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Chorale
UKULELE
Piano solo
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White Keys, Black Keys
Piano solo
Schott
White Keys - Black Keys ' a été écrit par Barbara Heller, en décembre 2003, ...
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White Keys - Black Keys ' a été écrit par Barbara Heller, en décembre 2003, pour un pianiste qui aime à improviser et aime une certaine liberté dans un ouvrage. Bien qu'une ordonnance des parties est prédéterminée dans sa composition, tous les articles peuvent bien être combinés dans un ordre différent. La chorale courte peut être suivie d'une improvisation libre qui rend également utiliser - ad libitum - de la jouer dans les chaînes. / Piano
19.40 EUR - Sold by LMI-partitions
(Seller in french langage)
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Ferruccio Busoni: Toccata and Fugue in D Minor: Piano: Instrumental Album
Piano solo
Dover Publications
Includes 'Chaconne In D Minor', 'Prelude And Fugue In E Flat' (St. Anne) and 'Te...
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Includes 'Chaconne In D Minor', 'Prelude And Fugue In E Flat' (St. Anne) and 'Ten Chorale Preludes'. Authoritative German editions.
15.20 GBP - Sold by Musicroom UK
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Ola Gjeilo: Chorale: Piano: Instrumental Work
Piano solo
-
Intermediate/advanced
Peters
Chorale by Ola Gjeilo was recorded in one take with no preparation or preconc...
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Chorale by Ola Gjeilo was recorded in one take with no preparation or preconceived thoughts other than an idea to improvise a piece that was a pure expression of what Gjeilo felt in that particular moment which turned out to be something very slow warm and introspective.Chorale is from Gjeilo's album Piano Improvisations which is the follow-up to Ola Gjeilo’s 2007 debut Stone Rose.Chorale is a quiet meditation that gently soothes as it allows the mind to wander.
6.95 GBP - Sold by Musicroom UK
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Johannes Brahms: St. Anthony Chorale: Piano: Instrumental Work
Piano solo
[Sheet music]
Music Exchange
St. Anthony Chorale
3.50 GBP - Sold by Musicroom UK
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Angela Hewitt's Bach Book for Piano: Piano: Instrumental Album
Piano solo
[Score]
Boosey and Hawkes
Leading Bach pianist Angela Hewitt has assembled a new book of music paying trib...
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Leading Bach pianist Angela Hewitt has assembled a new book of music paying tribute to the ultimate Baroque master.The new Bach Book is a successor to Harriet Cohen?s dating from 1932 collecting arrangements from leading composers of her day which Cohen then toured in concert. Hewitt?s book includes two of the original arrangements - by Walton and Howells - together with her own transcriptions of three organ chorale preludes from Bach?s Orgelbüchlein and six new works commissioned by the Wigmore Hall from contemporary composers Brett Dean Robin Holloway Elena Kats-Chernin Dominic Muldowney Kurt Schwertsik and Yehudi Wyner.Contents:Prelude andChorale; Homage a Bach (Brett Dean) Herzlich tut mich verlangen BWV727 (J.S. Bach) Fantasia & Fuga Op.105 (Kurt Schwertsik) Partitina on the Opening Notes of J.S. Bach's Goldberg Bass (Robin Holloway) O Mensch bewein dein Sunde gross BWV622 (J.S. Bach) Fantasia on BACH (Yehundi Wyner) Wenn wir in hochsten Hoten sein BWV641 (J.S. Bach) Das alte Jahr vergangen ist BWV614 (J.S. Bach) Fantastia on BACH (Dominic Muldowney) Bach Study (Elena Kats-Chernin) Alle Menschen mussen sterben BWV643 (J.S. Bach)
19.99 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: The Art Of The Fugue Bwv 1080 Urtext: Piano or
Piano solo
Barenreiter
By Johann Sebastian Bach (1685-1750) edited by Klaus Hofmann. Piano book for pi...
