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PERCUSSION
Double bass, Piano (duet)
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Jazz Ensemble (1296)
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Saxophone (1059)
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Tenor Saxophone (914)
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Chant (583)
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Trio Avec Piano (459)
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Choral SSAA (437)
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Biography (385)
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Conducteur (356)
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CD (313)
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2 Violins, Piano (302)
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Voice, Guitar (260)
Musical Awakening (258)
2 Trumpets, Keyboard (piano or… (258)
:: (254)
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Flûte Traversière, Clarinett… (224)
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DVD concert (213)
Children choir, Piano (211)
Soprano (210)
Bb Instruments (209)
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Saxophone Ténor et Piano (208)
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2 Recorders (duet) (205)
Trompette ou Cornet, Trombone … (204)
Children choir (204)
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Trio (202)
Hautbois, Basson et Piano ou O… (196)
2 Saxophones, Piano (193)
School Ensemble (191)
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Clarinet, Cello, Piano (trio) (188)
2 Euphoniums et Piano ou Orgue… (186)
Piccolo, Piano (179)
Treble (Alto) Recorder, Piano (179)
Partie Séparée (176)
2 Clarinets (duet) (174)
Exemplaire Complet (172)
2 Trombones, Piano (169)
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B Flat, E Flat and C Instrumen… (166)
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Clarinet Quartet: 4 clarinets (164)
2 Cellos (duet) (163)
Violin, Cello (duet) (159)
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2 Clarinets, Piano (156)
Parties Supplémentaires (155)
2 Euphoniums Et Piano (154)
Treble (Alto) Recorder (153)
2 Cellos, Piano (151)
3 Euphoniums et Piano ou Clavi… (150)
Accessoire (149)
2 French horns, Piano (142)
Musical dictation (141)
Recorder Quartet (139)
Livret (136)
Big band (134)
Vocal duet, Piano (134)
Flute Trio: 3 flutes (133)
Eb Instruments (131)
Tenor voice (131)
2 Tubas Et Piano (129)
Choral SSAATTBB (129)
Flute, Clarinet, Piano (trio) (128)
Bass Saxhorn or Euphonium or T… (128)
Violin, Basso continuo (128)
Choeur Mixte, Soprano et Orche… (127)
Dulcimer (126)
Travaux Pour Choeurs (123)
Saxhorn Alto en Mib et Piano (121)
1 Piano, 6 hands (121)
Drum set and Piano (121)
Guitar Ensemble (118)
Baritone Horn and Piano (116)
3 Guitars (trio) (116)
Violin, Clarinet, Piano (trio)… (116)
4 Euphoniums (115)
Stationery (115)
Mélodies (114)
Flexible Instrumentation (114)
Mélodie, Chant Et Piano (114)
Recorder Ensemble (111)
Nursery rhyme (111)
Quintette (109)
Brass Quartet: 4 trombones (109)
Quintette Avec Piano (109)
Educatif (108)
Violin, Guitar (duet) (107)
2 Violas, Piano (107)
Saxophone ensemble (106)
Piano Quintet: piano, violin, … (105)
Big Note Piano (104)
Pocket, Study conductor (103)
Concert Band/Harmonie (103)
Flute Quartet: 4 flutes (103)
Saxophone en Mib et Piano (102)
Choral SSATB (101)
Treble (Alto) Recorder, Basso … (99)
Clarinet, Violin, Cello, Piano… (99)
Clarinet Quintet: Clarinet, St… (98)
Quatuor (97)
Trompette ou Cornet, Euphonium… (96)
Quintette à vent et Percussio… (96)
3 Saxophones (trio) (96)
Concert band, Choral (95)
Clarinet Ensemble (95)
Ensemble Mixte (93)
Flute, Orchestra (93)
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Snare drums (85)
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Piano, Guitar (Chords) (83)
Organ, Trumpet (duet) (83)
Percussions et Piano (82)
Partition de Poche (82)
Ensemble (79)
Flute, Basso continuo (78)
Orgue, 2 Hautbois, Basson Et C… (78)
Snare drums, Piano (78)
Mandolin, Piano (duet) (77)
Bass Clef Instruments (77)
Violin, Viola (duet) (76)
Xylophone, Piano (76)
Bass Clarinet, Piano (75)
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Chamber Music (74)
Flute, Clarinet (duet) (74)
Cello, Guitar (duet) (74)
