Commissioned by the Lontano Ensemble and first performed by them on 21st January 1981. In this piece one instrument per movement is given musical prominence over the other two. Duration: c. 15 minutes.

Score and parts for Saariaho's Cendres arranged for Alto Flute Cello and Piano.Quoting Saariaho: While writing Cendres I was mainly concentrating on the interpretation of particular musical ideas by the threedifferent instruments of the trio each of which has its unique character and palette of colours. Musical tension is created and regulated by sometimes bringing the instruments as close together as possible in all ways (pitch rhythm dynamics articulation colour etc.) or at the other extreme letting each of them express the music in their most idiomatic fashion. Between these two extremes there is an unlimited number of possible ways to createmore or less homogenous musical situations. The consciousness of this variety was the rope on which I was balancing whilst working on the piece.Cendres was commissioned by the Gesellschaft fur Neue Musik Ruhr andKulturbüro der Stadt Essen for the Wolpe Trio. Duration 10 minutes.

Quatre Mouvements is a piece written by Marc Berthomieu for a Flute or a Cello with Piano accompaniment. Written for intermediate players this piece is divided into four distinct parts: 1. Larghetto – romantic 2. Scherzo – cheerful 3. Andante 4. Presto Quite romantic to start with the piece becomes cheerful in the second part and ends up on a fast section. It includes a coda some trills and will require some basics of breathing technique. Marc Berthomieu (1906-1991) was a French composer. He created one of the Conservatoire inParis'' “15th arrondissement” and has composed many small operas.

Sept miniatures né en 1924 à Zurich et qui vit maintenant à des compositeurs luxembourgeois. Rigoureusement au motif, comme un groupe d'instruments solistes conçus dialogue avec le piano. / Flûte, Violoncelle Et Piano

für Flöte Violine und Continuo-Bach?s Trio Sonata In G BWV 1038 For Flute Violin And Continuo has survived as a set of parts in Johann Sebastian Bach?s hand yet the source does not give a composer. Thusits authenticity has been called into question time and again. According to the latest research however this tone sensitive sonata is presumed to be an original work by Bach. Editor PeterWollny a declared expert outlines the reasons for this in detail. The violin part is to be played in scordatura according to the source so this version has provided a part in original notation as well as in standardnotation for regularly tuned violins.