Anthem with recorders oboe strings ATB soloists and mixed voice choir. Edited by Bruce Wood.Swifter Isis swifter flow is taken from Volume 15 of the Purcell Society Edition ‘Royal Welcome Songs Part I’ and instrumental parts are available for sale separately.

This extremely interesting original is based on a modified New Orleans-style street beat. A 'gritty' bass part really helps add to the style and there are plenty of opportunities for your pianist to add fills throughout. A tenor solo leads into some creative ensemble writing and a driving shout chorus. Very unique and destined to be one of the bestsellers this year!

Your trombone section will love this cleverly titled swingin’ feature by Erik Morales. Its light and carefree swing style lends itself well to the trombone section while also holding the interest of the rest of the ensemble. A written solo section passes the solo around the trombone section — perfect for featuring each member without requiring any improvisation skills. A real winner! (3:10)

Show off your Vocal jazz technique with this vintage jazz ballad that shimmers with style. Great for showing off a special soloist.This instrumental pack contains parts for Piano Bass and Drums.

A gentle bossa beat drives this medium-easy jazz samba throughout. The lead alto is featured both on written solo and jazz. Flugelhorns or trumpets in stands give this piece a smooth texture and excellent variety from the hard swingers on your concert program.

This is our hottest rocker in the funky Tower of Power tradition this year. The second trumpet and lead tenor share the head and solo responsibilities and Rob provides a written solo as well as changes for both. Restricted ranges and a repetitive rhythmic pattern make this an easy grade 4.

Flexible 4-Part Concert Pieces-Arranged for beginners these well-known and original pieces will successfully launch instrumentalists into the exciting and rewarding world of ensemble playing. The parts are of equal importance and are written within comfortable ranges for each instrument. An optional supporting piano part is provided to reinforce the ensemble if necessary. Although very elementary the pieces are substantial enough to be presented as ensemble performance material for music festivals or examinations. Having successfully mastered these pieces players can then progress to the Centre Stage series which offers slightly more challenging material in the same instrumental format with the added bonusof featuring a soloist! James Rae

Strut your stuff with this New Orleans flavored swinger. This tune is great to show off your drummer lead tenor and piano player. However the solo section can be opened up to showcase more of your talented performers. Includes a great sax soli as well as a very exciting shout chorus.

Une autre collection dans la série des arrangements de lieder de la Romantik allemand pour voix et quatuor à cordes par Reimann (6 chansons opus 107 par Robert Schumann, ED 8329 et Franz Schubert Mignon, ED 8466, ont déjà été publiés). Le donjon d'Ophélie-chansons presque aphorismes étroitement à l'original de Brahms - une approche de composition différente à celui de l'adaptation de Mendelssohn ci-dessous, où chansons et les fragments sont entrecoupées d'intermezzi plus longtemps, délibérément contemporaine et l'ensemble forme un cycle prolongé. / Voix Et Quatuor A Cordes

Rachel Steckler O'Kaine has written out the optional conga and sekere parts to aid your percussionist in creating Afro-Cuban rhythms as easily as possible. Check out the performance notes for specific notation used in the conga part. This is an extremely well-written chart worthy of your highest festival or contest considerations. Great material for better bands.

Check out this tasty setting of an old standard. It features an alto solo on the intro then settles into a nice bossa groove. The solo section is double time for an added kick with the bones playing the familiar melody in the background. Great writing!

Composed and published 2014.Commissioned by Festival Internacional Cervantino 2014.First performance: Randall Scarlata (baritone) and Ensemble Redes Festival Internacional Cervantino 2014 13th October 2014.Duration: 12 minutes.Instrumentation: Flute(=Bass Flute) Bass Clarinet Percussion Guitar Violin Viola.[Percussion: Triangle Cymbal Large Tam-Tam Wood Block Tambourine Wooden Chimes Sleigh Bells Güiro Maracas Bongos 3 Tom-toms Felxatone Waterphone Vibraphone Marimba 29-inch Timpani].

This clever chart is unlike anything out there and really grooves! Based on Beethoven?s ever-popular für Elise this jazz waltz is based on a C minor blues progression with a shout chorus in 4/4. Optional vibraphone is included to give a little color to the typical jazz instrumentation. Don?t be one of the few that miss out on this one once you hear it you?ll be hooked!

This hip version of the well-known traditional Gaelic folk song blends the old with the new. It features a baroque-style fugue section that is reminiscent of music by the Swingle Singers group and provides a nice contrast to the outer sections of the tune. A richly scored shout chorus provides a sparkling climax to this uplifting arrangement by Chris Sharp.

The lively melodies of the traditional French carol Sing We Now Of Christmas play one with another in a brilliant Instrumental Pack that is perfect for school church and community choirs. Festive and filled with joy! The parts available in this collection are the full score Flutes 1 and 2 Oboe Bb Clarinets 1 and 2 Bassoon Percussion 1 2 and 3 Harp Violins 1 and 2 Viola Cello and Double Bass.