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Violin and Piano (6)
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Musical Awakening (6)
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Motet (6)
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Medium voice, Piano (6)
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4 Voix (SATB) Sans Accompagnem… (5)
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Choral SSAATBB, Organ (5)
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Choeur Mixte Sans Accompagneme… (5)
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Choeur SATB et Orchestre (4)
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Woodwind Quintet: flute, oboe,… (4)
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Trio A Vent-Bois (4)
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Piano Reduction - Soloists, C… (4)
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Soli (T (Evangelist), B (Jesus… (4)
Choeur Mixte (SSATB) Et Instru… (4)
Soli (SATB), Choeur Mixte (SAT… (4)
Choeur Mixte (SATB), Orchestre… (4)
Choeur d'Enfants (SS) et Piano… (4)
Choeur d'Enfants (4)
Choeur De Femmes (SSA) Et Pian… (4)
Keyboard (4)
Violon I (4)
Choeur Et Instruments Divers (4)
Choeur Mixte SATB a Cappella (4)
Choral Tenor solo, SATB, Keybo… (4)
Music Theory (4)
Solistes STBB, Choeur SATTBB, … (3)
Trombone (3)
Trompette I (3)
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Choeur A L'Unisson Et Orgue (3)
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Mixed Choir, Ensemble and Dan… (3)
ORG/BRASS ENS::Orgue, Ensemble… (3)
Solistes SATB, Choeur SATB, 4 … (3)
Women's Choir (SS), Piano, Me… (3)
Solistes SATB, Choeur SATB, 2 … (3)
School Ensemble (3)
2 Et 3 Voix Egales (3)
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Flûte, Alto Et Harpe (3)
3 Solistes, Choeur Et Orchestr… (3)
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Choeur SSAATTBB, 3 Trombones e… (3)
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Violon 2 (3)
Choeur d'Enfants 1 Partie, Nar… (3)
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Octuor De Cuivres (3)
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4 Parties Mixtes, 2 Violons et… (3)
Flute, Clarinet and Bassoon. (3)
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Récitant, Choeur D'enfants et… (3)
Solistes SATB, Choeur SATB, Tr… (3)
S, A, A, T, B, Choeur Mixte A … (3)
Recorder Quartet (3)
Choeur Mixte (SATB) Avec Orgue… (3)
Choeur De Femmes A 3 Voix (Cho… (3)
Violon II (3)
2 Parties Voix Aigües (SS) et… (3)
2 Parties Voix Aigües (SA) (3)
Solistes SAT, Choeur SATB, 2 F… (3)
Chœur Mixte [SATB] et Orgue (3)
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4 Parties Solo, Choeur Et Orch… (3)
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Choeur De Femmes Et Orchestre (3)
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Baryton, Choeur Mixte Et Orche… (3)
Drums (3)
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8 Bassoons (2)
Female Choir (SSSS) and Piano… (2)
Soli (TTB), Men's Choir (TTB)… (2)
Klavierauszug : Gemischter Cho… (2)
Choeur (SA), 2 Violons et Bass… (2)
Choeur sans Accompagnement (2)
Orchestra, Violin (2)
Soli, Gemischter Chor 1 & 2, … (2)
Tenor voice (2)
Solistes SATB, Choeur SATB, 2 … (2)
Choeur SSA Et Percussions (2)
Low voice, Piano (2)
Choeur D'Enfants (SSS) Et Pian… (2)
Choeur Mixte et Orgue, Concert… (2)
Solistes SATB, Choeur SATB, 2 … (2)
Choeur d'Enfants et Petit Orch… (2)
Solistes SATB, Choeur SATB, 2 … (2)
Solistes SATB, Choeur SATB, 2 … (2)
Cor (pour Quintette De Cuivres… (2)
Solistes SATB, Choeur SATB, 2 … (2)
