SKU: SU.12800080
BachScholar Editions Vol. 80: J.S. BACH: Sinfonia from Cantata 29: Etude on One Staff with Two Hands (5 pages) presents a unique and accessible transcription of Bach’s exciting Sinfonia from Cantata 29, which Bach reworked from his previously composed Preludio from Partita No. 3 for Solo Violin. The present edition notates Bach’s original solo in the treble clef played with alternating hands: stems up = R.H. and stems down = L.H. Sharing the solo between the two hands results in a difficulty half that of romantic, virtuoso transcriptions that add chords and accompaniment material in the bass clef. This unique transcription offers pianists Grades 5 and up a fun and rewarding study which fosters evenness of touch and tone and explores innovative fingerings and hand crossings. This transcription of Bach’s exciting Sinfonia from Cantata 29 has something for everyone — piano students, teachers, and concert artists alike! Published by: BachScholar.
SKU: BT.DHP-1064198-400
ISBN 9789043126304. 9x12 inches. English.
Keyboard World is a beginner method for keyboard that is especially suitable for older children or teenagers who are learning the keyboard and can be used with or without a teacher, for individual lessons or for group lessons. The different ways of using the keyboard are introduced: playing with or without the automatic accompaniment, reading notes and chord symbols, but also playing by ear, as well as composing and improvising. Each lesson begins with an overview of the new material which will follow. After a rhythm or aural exercise, a piece without automatic accompaniment follows (in other words, you are playing in the style of a piano) for which you will need to read notes forboth hands. These pieces can be played along with the enclosed CD. On the right-hand page, you will find pieces for playing with an automatic accompaniment - here you will need to read notes for the right hand, and read chord symbols for the left hand.At the end of each lesson, there’s an assignment: e.g. note riddles, theory questions, composition tasks or musical games. The first six lessons differ slightly from this pattern, because at the beginning a bit more time is needed to explain the details.
SKU: GI.G-9600
In creating the African American ecumenical hymnal, One Lord, One Faith, One Baptism it was imperative to the core committee that the hymnal serve as a needed resource for the many denominations in the African American Church. It was the committee’s strong desire that this hymnal would represent and preserve the rich theological, cultural, and musical heritages of these traditions and offer a full breadth of music representing historical as well as vibrant contemporary worship, while looking toward the future. It was also of utmost importance that this hymnal draw the body of Christ together so that it may be enlarged, enriched, and inspired to live and worship based on what unites us: “one Lord, one faith, one baptism.†This hymnal contains selections of diverse styles and genres, including traditional ecumenical hymns, contemporary texts written for the twenty-first-century church, praise and worship selections, music from Taizé, choral responses, responsorial psalmody, traditional and contemporary gospel music, and Negro spirituals. The editors maintained a remarkably high degree of excellence in selecting and presenting this repertoire, and church musicians of all tastes could find this anthology useful either as a reference or as a repository for imaginitive congregational song. Jason Overall, The Journal of the Association of Anglican Musicians, Volume 27, Number 10, December 2018.
SKU: ST.K48
ISBN 9790220224454.
Complementary to K49, this collection is a unique offering of music by John Amner, Nicholas Carleton and John Tomkins that is the only surviving keyboard music by the respective composers. In addition to a pair of duets, in themselves an unusual feature from the period, there are two lengthy sets of variations, Amner's being a rare example of those on a metrical psalm or hymn-tune (possibly by Tallis in this case), John Tomkins's being more conventionally modelled on the variation sets of William Byrd. Nicholas Carleton's 'A verse of 4 parts' and 'Upon the sharp' include several examples of unusual chromatic notation and wide-ranging tonal schemes. CONTENTS Prelude (for two to play): Nicholas Carleton? A verse (In nomine) for two to play: Nicholas Carleton A verse of 4 parts: Nicholas Carleton Upon the sharp: Nicholas Carleton O Lord, in thee is all my trust: John Amner John come kiss me now: John Tomkins.
SKU: SU.80101365
These three dances (pavane, tordion, and allemande) are inspired by Renaissance forms, although they employ a harmonic and melodic language that blends allusions to Renaissance harmony with more contemporary elements. They may be played on any keyboard instrument. Organ and harpsichord are the most likely candidates, but performance on clavichord, harmonium, reed organ, piano, or even electronic keyboard is also possible. Instrumentation: Keyboard. Composed: 2014 Published by: Zimbel Press.
SKU: HL.14044198
ISBN 9788882918941.
A selection of jazz pieces arranged for Keyboard and Guitar (both chord symbols and tablatures are included). For every piece you will find three versions:
SKU: GI.G-006708
UPC: 641151066905.
Building on the repertoie found in the Voices As One® Volume 1 and Volume 2 collections, the More Voices as One® 1 contains over 40 of the best new songs hand-selected by the WLP staff as pieces ideal for the liturgy. This collection includes a keybard edition and a guitar edition that each contain the vocal harmony parts as well as references to individual lead sheets. A 2-CD set is also available featuring studio-quality recordings of each song in this series. You can also purchase a Reprintable Music for the Assembly CD-ROM that includes all assembly boxes and covers all reprint permisison fees for the set.
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