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PERCUSSION
Bass Clarinet, Piano
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Soprano (15)
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Violine und Orchester (14)
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Clarinette Solo (13)
Double bass, Orchestra (13)
2 Violons, 2 Altos et 2 Violon… (13)
Sextuor à Cordes (13)
Trompette, Trombone, Tuba et P… (13)
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4 Bassoons (13)
Flute, Violin, Piano (13)
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Choeur Mixte (SATB/SATB), Soli… (13)
Marimba, Piano (duet) (13)
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Alto Solo (13)
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Sextuor de Cuivres (12)
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Saxhorn Basse en Sib et Piano (12)
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Flûte à Bec Solo (12)
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Euphonium ou Saxhorn en Clé d… (12)
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Voice Soprano, Cello (12)
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Flûte Traversière ou Flûte … (12)
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3 Violons et Basse Continue ou… (12)
Clarinette, 2 Violons, Alto et… (12)
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Saxhorn en Sib Basse Continue (12)
Instruments à Vent (12)
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Sextuor (12)
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ALEA PUBLISHING GOTTSCHALK ARTHUR - SONATA FOR BASS CLARINET AND PIANO
Bass Clarinet, Piano
Alea Publishing
Sonata for Bass Clarinet and Piano was commissioned by virtuoso former Houston S...
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Sonata for Bass Clarinet and Piano was commissioned by virtuoso former Houston Symphony clarinetist Richard Nunemaker, and takes full advantage of his prodigious technique and the instrument's extraordinary range. Although the sonata is traditional in its structure - with three movements whose tempi are ordered as fast, slow, fast - it is highly original in its musical content.
The first movement draws upon two rather disparate sources for its material - Dizzy Gillespie's bebop standard Salt Peanut , and Frank Zappa's art-rock masterpiece Eric Dolphy Memorial Barbeque , hence the title, Salt Peanut Memorial Barbeque. The second movement uses a technique much, much older, that of the isorhythmic motet. The piano accompaniment has a talea of five rhythmic events serving a color of four pitch events. The clarinet cantillates a monody against this that is comprised primarily of the pitches not displayed in the accompaniment; hence the title Motet - Ancient Incantations. The third movement is a bebob and boogie-woogie tour-de-force for the two instruments, at once paying homage to Eric Dolphy and to one of the great songs of his era, Green Dolphin Street , and hence the title, Green Dolphy Street Boogie. / Partitions classique / Bois / Clarinette / ALEA PUBLISHING
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Romance, Op. 51 (SAINT-SAENS CAMILLE)
Bass Clarinet, Piano
Metropolis Music Publishers
Par SAINT-SAENS CAMILLE. Camille Saint-Saëns composed this Romance, Op. 51, in ...
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Par SAINT-SAENS CAMILLE. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary./ Répertoire / Clarinette Basse et Piano
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Capriccio, Op. 14 (WEISSENBORN JULIUS)
Bass Clarinet, Piano
Metropolis Music Publishers
Par WEISSENBORN JULIUS. German bassoonist and pedagogue Julius Weissenborn is kn...
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Par WEISSENBORN JULIUS. German bassoonist and pedagogue Julius Weissenborn is known primarily as an author and composer of method and etude books familiar to all bassoonists. However, he also composed a number of solo works, including this Capriccio, Op. 14. Not only is the piece educational to the player, but it is also quite entertaining to the audience. Similar to the Premier Solo of Eugene Bourdeau, the Capriccio is often regarded as somewhat of a secondary solo, good for students before they move on to the 'real' repertoire. However, it is a well thought-out and fun piece, and is perfectly suited for the bass clarinet. In this edition, the piano part has been transposed down a whole-step (toB-flat major), to better accommodate the bass clarinet. In addition, there are two solo parts included, one for extended range bass clarinet (to low C), and for standard range bass clarinet (to low E). German bassoonist and pedagogue Julius Weissenborn is known primarily as an author and composer of method and etude books familiar to all bassoonists. However, he also composed a number of solo works, including this Capriccio, Op. 14. Not only is the piece educational to the player, but it is also quite entertaining to the audience. Similar to the Premier Solo of Eugene Bourdeau, the Capriccio is often regarded as somewhat of a secondary solo, good for students before they move on to the 'real' repertoire. However, it is a well thought-out and fun piece, and is perfectly suited for the bass clarinet. In this edition, the piano part has been transposed down a whole-step (toB-flat major), to better accommodate the bass clarinet. In addition, there are two solo parts included, one for extended range bass clarinet (to low C), and for standard range bass clarinet (to low E)./ Répertoire / Clarinette Basse et Piano
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Deuxieme Solo (BOURDEAU EUGENE)
Bass Clarinet, Piano
Metropolis Music Publishers
Par BOURDEAU EUGENE. Eugene Bourdeau came from a family of bassoonists and event...