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By Johann Sebastian Bach (1685-1750) edited by Klaus Hofmann. Piano book for piano (solo duet - see contents). Urtext of the New Bach Edition. 156 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5207) ISBN M006503674. With introductory text performance notes and manuscript facsimiles. Baroque. 9x12 inches. SMP Level 8 (Early Advanced)4 and 5-note chords spanning more than an octave. Intricate rhythms and melodies. (Learn more about SMP levels)Contents:Contrapunctus 1 BWV 1080/1Contrapunctus 2 BWV 1080/2Contrapunctus 3 BWV 1080/3Contrapunctus 4 BWV 1080/4Contrapunctus 5 BWV 1080/5Contrapunctus 6 BWV 1080/6Contrapunctus 7 BWV 1080/7Contrapunctus 8 BWV1080/8Contrapunctus 9 BWV 1080/9Contrapunctus 10 BWV 1080/10Contrapunctus 11 BWV 1080/11Contrapunctus 12 BWV 1080/12 2 forma inversa.Contrapunctus 12 BWV 1080/12 1 forma recta.Contrapunctus 13 BWV 1080/13 2 forma recta.Contrapunctus 1 BWV 1080/13 1 forma inversa.Canon BWV 1080/14Canon BWV 1080/15Canon BWV 1080/16Canon BWV 1080/17Fugue BWV 1080/18 2 forma recta - piano duet (extra part included).Fugue BWV 1080/18 1 forma inversa - piano duet (extra part included).Vierstimmige Spiegelfuge No. 12 piano duet (extra part included).Dreistimmige Spiegelfuge No. 19 piano duet (extra part included).Fugue BWV 1080/19Contrapunctus BWV 1080/10aChorale - Wenn Wir In Hochsten Noten Sein BWV 668aCanon In Hypodiatessaron BWV DeestFugue (Fragment)
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Si Young C - B Ensemble Development
Piano solo
Alfred Publishing
Sound Innovations: Ensemble Development for Young Concert Band is a complete cur...
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Sound Innovations: Ensemble Development for Young Concert Band is a complete curriculum for beginning band students to help them grow as ensemble musicians. The series complements any band method and supplements any performance music. It contains 167 exercises, including more than 100 chorales by some of today's most renowned young band composers. Various exercises at the grade 1/2, 1, and 1 1/2 levels are grouped by key, including: * Long Tones* Passing the Tonic* Pitch Matching* Scale Builders* Interval Builders* Expanding Intervals* Chord Builders* Moving Chord Tones* Diatonic Harmony* Rhythmic Subdivision* 5-Note Scales* Scale Canons (5-, 6-, or 8-Note Scales)* Scale Chorales (5-, 6-, and 8-Note Scales) * ChoralesThe compositions were written by Roland Barrett, Chris Bernotas, Jodie Blackshaw, Matt Conaway, Ralph Ford, Tyler S. Grant, Rob Grice, John O'Reilly, Robert Sheldon, Todd Stalter, Randall Standridge, Michael Story, and Scott Watson. Whether your students are progressing through exercises to better their technical facility, or improving their musicianship with beautiful chorales, we are confident your performers will be excited, motivated, and inspired by using Sound Innovations: Ensemble Development for Young Concert Band. / Piano
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Norman Dello Joio: Diversions: Piano: Instrumental Album
Piano solo
[Sheet music]
Edward B. Marks Music Company
National Federation of Music Clubs 214-216 Selection Piano Solo-Piano Solo. Cont...
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National Federation of Music Clubs 214-216 Selection Piano Solo-Piano Solo. Contents: Arietta · Caccia · Chorale · Giga · Preludio.
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Leonard Bernstein: Touches - Piano: Piano: Instrumental Work
Piano solo
Boosey and Hawkes
A chorale eight variations and coda for solo piano. Composed for the Sixth Van...
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A chorale eight variations and coda for solo piano. Composed for the Sixth Van Cliburn International Piano Competition at Fort Worth Texas.
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Johann Sebastian Bach Ferruccio Busoni: Ferruccio Busoni: Choralvorspiele
Piano solo
[Sheet music]
G. Henle
Arrangement for Piano-Alongside his Chaconne for Violin the ten Chorale Prelude...
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Arrangement for Piano-Alongside his Chaconne for Violin the ten Chorale Preludes for Organ are Busoni’s best-known Piano transcriptions of works by J. S. Bach. Whilst Busoni envisaged the Chaconnefor concert performance the Chorale Preludes are transcribed in a 'chamber-music style'. The Preludes in this book are of varying levels of difficulty some are suitable for intermediate level players andothers for the more advanced pianist. This Henle Urtext Edition is Busoni's definitive version with valuable fingering suggestions by Marc-André Hamelin. The appendix contains an eleventh chorale prelude Busoni’s transcription of “Aus tiefer Not” which is published here for the very first time. With regard to performing its six-part setting the composer himself spoke of an“extreme performance limit” – but why not judge for yourself?