Flute Trio: 3 flutes (2)
Solistes SATB, Choeur SATB, 2 … (2)
Piano Reduction - Soloists (S… (2)
SATB::SSAATTBB (2)
Double Choeur Mixte (2)
Choeur De Femmes À 4 Voix (2)
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Choeur Mixte Et Orgue (2)
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12 Voix (2)
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Voix et Orchestre de Chambre (2)
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Choeur d'Enfants (SA) ou Choeu… (2)
Choeur D'Hommes (TBB) Et Piano… (2)
ST (A) BarB et Piano (2)
Solistes SATB, Choeur SATB, Tr… (2)
Male Voices, Piano (2)
voix soprano, voix alto (2)
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Soli (STB) Et Orchestre (2)
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Solistes TTBB, Choeur TTBB, Vi… (2)
Solistes SB, Choeur SATB, Picc… (2)
Voix Et Instruments Divers (2)
2 Choeurs et 2 Orgues (2)
28 à 67 Joueurs (2)
Choeur De Cuivres Et Orchestre… (2)
Brass Quartet: 4 trombones (2)
Solistes SATB, Choeur SATB, (C… (2)
SOP/SATB/WIND INST::Soprano, S… (2)
Voix Et Choeur Et Orchestre (2)
Soli/Choeurs d'Enfants et Orch… (2)
Solistes SATB, Choeur SATB, Tr… (2)
Guitare (2)
Women's Choir (SSA) and Piano (2)
Solistes (SAAATTTTBBB), Choeur… (2)
Easy Piano (2)
Solistes SATB, Choeur SATB, 3 … (2)
Solistes SATB, Choeur SATB, (C… (2)
Solistes SATB, Choeur SATB, 2 … (2)
Choeur D'Hommes (TB) Et Cordes… (2)
Soli/Choeur Mixte Sans Accompa… (2)
Klavierauszug - Soli (SAB), g… (2)
2 Sopranos, Choeur Mixte et Or… (2)
Solistes SAB, Choeur SATB, 3 F… (2)
Tuba (pour Quintette De Cuivre… (2)
Soli, Mixed Choir and Orchest… (2)
SATB et Orchestre (2)
Solostimmen (SSB) auch Chor (… (2)
Choeur Mixte (SSAATTBB) (2)
3 Guitars (trio) (2)
Soprano, Alto, Ténor, Baryton… (2)
3 Solistes, Choeur Et Orchestr… (2)
Soli (SMsATB), Chor (SATB) un… (2)
All Instruments (2)
Saxophone Quartet: 4 saxophone… (2)
Choeur STB, Alto Solo et Orgue… (2)
Descant (Soprano) Recorder (2)
4 Solistes, Choeur Et Orchestr… (2)
Choral SSA (2)
Cello, String Bass (duet) (2)
Violon 1 (2)
Solistes SATB, Choeur SATB, Co… (2)
SATB et SATBaB (2)
French horn (2)
Voice, Organ (2)
2 Parties Voix Aigues (2)
Choeur D'Enfants (SA), Piano E… (2)
Tous instruments (2)
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Voix Mixtes et Orchestre (2)
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Solistes SATB, Choeur SATB, 2 … (2)
Children's Choir (Women's Cho… (2)
CD (2)
Solo instrument and Organ (2)
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Choeur d'Enfants à 2 Voix et … (2)
Mixed Choir, Strings and Bass… (2)
Soprano voice (2)
Solistes SATB, Choeur SATB, 2 … (2)
4 Voix D'Hommes Sans Accompagn… (2)
5 Parties Mixtes, Instruments … (2)
Mixed Choir (SATB), Women's Ch… (2)
SATB et 4 Saxophones (2)
Voix Mixtes A Cappella (2)
Solistes TTB, Choeur TTB et Or… (2)
Solistes SATTBB, Choeur SATB/S… (2)
Alto Saxophone and Piano (2)
Mixed Choir (SATP) and Harp (… (2)
Solistes SATB, Choeur SATB, 2 … (2)
Soloists, Mixed Choir and Orc… (2)
Choeur Mixte (SMezATB) (2)
Solistes SATB, Choeur SATB, 2 … (2)
Choeur De Femmes (SS) Et Piano… (2)
Choeur A Cappella (2)
Piano, Chant et Guitare Tablat… (2)
3 Trombones (trio) (2)
Organ and Orchestra (2)
Solistes SATB, Choeur SATB, (4… (2)
Choeur D'Enfants (Choeur De Fe… (2)
2 Choeurs Mixtes (SATB) (2)
Choeur et ensemble vocal (2)
Solo S (Choeur S) et Orgue (2)
Choeur De Jeunes Et Instrument… (2)
voix soprano solo, ch?ur mixt… (2)
Choral SATTB (2)
Mixed Choir (SATB) and String … (2)
Lyrics only (2)
Solistes SATB, Choeur SATB, 2 … (2)
Parties Solo, Choeur Et Orches… (2)