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Par BOURDEAU EUGENE. Eugene Bourdeau came from a family of bassoonists and eventually became the professor of bassoon at the Paris Conservatory from 1891 to 1922. Though not well-known as a composer, he composed three solos for bassoon, consisting of a a variety of styles. The Deuxieme (Second) Solo, composed for the 1907 concours of the Paris Conservatory, is in three sections: a stately introduction, a slow middle section, and a brisk allegretto. Originally in the key of B minor/D major, the entire piece has been transposed up one half-step, to better accommodate the range of the bass clarinet, as well as to make it a more comfortable key.Eugene Bourdeau came from a family of bassoonists and eventually became the professor of bassoon at the Paris Conservatory from 1891 to 1922. Though not well-known as a composer, he composed three solos for bassoon, consisting of a a variety of styles. The Deuxieme (Second) Solo, composed for the 1907 concours of the Paris Conservatory, is in three sections: a stately introduction, a slow middle section, and a brisk allegretto. Originally in the key of B minor/D major, the entire piece has been transposed up one half-step, to better accommodate the range of the bass clarinet, as well as to make it a more comfortable key./ Répertoire / Clarinette Basse et Piano
24.72 EUR - Sold by LMI-partitions
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Arioso And Humoreske, Op. 9, No. 1 and 2 (WEISSENBORN JULIUS)
Bass Clarinet, Piano
Metropolis Music Publishers
Par WEISSENBORN JULIUS. German bassoonist and pedagogue Julius Weissenborn is kn...
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Par WEISSENBORN JULIUS. German bassoonist and pedagogue Julius Weissenborn is known primarily as an author and composer of method and etude books familiar to all bassoonists. However, he also composed a number of solo works, including a collection of pieces in his Opus 9, for bassoon and piano. The first two works of this opus, Arioso and Humoreske, pair so well together that they are often performed together as a single piece, something slow and lyrical, followed by something quicker and technical. And it just so turns out that with a relatively simple transposition, they are perfectly suited for the bass clarinet. In this edition, for each movement, the piano part has been transposed down a whole-stepto better accommodate the bass clarinet. German bassoonist and pedagogue Julius Weissenborn is known primarily as an author and composer of method and etude books familiar to all bassoonists. However, he also composed a number of solo works, including a collection of pieces in his Opus 9, for bassoon and piano. The first two works of this opus, Arioso and Humoreske, pair so well together that they are often performed together as a single piece, something slow and lyrical, followed by something quicker and technical. And it just so turns out that with a relatively simple transposition, they are perfectly suited for the bass clarinet. In this edition, for each movement, the piano part has been transposed down a whole-stepto better accommodate the bass clarinet./ Répertoire / Clarinette Basse et Piano
24.72 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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Concertino, Op. 12 (DAVID FERDINAND)
Bass Clarinet, Piano
Metropolis Music Publishers
Par DAVID FERDINAND. Although Ferdinand David is mostly known as a composer for ...
