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Coffret Scores (BEATLES THE)
Conducteur
[Sheet music]
-
Intermediate
Novello & Co Ltd.
Par BEATLES THE. In over one thousand pages, the complete music and lyrics, in f...
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Par BEATLES THE. In over one thousand pages, the complete music and lyrics, in full 'rock score' transcriptions, of all the 203 songs they wrote and recorded as The Beatles, plus nine by others which they covered on their early albums. All transcribed with separate staves for vocals, each guitar (in tab and standard notation) and all other instruments...the essential Beatles collection. / Niveau : Intermédiaire / Rép International / Recueil / Conducteur
153.10 EUR - Sold by LMI-partitions
(Seller in french langage)
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King Arthur Full Score (PURCELL HENRY)
Conducteur
[Sheet music]
-
Intermediate
Novello & Co Ltd.
King Arthur (Arr. Laurie). Par PURCELL HENRY. King Arthur was the only one of Pu...
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King Arthur (Arr. Laurie). Par PURCELL HENRY. King Arthur was the only one of Purcell's professionally produced operas to have been designed as a semi-opera - the others were all adaptations of earlier plays. Dryden made a real attempt to integrate the music into the drama, but since he ascribed to the dramatic conventions of the period which virtually confined music to allegorical or supernatural beings and thier worshippers, or servants, shepherds and similar characters, the main action mostly occurs in the spoken sections, and even the two singing characters, Philidel and Grimbald speak more than they sing. / Niveau : Intermédiaire / Rép Classique / Répertoire / Conducteur
76.70 EUR - Sold by LMI-partitions
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Peter Sculthorpe: Memento Mori: Orchestra: Score
Conducteur
[Sheet music]
Faber Music Limited
Memento Mori is a work for Orchestra from celebrated Australian composer Peter S...
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Memento Mori is a work for Orchestra from celebrated Australian composer Peter Sculthorpe. The piece features some hauntingly beautiful melodies and striking tonal contrasts. The work is said to be inspired by a visit to Easter Island famous for its great stone heads monuments that can be seen as both an example of the indomitable nature of the human spirit and as part of its great folly -for their making and transportation deforested and impoverished the island.
10.99 GBP - Sold by Musicroom UK
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Thomas Adès: The Origin Of The Harp: Harp: Score
Conducteur
[Sheet music]
Faber Music Limited
This piece takes its title from a painting by Daniel Maclise (1806-1870) in the ...
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This piece takes its title from a painting by Daniel Maclise (1806-1870) in the Manchester City Art Gallery. Its subject is the mock Celtic Legend of a water nymph who falls for a mortal and struggles hopelessly to leave her element and join him on land. The Gods taking pity on her failure intervene and turn her into a harp transforming her weeping into a gentle music of wind through strings.
16.99 GBP - Sold by Musicroom UK
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Oliver Knussen: Hums & Songs of Winnie the Pooh: Orchestra: Score
Conducteur
[Score]
Faber Music Limited
Edward Greenfield says 'Taking the word Hum literally Knussen has subjected A.A...
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Edward Greenfield says 'Taking the word Hum literally Knussen has subjected A.A.Milne to some lighthearted but intense expressionist treatment even developing a series of aphorisms which present such incidents as Piglet meeting the Heffalump with an economy and compression that Webern might have envied'The Guardian 15th June 1983
14.99 GBP - Sold by Musicroom UK
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Catone In Utica
Conducteur
[Score]
Boosey and Hawkes
The surviving second and third acts of Catone in Utica, one of Metastasio's most...
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The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Conducteur
96.60 EUR - Sold by LMI-partitions
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Requiem Op. 89 (DVORAK ANTONIN)
Conducteur
[Sheet music]
Breitkopf & Härtel
Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the...
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Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For this performance, Dvorák used a copy of the score which he had personally examined and which later served as the engraver's copy. The Dvorák scholar Klaus Döge succeeded in tracking down its location and evaluating this important source for the first time. It contains the 'Fassung letzter Hand' and, moreover, offers valuable insights into Dvorák's conducting workshop. It served as the principal source for the Breitkopf Urtext edition./ Répertoire / Conducteur
170.70 EUR - Sold by LMI-partitions
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Jonathan Harvey: Bhakti: Orchestra: Score
Conducteur
[Sheet music]
Faber Music Limited
Bhakti was written in 1982 to a commission from IRCAM Paris. It is in twelve s...
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Bhakti was written in 1982 to a commission from IRCAM Paris. It is in twelve short movements totalling about fifty minutes. There are 36 subsections; each one defined by a certain number of instruments playing a certain pitch cell. As there are only 12 types of subsection each occurs (with variation) 3 times thus making for repetitions over the course of the work.Scored for a chamber group fo 15 instrumentalists and quadraphonic tape.
30.00 GBP - Sold by Musicroom UK
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George Benjamin: Jubilation: Orchestra: Score
Conducteur
[Sheet music]
Faber Music Limited
The Full Score of George Benjamin's Jubilation for Orchestra and mixed children'...
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The Full Score of George Benjamin's Jubilation for Orchestra and mixed children's groups. 'Overall Benjamin’s score aspired towards an exalted kind of jubilation almost evoking angels in the music of the spheres: and as such it sounded vivid and imaginative.' The Guardian (Meirion Bowen) 19 February 1991
18.99 GBP - Sold by Musicroom UK
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Nicholas Maw: Sonata Notturna: Orchestra: Instrumental Work
Conducteur
[Sheet music]
Faber Music Limited
For Cello and string orchestra and commisioned by the 1985 Kings Lynn Festival w...
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For Cello and string orchestra and commisioned by the 1985 Kings Lynn Festival with funds provided by the Arts Council of Great Britain. Maw's highly individual musical voice is basically tonal blending the familiar with the unfamiliar and characterised by a natural lyricism. a great many remarkable qualities. . . it contains numerous precise and beautiful images.Paul Griffiths The Times 22 September 1986
18.99 GBP - Sold by Musicroom UK
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Nicholas Maw: Ghost Dances: Orchestra: Instrumental Work
Conducteur
[Sheet music]
-
Intermediate
Faber Music Limited
Commissioned by the Nash Ensemble with funds from the Art Council of Great Brita...
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Commissioned by the Nash Ensemble with funds from the Art Council of Great Britain and IBM. This is an atmospheric highly allusive and appealing suite of dance references. Maw's titles and tempo indications suggest a fashionably vampiric nightmare but the music sounded warm and lyrical as often as cold and frenzied. . . the chill chimes of small cymbals and the gentle plunking of a kalimba became the essential components of a transfigured epilogue John Henken Los Angeles Times 2 December 1992
30.00 GBP - Sold by Musicroom UK
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