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Ulrich Kallmeyer: The Cool Cat Piano Goodies: Piano: Instrumental Tutor
Piano solo
Breitkopf & Härtel
Cool Through Styles and Centuries-Cool Cat Piano Goodies – What's that? To...
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Cool Through Styles and Centuries-Cool Cat Piano Goodies – What's that? To begin with watch as Ulrich Kallmeyer explores various pop idioms in cool pieces conceived for easy to medium difficulty and for contrasting harmonies and rhythms. Such a claim still doesnt do justice to the Goodies however since references to the classical tradition shimmer through these pieces. Behind Second Loss is Schumanns Erster Verlust and the New Solo for Mr. Byrd reaches much farther yet into music history. Other works were influenced by Baroque and Classical forms such as prelude chorale and rondo. The Goodies leap nimbly through eras and styles and have something to offer both beginning and proficient pianists.
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Johann Sebastian Bach: Jesu Joy Of Man's Desiring: Piano: Instrumental Work
Piano solo
Wilhelm Hansen
J S Bach’s original scoring of the work included Voices with Trumpet Obo...
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J S Bach’s original scoring of the work included Voices with Trumpet Oboes Strings and Continuo. This movement has been extracted and has frequently been performed separately. Arrangements exist for solo Organ and many other instrument combinations. This Chorale is one of Bach’s most enduring works familiar to the public and popular as a voluntary at church services and at weddings.
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Kurtag G. - Games Vol. 1 - Piano
Piano solo
EMB (Editio Musica Budapest)
1. Basic Elements 2. Exercises 3. Perpetuum mobile (objet trouvé) 4. Prelude an...
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1. Basic Elements 2. Exercises 3. Perpetuum mobile (objet trouvé) 4. Prelude and Waltz in C 5. Palm Stroke (1) 6. Palm Stroke (2) 7. Wrong Notes Allowed (1) 8. Wrong Notes Allowed (2) 9. Flowers We Are, Frail Flovers... (1a) 10. Dot-strumming 11. Flowers We Are, Frail Flowers... (1b) 12. ...flowers also the stars... 13. Out and In (1) 14. Objet trouvé (2) 15. Elbows 16. Hommage a Verdi (sopra: Caro nome che il mio cor) 17. Walking 18. C's Night Song 19. Little Chorale (1) 20. Toddling 21. Staggering 22. Staggering 23. Bored 24. Rocking 25. Hommage a Bartók 26. Let's Be Silly 27. (silent palms) 28. Hommage a Kocsis Zoltán - Playing with Overtones (1) 29. Sound Eclipse 30. Hommage a Máriássy István - (detecting chords) 31. The Bunny and The Fox 32. Legato 33. Waltz (1) 34. Hommage a Farkas (1) The Stone-frog Crawled Along... 35. Hot Cockles 36. Flowers We Are... (2) 37. Fifths (2) 38. (the young boxer's lighter moments) 39. (sleepily) 40. Portrait (1) 41. (five little piano pieces) 42. Three-finger Play 43. Gallop 44. Boisterous Csárdás 45. Jerking 46. Sound and Sound-ball (1) 47. Melancholic Overtones 48. Little Chorale (2) 49. Flowers We Are... (3) 50. Sound and Sound-ball (2) 51. Sarabande 52. Out and In (2) 53. (scherzando) 54. Fifths and Fourths and Palm Strokes 55. (Hommage a Beethoven) 56. Playing with Overtones (2) 57. Falling Asleep 58. Scale from One to Eight 59. Knots (1) 60. Flowers We Are... (4a) 61. Flowers We Are... (4b) 62. Meandering Tune 63. Twittering 64. Quarrelling (1) 65. Dumb-show (Quarrelling 2) 66. Mikro-rondo 67. Hommage a Ligeti 68. Sidling Palms 69. Beating (3x3 - 3 tones, 3 rhythm patterns) 70. Hommage a Tchaikovsky 71. Hommage a Eötvös Péter 72. Hommage a Paganini (la nuova campanella) 73. Preliminary Exercises to the Hoquetus 74. Hoquetus 75. Perpetuum mobile (objet trouvé) 76. ...and once more: Flowers We Are...
