Par KRZANOWSKI ANDRZEJ. Composed in Czechowice-Dziedzice, in 1984, Relief I for accordion opens a cycle of nine works for solo or chamber forces. This work is of a sarcastic character, and its multi-segmented form consists of the alternating of dissonant ?quick? segments, dominated by sevenths, with two-part dolce segments led in contrary motion, as well as series of chords repeated with a surprising nebbioso (nebulous). Relief I is a work full of nervous tension, meticulously built up, and broken variant phrases, with a striking conclusion on a falling cluster, ending with an F sharp major chord ? like the many faces of a clown: thumbing its nose, sneering, reflective, mocking, pulling silly faces and? triumphing. This composition was dedicated to friends from France ? the Menards and their children. It was first performed by the composer during the Summer Courses for New Music in Darmstadt, in August 1988. / Date parution : 2022-11-08/ Recueil / Accordéon

Looking On Darkness for Accordion solo was composed by Bent Sørensen in 2000. Programme note: It is in the attempt to recreate a lost world without any illusion of its feasibility that we find the Danish composer Bent Sørensen's beautiful and melancholic music. Sørensen one of the most frequently performed contemporary Scandinavian composers has taken the title Looking on Darkness from Shakespeare's Sonnet No. 27. The thematic and intellectually clearly constructed form in which the inherent emotion is centrally placed and which characterises the sonnet also forms the basis of Sørensen'scomposition which is dedicated to Frode Haltli. As in Shakespeare's sonnet the past memory arises in Sørensen's music as it were out of nothing out of the darkness the silence; the concrete rattle of the accordion buttons and the sensitive dripping notes in the opening section vibrate on the borderline between the concrete and the hereafter. Loss and mourning for that which is lost and will never come again flow into the fleeting and poetic tones and meld together; the music oscillates lingers holds tightly to the absence slackens its grip tries again moves carefully onwards like the fragmentary memories in Samuel Beckett's late prose before the sorrowful voice of the piece just as beautiful and unobtrusive withdraws again and leaves us to the silence to what used to be.

Mit Deinem eigenen Orchester auf CD. Ein attraktives Heft für jeden, der auch mal die erste Stimme im Orchester spielen möchte. Auf der CD sind Aufnahmen von einem Akkordeonorchester zu hören… und der Musiker spielt die erste Stimme dazu. / Niveau : 2.5 / Recueil / Accordéon

Un guide complet à l'apprentissage traditionnel accordéon irlandais qui vous playin striaght loin ! John Williams est un virtuose de l'accordéon tant à deux rangs de l'accordéon et il prête son immense richesse de connaissances pour créer une méthode agréable, claire et efficace. Ce DVD enseigne débutants basics comme tenant l'accordéon, premières échelles, notes bass et autres principes fondamentaux comme ainsi que des techniques plus complexes telles que l'ajout d'ornementation et postes de couleur, accords de drone-like, doigté et mouvement à soufflets. Avec cinq pièces de répertoire pour vous à apprendre et à maîtriser que vous améliorer votre technique, c'est un endroit brillant pour commencer à jouer ou pour ajouter votre propre style. / Accordéon

24 treasured sacred favorites arranged for Accordion including: 'Amazing Grace' 'Beautiful Savior' 'Come Thou Fount of Every Blessing' 'Crown Him with Many Crowns' 'Holy Holy Holy' 'It Is Well with My Soul' 'Just a Closer Walk with Thee' 'A Mighty Fortress Is Our God' 'Nearer My God to Thee' 'The Old Rugged Cross' 'Rock of Ages' 'What a Friend We Have in Jesus' and more.

Ce livre entraîne le matériel pédagogique complet sur ??'Instrument pour chaque enfant' continue. Dans la partie didactique des livrets, de nombreuses nouvelles chansons et pièces de jeu, les tâches différenciées et suggestions méthodologiques pour la poursuite de l'enseignement instrumental à la place de l'école primaire. En outre, chaque volume comporte une partie complète 'Ensemble Divers' avec de nombreuses dispositions novatrices qui peuvent être utilisés de manière flexible à la fois dans l'enseignement en petit groupe ainsi que dans le (l'école) orchestre. / Accordéon