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UKULELE
Violin, Basso continuo
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Solo à et Orchestre (10)
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Flûte Traversière, Clarinett… (10)
Harpe Et Instruments Divers (10)
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Guitare Tablatures Electrique (10)
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6 Sonaten (HASSE JOHANN ADOLF)
Violin, Basso continuo
[Sheet music]
Carus Verlag
Par HASSE JOHANN ADOLF. With the exception of his opera sinfonia, the present fi...
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Par HASSE JOHANN ADOLF. With the exception of his opera sinfonia, the present first edition of the Six Violin Sonatas by Johann Adolf Hasse is the only instrumental work by this composer whose authorship can be verified through his handwritten entries in a manuscript copy. The composer gave these pieces a profile completely tailored to the instrument, a fact which places them in sharp contrast to those compositions which can be played by various melody instruments./ Répertoire / Violon et Basse Continue
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Arcangelo Corelli: Sonatas For Violin & Basso Continuo Op. 5 VII-XII: Violin:
Violin, Basso continuo
Barenreiter
Volume 2-Score with realisation of the basso continuo by Tonelli as well as Core...
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Volume 2-Score with realisation of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line With a separate Urtext violin partWith a separate unrealized figured continuo partIncludes a supplement with violin embellishmentsAppendices in both volumes with source descriptions and critical commentariesPreludes for keyboard instrument by Tonelli in the appendix of volume 2Arcangelo Corelli the violin virtuoso of his time published his Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions. Over the years the sonatas have been published innearly 100 editions all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords sometimes played by both hands. In addition Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini Geminiani McGibbon Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand. Complementing this Urtext edition are a historical introduction a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.
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Arcangelo Corelli: Sonatas For Violin And Basso Continuo Op. 5 I-VI: Violin:
Violin, Basso continuo
Barenreiter
Volume 1-Score with realisation of the basso continuo by Tonelli as well as Core...
(+)
Volume 1-Score with realisation of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line With a separate Urtext violin partWith a separate unrealized figured continuo partIncludes a supplement with violin embellishmentsAppendices in both volumes with source descriptions and critical commentariesPreludes for keyboard instrument by Tonelli in the appendix of volume 2Arcangelo Corelli the violin virtuoso of his time published his Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions. Over the years the sonatas have been published innearly 100 editions all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords sometimes played by both hands. In addition Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini Geminiani McGibbon Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand. Complementing this Urtext edition are a historical introduction a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.
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Violin Concerto (SZOKOLAY SANDOR)
Violin, Basso continuo
[Sheet music]
Peters
Par SZOKOLAY SANDOR. Violon Solo - 2.2.2.2 - 4.3.3.0 - Timbales - Percussion - H...
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Par SZOKOLAY SANDOR. Violon Solo - 2.2.2.2 - 4.3.3.0 - Timbales - Percussion - Hp - Cel - Strings - Durée: 26 min / Contemporain / Répertoire / Violon et Instruments Divers
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Sonate A Violino E Basso Per Il Cembalo
Violin, Basso continuo
Anne Fuzeau Productions
Sonate a violino, e basso per il cembalo - Edition : Bortoli, Venise, 1709.Sonat...
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Sonate a violino, e basso per il cembalo - Edition : Bortoli, Venise, 1709.Sonate a violino, e basso per il cembalo - Edition : E. Roger, Amsterdam, s.d. (= c. 1710).Présentation par Nicolas Fromageot : bibliographie de l'oeuvre - quelques points de comparaison entre les deux éditions - annexe : titre et première page de l'édition Walsh (c.1721).Sonate a violino, e basso per il cembalo. Bortoli, Venise, 1709 : Fac-simile en taille réduite de l'édition originale italienne, à titre de documentation - (4 images par page). Nous avons choisi de reproduire en grand l'édition d'Amsterdam, qui est beaucoup plus lisible. / Violon Et Basse Continue / 88 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Sonate In D (PISENDEL JOHANN GEORG)
Violin, Basso continuo
[Sheet music]
Carus Verlag
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...
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D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
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Sonate In D (PISENDEL JOHANN GEORG)
Violin, Basso continuo
[Sheet music]
Carus Verlag
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...
(+)
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel‘s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
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Sonate In D (PISENDEL JOHANN GEORG)
Violin, Basso continuo
[Sheet music]
Carus Verlag
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...
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D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
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Locatelli P.a. - Xii Sonate A Violino Solo E Basso, Opera Sesta - Fac-simile Fuzeau
Français
Violin, Basso continuo
Anne Fuzeau Productions
Partition pour Violon et basse continue XII sonate à violino solo è basso da ...