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Heumann H.-g. - Best Of Piano Classics 2 - 40 Classical Arrangements
Piano solo
Schott
Armes Waisenkind (The Poor Orphan) Op.68 No.6 Auf Der Gondel (In A Gondola) ...
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Armes Waisenkind (The Poor Orphan) Op.68 No.6 Auf Der Gondel (In A Gondola) Op.68 Barentanz (Bear's Dance) Op.68 Ein Choral (A Chorale) Op.68 No.4 Erinnerung (Remembrance) Op.68 No.28 Ernteliedchen (The Harvest Song) Op.68 No.24 Erster Verlust (First Loss) Op.68 No.16 Figurierter Choral (Ornamented Chorale) Op.68 No.41 Fremder Mann (A Stranger) Op.68 No.29 Frohlicher Landmann, Von Der Arbeit Zuruckkehrend (The Merry Peasant, Returning From Work) Op.68 No.10 Fruhlingsgesang (Spring Song) Op.68 No.15 Fur Ganz Kleine (For Very Young People) Op.68 Gukkuk Im Versteck (Hide And Seek) Op.68 Haschemann (Catch-me-if-you-can) Op.68 Jagerliedchen (Huntsman's Song) Op.68 No.7 Kleine Fuge (Little Fugue) Op.68 No.39 Kleine Romanze (Little Romance) Op.68 No.19 Kleine Studie (A Little Study) Op.68 No.14 Kleiner Morgenwanderer (Little Dawn-wanderer) Op.68 No.17 Knecht Ruprecht (Knight Rupert) Op.68 No.12 Knight Rupert Op.68 No.12 [Schumann, Robert] Kriegslied (Battle Song) Op.68 No.31 Landliches Lied (Country Song) Op.68 No.20 Langsam Und Mit Ausdruck Zu Spielen (Poco Lento E Espressivo) Op.68 No.21 Lied Italienischer Marinari (Italian Fishermen's Song) Op.68 No.36 Mai, Lieber Mai, Bald Bist Du Wieder Da! (May, Lovely May, You'll Soon Be Here Again!) Op.68 No.13 Matrosenlied (Sailor's Song) Op.68 No.37 Melodie (Melody) Op.68 No.1 Mignon (Mignon) Op.68 No.35 Nachklange Aus Dem Theater (Echoes Of The Theatre) Op.68 No.25 Nicht Schnell, Hubsch Vorzutragen (Andantino Con Espressione) Op.68 No.26 Nordisches Lied (Nordic Song) Op.68 No.40 Puppenschlafliedchen (Doll's Lullaby) Op.68 Rebus (Puzzle) Op.68 Reiterstuck (The Horseman) Op.68 No.23 Rundgesang (Roundelay) Op.68 No.22 Schnitterliedchen (Reaper's Song) Op.68 No.18 Sehr Langsam (Molto Lento) Op.68 No.30 Sheherazade Op.68 No.32 Sicilianisch (Siciliano) Op.68 No.11 Soldatenmarsch (Soldiers' March) Op.68 No.2 Stuckchen (Little Piece) Op.68 No.5 Sylvesterlied (New-year's Eve Song) Op.68 No.42 The Wild Horseman Op.68 No.8 (Album For The Young) Thema (Theme) Op.68 No.34 Trallerliedchen (Humming Song) Op.68 No.3 Volksliedchen (Folksong) Op.68 No.9 'weinlesezeit - Frohliche Zeit' ('vintage-time - Happy Time') Op.68 No.33 Winterszeit I And Ii (Wintertime I And Ii) Op.68 No.38
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Brubeck Dave - Nocturnes - Piano Solo
Piano solo
Alfred Publishing
The 25 titles are: Audrey * Blue Lake Tahoe * Bluette * Chorale * The Desert and...
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The 25 titles are: Audrey * Blue Lake Tahoe * Bluette * Chorale * The Desert and the Parched Land * Five for Ten Small Fingers * Going to Sleep * Home Without Iola * I See, Satie * Joshua Redman * Koto Song * Looking at a Rainbow * Lost Waltz (Edited Version) * Lost Waltz (Original Version) * Lullaby and many others!