Voix et Orchestre (74)
Trio à Cordes (73)
Flûte Traversière Violoncell… (72)
English horn, Piano (72)
Soprano ou Ténor et Piano (72)
Baritone voice (71)
Piano Trio: Violin, Viola, Pia… (71)
Descant (Soprano) Recorder, Ba… (70)
Trumpet, Trombone, Piano (70)
Chant et Guitare (70)
3 Recorders (trio) (70)
Ensemble à Cordes (69)
Scores (69)
Oboe, Violin, Viola and Violon… (69)
Cor en Mib et Piano ou Orgue (69)
Violon 1 (6 parts) Violon 2 (6… (68)
Clarinette, Violoncelle et Pia… (68)
Trompette, Trombone et Piano (68)
2 Oboes, Piano (68)
String Quartet : 4 violas (67)
Euphonium en Do et Piano (66)
Clarinet, Orchestra (66)
Clarinette, Alto et Piano (66)
Soprano Saxophone and Piano (66)
3 Clarinets (trio) (65)
Quintette à vent (64)
Tuba or Euphonium or Saxhorn (64)
Guitare Electrique (64)
2 Trombones et Piano ou Orgue (64)
2 Trumpets (duet) (64)
Pennywhistle (63)
Tuba en Mib et Piano ou Orgue (63)
Euphonium en Clé de Fa Do ou … (63)
Soprano Saxophone (63)
Low voice (62)
String Trio: 2 violins, cello (61)
Basse En Eb Et Piano (60)
Marimba (60)
Soli (SATB), Choeur Mixte (SAT… (60)
Quatuor Avec Piano (58)
Symphonic Band (58)
Saxophone Quintet: 5 Saxophone… (58)
Vibraphone, Piano (57)
Flûte Traversière, Hautbois,… (57)
Saxhorn Basse, Tuba et Piano (57)
Trompette ou Cornet à Pistons… (57)
2 Bassons et Piano ou Orgue (57)
High voice (56)
Petit Ensemble Contemporain (56)
Réduction Piano (55)
Trio de Pianos, Salon Ensemble… (55)
Saxhorn Basse et Piano (54)
2 Cornets et Piano (54)
2 Bassons Et Piano (54)
2 Trombones (duet) (54)
Percussions (54)
Partition D'Orchestre (54)
Mezzo-Soprano ou Baryton et Pi… (53)
Cor d'Harmonie et Piano (53)
Voix et Piano Réduction (53)
Chant et Piano (Baryton ou Mez… (53)
3 Trombones Ténor et 1 Trombo… (52)
Tenor (52)
Timpani (52)
2 Pianos, 8 hands (52)
String Quintet: 2 violins, 2 v… (51)
Ténor ou Soprano (51)
Clarinette, Violon et Piano (51)
2 Cors en Mib et Piano (51)
Trompette ou Cornet ou Bugle e… (50)
2 Bassoons (duet) (50)
Soprano, Piano (50)
2 Saxophones Ténor et Piano (50)
Flûte Traversière Violon, Vi… (49)
2 Saxophones Alto et Piano ou … (49)
3 Cornets (49)
Chanson (49)
Choeur de Femmes (SSA) et Pian… (48)
Saxhorn Basse ou Euphonium et … (48)
Flûte à Bec et Piano (48)
Trombone Et Piano Ou Orgue (48)
Livres (48)
2 Cornets et Piano ou Orgue (47)
Bass Clarinet (47)
Clarinette, Viola and Piano (t… (47)
Violon, Alto et Piano (47)
Trombone or Euphonium (46)
2 Violas (duet) (46)
2 Clarinettes et Piano ou Orgu… (46)
Clarinette, Violon, Violoncell… (45)
2 Violins and Basso (45)
Saxhorn Basse, Euphonium, Tuba… (45)
Diverses Formations (45)
Violin, Horn and Piano (45)
4 Clarinettes et Piano ou Orgu… (45)
Flûte Traversière, Clarinett… (44)
3 Trombones et Piano ou Orgue (44)
Book (44)
Fanfare Band (44)
Clavecin (44)
Livre Musical (44)
Vibraphone (44)
Trombone Alto et Piano (44)
Oboe, Bassoon and Piano (43)
Flûte à Bec Soprano, Cordes … (43)
2 Saxophones Ténor et Piano o… (43)
Horn and Orchestra (43)
2 Tubas (42)
Tuba en Do et Piano (42)
Organ, Piano (duet) (42)
Cello Ensemble (42)
2 Cors et Piano ou Orgue (42)
Piano, Bass, Drums (trio) (41)
4 Saxophones (Soprano, Alto, T… (41)
3 Saxophones (Alto, Ténor) et… (41)
Cor des Alpes et Piano (41)
3 Flûtes Traversières et Pia… (41)
2 Cors en Mib et Piano ou Orgu… (41)
Cornet en Mib et Piano (41)
Saxophone Alto, Saxophone Tén… (41)
2 Trompettes Sib 1 Cor en Fa 1… (40)
Voice, Organ (40)
2 Trombones Basse et Piano (40)
Saxophone Et Piano Et/Ou Autre… (40)
Saxophone Soprano, Saxophone A… (40)
Soli and Orchestra (40)
Trumpet, Orchestra (40)
Piano et Quatuor à Cordes (40)
3 Clarinettes et Piano ou Orgu… (40)
2 Euphoniums (39)
4 Euphoniums et Piano ou Orgue… (39)
Basse En Bb Et Piano (Orgue) (39)
Soprano, Choeur Mixte (SATB), … (39)
Quintette de Cuivres (39)
Choral, Orchestra (39)
Piano et Orchestre (39)
String Quintet: 2 violins, vio… (38)
Violin, Organ (38)
2 Trompettes ou Cornets et Cor… (38)
Guitar, Orchestra (38)
Alto (Partie séparée) (38)
Trompette et Piano ou Orgue (37)
Guitare et Musique de Chambre (37)
Brass Quartet: 2 trumpets, hor… (37)
Voice and Orchestra (37)
Saxophone Sib et Piano (37)
Voice, String Quartet (37)
Baryton (37)
Basse En Bb Et Piano (37)
Violoncello, Basso continuo (37)
Violon Solo, Violoncelle Solo,… (36)
Horn Ensemble (36)
String Trio: 3 violins (36)
Ensembles de Cordes et Piano (36)
