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PERCUSSION
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Chant (114)
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Trumpet, Piano (106)
Alto Saxophone and Piano (104)
Marching band (103)
Cello, Piano (103)
High voice, Piano (103)
Recorder (97)
Ensemble A Vent (96)
2 Violins (duet) (95)
B Flat, E Flat, C and Bass cle… (93)
Bb Instruments (89)
Piano and Orchestra (87)
Piano Trio: piano, violin, cel… (87)
Orgue, 2 Hautbois, Basson Et C… (86)
String Orchestra (86)
Accordion (86)
Jazz Ensemble (86)
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CD (56)
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Mezzo-Soprano voice, Piano (46)
Banjo (45)
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Trombone and Piano (35)
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Children choir, Piano (32)
Chant et Guitare (32)
Soprano voice, Orchestra (32)
B Flat, E Flat and C Instrumen… (32)
2 Cellos (duet) (32)
Medium voice, Piano (31)
2 Clarinets (duet) (31)
Conducteur (30)
Saxophone Ténor et Piano (30)
Violin, Cello (duet) (30)
2 Guitars (duet) (30)
Music Theory (29)
Bassoon, Piano (duet) (29)
Woodwind Quintet: flute, oboe,… (28)
Choral TTBB (28)
Cello, Orchestra (28)
Soprano voice (27)
2 Recorders (duet) (27)
Percussion (26)
Trio avec Piano (26)
Piano, Guitar (Chords) (26)
Livret (25)
Harpsichord (25)
Choral SSATB (25)
Quartette Pour Flûtes à Bec … (24)
Clavecin ou Harpe), 2 Violons … (24)
Concert band, Choral (24)
Big Note Piano (24)
Descant (Soprano) Recorder (22)
Clavier Electronique et Ligne … (22)
Pocket, Study conductor (22)
Quatuor (21)
2 Trumpets (duet) (21)
Bassoon (20)
Travaux Pour Choeurs (20)
Mandoline, Cordes et Basse Con… (20)
Diverses Formations (20)
Violin, Basso continuo (20)
2, 3 ou 4 Violons (19)
Euphonium en Clé de Fa Do ou … (18)
Low voice (18)
Solistes SATB, Choeur SATB, 2 … (18)
Guitar Tab, Voice, Bass, Drum (18)
Ensemble (18)
Bass Clef Instruments (18)
Tenor voice (17)
Flute, Cello, Piano (trio) (17)
Chanson (17)
Trompette ou Cornet, Trombone … (16)
Hautbois, Basson et Piano ou O… (16)
Flûte Traversière, Clarinett… (16)
Ensemble Mixte (16)
Vocal duet, Piano (16)
Quintette à vent (16)
Choral SSAA (16)
Guitar, Orchestra (15)
4 Voix (SATB) (15)
Tuba en Do et Piano (15)
Solistes STB, Choeur SATB, 3 C… (15)
Mezzo-Soprano voice (15)
Petit Choeur SATB/SATB, Contre… (15)
Clarinet, Cello, Piano (trio) (15)
Euphonium or Saxhorn and Piano… (15)
Piano, Guitar (duet) (15)
Trompette en Do ou et Trompett… (14)
2 Hautbois Et Orchestre (14)
Tuba (14)
Violoncello, Basso continuo (14)
Pennywhistle (14)
String Trio: 2 violins, cello (14)
2 Trombones (duet) (14)
String Quintet: 2 violins, vio… (14)
Piano, Chant et Guitare Tablat… (14)
Recorder Quartet (14)
Guitare et Musique de Chambre (13)
Violin, Viola (duet) (13)
Solistes ATB, Choeur SATB, Tro… (13)
Concert Band/Harmonie (13)
Solistes SB, Choeur SATB, 2 Tr… (13)
Tuba and Piano (13)
Flute, Basso continuo (13)
Recorder, Piano (13)
Flute, Orchestra (13)
Choral Unison (13)
Baritone voice (13)
String quintet (12)
4 Euphoniums (12)
Flute ensemble (12)
Hautbois I/II, Cor Anglais I/I… (12)
Violon I (12)
Solistes SATB, Choeur SATB, 2 … (12)
3 Euphoniums et Piano ou Clavi… (12)
2 Euphoniums et Piano ou Orgue… (12)
Violin, Guitar (duet) (12)
Clarinet Quartet: 4 clarinets (12)
Brass Quartet: 4 trombones (12)
Solo A, Choeur SATB/SATB, 2 Or… (11)
Symphonic Band (11)
Solo T et Orchestre (11)
Solistes SATB, Choeur SATB, Tr… (11)
Violon, Violoncelle, Hautbois,… (11)
Treble (Alto) Recorder, Basso … (11)
Flexible Instrumentation (11)
Double bass, Piano (duet) (11)
Paroles et CD (11)
K7 Vidéo (11)
Choral SSAATTBB (11)
High voice (11)
Percussion Ensemble (10)
Voice and Orchestra (10)
Soli and Orchestra (10)
Choeur SATB (TTBB), 2 Cors, 2 … (10)
String Quintet: 2 violins, 2 v… (10)
DVD concert (10)
Organ, Piano (duet) (10)
Saxophone (band part) (10)
Treble (Alto) Recorder (10)
Guitare et Voix (10)
Voix Mixtes (10)
Marimba (10)
Stationery (10)