Choeur D'Enfants (SS) Et Orgue… (2)
Choeur Mixte (SATB) Et Basse C… (2)
Mixed Choir and Organ (2)
Chœur Mixte SATB et Quatuor … (2)
Ssa Et Piano (2)
UNIS/PFA::Children's Voices wi… (2)
Violin, Organ (2)
Vocal duet, Piano (2)
Solistes SATB, Choeur SATB, 2 … (2)
Clavecin (2)
Trompette II (2)
Choeur a Cappella (SATB, TTBB,… (2)
Solistes SATB, Choeur SATB, (C… (2)
Trombone (pour Quintette De Cu… (2)
SAB (2)
SSA/SATB/STB (2)
Mixed Choir (SATB) and Piano … (2)
Chœur d'Hommes [TTBB/TTBB] et… (2)
Alto Saxophone (2)
Choeur et Orchestre (2)
Women's Choir (SA) (2)
Choeur et Ensemble (2)
Choral SSAATB A Cappella (2)
Soli and Orchestra (2)
Soli/2 Choeurs SATB Sans Accom… (2)
Male Voice (2)
3 Voix Mixtes Et Instruments D… (2)
Soli/Choeur Mixte Et Orchestre… (2)
Men's Choir (TBarB) and Piano… (2)
Solistes SATB, Choeur SATB, 2 … (2)
Choeur de Jeunes et Piano (2)
Soprano voice, Orchestra (2)
SATB/ORCH::SATB, Orchestra (2)
2PTCHOIR/SATB/2PF::2-Part Choi… (2)
Solistes (SATB), Choeur Mixte … (2)
Klavierauszug : Sopran solo, A… (2)
Tenor Solo and Mixed Choir (SA… (2)
Choral SAB (2)
Ensemble De Cuivres Et Timbale… (2)
Soprano voice, Organ (2)
Voix Mixtes et Orgue (2)
Choir, 2 Trumpets, Horn, Trom… (2)
Choral SSATTBB (1)
Ensemble Et Choeur D'Enfants (1)
Baryton Solo, TTBB et Piano (1)
MENSVOICES/PFA::Men's Voices/P… (1)
Choeur Mixte (SATB) Avec Orgue… (1)
SATB [div.] et Orgue (1)
Mixed Choir (SATB), Clarinet, … (1)
ST (A) BarB et Orchestre (1)
Voix Hautes (1)
3 A 4 Parties Pour Choeur De F… (1)
Solistes SSSATB, Choeur SSATB,… (1)
Solistes (STB), Choeur Mixte (… (1)
Solistes (SAB), Choeur Mixte E… (1)
Choeurs Mixtes Sans Accompagne… (1)
Chœur à 4 parties de Voix Eg… (1)
Choeur d'Enfants ou de Femmes … (1)
Solistes SATB, Choeur SATB, Fl… (1)
Solo S, Choeur SATB, 2 Hautboi… (1)
Ensemble Mixte (1)
Orchestre: Solistes SATB, Choe… (1)
ENS::Ensemble d'cole (1)
TEN/SATB::Tenor/SATB (1)
Solistes SATB, Choeur SATB, 2 … (1)
5 Voix (1)
Organ and Brass Quartet (1)
voix soprano, voix alto, voix… (1)
Choeur D'Enfants A Cappella - … (1)
Piano, Flûte à Bec Soprano C… (1)
SATB/PF DUET::SATB, Piano Duet… (1)
Choeurs (1)
Chœur SATB et TTBB (1)
Choeur Mixte (SSAATTBB) Et Sop… (1)
SCORE/ORCH::Partitions/Orchest… (1)
Solistes (SATB), Choeur Mixte … (1)
TREBLE::Treble (1)
2 Parties Voix Aigües (SS) et… (1)
Choral SATB, Keyboard (1)
Mixed Choir (SATB) and Bagpip… (1)
Solistes SSATBB, Choeur SATB/S… (1)
2 Parties Voix Aigues (SS), Pi… (1)
SOP/ALTO/PF::Soprano, Alto, Pi… (1)
Choeur A L'Unisson Et Orgue (C… (1)
Soprano Ou Tenor Et Choeur Mix… (1)
Ténor et Choeur (1)
Choeur SAATBB (1)
SAB et Choeur (1)
Choeur de Femmes et Orchestre/… (1)
Solistes (S/T) Et Choeur Mixte… (1)
3 Voix d'Hommes Sans Accompagn… (1)
Orgue, Cuivres et Percussion (1)
Chœur Mixte, Orgue, et Ensemb… (1)
Treble Voices and Piano (or Or… (1)
Choeur D'Enfants Et Choeur Mix… (1)
Choeur D'Enfants (Ou De Femmes… (1)
Choeur de Femmes (SA) (1)
Solistes (STB), Choeur Et Orch… (1)
Tenor, 2 Choeurs Mixtes (STB E… (1)
Choeur et Ensemble Mixte (1)
CTEN/TTBB/SATB/PFA::Counterten… (1)
Clarinette et Ensemble de Clar… (1)
Mixed Choir (SATB) and Piano, … (1)
Solistes et Choeur SSA (1)
Unison Choir and Piano (1)
Mezzo-Soprano, Mixed Choir (SA… (1)
Voices, Children's Chorus, Ch… (1)
Sopran solo, Alt solo, Tenor … (1)
SSATB et Orgue (1)
Choeur D'Enfants (SSA) (1)
Choeur D'Hommes (TB, 2o Partie… (1)
5 Parties Mixtes Et Basse Cont… (1)
Klavierauszug - Chor (SATB), … (1)
2 Parties Voix Aigues (SS Ou A… (1)
2 Barytons, SATB, Orgue Acc (D… (1)
Choeur d'Hommes (TTB/TTBB) a C… (1)
2 Voix Egales (Ou Soprano Et B… (1)
2 Parties Voix Aigües (SS) (1)