Flûte Traversière, Violon, A… (36)
Oboe, Bassoon (duet) (36)
Balalaïka Et Piano (36)
Flute, Violin, Piano (36)
Choral CD (36)
2 Trombones et Clavier ou Pian… (35)
Libretto (35)
2 Violons, Violoncelle et Pian… (35)
5 Part Ensemble (Clavier, Guit… (35)
Choeur De Femmes (SA) Et Piano… (35)
Batterie et Percussions (35)
Conducteur et Poche (35)
Choral SSATTB (35)
Accordion, String(s) (35)
Ténor (34)
Flûte Traversière, Violon, V… (33)
2 Hautbois, 2 Violons, Alto, V… (33)
Voix Seule (33)
Lute (33)
Violon 3 (Partie Séparée) (33)
2 Cornets, Cor en Mib et Tuba (33)
Dobro (32)
Solistes SATB, Choeur SATB, 2 … (32)
Bugle Et Piano (32)
Trompette, Cor et Piano ou Org… (32)
Clavier ou Orgue Electronique (32)
1 ou 2 Violoncelles et Piano (32)
5 Saxophones (Soprano, Alto, 2… (32)
Violon, Clarinette et Piano (32)
Trombone ou Tuba (32)
Violoncelle (Partie Séparée)… (32)
DVD Opera and Ballets (32)
Cajon (32)
Choeur SA Et Piano (32)
Xylophone or Marimba or Vibrap… (31)
Flute and String Quartet (31)
Quintette à Cordes (31)
2 French horns (duet) (31)
Clarinette, Cor Et Piano (31)
Xylophone (31)
Clavier Ou Piano (31)
Contrebasse (Partie séparée)… (31)
Oboe and Orchestra (30)
Flûte Traversière Clarinette… (30)
String Quintet: 2 violins, vio… (30)
Trio (2 Soli Avec Réduction D… (30)
Piano Et Ensemble (30)
Recorder, Bass Continuo (30)
Piano Quartet: piano, 2 violin… (30)
Guitare ou Luth (30)
Voix Et Instruments Divers (30)
Viola and orchestra (30)
Piano, Violon Et Violoncelle (30)
Cor en Fa (30)
Marimba, Piano (duet) (30)
Partition D'Orchestre In 16 Po… (30)
Harp and Piano (30)
Choeur et Piano (29)
Harpsichord and Strings (29)
Voix d'Hommes et Piano (29)
Cello, String Bass (duet) (29)
Voix Élevée et Piano (29)
Clarinette (2 Clarinettes) Et … (29)
2 Violons, Cordes Et Basse Con… (29)
Electric bass, Drums (28)
Trompette ou Flûte à Bec ou … (28)
Flûte 1 Hautbois 1 Clarinette… (28)
C Trumpetor et Trompette Sib/C… (28)
Cor, Euphonium et Piano ou Org… (28)
Flûte Traversière, Violon et… (28)
Choeur à 4 Voix Mixtes et/ou … (28)
3 Flûtes A Bec (SAT) Et Piano… (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Clarinet Quartet: Clarinet, Vi… (28)
Flûte à Bec Alto ou Flûte T… (28)
Accordion - Piano, Voice, Guit… (28)
2 Voix et Piano (28)
Hautbois, Clarinette et Basson… (28)
Brass Quartet: 4 trumpets (28)
Trio De Pianos (28)
Choeur de Femmes (28)
Solistes SATB, Choeur SATB, 2 … (27)
Concert Band ou Harmonie et Ba… (27)
Choeur de Femmes et Piano (27)
Saxophone en Sib et Piano (27)
Choral Soprano solo, SATB, Key… (27)
Flûte à Bec Alto ou Flûte T… (27)
Flute, Oboe, Piano (trio) (27)
Ukulélé Soprano (27)
Woodwind Quartet: any 4 woodwi… (27)
Lap Steel Guitar (27)
Trompette, Cor Et Piano (27)
Trompette, Cordes et Basse Con… (26)
Trumpet, Trombone (duet) (26)
Mezzo-Soprano et Orchestre (26)
Choeur d'Hommes et Piano (26)
Trompette en Do ou et Trompett… (26)
Recorder, Guitar (duet) (26)
Violon ou Flûte Traversière … (25)
Soprano, Basse, Choeur Mixte e… (25)
Guitar Tab, Voice, Bass, Drum (25)
2 Pianos et Orchestre (25)
Chorale d'Enfants et Piano (25)
A Cappella (25)
Choeur De Femmes (SS) Et Piano… (25)
Cor, Trombone et Piano ou Orgu… (24)
Hautbois 3 Clarinettes Sib 1 C… (24)
Piano Trio: piano, violon, vio… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
Flûte Traversière 3 Clarinet… (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
Trompette Sib 1 Cor en Fa 1 Tr… (24)
Choeur Mixte (SATTB/SATTB), So… (24)
Hautbois, Instruments à Corde… (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Flûte Traversière 2 Violons … (24)
2 Trompettes Sib, 1 Cor, 1 Tro… (24)
Flûte Traversière, Hautbois … (24)
Flute, Piano Trio (bass, drum,… (24)
Violoncelle et Piano ou Orgue (24)
Soprano, Clarinette Et Piano (24)
Quatuor A Cordes Et Orchestre … (24)
Flûte A Bec Soprano Et Flûte… (24)
Flûte à Bec Alto, Cordes et … (24)
Soprano et Quatuor à Cordes (24)
Conga (24)
Piano, Chant et Guitare Tablat… (24)
Voix Mixtes (24)
2 Recorders, Piano (24)
Guitare Tablatures Flatpick et… (24)
Tambour Et Piano (24)
Saxophone Alto et Piano ou Org… (24)
Harpe et Piano (24)
Quatuor à Cordes et Piano (23)
Flûte Traversière, Violon Et… (23)
Piano, Violin, Bandoneon, Guit… (23)
Tenor Banjo (23)
Vocal duet (23)
Woodwind Quintet (23)
Ensemble Instrumental (23)
Alto et Piano ou Orgue (23)
Soprano et Ensemble (23)