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Par DAVID FERDINAND. Although Ferdinand David is mostly known as a composer for a couple of his instrumental works, namely a Concertino for Trombone, and this Concertino, Op. 12 for bassoon, perhaps he should be most well-known as the violinist who premiered the Violin Concerto of Felix Mendelssohn in 1845. He was appointed as concertmaster of the Gewandhaus Orchestra in Leipzig when Mendelssohn, a childhood friend, became the principal conductor in 1835. This Concertino for bassoon also exists in a version for viola, and now subsequently this edition for bass clarinet. It is a fun solo in two parts, first an aria-like melody, followed by a technical 'Presto agitato.' The key has been kept the same asthe original version, and although it is preferred to perform with an extended range instrument, indications are made for adapting it to a standard range bass clarinet. Although Ferdinand David is mostly known as a composer for a couple of his instrumental works, namely a Concertino for Trombone, and this Concertino, Op. 12 for bassoon, perhaps he should be most well-known as the violinist who premiered the Violin Concerto of Felix Mendelssohn in 1845. He was appointed as concertmaster of the Gewandhaus Orchestra in Leipzig when Mendelssohn, a childhood friend, became the principal conductor in 1835. This Concertino for bassoon also exists in a version for viola, and now subsequently this edition for bass clarinet. It is a fun solo in two parts, first an aria-like melody, followed by a technical 'Presto agitato.' The key has been kept the same asthe original version, and although it is preferred to perform with an extended range instrument, indications are made for adapting it to a standard range bass clarinet./ Répertoire / Clarinette Basse et Piano
29.66 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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George Nicholson: Darkness Visible: Bass Clarinet: Instrumental Work
Bass Clarinet, Piano
University Of York Music Press
Darkness Visible by George Nicholson for Bass Clarinet and Piano.1st performance...
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Darkness Visible by George Nicholson for Bass Clarinet and Piano.1st performance: 23rd November 2012 Djanogly Recital Hall Nottingham University given by Sarah Watts (Bass Clarinet) and Antony Clare (Piano).
10.95 GBP - Sold by Musicroom UK
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Clarinet Trio In A Minor, Op. 114
Bass Clarinet, Piano
Novello & Co Ltd.
Par BRAHMS JOHANNES. This bass clarinet part for Brahms' Clarinet Trio replaces ...
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Par BRAHMS JOHANNES. This bass clarinet part for Brahms' Clarinet Trio replaces the original cello part and is compatible with any edition of the work. / Date parution : 2023-10-31/ Répertoire / Clarinette, Clarinette Basse et Piano
22.37 EUR - Sold by LMI-partitions
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On order
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Wotan's Farewell and Magic Fire (WAGNER RICHARD)
Bass Clarinet, Piano
[Sheet music]
Schott
from 'The Valkyrie' arranged for bass clarinet and piano by Lahav Shani. Par WAG...
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from 'The Valkyrie' arranged for bass clarinet and piano by Lahav Shani. Par WAGNER RICHARD. / Date parution : 2021-11-03/ Répertoire / Clarinette Basse et Piano
18.87 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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Vesuvio (PROUST PASCAL)
Bass Clarinet, Piano
[Score and Parts]
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Intermediate
FLEX Editions
Par PROUST PASCAL. Un caractère de feu à donner à cette pièce pour les instr...
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Par PROUST PASCAL. Un caractère de feu à donner à cette pièce pour les instrumentistes d'un niveau déjà avancé... - Pascal PROUST - Une pièce pour un début de Cycle II. - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Clarinette Basse 1 Piano - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 3 mn 30 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Pascal PROUST - / Niveau : Intermédiaire / Classique, Pédagogique / Répertoire / Clarinette Basse et Piano
14.70 EUR - Sold by LMI-partitions
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3-10 days - In Stock Supplier
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Recitative And Slow Dance (PHILLIPS GORDON)
Bass Clarinet, Piano
[Sheet music]
Schott
Par PHILLIPS GORDON. Format: 22, 2 x 30, 3/ Recueil / Clarinette Basse et Piano
7.10 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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Fun For Bass Clarinet (WHITE ARAS)
Bass Clarinet, Piano
Andel Music
Par WHITE ARAS. / Répertoire / Clarinette Basse et Piano
9.45 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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Ballad For Bass Clarinet (WHITE ARAS)
Bass Clarinet, Piano
Andel Music
Par WHITE ARAS. / Répertoire / Clarinette Basse et Piano
9.45 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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Thrushes In The Forest (SHIRAKAWA TAKAO)
Bass Clarinet, Piano
[Sheet music]
Metropolis Music Publishers
Par SHIRAKAWA TAKAO. / Répertoire / Clarinette Basse et Piano
18.54 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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A Song Before Sunset (DECANCQ RAYMOND)
Bass Clarinet, Piano
Andel Music
Par DECANCQ RAYMOND. / Répertoire / Clarinette Basse et Piano
9.45 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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