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Camille Saint-Saëns: Piano Concerto No. 4 In C Minor Op.44: Piano: Instrumental
Piano solo
[Sheet music + CD]
Music Minus One
Piano Concerto No. 4 In C Minor (concerto pour Piano en ut mineur) Op. 44 by Ca...
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Piano Concerto No. 4 In C Minor (concerto pour Piano en ut mineur) Op. 44 by Camille Saint-Saëns is the composer's most structurally innovative Piano concerto. In one sense it is like a four-movement symphony but these are grouped in pairs. That is the piece is divided into two parts each of which combines two main movements (Part 1: I. Moderatetempo Theme and Variations in C Minor; II. Slower Theme and Variations in A-flat Major; Part 2: III. Scherzo in C Minor; IV. Finale in C Major). However in each part there is a bridge-like transitional section between the two main 'movements' for example a fugal Andante in part II functions as aninterlude between the two main sections. The concerto begins with a gently mischievous chromatic subject heard in dialogue between the strings and piano soloist and continues in a creative thematic development similar to Saint-Saëns' Third Symphony. The composer demonstrates brilliant skill in employing the piano and orchestra almost equally. In the Andante he moves to A-flat major with a chorale-like theme in the woodwinds (also strikingly similar to the tune of the Third Symphony's final section) and uses this as a platform on which to build a series of variations before bringing the movement to a quiet close. The Allegro vivace begins again in C minor as a high-spirited scherzo using material foreshadowed in the first movement. 2/4 and 6/8 are playfully juxtaposed throughout. At one point the Piano boldly leads the orchestra in an energetic 6/8 theme in Eflat major. Eventually the orchestra moves to a lush Andante recapitulating the Andante section from the first movement. Rather suddenly the piano climbs up to a flurry of double octave trills and a climactic trumpet fanfare leads to the jubilant finale based on a hymn-like theme in triple time. The concerto concludes with the piano in glittering cascades guiding the orchestra to a fortissimo close.The piano concerto was premièred in 1875 with the
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The Most Famous Classical Music for Easier Piano: Piano: Instrumental Album
Piano solo
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Easy
Hal Leonard
Lower Intermediate to Intermediate-103 arrangements of must-know classical stand...
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Lower Intermediate to Intermediate-103 arrangements of must-know classical standards by 41 composers at the lower intermediate to intermediate level. BACH: Air on the G String · Arioso · Jesu Joy of Man's Desiring · Sheep May Safely Graze · Sleepers Awake BEETHOVEN: Theme from Symphony No. 5 · Theme from Symphony No. 6 · Theme from Symphony No. 7 · Ode to Joy from Symphony No. 9 BIZET: Themes from Carmen · Farandole from L'Arlésienne Suite No. 2 BOCCHERINI: Minuet from String Quintet BORODIN: Polovetsian Dances from Prince Igor BRAHMS: Hungarian Dance · Lullaby · Theme from Symphony No. 1 · Theme from Variations on a Theme by Joseph Haydn CLARKE: Trumpet Voluntary (The Prince of Denmark's March) DVORÁK: Themes from Symphony No. 9 ELGAR: Nimrod from Enigma Variations · Pomp and Circumstance March No. 1 FAUR??: Pavane · Pie Jesu · Sicilienne GOUNOD: Ave Maria adapted from Prelude in C Major by JS Bach GRIEG: Anitra's Dance from Peer Gynt Suite · Morning from Peer Gynt Suite · Solveig's Song from Peer Gynt Suite · Theme from Piano Concerto HANDEL: Harmonious Blacksmith · Bourrée from Music for the Royal Fireworks · Largo (Ombra mai fu) from Serse · Where'er You Walk from Semele · Hornpipe from Water Music