Guitare Flatpick et Plectre (23)
Solistes SATB, Choeur SATB, Fl… (22)
Contrebasse et Piano ou Orgue (22)
Solistes SAT, Choeur SATB, 2 F… (22)
2 Clarinettes en Sib et Clarin… (22)
Double Choeur Mixte, Soprano e… (22)
Violon ou Violoncelle et Piano… (22)
Saxophone Soprano (22)
Choeur à 4 Voix Mixtes (22)
Bassoon, Orchestra (22)
Djembe (22)
Choeur D'Enfants (SSA) Et Pian… (22)
Violon, Cor et Piano (21)
Trombone Et Clavier (Piano) (21)
Clavecin Et Instruments A Cord… (21)
Flute, Viola and harp (21)
Voice, Clarinet, Piano (21)
Saxophone Baryton (21)
Violon, Ensembles de Cordes et… (21)
Euphonium Ensemble (21)
Flute, Violin, Keyboard (basso… (21)
Violon et Piano ou Orgue (21)
Choeur d'Enfants et Piano (21)
Guitar, String Quartet (21)
Soprano, Ténor et Piano (21)
Piccolo (21)
2 Violons, Alto et Basse Conti… (21)
Double bass, Orchestra (21)
Saxhorn Basse, Euphonium ou Tu… (21)
Autoharp (21)
3 Clarinettes en Sib et Clarin… (21)
Tenor, Choeur Mixte Et Orchest… (21)
Viola da Gamba (21)
Flûte à Bec F1 (Hautbois), 1… (20)
Flûte Traversière ou Violon)… (20)
2 Choeurs Mixtes (SATB Et SATB… (20)
Choeur d'Enfants à 1 à 3 Par… (20)
Solistes SSATTB, Choeur SATB, … (20)
Hautbois, Violoncelle Et Piano… (20)
Flute, Violin and Violoncello (20)
3 Violons et Basse (20)
Flûte Traversière, 2 Violons… (20)
Violon, Alto, Violoncelle et C… (20)
Saxophone Alto, Saxophone Teno… (20)
Trompette ou Cornet et Piano (20)
Clarinette, Trombone et Piano … (20)
Piano Trio: mixed chamber inst… (20)
Trombone Alto et Piano ou Orgu… (20)
Pianos Et Instruments Divers (… (20)
String quintet (20)
Solistes SS et Basse Continue (20)
Saxophone Soprano et Piano (20)
Saxophone and Orchestra (20)
2 Saxophones Alto (20)
Violon ou Flûte Traversière … (20)
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Giovannino: Sonate A: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Score and Parts]
Yorke Edition
Very little is known about the two sonatas which appear here in their original k...
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Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698.The sonatas are both inscribed on the title page Sonata à Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata à Violino e Violoncino … di Giovannino del Violone. Giovannino(=Little or Young John) must have been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author.The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that
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Vanhal J.b. - Kontrabasskonzert - Contrebasse and Piano
Double bass, Piano (duet)
G. Henle
Concerto pour contrebasse Editeur: Tobias Glöckler Réduction pour piano: Chri...
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Concerto pour contrebasse Editeur: Tobias Glöckler Réduction pour piano: Christoph Sobanski Doigtés cb.: Tobias Glöckler Cadences: Tobias Glöckler Edition Urtext, réduction pour piano, reliure paperback réduction pour piano in Ut et Ré majeur Partie en accord viennois (La-ré-fa#-la) Après les concertos pour contrebasse de Dittersdorf (HN 759) et de Hoffmeister (HN 721), nous ajoutons à notre catalogue un nouveau sommet de la littérature classique pour l?instrument, l?unique Concerto pour contrebasse de Johann Baptist Vanhal. Cette oeuvre virtuose ne nous est parvenue que par une copie du matériel dans la succession du célèbre contrebassiste Johannes Sperger (1750?1812), laquelle soulève un certain nombre de questions du fait des nombreux ajouts que comporte la partie soliste (s?agissant notamment des indications de jeu à l?octave). Dans notre édition Urtext, Tobias Glöckler répond à ces questions avec un texte musical soigneusement préparé pour l?exécution. La réduction pour piano est présentée dans deux tonalités différentes (Ut et Ré majeur), ce qui permet de jouer le concerto avec l?accord de soliste ou l?accord d'orchestre. En outre, une voix supplémentaire en tablature, spécialement conçue pour l'«accord viennois» en usage à l'époque de Vanhal, permet à l'instrumentiste de jouer directement avec la sonorité puissante de l?accord historique, sans réapprentissage fastidieux.
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Dragonetti / Nanny - Concerto A Major (solo Tuning) - Contrebasse and Piano
Double bass, Piano (duet)
Recital Music
SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first...
