: A Night On Bald Mountain: Piano: Score
Piano and Orchestra
[Score]
Dover Publications
Widely considered the most important of the Russian nationalist composers Mouss...
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Widely considered the most important of the Russian nationalist composers Moussorgsky finished relatively few works in the course of his tragically short life. His unorthodox techniques made a considerable impression on later composers. A Night On Bald Mountain is a brilliant example of Moussorgsky's unique sense of theatrical effect and was completed and orchestrated by Rimsky-Korsakov after the composer's death. This work is a staple part of the orchestral repertoire.
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Konzertante Werke Op. 32 Wev N.15
Piano and Orchestra
Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
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Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano Et Orchestre
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Sergei Rachmaninov: Piano Concertos Nos. 1 And 2: Piano: Score
Piano and Orchestra
[Score]
Boosey and Hawkes
The Boosey Masterworks Library is a truly fantastic collection of popular works ...
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The Boosey Masterworks Library is a truly fantastic collection of popular works from the orchestral repertoire presented in clearly notated and meticulously documented scores.This volume presents the full orchestral score of Rachmainov’s first two piano concertos which remain ever popular in the concert pianist’s repertoire the second piano concerto even more so. The first two piano concertos frame a prolonged period of self-examination and doubt in Rachmaninov’s life his earlier works were not received with great acclaim. However his resurgence as a composer on the international concert platform was brought about by his composition of thePiano Concerto No.2 in C Minor Op.18 which since its first performance remains one of the most important and popular works in the repertoire. This full orchestral score is a wonderful resource for study and perusal purposes and is clearly presented making it easy to read and follow.Note that the revised version (written in 1917) of the first piano concerto is that which is presented in this score.
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Hans Abrahamsen: Concerto For Piano And Orchestra: Piano: Score
Piano and Orchestra
Wilhelm Hansen
Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by comm...
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Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general
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Ludwig van Beethoven: Concerto No.1 In C Major Op.15 For Piano: Piano: Score
Piano and Orchestra
Barenreiter
The Bärenreiter Urtext edition of Ludwig Van Beethoven's Concerto No.1 In C Maj...
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The Bärenreiter Urtext edition of Ludwig Van Beethoven's Concerto No.1 In C Major Op.15 For Piano features a detailed commentary by Bärenreiter editor and Beethoven expert Jonathan Del Mar.In Beethoven?s autograph for Concerto No.1 In C Major Op.15 For Piano Del Mar found no less than 17 corrections which were made after the work was published. These have been brought to light in this volume and all the sources and findings made by the editor have been documented.This critical edition reflects the latest musicological research and sets the highest scholarly standards without losing sight of theneeds of modern performers. This is a full score.
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Maurice Ravel: Concerto: Piano: Score
Piano and Orchestra
Barenreiter
for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist a...
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for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist and war veteran who lost his right arm in the Great War commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrilling compositions and for Wittgenstein the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor Douglas Woodfull-Harris was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace thework’s evolution from Ravel’s autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction and enabled the editor amongst other things to correct a great many notes which could be found in previous editions including the solo Piano part. The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25.5 x 32.5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work’s history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale.
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