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Partition pour Violon et basse continue XII sonate à violino solo è basso da camera. Opera sesta Edition : Amsterdam, l’Auteur, s.d. (=1737). Présentation de Nicolas Fromageot : bibliographie – l’école romaine de violon La partition qui a servi à réaliser ce fac-similé a été approuvée par le compositeur. Edition de 1737, conservée à la bibliothèque de l'Université de Leiden. Compositeur : LOCATELLI Pietro Antonio Auteur : FROMAGEOT Nicolas Collection : Dominantes Contenu : Sonata prima (en Si b Majeur) : andante – allegro – cantabile (avec 5 variations) - Sonata II (en Fa Majeur) : andante – allegro – vivace, sempre piano – allegro – aria Ia, vivace (avec 3 variations) - Sonata III (en si mineur) : andante – allegro – minuetto (avec 4 variations) - Sonata IV (en Mi Majeur) : andante – allegro, [3/4], [C] – aandante (avec une variation) - Sonata V (en ut mineur) : andante - allegro – aria (avec 4 variations) - Sonata VI (en Ré Majeur) : largo – andante – allegro – Minuetto (avec 8 variations) - Sonata VII (en fa mineur) : largo – grave – vivace – cantabile (avec 6 variations) - Sonata VIII (en Ut Majeur) : adagio, andante – allegro – andante, aria (avec 4 variations) - Sonata IX (en si mineur) : largo – vivace – aria, vivace (avec 4 variations) - Sonata X (en Sol Majeur) : andante – allegro – aria (avec 3 variations) - Sonata XI (en Mi b Majeur) : adagio – allegro – cantabile (avec 3 variations) - Sonata XII (en ré mineur) : adagio – allegro – andante – allegro – capriccio Format : 24 x 33 Nombre de pages : 78 Date de parution : 01/1995
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Antonio Vivaldi: Sonate per violino e basso continuo RV 11 RV 37: Violin
Violin, Basso continuo
Ricordi
Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by M...
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Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by Michael Talbot. The vast majority of violin sonatas from Vivaldi?s time including those of Vivaldi himself have come down to us in the form of a score employing two staves: one for violin and one for bass. This guarantees that although portions of the work may be missing what survives is textually complete. Exceptionally five of Vivaldi?s violin sonatas are preserved solely in a partbook for violin held by the Diözesanarchiv Graz the complementary part for cello having disappeared. The sonatas appear to date from the period between the Dresden group (1716-1717) and the Manchester set (c. 1726). Three of the sonatas which all have four movements possess partial concordances in other sources with which they share two or three movements but two of them ? RV 11 and RV 37 ? have so far been found only in Graz (with the exception of an incipit for RV 11 found in a contemporary thematic catalogue). This critical edition makes these two works available for study and performance. The bass part is an editorial reconstruction and there is in addition a realization of the continuo by the editor.
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Sonate In E (PISENDEL JOHANN GEORG)
Violin, Basso continuo
[Sheet music]
Carus Verlag
e-Moll. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for viol...
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e-Moll. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni und Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. For the source of the first edition of the E minor Sonatathe second version of the work was used. Pisendel composed this version in around 1716, when he accompanied the Crown Prince of Saxony on a trip to Italy./ Répertoire / Violon et Basse Continue
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Second Livre De Sonates Pour Le Violon (Avec La Basse Continue) - Oeuvre IV
Violin, Basso continuo
Anne Fuzeau Productions
Second livre de sonates pour le violon (avec basse continue) - Oeuvre IVEdition ...
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Second livre de sonates pour le violon (avec basse continue) - Oeuvre IVEdition : Paris, Le Duc, s.d.(=c.1771)Présentation : Saskia Salembier - Département de musique ancienne Conservatoire National Supérieur de Musique et de Danse de ParisCe livre de sonates compte parmi les plus belles sonates pour violon et basse continue à la fin du six-huitième siècle. Tous les violonistes doivent les connaître. De plus, elles permettent une excellente étude de l'agrémentation à la fin du siècle. Gravure de qualité, très lisible.Après la publication de ce fac-similé, certaines de ces sonates ont été jouées aux journées portes ouvertes du Conservatoire National Supérieur de Musique et de Danse de Paris, et enregistrées à France-Musique. Elles sont d'une rare beauté et soutiennent la comparaison avec celles de Mozart.La présentation traite de l'agrémentation de ces sonates, donnant ainsi tous les éléments de style indispensables à l'interprétation. / Violon Et Basse Continue / 40 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7
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Premier Livre De Sonates A Violon Seul Avec La Basse Continue
Violin, Basso continuo
Anne Fuzeau Productions
Premier livre de sonates à violon seul avec la basse continue. Edition : Paris,...
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Premier livre de sonates à violon seul avec la basse continue. Edition : Paris, l'Auteur, Boivin, Monnet, 1739.Présentation - : Biographie sommaire - Lecture de la partition (la basse continue, la terminologie, le phrasé, l'agrémentation, détail de notation).Ce livre de sonates retiendra l'attention des musiciens : des pièces dont la difficulté est limitée et qui intéressent donc les professeurs de violon - des premiers mouvements dont l'ornementation est écrite - un style généralement proche de l'Italie - un phrasé noté entièrement avec précision. Le chiffrage de la basse continue est aussi très précis. / Violon Et Basse Continue / 64 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Guerrieri A. - Sonate Op. 1 - Violon
Violin, Basso continuo
[Sheet music]
Musedita
(Venezia, 1673) - 3 sonate per violino e b.c.; - 1 sonata per arpa doppia o ti...