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SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first published in 1925 by Alphonse Leduc in Paris as No.23 of Edouard Nanny's 'Les Classiques de la Contrebasse'. For many years no one questioned its authenticity, but as more research into Dragonetti's original works for double bass was made, concerns began to arise. Many of Dragonetti manuscripts survive in the British Library, thanks to Vincent Novello who donated them in 1849, three years after Dragonetti's death and on Novello's retirement to Italy, but there is no original manuscript for this work. As bassists began to edit and perform a wide range of Dragonetti's works it became clear that this concerto bore little resemblance to any of his other pieces. The work does, however, have many similarities to Nanny's Concerto for double bass, also to his other solo works and even studies from his Method. Eventually most people came to the conclusion that this work is not an original work by the great Venetian bassist but is by Edouard Nanny, and in the style of the late 18th-century. Having said that, this is still a charming and evocative work which has much player and audience appeal and is very easy on the ears. Many of the challenges for the soloist are technical and, almost a century after its first publication, it is still as popular as ever. Published in 1925, the first movement was performed at London's Wigmore Hall on 15 April the following year by Victor Watson (double bass) and Sidney Crooke (piano), and was described a 'Contrabass Concerto by Dragonetti-Nanny. ERRATA: Piano part: page 8 (1st movement), bar 87 - final chord of bar in right hand should be D/E/G# - a dominant 7th chord in A major Edouard Nanny was an important French double bassist and teacher, also composing and transcribing many works for double bass. He was born in Saint-Germain-en-Laye on 24 March 1872 and he studied at the Paris Conservatoire with Professor Verrimst, also teaching there from 1920-1940. He performed often as a soloist, also working as an orchestral bassist with many orchestras such as the Paris Symphony Orchestra, Concerts Lamoureux and the Orchestra de l'Opera Comique, and in 1901 he founded the Henry Casadeus Society of Old Instruments, chaired by Camille Saint-Saens, and intended to revive the works from the past centuries. Nanny's Method for double bass is still in print, over 90 years since its first publication and both volumes contain a wealth of excellent technical studies and exercises which are as relevant today as they were in the 1920s. His other volumes of studies are mostly out of print and Recital Music plan to reprint some of his orginal works for double bass, transcriptions and educational music to keep alive the name of Edouard Nanny into the 21st-century. Edouard Nanny died in Paris in 1942.
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Grade by Grade - Double Bass Grade 3
Double bass, Piano (duet)
[Sheet music + Audio access]
-
Easy
Boosey and Hawkes
The complete resource for the Grade 3 double bassist. Par . La série Grade By G...
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The complete resource for the Grade 3 double bassist. Par . La série Grade By Grade (De degré par degré) tire sa substance du catalogue classique, contemporain et pédagogique riche et varié de Boosey
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Gajdos M. - Concerto N°2 Haydn - Contrebasse Et Piano
Double bass, Piano (duet)
Recital Music
Concerto No.2 'Haydn' A series of works based on the surviving two bars of Hayd...
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Concerto No.2 'Haydn' A series of works based on the surviving two bars of Haydn's 'lost' Double Bass Concerto. Based on the two surviving bars of Haydn's 'lost' Double Bass Concerto and dedicated to David Heyes, this magnificent new concerto is a tour-de-force from a respected and leading Czech bassist-composer. In a tonal and accessible style, there are musical and technical challenges for the advanced bassist and this edition is only available in solo tuning. Influenced by the late 18th-century style, but imbued with Czech lyricism and influences, this new three-movement concerto is a major addition to the repertoire and utilises the entire range of the double bass. The concerto has been performed throughout Europe many times, most recently in Macedonia and Serbia by the composer. Miloslav Gajdos has composed and transcribed many works for double bass in a 40 year career and is Professor of Double Bass at the Vejvenovsky Conservatoire in Kromeriz (Czech Republic) alongside many international recitals and masterclasses. Concerto No.2 'Haydn' is available in three orchestrations alongside the published edition with piano. Please contact the publishers for more information about the various orchestrations. Performance Level: Advanced Miloslav Gajdos is one of Europe's most active and inventive bassist-composers. He was born in northern Moravia in 1948 and initially learned violin before transferring to the double bass, studying with Alois Kriz, Jiri Bortlicek and Ludwig Streicher. He has been Professor of Double Bass at the Vejvenovsky Conseravtoire in Kromeriz (Czech Republic) since 1971, and was a member of the Olomouc Symphony Orchestra for a number of years. He is Director of the Gregora International Double Bass Competition, founded in 1979 and held every two years in Kromeriz, and has been a juror at many competitions in Hungary, Germany and the Czech Republic. Miloslav Gajdos is a prolific composer and arranger and, for almost 40 years, has produced a vast body of original works and transcriptions for double bass which are performed worldwide. His original works combine Czech lyricism and melody with brilliant technical demands, and music from one to sixteen double basses. He writes in a traditional and accessible style, producing music for every level of performer, particularly for the advanced bassist, and his many works for unaccompanied double bass are frequently chosen as international competition repertoire. Miloslav Gajdos was Recital Music's Featured Composer in 2007 and has recently revised a number of earlier works for the intermediate bassist which will be published by Recital Music.
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Gioachino Rossini: Une Larme For Double Bass And Piano: Double Bass: Score
Double bass, Piano (duet)
G. Henle
In the late 1850s when Rossini was composing only for his own private pleasure ...
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In the late 1850s when Rossini was composing only for his own private pleasure he wrote a little elegy for Double Bass and Piano that he entitled “Une Larme” (“a tear”). Its theme also servedas the basis for a larger-scale set of variations for Cello and Piano. The importance that Rossini ascribed to this short piece for Double Bass is demonstrated not least by the fact that he made a richly ornamented dedication copyof it in 1858. This hitherto little-known source is in Russia and has now been consulted for the first-ever time for a critical Urtext edition. As in Henle’s other Urtext editions for this instrument the Double Bassspecialist Tobias Glöckler has prepared a version in solo tuning and orchestral tuning and added fingerings and bowings to the solo part.