Soli/Choeurs Et Basse Continue… (1)
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Christoph Willibald Gluck: Paride ed Elena - Paris und Helena: Mixed Choir:
Opera
Barenreiter
Music Drama in five Acts-Music Drama in 5 Acts. Soprano solo (4) Soprano solo (...
(+)
Music Drama in five Acts-Music Drama in 5 Acts. Soprano solo (4) Soprano solo (Tenor solo) Mixed choir Ballett Flute (2) Piccolo flute Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Timpani Drums Harp Strings Basso continuo. Performance material available for hire.
288.00 GBP - Sold by Musicroom UK
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Vocal score for Silent Zone - A Chamber Opera (2016-17) by Louise Alenius. Comm...
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Vocal score for Silent Zone - A Chamber Opera (2016-17) by Louise Alenius. Commissioned by Copenhagen Opera Festival. Text by the composer. Instr.: S Ct.B; boys choir; perc.pf(cel).vn.va.vc.db Score: WH32955 Parts are avilable on hire: hire@ewh.dk
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Monteverdi C. - L'orfeo - Vocal Score
Opera
[Vocal Score]
Barenreiter
Monteverdi’s opera “L’Orfeo”, based on the legend of Thracian singer Orp...
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Monteverdi’s opera “L’Orfeo”, based on the legend of Thracian singer Orpheus and his love of Eurydice, is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the “Palazzo Ducale” in Mantua. When an edition remains true to its sources, this certainly does not mean that it is not also practical to use, as is demonstrated in this Bärenreiter edition of Monteverdi’s “L’Orfeo”. Edited by Rinaldo Alessandrini, the new publication follows the Bärenreiter edition of Monteverdi’s “Il ritorno d’Ulisse in patria”. Two contemporary prints of “L’Orfeo” from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However, when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants, not only between the two editions but also amongst the eight surviving copies, are listed in the critical commentary. This edition of “L’Orfeo” offers in addition to Monteverdi’s somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should, however, feel free to follow his own judgment. The notation has been, when necessary, adapted to suit modern practice, for example with regard to the clefs. The sections that were originally written in “chiavetta” have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower. - Detailed introduction by the editor (Ital/Eng/Ger) on the work’s genesis and performance practice - Comprehensive critical commentary (Eng) in the score - Idiomatic piano reduction Edition no.: BA 8793-90 ISMN: 9790006533121 Composer / Author: Monteverdi, Claudio Title: L'Orfeo Favola in musica in one prologue and five acts Detailed instrumentation: Soprano solo (7), Tenor solo (4), Bass solo (3), Mixed choir: SSATTB, Male choir: TTBBB, Orchestra Librettist: Striggio, Alessandro (junior) Editor: Alessandrini, Rinaldo Foreword / Introduction: Alessandrini, Rinaldo Product format: Piano reduction, Urtext edition Language(s) of work: Italian Language(s) of text: German, Italian, English Publisher: Bärenreiter Binding: Paperback Print run: 1st printing 2012 Pages / Format: XIV, 143 S. - 27,0 x 19,0 cm Weight: 428 g
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Rued Langgaard: Antikrist / Antichrist - Final Version: Opera: Score
Opera
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Intermediate/advanced
Rued Langgaard Edition
Endelig Version-Antikrist / Antichrist 'Fortabelsen' (final version) - Opera in ...
