The composer Rudolf Kelterborn about his work: ?I call the ten compositions for female voice and piano ?DUOS? because the voice and instrument parts are treated musically with absolute equality and indeed often go their own independent ways.

In the vocal part there are several variants, and this makes them accessible for different types of voice.

The 10 duos do not form a complete cycle that can be heard only as an entire work. Smaller groups can be put together and presented according to text-related or musical aspects.

The texts are by authors who have continued to inspire me for years.? / [10 Duos Pour Voix de Femme et Piano] / Classique / Partition / Agrafé /

Gathered in a unique volume, all the vocalises previously published in two anthologies by Ricordi in the Thirties. - All the 16 vocalises of each volume (low voice, medium voice, high voice) have been composed by very important composers of the Nineteenth century, like Alfano, Malipiero, Respighi, Casella, Pizzetti. - With piano accompaniment for each vocalise. / Voix Et Piano

Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that’s simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! “Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling and Marina Sandel, editors) OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot an evaluation from the singer’s point of view with “phonetic assistant” and “text assistant” aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2022-11-04/ Recueil / Chant et Piano

Rachmaninoff composed his collection of 13 songs op. 34 in 1912, but it was only three years later that he added a little closing piece without any text: the Vocalise, which soon outshone the other songs in terms of popularity and renown. Since its first performance in 1916 this expressive, melancholy piece has circulated in countless arrangements by others. Rachmaninoff himself made an arrangement for orchestra and voice, as well as one for orchestra alone. Our Urtext edition contains the original version for high voice and piano, and is based on the autograph sources in the Glinka Museum in Moscow. A particular highlight is the separate vocal part that not only serves singers well but also all those instrumentalists who wish to play this wonderful piece using the original solo part. / Voix Et Piano

To mark the band's 21st anniversary, Rammstein are releasing the luxurious songbook Klavier with 13 arrangements for Piano and Voice, including a CD with 13 Piano recordings - all in an elegant hardcover edition.The music of Rammstein has been described as like listening to the construction of monumental buildings in the desert. If that is the case, such an imposing structure has been worked on over 21 years already. With album and DVD sales in the upper seven figures, Rammstein's output is at once controversial, creative and always exciting. This and their headline shows at the biggest festivals and sold-out arenas throughout the world have put this band at the top of a great pyramid of rock music titans in just two decades. They owe their status as an unmatched performing band to their unique art which is dramatic, emotional and a bleak and spectacular fairytale, always courting controversy. Such a fascinating band means this lavish songbook is fitting. Featuring 80 pages, a hardcover design with open-thread stitching and hot foil stamping of the 'Rammstein XXI' logo, this book is perfect for fans of Rammstein who want to learn the wonderful music for Piano and Voice. / Voix Et Piano

Par HAHN. Venezia is a set of six songs of music by Reynaldo Hahn. For Voice and Piano, the lyrics are written both in Venetian dialect and in French. The Piano score requires an upper-intermediate technique, as per the Voice. A small guide to correct pronunciation is given at the beginning of the book. The six songs are: - ; Sopra l'acqua indormenzada by Pietro Pagello - ; La Barcheta by Pietro Buratti - ; L'avertimento by Pietro Buratti - ; La Biondina in Gondoleta by Antonio Lamberti - ; Che peca ! by Francesco Dall' Ongaro - ; La Primavera by Alvise Cigogna Some of these pieces are dedicated to renowned women such as Giorgio Sand, the Countess of Guerne born Segur and Ernesta Sterne. Reynaldo Hahn was a naturalised French composer, conductor, theatre director and singer. Best known as a composer of songs, he also wrote many pieces and melodies for different instruments./ Répertoire / Chant et Piano

Dall'Opera La Cenerentola. Par ROSSINI GIOACHINO. From the opera La Cenerentola, and written for Contralto voice and Piano. From the opera La Cenerentola, and written for Contralto voice and Piano./ Répertoire / Chant et Piano

Par SCHUBERT FRANZ. Franz Schubert's The Shepherd On The Rock (Der Hirt auf dem Felsen), with English version by J. S. Shedlock. This song, Op. 129, is written for Voice, Clarinet (or Cello) and Piano. The clarinet and alternative Cello parts are also included, along with a separate insert for the vocal part, with text in English and German. Franz Schubert's The Shepherd On The Rock (Der Hirt auf dem Felsen), with English version by J. S. Shedlock. This song, Op. 129, is written for Voice, Clarinet (or Cello) and Piano. The clarinet and alternative Cello parts are also included, along with a separate insert for the vocal part, with text in English and German./ Répertoire / Chant et Piano

Par . This collection of Argentinean tangos for voice and piano offers a cross-section of tango across the ages, from the beginnings, through the Gardel era, the golden age and Tango nuevo (of Piazzolla and others), right up to contemporary compositions ? creating a perfect tango concert program. Whether used within a song recital, as encores, or as music for dance events, the repertoire in Tango canción is completely versatile and suitable for singers from all backgrounds. Arranged by the Argentinean composer, pianist and tango expert Juan María Solare, these songs retain an authentic tango sound while making the vocal and piano writing approachable by all ? especially those who are not familiar with the repertoire. Additional information and performance tips help performers achieve the passion of tango. A cross-section of Argentinean tangos from the beginnings up to the present day Easier and intermediate-level pieces, with practical piano accompaniments Includes introductions to the songs, translations of the lyrics and a guide to pronunciation Ideal as a complete concert programme. / Date parution : 2022-11-12/ Recueil / Chant et Piano

Par LINLEY THOMAS (SENIOR) AND LINLEY THOMAS (JUNIOR):. 8 songs for High Voice by Thomas Linley Jr. and Thomas Linley Sr. , edited by Michael Pilkington. 8 songs for High Voice by Thomas Linley Jr. and Thomas Linley Sr. , edited by Michael Pilkington./ Recueil / Chant et Piano

This version of David of the White Rock (Dafydd Y Garreg Wen) is for Voice SATB Unaccompanied and has words in both English and Welsh and rehearsal Piano line. The tune remains in the Soprano Voice with traditional and effective harmonization.Tradition has it that David Owain was a famous Welsh harpist of the 18th century who, on his deathbed, composed this lovely tune. Words were added a century later by poet Ceiriog Hughes. David of the White Rock is widely known in Wales and abroad and is frequently sung by choirs and recorded, often with harp accompaniment. / Chant Et Piano