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Christopher Norton: Microjazz For Double Bass: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Score and Parts]
Boosey and Hawkes
12 Stücke in populären Stilen-Twelve stimulating original pieces in popular s...
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12 Stücke in populären Stilen-Twelve stimulating original pieces in popular styles for Double Bass and Piano or Keyboard accompaniment. Graded in order of difficulty these compositions are designed to improve solo technique and character whilst developing articulation and rythmic nuances. Part of the successful Microjazz series this book by Christopher Norton is not only fun but a valuable resource for any developing Double Bassist. ABRSM Double Bass Syllabus.
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Grade by Grade - Double Bass Grade 5
Double bass, Piano (duet)
[Sheet music + Audio access]
-
Intermediate
Boosey and Hawkes
The complete resource for the Grade 5 double bassist. Par . / Niveau : Moyen ...
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The complete resource for the Grade 5 double bassist. Par . / Niveau : Moyen / Date parution : 2024-01-06/ Recueil / Contrebasse et Piano
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My First Concert
Double bass, Piano (duet)
[Sheet music + CD]
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Beginner
Schott
31 Easy Concert Pieces From 5 Centuries. This book offers a varied spectrum of v...
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31 Easy Concert Pieces From 5 Centuries. This book offers a varied spectrum of very easy pieces from the Renaissance, Baroque, Classical, Romantic and Modern eras, including works by Beethoven, Charpentier, Haydn, Humperdinck, Mozart, Praetorius, Reinagle or Schubert, as well as easy folk tunes and Canons, which are excellent for class teaching. The repertoire enriches the daily exercises and any double bass tutor. All pieces can be played in half and first position, using easy rhythms and meters, easily playable major and minor keys, easy bowing and articulation as well as easy dynamics from piano to forte, crescendo and decrescendo. All pieces are included on CD. This book is a treasure trove for beginners and can be used even earlier than the first book in the series 'Easy Concert Pieces” (Schott ED 22551). / Niveau : Très Facile à Facile / Recueil / Contrebasse et Piano
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Best of Double Bass Classics
Double bass, Piano (duet)
[Sheet music]
Schott
Par . Cet ample volume contient des ?uvres originales et des transcriptions conn...
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Par . Cet ample volume contient des ?uvres originales et des transcriptions connues des époques baroque, classique et romantique de Bottesini, Capuzzi, Dragonetti, Eccles, Fauré, Koussevitzky, Lulier, Saint-Saëns, Simandl, Sperger et autres. Le répertoire convient à l'enseignement, aux auditions, aux examens et aux concours. Tous les morceaux sont imprimés en accordage normal de l'orchestre, et des accompagnements de piano pour le jeu en accordage solo sont en outre disponibles en téléchargement. Ainsi, le volume peut être utilisé de manière flexible dans des cours au niveau supérieur des écoles de musique ainsi que dans les études. / Date parution : 2022-05-20/ Recueil / Contrebasse et Piano
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Amazing Solos - Double Bass And Piano
Double bass, Piano (duet)
Boosey and Hawkes
Instrument : double bass and piano Nombre de Pages : 58 Amazing Solos are amazi...
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Instrument : double bass and piano Nombre de Pages : 58 Amazing Solos are amazingly wide-ranging selections of easy pieces. From Bach to Bernstein, a great variety of musical styles is included - folk melodies from England and Peru, baroque and classical 'lollipops', jazz and modern classics. A unique collection of exciting and varied music for the early grades! The edition is part of the Trinity syllabus 2007 (grade 3-6) and of the ABRSM Summer 2006 (grades 2, 4-7). Content : La donna è mobile (Verdi) - Three Moravian Folksongs (Janácek) - Allegro (Mozart) - Allegro (Vivaldi) - Amazing Grace (Trad.) - America (Bernstein) - Basse Danse (Warlock) - Braul, Bucsum Dance (Bartók) - Caprice 24 (Paganini) - Come Neighbours All - Cool (Bernstein) - Ein Jungling liebt ein Madchen (Schumann) - Ein Madchen oder Weibchen (Mozart) - Fiddler's Song (Humperdinck) - Grand March (Verdi) - Green Gravel (Trad.) - Lilliburlero (Trad.) - Minuet (Bach) - Peruvian Dance Tune (Trad.) - Pop goes the Weasel (Trad.) - Solveg's Song (Grieg) - Stars no Moon (Trad.) - There was a Crooked Man (Trad) - Troika (Prokofieff) - Tune Town Shuffle (Basie)
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Easy Concert Pieces Band 3
Double bass, Piano (duet)
[Sheet music + Audio access]
Schott
The ?Easy Concert Pieces? series offers a wide spectrum of pieces from the Renai...
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The ?Easy Concert Pieces? series offers a wide spectrum of pieces from the Renaissance, Baroque, Classical, Romantic and Modern eras. The repertoire enriches the daily exercises and double bass tutor and is suited for all kinds of auditions. It contains original works for double bass solo as well as orchestral excerpts and arrangements of famous classical masterpieces. Volume 1 (easy) contains pieces in half and first position, with easy rhythms and melodies. It includes easy strokes and articulations such as portato, staccato and legato. Some pieces contain easy Flageolets. This volume offers a broad selection of classical masterpieces in easy arrangements.Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position. This volume consists of more original works.Volume 3 (intermediate) increases the repertoire up to the 6th position and requires a good control of the lower positions. It makes higher demands on expressive playing and interpretation, velocity and rhythm, as well as bowing techniques with articulation and phrasing./ Recueil / Contrebasse et Piano
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Henry Eccles: Sonata Sol Minore (Zimmermann): Double Bass: Instrumental Work
Double bass, Piano (duet)
IMC (International Music Co.)