HOLST: Jupiter Chorale from The Planets HUMPERDINCK: Evening Prayer from Hansel and Gretel MAHLER: Adagietto from Symphony No. 5 MASSENET: Meditation from Thaïs MENDELSSOHN: Nocturne from A Midsummer Night's Dream MOZART: Theme from Clarinet Concerto · Minuet from Don Giovanni · Allegro from Eine kleine Nachtmusik · Theme from Piano Concerto No. 20 · Theme from Piano Concerto No. 21 · Theme from Symphony No. 40 MUSSORGSKY: Promenade from Pictures at an Exhibition OFFENBACH: Can-Can from Orpheus in the Underworld · Barcarolle from The Tales of Hoffmann PACHELBEL: Canon in D PAGANINI: Caprice No. 24 from 24 Caprices PARRY: Jerusalem PONCHIELLI: The Dance of the Hours from La Gioconda PUCCINI: O mio babbino caro from Gianni Schicchi · Themes from Madama Butterfly PURCELL: Rondeau from Abdelazar ROSAS: Over the Waves ROSSINI: Themes from The Barber of Seville · Theme from William Tell SCHUBERT: Ave Maria · Serenade · Theme from Symphony No. 8 (Unfinished) · Theme from Symphony No. 9 · To Music · The Trout · SEMTANA: The Moldau from My Homeland SOUSA: The Liberty Bell · The Stars and Stripes Forever · The Washington Post STRAUSS I: Radetzky March STRAUSS II: Emperor Waltz · On the Beautiful Blue Danube · Tales from the Vienna Woods · Tritsch-Tratsch Polka · Viennese Blood · Wine Women and Song TCHAIKOVSKY: Themes from 1812 Overture · Marche slave · Dance of the Reed Flutes from The Nutcracker · Waltz of the Flowers from The Nutcracker · Theme from Piano Concerto No. 1 · Theme from Romeo and Juliet Theme from Swan Lake · Theme from Symphony No. 5 · Theme from Symphony No.6 VERDI: Grand March · La donn
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Johann Sebastian Bach: Prelude and Fugue in D major for Organ: Piano:
Piano solo
G. Henle
Arrangement for Piano-Aside from the Violin Chaconne (HN 557) and the ten Choral...
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Arrangement for Piano-Aside from the Violin Chaconne (HN 557) and the ten Chorale Preludes for Organ (HN 1293) the Prelude and Fugue in D major ranks among the best-known Piano transcriptions Busoni fashioned from J. S. Bach?s works. Considerable evidence suggests that he viewed these three pieces as paradigmatic examples of his transcription technique. Busoni?s explicit labelling of the Prelude and Fugue ?for concert performance? in the title already serves as an indication of the heightened virtuosic requirements. And indeed here Busoni demands that the pianist have perfectly mastered the keyboard always with the aim of delegating to the Piano effectively but still in the spirit of Bach the mighty sound-world of the Organ work. This Urtext edition is heartily recommended to all those pianists who have ever wanted finally to pull out all the stops on the Piano.
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Nancy Faber Randall Faber: Piano Adventures Performance Book Level 5: Piano:
Piano solo
Hal Leonard
The Level 5 Performance Book from the Faber Piano Adventures series provides a c...
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The Level 5 Performance Book from the Faber Piano Adventures series provides a collection of effective pieces to be used in conjunction with the Lesson Book.However teachers will find that the creative appealing pieces in this book make an ideal supplement with many other piano methods as well. Contents include: Allegro in A major • Appalachian Trail • Bearcat Boogie • Come Back to Sorrento • The Danube Waves • Gypsy Prayer • Mazurka in G Minor • Poetic Theme and Variations • Simple Gifts • St. Anthony's Chorale • The Swan • and more.
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Palmer Manus And Lethco - Alfred Adult All-in-one Course 2 Book - Piano
Piano solo
Alfred Publishing
Alfred's Basic Adult All-in-One Course is designed for use with an instructor fo...
