SKU: FZ.5794

ISBN 9790230657945. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in one book. ANCELET - Jean Laurent de BETHISY - C. R. BRIJON - Michel CORRETTE - Francois, le jeune CUPIS - Encyclopedie - FRAMERY N. E. et GINGUENE P. L. : Encyclopedie methodique - Francois-Alexandre-Pierre de GARSAULT - Jean-Benjamin de LABORDE - Marin MERSENNE - Michel WOLDEMAR. Table of contents: VIOLA. Mersenne Marin: Harmonie universelle - 1636. Bethisy Jean Laurent de: Exposition de la theorie - 1754. Garsault Francois-Alexandre-Pierre de: Notionnaire ou Memorial raisonne - 1761. Corrette Michel: Methode pour apprendre [. . . ] de la quinte ou alto - 1773. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Framery N. E. et Ginguene P. L. : Encyclopedie methodique (reprend le texte de l'Encyclopedie de Diderot) - 1785. Cupis Francois, Le jeune: Methode d'alto - 1800 (ca). Woldemar Michel: Methode d'alto - 1800/1805 (ca). PAR-DESSUS DE VIOLE. Corrette Michel: Methode pour apprendre facilement a jouer du par-dessus de viole - 1748. Ancelet: Observations sur la musique - 1757. Garsault Francois-Alexandre-Pierre de: Notionnaire ou Memorial raisonne - 1761. Brijon C. R. : Methode nouvelle et facile pour apprendre a jouer du par-dessus de viole - 1766. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - Bayerische Staatsbibliothek of Munich (Germany). - National Library of Paris (France). - British Library of London (England). - Det Kongelike Bibliothek of Copenhagen (Denmark). - Gemeente Museum of The Hague (Netherlands). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the viola and pardessus de viole.

SKU: SU.80101410

Fantasy-Variations on Two Themes (2017) for organ was written for Heinrich Christensen in celebration of his significant 2017 birthday. The musical material for the work comprises two different themes. The first is a short melody by the Danish composer Carl Nielsen (1865-1931). (It was a sketch originally intended for inclusion in, but ultimately left out of, Nielsen's late organ work 29 Little Preludes.) This theme represents Heinrich's native Denmark. The second theme is the American folk-gospel hymn Angel Band. This theme represents Heinrich's adopted American homeland. It serves also as a remembrance of our dear mutual friend Harry Lyn Huff (1952-2016), for whom the tune was a particular favorite. Both these themes are developed freely in a set of alternating fantasy-variations. The opening variation begins with a dramatic pedal solo before quoting both themes. The second variation is a lyric setting based on the Nielsen melody. The third is a jubilant hornpipe on Angel Band. The fourth is an aria on a transformation of the Nielsen melody. The fifth is a gigue-toccata on Angel Band. The sixth is an atmospheric contemplation: lush chords in the manuals move slowly and hint at Angel Band while the Nielsen melody is heard for the first time in its complete original form on a high pedal stop. The seventh and final variation begins with a brief evocation of the harmonies of the late Daniel Pinkham (a mentor to both Heinrich and me) before going on to return dramatically and jubilantly to the opening music, bringing together both themes again in a bold conclusion. Instrumentation: Organ Duration: 15' Composed: 2017 Published by: Zimbel Press.

SKU: FL.FX073294

Instruments: 1 Solo Bassoon; Difficuly Level: Grade 3; Duration: 3 mn 55 s; Musical Style: Classical, Educational; Category: Arrangement, Republished Master Piece; Composer: Jeremiah CLARKE; Arranger: Eric VIRETON.

SKU: HL.49030292

ISBN 9790220123535. 9.0x12.0x0.055 inches.

SKU: HL.14031851

ISBN 9788759880661. Danish.

Holmboe's last quartet work, which is unoffi­cially also String Quartet No. 21, was the last work he ever composed, and was unfinished on his death in 1996. His pupil Per Nørgård has finished the quartet, and himself characterizes his contribution by saying that the score existed “in an only partly completed form, which could however be written out with only a few cases of doubt”. With only two movements and a play­ing time of about nine minutes it is at its exist­ing length the shortest of Holmboe's string quar­tets. The first movement takes the form of one long arch in a rocking triple time which constantly shiftsamong different tempo and pulse sensations. At the same time the rhythmic en­ergy increases until the movement, in a faster Con moto tempo accelerates to a more flowing 12/8 time, coloured both rhythmically by cross-­rhythms in duple time and timbrally by harmon­ics in the viola. In its middle section, Con fuoco, the movement culminates in both tempo and expression until it falls calm in brief recapitula­tions in reverse order of the first two sections. The rocking feeling continues in the second movement, but now at a more extroverted level from the outset, Allegro and pizzicato. The en­ergy builds up further as the mood intensifies to Con fuoco, while all instruments go over to bowed playing, but like the first movement, this movement ends Adagio here however not as a gradual attenuation but through a sudden shift in tempo to a calm, imitative passage before the movement slowly thins out to the almost inaudible through a last, dense, open sounding chord with a brief violin solo above it.

The quartet is dedicated to Holmboe's wife MeLa May Holmboe, and was given its first performance by the Kontra Quartet on 22nd March 1997 at the Carl Nielsen Academy of Music in Odense, Denmark.

SKU: FL.FX073296

Instruments: 1 Solo Clarinet; Difficuly Level: Grade 3; Duration: 3 mn 55 s; Musical Style: Classical, Educational; Category: Arrangement, Republished Master Piece; Composer: Jeremiah CLARKE; Arranger: Eric VIRETON.