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Camille Saint-Saens
BAJO SEXTO - QUINTO
Choral SATB
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French Songs et Choruses
Choral SATB
SATB, Piano
[Sheet music]
Novello & Co Ltd.
This collection of French Songs and Choruses includes a wealth of original chora...
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This collection of French Songs and Choruses includes a wealth of original choral music by French composers, as well as many wonderful arrangements of some of the greatest French songs ever composed. Suitable for Mixed-Voice Choirs of all sizes and abilities, this is the perfect collection for finding new performance pieces, but would work equally well as a complete concert programme. The selections in this songbook are second-to-none, with some of the most beautiful and affecting French choral music compiled into one volume. Many original works are included here, with these choral compositions by giants of French classical music often being regarded as some of their finest work. Pieces like Madrigal by Gabriel Fauré, a new edition of Maurice Ravel's incredible Trois Chansons, Camille Saint-Saëns's Calme Des Nuits and Trinquons as well as Reynaldo Hahn's three Rondels, originally written for SATB choir. French Songs And Choruses also features a great many arrangements of works that have been enjoyed by choirs and singers for many years. The harmonies of songs like Chanson D'Amour by Gabriel Fauré convey just how stunning a song this is to hear as well as to sing, while others like Debussy's Beau Soir offer a similarly beautiful take on a different theme. With all of these songs, the joy will be in careful selection, fantastic practice and the thrill of performance for you and your audience. Such a grand selection of Songs And Choruses For Mixed-Voice Choirs is sure to enhance or invigorate your choir's repertoire, giving you an enjoyable introduction to the finest choral music that France has to offer. The delightful arrangements of the carefully-selected French Songs And Choruses included in this collection will make a perfectly French-flavoured addition to your general repertoire, or simply a complete concert in itself. The clear and accurate engravings make this book a pleasure to dip in and out of in your search for the perfect song, and with so many great compositions included, we're sure you'll find it! Please note that most of the lyrics are in French, but translations are included that also serve the purpose of enhancing your understanding of such poetic music./ Recueil / Choeur Mixte (SATB) et Piano
24.87 EUR - Sold by LMI-partitions
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Saint-Saëns: Ave Verum Corpus - Tantum Ergo (SAINT-SAENS CAMILLE)
Choral SATB
SATB, Organ
[Sheet music]
Carus Verlag
Par SAINT-SAENS CAMILLE. Französische Kirchenmusik -/ Répertoire / Choeur Mixt...
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Par SAINT-SAENS CAMILLE. Französische Kirchenmusik -/ Répertoire / Choeur Mixte et Orgue
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Ave Verum (SAINT-SAENS CAMILLE)
Choral SATB
SATB, Orchestra
[Sheet music]
-
Easy
Editions Marc Reift (Swiss import)
Par SAINT-SAENS CAMILLE. / Niveau : Assez Facile / Répertoire / Choeur (SATB)...
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Par SAINT-SAENS CAMILLE. / Niveau : Assez Facile / Répertoire / Choeur (SATB) et Orchestre à vent
159.70 EUR - Sold by LMI-partitions
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Praise Ye The Lord (SAINT-SAENS CAMILLE)
Choral SATB
SATB, Piano
Boosey and Hawkes
from the Christmas Oratorio op. 12. Par SAINT-SAENS CAMILLE. From The Christmas ...
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from the Christmas Oratorio op. 12. Par SAINT-SAENS CAMILLE. From The Christmas Oratorio Op. 12 / Oratorio / Répertoire / Choeur Mixte (SATB) et Piano
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Tollite Hostias (SAINT-SAENS CAMILLE)
Choral SATB
SATB, Orchestra
[Sheet music]
-
Easy
Editions Marc Reift (Swiss import)
Par SAINT-SAENS CAMILLE. / Niveau : Assez Facile / Répertoire / Choeur (SATB)...
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Par SAINT-SAENS CAMILLE. / Niveau : Assez Facile / Répertoire / Choeur (SATB) et Orchestre à vent
159.70 EUR - Sold by LMI-partitions
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Weihnachtschorsätze (SAINT-SAENS CAMILLE / SCARLATTI DOMENICO)
Choral SATB
[Sheet music]
Carus Verlag
Par SAINT-SAENS CAMILLE / SCARLATTI DOMENICO. Reihen bei Carus: Chorsammlungen f...
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Par SAINT-SAENS CAMILLE / SCARLATTI DOMENICO. Reihen bei Carus: Chorsammlungen für gemischten Chor - Verwendung / Anlässe: Kommunion - Verwendung / Kirchenjahr: Wei cor achten -/ Répertoire / Choeur Mixte
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Camille Saint-Saëns: Praise Ye The Lord Of Hosts: SATB: Vocal Score
Choral SATB
[Vocal Score]
Schirmer
From Christmas Oratorio-Camille Saint-Saens' Praise Ye The Lord Of Hosts (Christ...
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From Christmas Oratorio-Camille Saint-Saens' Praise Ye The Lord Of Hosts (Christmas Oratorio) for SATB Choir with Piano accompaniment. English and Latin text. English version by N.H. Noble.
1.99 GBP - Sold by Musicroom UK
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Camille Saint-Saëns: Christmas Oratorio: SATB: Instrumental Work
Choral SATB
Schirmer
An early work by Saint-Saens originally composed for strings harp organ soli ...