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Alfred's Basic Adult All-in-One Course is designed for use with an instructor for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred's Basic Adult Piano Course that will include lesson, theory, technic and additional repertoire in a convenient, all-in-one format. This comprehensive course features written assignments that reinforce each lesson's concepts, a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections. At the completion of this course, the student will have learned to play some of the most popular music ever written and will have gained a good understanding of basic musical concepts and styles. Titles: Alexander's Ragtime Band * Arkansas Traveler * Ballin' the Jack * The Battle Hymn of the Republic * Black Forest Polka * Black is the Color of My True Love's Hair * Bourlesq * Brahms Lullaby * Bridal Chorus from Lohengrin * Calypso Carnival * Canon in D (Pachelbel) * Chorale * Circus March * Danny Boy * Dark Eyes * Deep River * Divertimento in D * Down in the Valley * Etude (Chopin) * Farewell to Thee (Aloha Oe) * Fascination * Festive Dance * For He's a Jolly Good Fellow * Frankie and Johnnie * Guantanamera * Hava Nagila * He's Got the Whole World in His Hands * The Hokey-Pokey * The House of the Rising Sun * Hungarian Rhapsody No. 2 * Introduction and Dance * La Bamba * La Donna E Mobile * La Raspa * Light and Blue * Loch Lomond * Lonesome Road * Love's Greeting * The Magic Piper * The Marriage of Figaro * Mexican Hat Dance * Morning Has Broken * Musetta's Waltz * Night Song * Nobody Knows the Trouble I've Seen * Olympic Procession * Overture from Raymond * Plaisir D'Amour * Polyvetsian Dances * Pomp and Circumstance No. 1 * The Riddle * Rock-a My Soul * Sakura * Scherzo * Solace * Space Shuttle Blues * The Streets of Laredo * Swingin' Sevenths * Tarantella * Theme from Symphony No. 6 (Tchaikovsky) * Village Dance * Waltz in G Minor * Waves of the Danube * When Johnny Comes Marching Home * You're in My Heart
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Jesus Bleibet Meine Freude / Werde Munter, Mein Gemüte Bwv 147
Piano solo
Schott
La publication de la célèbre mélodie chorale dans les vêtements instrumental...
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La publication de la célèbre mélodie chorale dans les vêtements instrumental de Bach, Pachelbel est un souhait souvent exprimé de nombreux amateurs de piano. Si dans les notes offert quelques variantes supplémentaires à la version Pachelbelschen w / Piano
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4 Pieces From Before (TCHEREPNINE IVAN)
Piano solo
[Sheet music]
Belaieff
Par TCHEREPNINE IVAN. I. ' For Christmas ' - un véritable cadeau de Noël aux p...
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Par TCHEREPNINE IVAN. I. ' For Christmas ' - un véritable cadeau de Noël aux parents du compositeur datant de 1958, par lequel les 15 ans, a obtenu reconnaissance de son célèbre père comme compositeur. II. un ' Valse ' avec les modulations de surprise écrites dans la classe de composition de son père en 1959. III. 'équinoxe vernal' (1961) contenant une référence à la chorale 'Ein feste Burg ist unser Gott'. IV 'Riding nuages' (1962), un petit rondo inspiré par Lieh-Tzu: ' mon esprit concentré et mon corps détendu, os et chair fusionnés complètement, je n'a pas remarqué que mon corps s'est penché contre mes pieds marche, j'a dérivé le vent est ou l'Ouest comme une feuille d'un arbre ou une enveloppe sec et jamais su s'il s'agissait du vent qui rode me ou moi qui montait du vent. '/ Répertoire / Piano
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Michael Berkeley: Strange Meeting: Piano: Instrumental Work
Piano solo
Oxford University Press
A work in three contrasting sections each reflecting a mood of Wilfred Owen's p...
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A work in three contrasting sections each reflecting a mood of Wilfred Owen's poem of the same name. The first depicts the 'strangeness' of the meeting '...Down some profound tunnel' and the second portrays the viciousness of war with violent jabbing rhythms. This leads directly into a concluding chorale-like movement in which a kind of peace is attained echoing the closing words of the poem 'Let us sleep now '.
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Johann Sebastian Bach: The Best of Bach: Piano: Artist Songbook
Piano solo
Hal Leonard
E-Z Play Today Volume 167-20 Baroque favorites from J.S. Bach in easy-to-read an...
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E-Z Play Today Volume 167-20 Baroque favorites from J.S. Bach in easy-to-read and play notation. Includes: Arioso • Ave Maria • Bist Du Bei Mir • Fugue in G Minor • Gavotte • Jesu Joy of Man's Desiring • Minuet in G • Passion Chorale • Sheep May Safely Graze • Toccata and Fugue in D Minor • and more.
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Alexandre Tansman: Happy Time 2: Piano: Instrumental Album
Piano solo
Hal Leonard
Out of print for quite some time books 2 and 3 of Tansman's Happy Time trilogy ...
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Out of print for quite some time books 2 and 3 of Tansman's Happy Time trilogy are again available. Wonderful companion pieces to the pedagogical works of Kabalevsky. Book 2 includes elementary arrangements of: Caravan - Choral - Chorale and Variation - Dancing Air - Four Voices - Lament - Little Prelude - Perpetual Motion - Pursuit - Slow Waltz - Study - Swedish Dance - Versailles.