Sonata In G Minor For Double Bass And Piano by Henry Eccles. Edited by Fred Zimm...
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Sonata In G Minor For Double Bass And Piano by Henry Eccles. Edited by Fred Zimmermann.
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Antonio Vivaldi: Sonata No.5 E Minor RV40: Double Bass: Instrumental Work
Double bass, Piano (duet)
IMC (International Music Co.)
A splendid Vivaldi Sonata for Double Bass with Piano accompaniment selected as ...
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A splendid Vivaldi Sonata for Double Bass with Piano accompaniment selected as part of the ABRSM Double Bass Grade 8 examination.
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Monti V. - Czardas - Double Bass And Piano
Double bass, Piano (duet)
Recital Music
Arranger : David Heyes The Transcriptions Series series Recital Music publish ...
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Arranger : David Heyes The Transcriptions Series series Recital Music publish a wealth of original works for double bass alongside a popular, accessible and growing range of transcriptions for bassists of all ages and abilities. Most transcriptions published by Recital Music are by David Heyes, who has a successful and proven track record when arranging for double bass. Czardas for violin and piano is Monti's only famous work, believed to have been composed in the early years of the 20th-century, and has been composed for almost every instrument, every instrumental combination, and performed by every gipsy orchestra or ensemble. The slow rhapsodic introduction quickly leads into the main theme which is full of rhythmic fire and gipsy passion. A slow section, primarily in double stops, is then repeated in high harmonics before a brief return of the fast viruosic music which leads into a reprise of the Czardas material, but now in the tonic major. A fast and energetic finale brings the piece to a rousing and successful conclusion. This exciting new arrangement by David Heyes offers musical and technical challenges in equal measure and the edition includes accompaniments for both solo and orchestral tunings. An arrangement for double bass quartet is in preparation. Italian composer, conductor and violinist, Vittorio Monti was born in Naples on 6 January 1868 and died on 20 June 1922. He studied at the Conservatorio di San Pietro a Majella with F. Pinto (violin) and Paolo Serrao (composition) and moved to Paris in 1886 where he studied violin with Camillo Sivori, Paganini's most famous pupil. For many years Monti was a member of the Lamoureux Orchestra in Paris, also conducting the orchestra on occasions, and composed ballets, operettas and instrumental music during his years in the French capital.
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Gajdos M. - Zingaresca - Contrebasse Et Piano
Double bass, Piano (duet)
Recital Music
Zingaresca A czardas-influenced work which is full of the fire and passion of t...
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Zingaresca A czardas-influenced work which is full of the fire and passion of the typical Gipsy idiom. Zingaresca offers much for the advanced bassist and would be ideal for conservatoire or university students who are confident playing throughout the solo range of the instrument. A slow and lyrical introduction leads into a rhythmic and lively czardas these with opportunities to demonstrate both musical and technical prowess in equal measure. Ideal as the final work in a recital and performed many times by the composer. The edition includes piano accompaniments for both solo and orchestral tunings. Performance Level: Advanced Miloslav Gajdos is one of Europe's most active and inventive bassist-composers. He was born in northern Moravia in 1948 and initially learned violin before transferring to the double bass, studying with Alois Kriz, Jiri Bortlicek and Ludwig Streicher. He has been Professor of Double Bass at the Vejvenovsky Conseravtoire in Kromeriz (Czech Republic) since 1971, and was a member of the Olomouc Symphony Orchestra for a number of years. He is Director of the Gregora International Double Bass Competition, founded in 1979 and held every two years in Kromeriz, and has been a juror at many competitions in Hungary, Germany and the Czech Republic. Miloslav Gajdos is a prolific composer and arranger and, for almost 40 years, has produced a vast body of original works and transcriptions for double bass which are performed worldwide. His original works combine Czech lyricism and melody with brilliant technical demands, and music from one to sixteen double basses. He writes in a traditional and accessible style, producing music for every level of performer, particularly for the advanced bassist, and his many works for unaccompanied double bass are frequently chosen as international competition repertoire. Miloslav Gajdos was Recital Music's Featured Composer in 2007 and has recently revised a number of earlier works for the intermediate bassist which will be published by Recital Music.intermediate bassist which will be published by Recital Music.
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Grade by Grade - Double Bass Grade 1
Double bass, Piano (duet)
[Sheet music + Audio access]
-
Beginner
Boosey and Hawkes
The complete resource for the Grade 1 double bassist. Par . La série Grade By G...
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The complete resource for the Grade 1 double bassist. Par . La série Grade By Grade (De degré par degré) tire sa substance du catalogue classique, contemporain et pédagogique riche et varié de Boosey
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F. Keyper: Romance Et Rondo: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Sheet music]
-
Intermediate/advanced
Yorke Edition
An easy virtuoso work published here for the first time and now much performed. ...