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Endelig Version-Antikrist / Antichrist 'Fortabelsen' (final version) - Opera in a prologue and six scenes. Composed 1921-23 BVN 192. Instrumentation: 3S T Bar B soli + mixed choir + 4.3.3.4/4.7.7.1/2 timp/3 perc/org/str.
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Adams J. - Doctor Atomic - Voix
Opera
Schott
Opera in Two Acts / soloists, mixed choir (SATB) and orchestra
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Adams J. - A Flowering Tree - Voix
Opera
Schott
An Opera in 2 Acts / soprano, tenor, baritone, mixed choir (SATB) and orchestra
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Hector Berlioz: Beatrice et Benedict Hol. 138: Piano: Vocal Score
Opera
[Vocal Score]
Barenreiter
Beatrice et Benedict-About Beatrice et Benedict Opera-comique. By Hector Berlioz...
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Beatrice et Benedict-About Beatrice et Benedict Opera-comique. By Hector Berlioz. Edited by Hugh Macdonald. Arranged by Josef S. Durek. Text: Hector (nach Shakespeare) Berlioz. For Soprano solo (2) Mezzo-soprano-Solo Tenor solo Baritone solo Bass solo (2) Speaker (5) Mixed Choir-SSTTBB Flute (2) Oboe (2) Clarinet (b flat) (2) Bassoon (2) Horn (4) Trumpet (2) Cornet Trombone (3) Kettledrum Drums Strings. Piano Reduction/Vocal Score (paperbound). Holoman 138. Published by Baerenreiter-Ausgaben (German import). (BA5443 90)
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Rameau J.p. - Anacreon - Choeur
Opera
Barenreiter
ballet héroique en un acte Series : Opera Omnia OOR IV.25 Edition : Piano Redu...
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ballet héroique en un acte Series : Opera Omnia OOR IV.25 Edition : Piano Reduction/Vocal Score Editor : Williams, Jonathan Huw Binding : paperbound Instrumentation : Bass solo, Soprano solo, Alto solo, Alto solo, Mixed Choir, Piano
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Amadeo Vives: Amadeo Vives: Bohemios Vocal Score: Opera: Vocal Score
Español
Opera
[Sheet music]
Unión Musical Ediciones
Bohemios was based on Henry Murger’s Scènes de la vie de bohème th...
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Bohemios was based on Henry Murger’s Scènes de la vie de bohème the same source for the operas of both Puccini and Leoncavallo.At its première in 1904 the Chorus of bohemians in Bohemios received such a rapturous response from the audience that three encores were demanded. The piece was performed an average of nine hundred times per year in its first twenty years and a fully operatic version was later produced. Amadeo Vives was a composer conductor and teacher of music in Spain in the late 19th and early 20th century. He was a choirmaster of renown and composer of many serious works as well as operettas and zarzuelas of which Bohemios was one of his best works. He broughtto zarzuela a raised standard of harmony Orchestration and taste and he suffered the frustrations of people of serious ambition whose lighter works are the most beloved and remembered.
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Georg Friedrich Händel Thomas Augustine Arne: Comus: Opera: Vocal Score
Opera
[Sheet music]
Novello & Co Ltd.
The latest addition to the Novello Handel Edition. A stage work of 1745 based on...
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The latest addition to the Novello Handel Edition. A stage work of 1745 based on John Milton's classical masque Comus created from a compilation of songs by Handel and Thomas Arne both pre-existing and original with the text adapted by John Dalton. This is the first ever complete publication of the work and is edited by Handel scholar Colin Timms. This work is for three or four Sopranos Mezzo-Soprano Tenor one or two Bass Soli and Orchestra. This edition is an 'important new contribution to scholarship with Colin Timms continuing the work of Anthony Hicks in putting together an edition of work from various sources'. There are 'somefine movements to be found by both composers not least the three airs and trio that Handel provided specially for performance in Exton Hall Rutland in 1745'. Choir & Organ November/December 2017 'Potential performers will appreciatre the excellent editorial preface. The print of this vocal score with piano reduction though small is very clear and well laid-out and orchestral parts including a fully realised continuo part are available from Novello.' Organists’ Review December 2017
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Daníel Bjarnason: Brothers: Mixed Choir and Ensemble: Vocal Score
Opera
[Vocal Score]
Peters
Daníel Bjarnason?s Brothers is an opera in three acts. The 100-minute work, wit...