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An early work by Saint-Saens originally composed for strings harp organ soli and chorus. In recent years popularity for this piece has increased and it is often performed in churches where this Organ score will prove invaluable. A seasonal pastoral and rejoiceful song that will bring delight to congregations and audiences.
15.99 GBP - Sold by Musicroom UK
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Ch?ur de sylphes
Choral SATB
SATB, Piano
[Sheet music]
Symétrie
sur un poème d?Étienne de Jouy. Par SAINT-SAENS CAMILLE. Bien loin de constitu...
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sur un poème d?Étienne de Jouy. Par SAINT-SAENS CAMILLE. Bien loin de constituer un ouvrage isolé dans l??uvre de Camille Saint-Saëns, le Ch?ur de sylphes appartient à un petit ensemble réalisé au début de sa carrière dans le contexte particulier du concours pour le prix de Rome. Institué en 1803, supprimé dans la foulée des événements de mai 1968, ce dernier fut pendant plus d?un siècle et demi le plus convoité des prix français de composition musicale. Organisé par l?Institut, il garantissait à ses lauréats, à défaut de l?assurance d?une future carrière sans embûches, du moins l?entrée par la grande porte dans le monde artistique et quelques années de pension en Italie, à la villa Médicis. De fait, bien peu résistèrent à l?attrait de cette récompense susceptible de marquer avec éclat l?aboutissement de longues années d?études. Qu?une personnalité comme Saint-Saëns s?y soit présenté n?a finalement rien d?étonnant. Mais bien qu?appelé à devenir au tournant du siècle l?un des plus illustres représentants de l?art académique, il n?obtint jamais, malgré deux participations, le fameux premier grand prix. Le concours était alors organisé en deux épreuves distinctes : la première, éliminatoire, consistait en la réalisation d?une fugue et d?un ch?ur avec accompagnement d?orchestre sur un poème donné, la seconde en la composition d?une grande cantate pour trois voix solistes. Saint-Saëns lui-même en écrira deux, Le Retour de Virginie (1852) puis Ivanhoé (1864). C?est entre le 5 et le 11 juin 1852, pour sa première participation au concours, que Saint-Saëns composa le Ch?ur de sylphes. Favorablement accueilli, il permit au musicien d?être placé en tête des six candidats admis pour l?épreuve finale. Mais il est vrai qu?objectivement le poème proposé avait tout pour lui permettre de briller. Tiré d?un livret d?Étienne de Jouy et de Nicolas Lefebvre, Zirphile et Fleur de myrte, déjà mis en musique par Charles-Simon Catel (1818), l?extrait choisi (acte I, scène 4) était particulièrement adapté à l?exercice. En quelques pages fermement tracées, Saint-Saëns parvient à transcrire l?atmosphère merveilleuse, toute en légèreté, du monde des esprits de l?air. Sous bien des aspects, le résultat obtenu n?est pas sans rappeler le « Scherzo » du Songe d?une nuit d?été de Mendelssohn (1843), compositeur auquel il vouait un véritable culte. Certes, comme toute ?uvre de jeunesse, le Ch?ur de sylphes fut écrit sous influence. Dans la perspective du prix de Rome, le morceau avait en outre été pensé pour répondre à diverses exigences que d?aucuns dénoncèrent par principe comme passéistes. Au-delà de ces réserves un peu simplistes, l?ouvrage n?en reste pas moins un exemple abouti de la grande tradition académique française et de son idéal d?élégance et de clarté. Derrière son indéniable maîtrise de la forme et de l?écriture, l?auteur nous dévoile un travail qui, sans être révolutionnaire, recèle d?indéniables beautés. / Date parution : 2024-01-10/ Répertoire / Choeur SATB et Piano
11.00 EUR - Sold by LMI-partitions
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Super Flumina Babylonis
Choral SATB
Barenreiter
Par SAINT-SAENS CAMILLE. Psalm 137 'Super flumina Babylonis' also known as 'By t...
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Par SAINT-SAENS CAMILLE. Psalm 137 'Super flumina Babylonis' also known as 'By the rivers of Babylon' was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet for solo soprano, mixed choir, saxophone quartet, string orchestra and organ, originally composed in 1854. Two of the four versions ? the first version in Latin and a much later version in English for alto solo, SATB choir and piano ? are now available for the first time in Urtext performing editions taking a meticulous account of all the sources. Saint-Saëns lived up to his reputation as an innovative composer by exploring the use of the saxophone family in sacred music just a few years after the invention of these instruments. The successful combination of voice and saxophone creates a special sound experience. / Date parution : 2023-07-31/ Répertoire / Soprano, SATB et Ensemble
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By The Rivers of Babylon
Choral SATB
[Score]
Barenreiter
Par SAINT-SAENS CAMILLE. Psalm 137 'Super flumina Babylonis' also known as 'By t...
(+)
Par SAINT-SAENS CAMILLE. Psalm 137 'Super flumina Babylonis' also known as 'By the rivers of Babylon' was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet for solo soprano, mixed choir, saxophone quartet, string orchestra and organ, originally composed in 1854. Two of the four versions ? the first version in Latin and a much later version in English for alto solo, SATB choir and piano ? are now available for the first time in Urtext performing editions taking a meticulous account of all the sources. / Date parution : 2023-07-31/ Répertoire / Alto, SATB et Piano
11.54 EUR - Sold by LMI-partitions
(Seller in french langage)
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