Concert Arias-This vocal score of Mozart?s concert and insert arias is based on the New Mozart Edition (NMA).The musical text presented in this edition is free from practical references on performance aspects or suggestions on performance practice. An accompanying booklet gives detailed explanations on the execution of appoggiaturas and other performance practice phenomena relevant to each aria.In addition there is a choice of suggestions for the performance of cadenzas and lead-ins as well as for the ornamentation of dal segno parts which are often found in the early Mozart arias.All aria texts translated into German and English and printedseparately.Contents:Concert Arias III for Low Soprano and AltoAria ?Conservati fedele? K. 23Aria ?Cara se le mie pene? K.6: deestAria ?Alma grande e nobil core? K. 578Aria ?Chi s chi s qual sia? K. 582Aria ?Vado ma dove? oh Dei!? K. 583Recitativo ?Ombra felice? ?Aria Io ti lascio? K. 255

from Stage and Screen for Two Voices and Piano Accompaniment-15 Disney Vocal Duets From Stage And Screen is a songbook featuring sheet music which has been arranged for two Voices and Piano accompaniment.15 Disney Vocal Duets From Stage And Screen features a selection of 15 original duets from classic through contemporary Disney films and Broadway stage musicals.15 Disney Vocal Duets From Stage And Screen is for various voice combinations and printed in original keys.Songs include Can You Feel the Love Tonight Feed the Birds I See the Light Love Is an Open Door No Matter What A Whole New World and more.

A song cycle for Tenor Baritone and Piano four-hands.Commissioned by Dickinson College in 2008 for The Florestan Recital Project Musical Artists in ResidenceFirst performance March 4 2010 Dickinson College PAThis work is dedicated to Don and Marilyn Conlan ''The seventeen poems selected for this work span many centuries and languages and give very varied views on the subject of love. There is a mixture of solos and duets which also gives variety. Also there is a difference in the characterization ofthe two singers; the tenor is more romantic and? the baritone more realistic and cynical. In the penultimate poem by Tyutchev this? split is emphasized in the words ! / T ? . (O love of my last years you are both rapture and desperation).? However both singers recognize the power of love. The work should be sung? without a break between the songs and indeed several of the poems overlap. To? emphasize the continuity there are several recurring musical motives: in particular? the theme associated with the words from the Shakespeare poem in Twelfth Night? ?What is love?? Hopefully the songs can be sung in the original languages (except for the poem from the Haida) however ?singable? translations have been provided. I? want to thank the many friends and colleagues who offered much appreciated advice on fully understanding the poems and thus their translations: Henry Garrity ? Lilian Groag Gustavo Lopez Manzitti Veronica Mitina Alma Mora

Combinez les deux chanteurs à étudier et à réaliser ces duos exceptionnels sur des chants folkloriques traditionnels américains. Inclut une variété soigneusement sélectionnés en favoris familiers. / 2 Voix Et Piano

The Ave Maria with its serene meditative Vocal line and restrained accompaniment expresses the composer?s own Roman Catholic devotion. In this arrangement the solo Soprano Voice is allowed an entire expression of the firstline before the addition of the Alto in the second statement.The words for Ave Maria have developed over centuries into their current form which has been in use in the Catholic Church for nearly five hundred years. César Franck?sreligious song is among the best known.

Arrangeur: Benjamin Britten. Par PURCELL HENRY. Langue: English, Format: New Edition portrait/ Répertoire / 2 Voix (Hautes/Moyennes) et Piano

Fünf Lieder und zwei Duette für Singstimmen und Klavier. Par MABELLINI TEODULO. / Date parution : 2023-01-24/ Répertoire / 2 Voix et Piano