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Daníel Bjarnason?s Brothers is an opera in three acts. The 100-minute work, with a libretto by Kerstin Perski, is based on the screenplay of the same name by Susanne Bier and Anders Thomas Jensen. Commissioned by the Danish National Opera / Den Jyske Opera, the opera follows a miliary officer after he returns home from the war in Afghanistan, finding that his relationship with his family has changed forever. The first performance took place on 16 August 2017 at Musikhuset Aarhus. This Edition Peters product is the opera vocal score. The full score and parts are available to hire.
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Faust (GOUNOD CHARLES)
Opera
[Sheet music]
Barenreiter
Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second...
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Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version) Dialogue versions. Par GOUNOD CHARLES. Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The early versions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in a separate edition BA 8713 in 2016.) Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching and during the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire source material now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions in whose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that is rooted in the tradition of the opéra comique. Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin and Marguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”, and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed. Only in details of orchestration do other numbers differ from the well-known pieces./ Répertoire / Opéra
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Adam: Toreador Ou L'Accord Parfait: Mixed Choir: Vocal Score
Opera
[Vocal Score]
-
Advanced
Barenreiter
Inspired by models from the Commedia dell?Arte the plot is set in Seville and p...
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Inspired by models from the Commedia dell?Arte the plot is set in Seville and presents the old ?Greybeard? Don Belflor (a retired bullfighter and womanizer) his young wife Coraline and her lover Tracolin. In a highly contemporary way this leads to a three-way relationship of which everyone approves. The ?accord parfait? is a perfect triad consisting of exactly three notes. It is noticeable that the libretti of the Second Republic were no longer subject to censor.Two arias were planned for each role. As a flautist Tracolin also knows how to evoke famous melodies from the French opera repertoire in his advances. The centrepieces are the two trios.Oneof these the variation number ?Ah! vous dirai-je maman ? is the jewel of the opera: here vocal virtuosity and the comedy of the situation are combined with brilliant ease.The Vocal score is based on the first scholarly-critical edition of the opera. This appears in the series ? L'Opéra français ? edited by Paul Prévost. Here the spoken dialogue text is integrated with the music for the first time.Based on the Urtext of the new series ? L?Opéra français ?.Original French text with singing German translation.Extensive foreword (Fr/Ger/Eng).Full score (BA8701) and Vocal score (BA8701-90) available for sale and performance material available for hire.
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Giacomo Puccini: Puccini's La Bohème: Mixed Choir a Cappella: Libretto
Opera
[Libretti]
Amadeus Press
The Complete Libretto-The enticing music of Puccini's La Bohème perfectly con...
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The Complete Libretto-The enticing music of Puccini's La Bohème perfectly conveys the enchantment of new young love and the anguish that comes with loss and death. This gorgeous souvenir libretto includes extensive background notes and photos from productions staged through the years by the Metropolitan Opera.There's a reason La Bohème has been staged at the Met more often than any other Opera. The passionate and timeless story of love among impoverished young artists in Paris has a marvelous ability to make a powerful first impression (even on those new to Opera) and to reveal unexpected treasures after dozens of hearings.At firstglance La Bohème is the definitive depiction of the joys and sorrows of love and loss; on closer inspection it reveals the deep emotional significance hidden in the trivial things (a bonnet an old overcoat a chance meeting with a neighbor) that make up our everyday lives. This touching story of tenderness and tragedy never fails to move audiences and melt hearts.
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Georg Friedrich Händel: Ariodante HWV 33: Mixed Choir: Vocal Score
Opera
[Vocal Score]
Barenreiter
Opera in 3 acts; Also available for sale full score (BA4079) and performance mat...
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Opera in 3 acts; Also available for sale full score (BA4079) and performance material for hire.'Ariodante? was the first work which Handel composed for the Theatre Royal in Covent Garden after his contract with the King?s Theatre Haymarket ran out in mid-1734.?Ariodante? stands out amongst Handel?s opera works by means of its combination of excellent and challenging music coupled with a first-class plot. There is probably no other Handel opera which contains such a wealth of striking and catchy arias as are found in the first act of ? Ariodante ? alone. The three wide-ranging arias composed for thecastrato Carestini are amongst the greatest bravura pieces.The plot is based on an episode in Ariosto?s epic ? Orlando furioso ? (1516). The central event of the drama the trick with which Duke Polinesso convinces his commander Ariodante that Ginevra is unfaithful was also used by Shakespeare in ?Much Ado About Nothing?.The Vocal score is based on Donald Burrows? 2007 Urtext edition in the ?Halle Handel? Edition (Series II/32). It therefore reflects the latest in musicological research. Based on the Urtext of the Halle Handel EditionStraightforward and easy-to-play Piano reductionOriginal Italian text with German singing translation
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Georg Friedrich Händel: Tamerlano HWV 40: Mixed Choir: Score
Opera
[Sheet music]
Barenreiter
Dramma per musica in thre acts-Tamerlano HWV 18; Dramma per musica in 3 acts Han...