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Robert Saxton: Hortus Musicae: Piano: Instrumental Work
Piano solo
University Of York Music Press
Robert Saxton's Hortus Musicae Book 1 was commissioned by Ian Richie for the 20...
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Robert Saxton's Hortus Musicae Book 1 was commissioned by Ian Richie for the 2013 City of London Festival with funds provided by the John S. Cohen Foundation. The first performance was given by Clare Hammond on June 24th 2013 at the church of St Mary Le Bow. The title less 'literal' in Latin than in the vernacular refers to the idea of an allegorical/metaphysical garden (reference to a 'real' or existing garden might be implied by Hortus Musicus) with various facets. The titles of the individual pieces/movements with their respective garden image are as follows: 1) Hortus Somniorum: afleeting vision of a 'magical' garden 2) Hortus Temporis: a reflection of/on the floral clock described by Andrew Marvell (1621-1678) in his [metaphysical] poem The Garden: How well the skilful gardener drewOf flowers and herbs this dial newWhere from above the milder sunDoes through a fragrant zodiac run;And as it works the industrious beeComputes its time as well as we.How could such sweet and wholesome hoursBe reckoned but with herbs and flowers! 3) Hortus Cantus: A garden in which nature 'sings' (praises) in the manner of a 'chorale prelude' and ending with the cantus firmus transformed into bells. 4) Hortus Infinitatis: A meditative/formal garden representing Time suspended in the form of a palindromic prolation canon combined with a harmonic ground (chaconne). 5) Saltatio Hortensis: A (summer) garden of dancing celebratory nature. Its essence (and that of the entire cycle both metaphorically and structurally/formally) is summed up in words spoken by Miranda in WH Auden's 1944 Tempest [Shakespeare]-inspired poem The Sea And The Mirror;So to remember our changing garden weAre linked as children in a circle dancing. Duration: 15
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Johann Sebastian Bach: Ah! How Ephemeral How Transitory Is Man's Life: Piano:
Piano solo
[Sheet music]
-
Intermediate/advanced
Chester
Extracted from the Final Chorus of Bach's Cantata No.22. The Chorale is a folk-t...
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Extracted from the Final Chorus of Bach's Cantata No.22. The Chorale is a folk-tune of the 15th Century. The words are by Elizabeth Creutziger (1524). Ach wie flüchtig ach wie nichtig ist des menschen leben.
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Frédéric Chopin: Scherzo in c sharp minor op. 39: Piano: Instrumental Work
Piano solo
G. Henle
Chopin?s Scherzo no. 3 was connected to his legendary winter in Mallorca in 1838...
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Chopin?s Scherzo no. 3 was connected to his legendary winter in Mallorca in 1838/39, as were his Préludes op. 28. On 22 January 1839, the composer sent the autograph of the latter work to Camille Pleyel in Paris, and at the same time announced further works that would soon ?flood? the recipient of his letter, including the Scherzo no. 3. Did perhaps its alternation of passages with furious octaves and a grave chorale reflect Chopin?s mood at the time? That?s a question players will have to decide for themselves. This revised stand-alone Urtext edition is based on the first editions and on a manuscript copy. Footnotes and a condensed Critical Report offer information on the many variants in the history of its musical text, while a comprehensive Critical Report can be downloaded online. This is an Urtext edition that leaves nothing to be desired.
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Kurtag G. - Games Vol. 4 - Piano
Piano solo
EMB (Editio Musica Budapest)
1. Fog-canon 2. Furious Chorale 3. Hommage a Sárközy - Hand in Hand 4. Hommage...
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1. Fog-canon 2. Furious Chorale 3. Hommage a Sárközy - Hand in Hand 4. Hommage a Stravinsky - Bells 5. Hommage a Sáry László - (Dot and Spot) 6. Hommage a Halmágyi Mihály 7. Hommage a Soproni (in memoriam matris carissimae) 8. Kyrie 9. Prelude and Waltz in F (or F sharp) 10. Study to ”Hölderlin” (position exercise) 11. Dirge (for two pianos) 12. Beating (for two pianos) 13. Sarabande for two pianos) 14. Hommage a Paganini ( for two pianos)
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