Par COHEN MARY. Bags of Classics for Cello is filled with favourite melodies from famous works of classical music, arranged for the grade 3-4 player who is developing position work and perhaps trying vibrato. Selected and arranged by leading string pedagogue Mary Cohen to lie well under the hand, it introduces a wide variety of styles and sound worlds, from Vivaldi and Purcell to Saint-Saens and Holst. A great selection for consolidation work, sight-reading practice, or just for sheer musical enjoyment Contents: Allegro from Brandenburg Concerto #3 (Bach) Dance Of The Comedians (Smetana) Dance Macabre (Saint-Saens) Dido's Lament (Purcell) Dragons (Bizet) Farandole (Bizet) In The Hall Of The Mountain King (Grieg) Jupiter from The Planets (Holst) Minuet (Gluck) Musette from Anna Magdalene's Notebook (Anon) Papageno's Song (Mozart) Pavane (Fauré) Ritornello from Brandenburg Concerto #5 (Bach) Rondo from Eine Kleine Nachtmusik (Mozart) Sleigh Ride (L. Mozart) Winter from The Four Seasons (Vivaldi) The Elephant from Carnival Of The Animals (Saint-Saens) Theme from String Quartet in A minor (Schubert) Theme from 'The Bird' String Quartet (Haydn) Theme from Caprice #24 (Paganini) Fur Elise (Beethoven) Theme from The Italian Symphony (Mendelssohn) Theme from Serenade (Mozart) Theme from Symphopny #40 (Mozart) Theme from Trumpet Concerto (Haydn) Theme from William Tell Overture (Rossini)/ Recueil / Violoncelle

Cello. 15 timeless and familiar classical themes in arrangements perfect for budding instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Includes: Blue Danube Waltz (Strauss) - Can Can (from Orpheus in the Underworld) (Offenbach) - Jesu, Joy of Man's Desiring (J.S. Bach) - Morning Mood (from Peer Gynt) (Grieg) - Ode to Joy (from Symphony No. 9) (Beethoven) - William Tell Overture (Rossini) - and more./ Recueil / Violoncelle

This quartet collection of 13 keyboard, vocal and instrumental pieces covering the Baroque to the 20th Century periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes classical music fun! Contains: Calm Sea, Opus 3, No. 2 (Schubert) * Dedication, Opus 14, No. 1 (Franz) * Frolicher Landmann (Schumann) * March (Mozart) * Minuet (Mozart) * Music For Queen Mary (Purcell) * Prayer (Humperdink) * Promenade (Mussorgsky) * Salute (Byrd) * Spanish Dance No. 1 (Granados) * Stoptime Rag (Joplin) * Waltz (Schubert).

This series contains 12 of the most famous classic movie instrumental solos, all arranged and edited for the Level 2--3 player. Also included is a CD featuring a full-performance version of each song, followed by a play-along track. / Violoncelle

This text presents beginning cello technique and basic music reading fundamentals. There is an emphasis on using melodies and classical pieces to instruct each new concept. The 28 lessons include basic technique and reading skills, scales in the keys of D, G, C and F and bowing techniques such as dynamic contrast, slurs, accents, and staccato bowing. There are 47 melodies presented including works by Bach, Beethoven, Brahms, Handel, Mozart and other classical composers. The book includes access to online audio containing all of the exercises and pieces recorded with solo cello and piano accompaniment. It is useful as a teaching and practice tool as well as a performance accompaniment track. / Pédagogie / Date parution : 2018-05-04/ Méthode / Violoncelle

Ready to take your cello playing to the next level? This book presents valuable how-to insight that cellists of all levels can benefit from, spanning classical to rock music, and everything in between. The text, photos, music, diagrams, and accompanying demo audio tracks provide a terrific, easy-to-use resource for a variety of topics, including: bowing techniques, non-classical playing, electric cellos, accessories, gig tips, practicing, recording and much more! / Violoncelle

Volume 6 of the popular Pop For Cello series contains a wonderful selection of easy-to-play arrangements of current pop songs such as Cold Heart by Dua Lipa and Elton John, As It Was by audience favorite Harry Styles and also featuring Hold My Hand . Theme song from the blockbuster movie of the year Top Gun: Maverick .The volume also contains timeless classics such as the dreamy Sailing or the love anthem Eternal Flame by the Bangles. All titles are available for download with high-quality audio recordings (full version play-along). Pop For Cello is the ideal change from classical etudes for cellists - in the classroom and at home. This makes practice really fun!Harry Styles: As It WasThe Bangles: Eternal FlameEric Clapton: Wonderful TonightLady Gaga: Hold My HandAdele: Easy On MeSolomon Linda: The Lion Sleeps TonightElton John

Have fun playing the Cello. Par KOEPPEN GABRIEL. The second lesson book in the trailblazing new Koeppen Cello Method, putting the emphasis on having fun with your cello! Taking a playful and effective approach to learning the cello, the Koeppen Cello Method breaks new ground, sprucing up the usual Baroque and Classical repertoire by adding pieces in popular styles: rock, bossa nova, reggae, swing and more! Exciting pieces and exercises in these styles illustrate specific musical concepts and techniques, whilst teacher-pupil duets feature throughout, encouraging strong ensemble skills right from the get-go. Structured in an easy and understandable way, the Koeppen Cello Method lays the foundation for a solid technical and musical training. There is a core Lesson Book and a supplementary Tune Book at each level. All books are accompanied by a CD which will help motivate and inspire. For players from around the age of 10 right up to adult learners. / Méthode / Méthode / Violoncelle

Par SUZUKI SHINICHI. Suzuki Cello School: Cello Part Volume 5 contains 5 classical pieces for Cello. For the student: This volume is part of the worldwide Suzuki method of teaching. The companion recording should be used along with this publication. A Piano accompaniment book is also available for this material. For the teacher: In order to be an effective Suzuki teacher, ongoing education is encouraged. Each regional Suzuki association provides teacher development for its membership via conferences, institutes, short-term and long-term programs. In order to remain current, you are encouraged to become a member of your regional Suzuki association, and, if not already included, the International Suzuki Association. For the parent: Credentials are essential for any Suzuki teacher you choose. We recommend you ask your teacher for his or her credentials, especially those related to training in the Suzuki method. The Suzuki Method experience should foster a positive relationship among the teacher, parent and child. / Pédagogie / Méthode / Violoncelle

Restart Cello guides returning players through 12 specially selected tracks to bring them successfully back up to speed with the Cello at their own enjoyable pace. With additional exercises, tips and theory reminders, latent cellists will find the learning curve engaging and rewarding yet flexible, with special focus paid to common issues such as tone, bowing technique and left hand dexterity. The Restart series of books are written by specialist practising teachers for people rediscovering the joy of playing music again. Each title comes complete with an accompanying CD of popular and classical backing tracks and online support materials. / Violoncelle

for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle

The Italian cellist Lucio Amanti devotes himself to the crossover between classical and jazz music. His well-known 'Jazz Suite' for cello solo bridges the gap between the solo suites by Bach and the jazz music of our time.Now he attends for the first time to the subject of the étude, with suggestions from pop, jazz and improvisation. The individual études use different styles from jazz ballad to samba rhythms to funk music. / Violoncelle