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Dramma per musica in thre acts-Tamerlano HWV 18; Dramma per musica in 3 acts Handel began the composition of Tamerlano one of the supreme masterpieces of Baroque opera seria on 3rd July 1724. The libretto was an adaptation by Nicola Haym of Agostino Piovene's Tamerlano Tragedia per musica which had been set to music by Francesco Gasparini and performed in Venice in 1711. When Handel dated the last page of the autograph on 4rd July the work appeared to be complete; but during the three months which passed before the premiere at the King's Theatre in the Haymarket on 31 October so many alterations and revisions were made that a fresh performing-score had to be writtern very late inthe proceedings to replace an earlier one which is now 1ost.There were twelve performances between 31 October 1724 and 8 May 1725. Handel revived the opera only once in 1731 for three performances. For this revival he marked in the performing score a number of cuts in the recitatives which are reproduced in the present edition; there is more recitative in Tamerlano than in any other Handel opera.Urtext of the Halle Handel Edition.Full score (BA4052) and vocal score (BA4052-90) available for sale Performance material (BA4052-72) available for hire
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Georg Friedrich Händel: Rodrigo Hwv5: Mixed Choir: Vocal Score
Opera
[Sheet music]
Barenreiter
“Rodrigo” was premiered in autumn 1707 in Florence and is therefore ...
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“Rodrigo” was premiered in autumn 1707 in Florence and is therefore one of Handel’s early stage works. The composer only 22 years old wrote a densely-woven musical scenario for his first opera composed in Italy. It masterfully portrays the dramatic states of mind of the protagonists surrounding the Iberian tyrant Rodrigo and the plot full of deception betrayal adultery war as well as the transformation wrought by Rodrigo’s abdication. The work was not as was long thought a commission from the Prince of Medici. Despite this “Rodrigo” seems to have been so popular thatHandel extended his stay in Italy and was able to compose several operas during the following period. In “Rodrigo” the mastery which made Handel’s succeeding opera “ Agrippina” such a success is already clearly evident. “Agrippina” consequently made Handel’s name famous throughout Europe and soon led to his first journey to London. The new vocal score is based on Volume II/2 of the “Halle Handel Edition” (BA 4083). The appendix contains the surviving variants in the versions of the first performances from Handel’s lifetime. Performance material available for hire. Based on the Urtext of the “Halle Handel Edition”. Original Italian text underlaid with German singing translation. Basso continuo and editorial additions in small print. Foreword in two languages (Ger/Eng)
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Georg Friedrich Händel: Ezio HWV 29: Mixed Choir: Vocal Score
Opera
[Sheet music]
Barenreiter
As with many other libretti by Pietro Metastasio ?Ezio? was also set to music s...
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As with many other libretti by Pietro Metastasio ?Ezio? was also set to music several times besides Handel by Nicola Porpora in 1728 and Christoph Willibald Gluck in 1750. As the historical events from late antiquity surrounding the Western Roman General Aëtius who had defeated the Huns under Attila on the Catalaunian Fields had largely fallen into oblivion by the 18th century they merely form a backdrop to the highly-dramatic ?Sex and Crime? on the operatic stage. In contrast with the original Roman story ?Ezio? remains alive at the ?happy ending? and the enthusiastic public experienced this version for the first timeon 15 January 1732 in London.However despite this the opera only received five performances during Handel?s lifetime. Handel took the overture from his incomplete opera ?Titus l?Empereur?.Performance material available for hire.Vocal score based on the Halle Handel Edition.Original Italian text with German singing translation underlaid.Figured bass realisation and editorial additions in cue-sized notes.Detailed foreword (Ger/Eng)
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Jacques Offenbach: Monsieur Choufleuri Restera Chez Lui Le...: Mixed Choir:
Opera
[Sheet music]
Bote and Bock
Opérette-Bouffe En Un Acte-An opera buffa in one act by Offenbach in Germany m...