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An easy virtuoso work published here for the first time and now much performed. Recorded Slatford/Academy of St Martin-in-the-Fields (EMI). AMEB (Australian Syllabus) 2004. Orchestral material on hire from Yorke Edition (not Spartan).Programme Note:As a young professional player in the 1960s my work as a double bassist with chamber ensembles and small orchestras took me all over the world. This presented an unparalleled opportunity to scour libraries and archives wherever I went. Long before the advent of the photocopier and e-mail research was far more challenging than it is today. Eastern Europe was particularly difficult to access with manycollections kept under lock and key for all but a few hours a week. One quickly found colleagues who were keen to share information gleaned in passing even though they had no specific interest in one's own particular specialism (it is so often the peripheral topics that fascinate as much as the main subject under investigation and one can quickly be side-tracked into political and social issues that have only slender bearing on the job in hand!).In the early 1970s James Brown the then sub-principal oboist of the English Chamber Orchestra with whom I was working at the time stumbled across a small collection of double bass manuscripts at the Royal Danish State Library in Copenhagen. They were by Franz Anton Leopold Keÿper (b. c.1756 d. Copenhagen 7 June 1815) a double bassist of Dutch origin who worked as principal of the Royal Chapel Orchestra in Copenhagen. Keÿper's son was the bassoonist Franz Jacob August Keÿper (1792-1859). The collection included a number of concertos some chamber music and various naïve fragments. Although hardly the work of a Mozart or Haydn the style is characteristic of the period. For an instrument such as the double bass whose 18th century solo repertoire is largely written for tunings that are no longer in everyday use Keÿper's music is easily approachable in its
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K. Leogrande: May I?: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Sheet music]
-
Intermediate/advanced
Spartan Press
This new publication replaces the old Latham edition (now out of print) - popula...
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This new publication replaces the old Latham edition (now out of print) - popular title on both ABRSM and TG double bass syllabuses (grade 7).Dennis Leogrande writes:I began writing the melody first although every piece begins differently. I wanted to begin with a sound that for me is very characteristic of the bass that being the ½ step slide from G# to A. Looking throughout the piece you will notice other slides ie. bars 1 3 5 7 12 14 16 18 38 58 114 116 18 120 123 125 and 127. Please don't forget to notice the grace note slide in measure 100. These are the melodic motifs that give the piece its character and act as hooks(memorable ideas) for the listener to latch on to. Once I began writing the melody it just grew organically from the original idea. I hope you feel the same organic growth. The shifting harmonic tonalities (between D major and D minor) seem to ask the question 'May I?' and keep the listener involved in trying to answer the question. The jazz style keeps the 'question' light hearted a little 'tongue in cheek.' However playing this piece requires attention to these details and a great deal of musicianship. It's the fine musician who understands both the music and the instrument who can make a difficult and complicated piece sound easy light and fun. Oh and yes please enjoy!
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N. Hester: The Bull Steps Out: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Sheet music]
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Intermediate/advanced
Yorke Edition
Ideal for a popular school or informal concert. Programme note by Rodney Slatfor...
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Ideal for a popular school or informal concert. Programme note by Rodney Slatford 2008:Jack Snow Hester was born on 2 March 1907 in Chorlton Lancashire and joined the music profession as a double bass player when he was seventeen. His father Arthur Darrell Hester appears on his birth certificate as 'Manufacturer (chemicals)'; his mother was Minnie Frances Hester formerly Stamp and the family lived in South Manchester. During the 1930s as Norman Hester he worked at Daly's Theatre the Piccadilly Theatre the Palace Theatre and other London variety houses in West End productions. He married Isabella Dawson Davidson on 1 July 1940 in Worcester and shedied in 1973. He died in 2001 after a long period of ill health.During the 1960s Norman was an active freelance player working as an extra bass player with the London symphony orchestras including the BBC. Quite when The Bull Steps Out was written isn't certain but Norman sent me a copy to consider for republishing – it is assumed that the original publication appeared sometime during or just after the war. It was a 'one off' that he probably played for light music evenings in the theatres.The piece has been very popular and has been used for examinations on various syllabuses around Grade 7 level.An unpublished manuscript copy of a double bass 'method' is on file that Norman Hester wrote when he retired but it is mainly a compilation of various scales and exercises similar to many that were published in the early 20th century. A photograph of him as a young man is held at the Royal Society of Musicians in London which he joined in 1930 and of which he was a loyal supporter until he died.
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Mcdowall C. - Not Just A Place - Alto, Contrebasse Et Piano
Double bass, Piano (duet)
Spartan Press
For Viola, Double Bass and Piano. Double Bass Part: Orchestral AND/OR Solo Tunin...
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For Viola, Double Bass and Piano. Double Bass Part: Orchestral AND/OR Solo Tuning (includes parts for both).
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Richard Rodney Bennett: Concerto For Double Bass: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Sheet music]
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Advanced
Novello & Co Ltd.
Composed in 1978 this arrangement of Richard Rodney Bennett's Concerto For Doub...
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Composed in 1978 this arrangement of Richard Rodney Bennett's Concerto For Double Bass includes a Piano reduction of the Orchestral material.
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Suzuki Bass School Piano Acc. Volume 4: Double Bass: Instrumental Album
Double bass, Piano (duet)
Alfred Publishing
This Piano accompaniment book ideally compliments the Suzuki Bass School Volume ...
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This Piano accompaniment book ideally compliments the Suzuki Bass School Volume 4 Bass Part book catalogue number ALF28359.The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability and that man is the son of his environment. According to Dr. Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach.
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Suzuki Bass School Piano Acc. Volume 3 (Revised): Double Bass: Instrumental
Double bass, Piano (duet)
Alfred Publishing
This Piano accompaniment book ideally compliments the Suzuki Bass School Volume ...
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This Piano accompaniment book ideally compliments the Suzuki Bass School Volume 3 Bass Part book catalogue number 0874873762.The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability and that man is the son of his environment. According to Dr. Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach.
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