Piano 2 et 4 mains / Piano solo : Cache-cache (Tansman) Le jazz et la java (Nougaro/Datin) Valse (Schubert) What a wonderful world (Weiss/Thiele) The girl from Ipanema (Jobim) Norbu 'Himalaya' (Coulais) Prelude (Purcell) Bluesy rock (Bordier) Somewhere (Sondheim/Bernstein) Folksong (Grieg) Le sud (Ferrer) O que sera (Buarque) Concerto pour clarinette (Moazrt) Mackie the knife (Weill) Blue Bossa (Dorham) L'arcoä (Lecussant) I mean you (Monk) S'il suffisait d'aimer (Goldman) Isn't she lovely (Wonder) No woman no cry (Marley) Bluesette (Thielemans) Petite tarentelle (Tarenghi) Crazy boogie (Duflot-verez) Oh Happy day (Hawkins) Marche 'Casse noisette' (Tchaikovski) Piano 4 mains : A bicyclette (Lai/Barouh) Sables dorés (Guinot) Modulating rag (Cornick)

[Konzert für Klavier und Orchester C-Dur KV 415 (387b) (Nr. 13)] / Classique / Editeur : Christoph Wolff / Réduction piano : Doug / Partition / Cartonné / Plats de carton /

[Konzert für Klavier und Orchester D-Dur KV 451 (Nr. 16)] / Classique / Editeur : Marius Flothuis / Réduction piano / Partition / Cartonné / Plats de carton /

[Konzert für Klavier und Orchester Es-Dur KV 449 (Nr. 14)] / Classique / Editeur : Marius Flothuis / Réduction piano : Mich / Partition / Cartonné / Plats de carton /

[Konzert für Klavier und Orchester C-Dur KV 246 (Nr. 8) Lützow-Konzert] / Classique / Editeur : Christoph Wolff / Réduction piano : Mich / Partition / Cartonné / Plats de carton /

[Konzert für Klavier und Orchester D-Dur KV 175 (Nr.5) - Konzert-Rondo D-Dur KV 382] / Classique / Editeur : Marius Flothuis / Réduction piano : Mich / Partition / Cartonné / Plats de carton /

The world-famous Rachmaninoff Eighteenth Variation from Rhapsodie on a Theme of Paganini has probably graced as many pianos and recitals as has any favorite solo -- it is a top-selling piano solo, perfect for recitals. This is the original two-piano four-hands edition.

The ever-popular Pachelbel Canon in D has been arranged for two pianos, four hands by noted duo arranger Richard Simm. In this late intermediate-level arrangement, each pianist has an opportunity with the melody. A must for students and duo performers.

Arranged for piano duet by Maurice Jacobson.Originally written for piano solo this polka is one of Dvorak's earliest known compositions. This duet arrangement brings the piece within the scope of the amateur pianist. Itpreserves as faithfully as possible the composer's own manner and methods.

for Piano and Orchestra-The seven years that the Spanish composer Falla spent in Paris (from 1907 to 1914) marked a turning point in his compositions. His encounter with contemporary French Impressionist music made a big impact on him. From then on itwas to leave its mark on his oeuvre which was otherwise inspired by Spanish folk music. It was thanks to the advice of the pianist Ricardo Viñes and the composer Isaac Albéniz that Falla decided to expand his ?Nocturnes? for solopiano of 1909 into a three-part symphonic suite for piano and orchestra. He finally completed it in 1915 and named it ?Noches en los jardines de España? (?Nights in the gardens of Spain?). Yuja Wang kindly provided fingerings forthe solo piano part of de Falla?s enchanting musical evocation of his Andalusian homeland.

This work was composed in 1891 and revised in 1917. The first complete performance was given on 29th January 1919 in New York by the Russian Symphony Orhestra with the composer as Soloist. This is a Piano reduction for 2 Pianos 4 Hands.

for the Left Hand for Piano and Orchestra Piano reduction and solo part-In 1929 Paul Wittgenstein a pianist and war veteran who lost his right arm in the Great War commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrilling compositions and for Wittgenstein the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor Douglas Woodfull-Harris was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work’s evolutionfrom Ravel’s autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction and enabled the editor amongst other things to correct a great many notes which could be found in previous editions including the solo Piano part.The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings (Eng)Informative Introduction on the work’s history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale

Rhapsody in F Sharp was commissioned by the BBC Proms and first performed in the Royal Albert Hall on August 19th 1943. Written for solo Piano with Orchestra accompaniment it has been arranged here for twoPianos. Written with the wartime audience in mind it is unashamedly popular in style with a flashy virtuosity making it immediately accessible and entertaining. There is argument among scholars as to whether it should bereferred to in the Major or Minor key as it makes almost equal use of both starting in one and finishing in the other. Ernest J Moeran (1894-1950) was an English composer who followed the tradition of R. VaughanWilliams and John Ireland by collecting preserving and using many folk songs mainly from Norfolk Suffolk and Ireland.

Instrumentation : 2 pianos (4 hands) Date of Composition: 1935 Duration : 21' Date of Publications : 15/07/1978 Number of Pages : 60