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Opérette-Bouffe En Un Acte-An opera buffa in one act by Offenbach in Germany mainly known under the title of 'Salon Pritzelsberger' which has enjoyed continuous popularity since its world premiere in 1860 until the present day. Since original performance materials were lost after the death of the composer several numbers like the overture and the legendary Trio italien could not be reconstructed in their original instrumentation. Therefore the access to the autograph of the score granted to the editor Jean-Christophe Keck by the descendants of Offenbach was of inestimable value in order to publish this gem of opera literature in an authentic source-critical edition for the first time. In theirvariant of the 'Bourgeois Gentleman' Offenbach and his co-author the Duc de Morny President of the Ministry of Internal Affairs under Napoleon III make fun not only of the airs and graces of the nouveaux riches but also of the musical star cult of the 19th century which apparently was hardly any different from that of today?
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Juan Orrego-Salas: Widows (Viudas): Mixed Choir a Cappella: Vocal Score
Opera
[Vocal Score]
Lauren Keiser Music Publishing
Opera Vocal Score-An opera in a prologue and three acts based on the novel Wido...
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Opera Vocal Score-An opera in a prologue and three acts based on the novel Widows by Ariel Dorfman.
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Hans Abrahamsen: The Snow Queen: Mixed Choir and Ensemble: Full Score
Opera
[Score]
Wilhelm Hansen
Full Score. Vocal score in two volumes to the opera The Snow Queen, after the fa...
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Full Score. Vocal score in two volumes to the opera The Snow Queen, after the fairy tale by Hans Christian Andersen. Commissioned by The Royal Opera in Copenhagen and first performed on 13 October 2019.
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André Previn: A Streetcar Named Desire: Mixed Choir: Vocal Score
Opera
[Sheet music]
-
Advanced
Schirmer
Conductor composer and pianist André Previn continues to redefine the possibi...
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Conductor composer and pianist André Previn continues to redefine the possibilities in his extraordinary career already one of the most distinguished musicians of our time. This wonderful opera in three acts is based onthe famous play by Tennessee Williams and with the libretto by Philip Littell Previn has beautifully created music which truly evokes a sense of place and setting and reflects the fragility violence and passions of thecharacters. Available here is the piano/vocal score of Previn?s marvelous work which was commissioned by San Francisco Opera and premiered on 19th September 1998.
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Christoph Willibald Gluck: Alceste - Alkestis: Mixed Choir: Score
Opera
[Sheet music]
Barenreiter
Tragédie-opéra in three acts. Paris Version 1776.In 1774 Gluck had committed h...
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Tragédie-opéra in three acts. Paris Version 1776.In 1774 Gluck had committed himself to supplying six stage works to the Academie Royale de Musique in Paris. This job he fulfilled partially by reworking works which had already been premiered in Vienna.In the case of the Paris Alceste (1776) which Gluck had also originally composed for Vienna (1767) the composer created a completely new version which was to become the prototype of the so-called reform opera. The libretto was translated from the former Italian into French and was altered at the same time but also the music was fundamentally changed: Gluck newlycomposed the recitatives and rearranged enlarged or cut scenes.The initial rejection of the work by the audience caused him to further alter the third act for example by adding the character of Hercules as Alceste's saviour. In this form the opera finally became a big success.- Full score (BA2291) available for sale; performance material (BA2291-72) available for hire.
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Richard Wagner: Tannh?user: Mixed Choir: Vocal Score
Opera
[Sheet music]
Schirmer
Wagner completed the first version of the opera in 1845 during his tenure as Kap...
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Wagner completed the first version of the opera in 1845 during his tenure as Kapellmeister at the royal court of Dresden but he continued to redraft and revise it for the rest of his life. The setting is medieval Germany: the minstrel Tannhauser has fallen into sin with the goddess Venus but after a year in a moment of realisation he demands to leave. He finds himself near his home and is reunited with Elisabeth a girl he once loved. Elisabeth's uncle the landgrave organises a singing competition between Tannhauser and Wolfram who also loves her. Wolfram's song is simple and moving while Tannhauser confused by Venus outrages the audience by singing of profane love.He is banished to Rome on a pilgrimage to seek redemption and Elisabeth follows him with Wolfram. After much searching she gives up and dies just missing Tannhauser who Wolfram discovers creeping back to Venus the Pope having said that it was as impossible for him to be forgiven as for his staff to sprout flowers. Tannhauser sees Elisabeth and casts himself to die by her coffin and the Pope's staff bursts into bloom. This is the Schirmer edition of the Vocal Score edited and translated into English by Natalia MacFarren.
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