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(Venezia, 1673) - 3 sonate per violino e b.c.; - 1 sonata per arpa doppia o tiorba; 8 sonate per 2 violini e b.c.; 1 sonata per violino, arpa doppia o tiorba e b.c.; - 3 sonate per 3 violini e b.c.; - 1 sonata per 2 violini, basso di viola e b.c.; - 1 sonata per 2 violini, tiorba e b.c. (di A. M. Turati); 2 sonate a 4 (di cui una di A. M. Turati); - 2 balletti da camera per 2 violini e b.c.; - partite sopra Ruggiero per 2 violini b.c.
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Sonate A-Dur Op. 2/2 Rv 31 (VIVALDI ANTONIO)
Violin, Basso continuo
[Sheet music]
Breitkopf & Härtel
Par VIVALDI ANTONIO. Editeur(s) d'origine: Busch, Adolf/ Répertoire / Violon et...
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Par VIVALDI ANTONIO. Editeur(s) d'origine: Busch, Adolf/ Répertoire / Violon et Basse Continue
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Jasper (WOLFF CHRISTIAN)
Violin, Basso continuo
[Score]
Peters
Par WOLFF CHRISTIAN. Violin and Double bass -/ Répertoire / Violon et Instrumen...
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Par WOLFF CHRISTIAN. Violin and Double bass -/ Répertoire / Violon et Instruments Divers
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Nardini P. - Sonata In Si Bemolle Maggiore, Per Violino E Basso
Violin, Basso continuo
Ricordi
édition Michelangelo Abbado Compositeur : Nardini Pietro Instrumentation : Vn, ...
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édition Michelangelo Abbado Compositeur : Nardini Pietro Instrumentation : Vn, Bc
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Bach J.s. - 2 Sonate Bwv 1021 E Bwv 1023 - Violon E B.c.
Violin, Basso continuo
Musedita
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Son. Per Vl. E B.C.: In Do Rv 3 - F.XIII/8
Violin, Basso continuo
Ricordi
/ Violon Et Basse Continue
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Sonate Pour Vl. E B.C.: In Do Min. Op. II N.7 - Rv 8 - F.XIII/35 Tomo 400 (VIVALDI ANTONIO)
Violin, Basso continuo
[Sheet music]
Ricordi
Op. 2 N. 7 - F.XIII-35 - Tomo 400. Par VIVALDI ANTONIO. / Répertoire / Violon e...
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Op. 2 N. 7 - F.XIII-35 - Tomo 400. Par VIVALDI ANTONIO. / Répertoire / Violon et Basse Continue
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Sonate Pour Vl. E B.C.: In Do Rv 2 - F.XIII/11 Tomo 369
Violin, Basso continuo
Ricordi
/ Violon Et Basse Continue
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Sonate Pour Vl. E B.C.: In Do Min. Rv 6 - F.XIII/14 Tomo 372
Violin, Basso continuo
Ricordi
/ Violon Et Basse Continue
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Sonate Pour Vl. E B.C.: In Do Min. Rv 5 - F.XIII/10 Tomo 368
Violin, Basso continuo
Ricordi
/ Violon Et Basse Continue
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Sonate Pour Vl. E B.C.: In Do Rv 3 - F.XIII/8 Tomo 366 (VIVALDI ANTONIO)
Violin, Basso continuo
[Sheet music]
Ricordi
F.XIII-8 - Tomo 366. Par VIVALDI ANTONIO. / Répertoire / Violon et Basse Contin...
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F.XIII-8 - Tomo 366. Par VIVALDI ANTONIO. / Répertoire / Violon et Basse Continue
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Son. Per Vl. E B.C.: In Do Min. Rv 6 - F.XIII/14
Violin, Basso continuo
Ricordi
/ Violon Et Basse Continue
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Son. Per Vl. E B.C.: In Do Min. Rv 7A - F.XIII/61
Violin, Basso continuo
Ricordi
/ Violon Et Basse Continue
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Son. Per Vl. E B.C.: In Do Rv 754 - F.XIII/60 (VIVALDI ANTONIO)
Violin, Basso continuo
[Critical Reports]
Ricordi
Critical Edition, Softcover F.Xiii-60 . Par VIVALDI ANTONIO. / Répertoire / Edi...
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Critical Edition, Softcover F.Xiii-60 . Par VIVALDI ANTONIO. / Répertoire / Edition Critique des oeuvres de Vivaldi (Fac-simil
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Sonate Pour Vl. E B.C.: In Do Op. II N.6 - Rv 1 - F.XIII/34 Tomo 399
Violin, Basso continuo
Ricordi
/ Violon Et Basse Continue
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6 Sonates A Violon Seul Et Basse - Ier Oeuvre
Violin, Basso continuo
Anne Fuzeau Productions
Paris, l'Auteur, (s.d. = 1760)Six sonates pour violon et basse continue / Violon...
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Paris, l'Auteur, (s.d. = 1760)Six sonates pour violon et basse continue / Violon Et Basse Continue / 32 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7
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Allegro In G-Major / Vl/Piano And Sonatina I In A-Major/ Fiocco - Vl/Bc***Pop
Violin, Basso continuo
[Sheet music + CD]
Dowani
/ Violon Et Basse Continue / Partition + Cd
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