Solo Instrument (Violon I, Vio… (9)
Solistes SATB, Choeur SATB, Ha… (9)
Violon I, Violon II, Alto et V… (9)
Baryton ou Tuba Basse Continue… (9)
Solo T, 2 Violons et Basse Con… (9)
Solistes SATB, SATB et Orchest… (9)
Trombone or Euphonium (9)
Solistes SB, Choeur SATB, Haut… (9)
Trio (9)
Saxhorn and Piano (9)
5 A 9 Instruments A Vent (9)
Voix et Orchestre (9)
Chorale (9)
Big band (9)
Biography (9)
Clavecin (9)
Descent (Soprano) Recorder, Pi… (9)
Ensemble A 4 Parties (9)
Piano Quintet: piano, violin, … (9)
5 Part Ensemble (9)
Trio à Cordes (8)
Woodwind Quintet (8)
Clarinet Quintet: Clarinet, St… (8)
Solistes, Div. Instruments à … (8)
Percussions (8)
Double bass, Orchestra (8)
Soli (SATB), Choeur Mixte (SAT… (8)
Ocarina (8)
Recorder Ensemble (8)
Trompette ou Cornet, Euphonium… (8)
Violon I, Violon II, Alto, Vio… (8)
Quatuor à Cordes et Guitare (8)
Ensembles de Cordes et Piano (8)
Quatuor à Cordes et Narrateur… (8)
2 Violons, Violoncelle, 2 Haut… (8)
3 Violons et Violoncelle (8)
3 Violons, Alto et Violoncelle… (8)
Children choir (8)
Violon Principal, 2 Violons, 2… (8)
Quartette Pour Flûtes Travers… (8)
Tenor Saxophone and Piano (8)
2 Violins, Piano (8)
Flûte à Bec et Piano (8)
2 Violins and Basso (8)
Solo B, 4 Trombones (2 Trombon… (8)
2 Cornets, Cor en Mib et Tuba (8)
Oboe, Violin, Viola and Violon… (8)
Petit Orchestre: Récitant, So… (8)
Trompette ou Cornet, Cor en Mi… (8)
4 Guitars (Quartet) (8)
Scores (8)
Ensemble à Cordes (7)
3 Parties Mixtes, Flûte A Bec… (7)
Mandoline Et Orchestre (Mandol… (7)
Solistes SSA, Choeur SSA, 2 Vi… (7)
Choeur Mixte, Ensemble de Cham… (7)
Flûte Traversière, Violon, I… (7)
Balalaïka Et Piano (7)
Voix Seule (7)
2 Hautbois, 2 Cors Et 2 Basson… (7)
3 Recorders (trio) (7)
Lyrics only (7)
Ensemble Instrumental (7)
Guitar and Bass Tablatures, Ch… (7)
Choeur (Unisson), Voix Hautes … (7)
Orgue (Ou Harpe), 2 Flûtes Tr… (7)
Saxophone ensemble (7)
DVD (7)
Parties (7)
Fake Book (7)
Clavier ou Orgue Electronique (7)
Flute, Clarinet (duet) (7)
Orchester (7)
Clarinet, Orchestra (7)
Double Choeur Mixte, Soprano e… (6)
S, A, A, T, B, Choeur Mixte A … (6)
Euphonium ou Saxhorn Solo (6)
Flûte Traversière (Ou Hautbo… (6)
Batterie-Fanfare (6)
Euphonium ou Saxhorn en Clé d… (6)
Piano/Vocal/Guitare (PVG) (6)
Solistes ST, Violon, (Cornet … (6)
2 Bassons et Piano ou Orgue (6)
Trumpet, Trombone (duet) (6)
Parties Supplémentaires (6)
Horn and Orchestra (6)
2 Flutes, Piano (6)
Baritone Saxophone (6)
2 Saxophones Alto et Piano ou … (6)
Orchestre A Cordes Et Instrume… (6)
Solistes STB, Choeur SATB, (Ba… (6)
Edition Complète (6)
Solo Bar (Ms), Hautbois Da Cac… (6)
Viola and orchestra (6)
Bass Clarinet (6)
Flute Quartet: 4 flutes (6)
Book (6)
Voix Haute (6)
Trombone (band part) (6)
Voix, Flûte à Bec et Percuss… (6)
3 Clarinets (trio) (6)
Harp, Orchestra (6)
Voix et Instruments Divers (6)
Musical Awakening (6)
Octuor A Vent (6)
Clarinette, Viola and Piano (t… (6)
2 Clarinets, Piano (6)
Partition de Poche (6)
Saxhorn Basse en Sib et Piano (6)
Violin, Horn and Piano (6)
Solo A, 2 Flûtes Traversière… (6)
Lute (6)
Dulcimer (6)
5 Recorders (6)
Mandoline et Orchestre (Mandol… (5)
Cello, Organ (5)
Exemplaire Complet (5)
Balalaika (5)
Choeur SATB, 2 Hautbois, 2 Cla… (5)
Cornet and Piano (5)
Clarinette et Quatuor à Corde… (5)
Partie Séparée (5)
Solo A, Violon, Dulcian (Tromb… (5)
Conga (5)
Solo B, 2 Flûtes à Bec, (2 V… (5)
Choeur SS (SA), 2 Violons et B… (5)
2 Cellos, Piano (5)
Cuivres (4) (5)
Choeur De Femmes (SSA), 2 Cors… (5)
Solistes SA (TBar), Choeur SS … (5)
Ligne Mélodique/Instruments D… (5)
Solo S, 2 Violons et Basse Con… (5)
Petit Ensemble Contemporain (5)
Soprano et Quatuor à Cordes (5)
3 Saxophones (trio) (5)
Soprano (5)
Solo B et Orchestre (5)
Edition Critique des oeuvres d… (5)
Clarinet Ensemble (5)
Saxophone Quintet: 5 Saxophone… (5)
Solo S (T), 2 Violons et Basse… (5)
2 Trumpets, Keyboard (piano or… (5)
Guitar Ensemble (5)
Descant (Soprano) Recorder, Ba… (5)
Violon, 2 Violons 'Per Eco' et… (5)
Piano, Bass, Drums (trio) (5)
Choeur d'Enfants à 1 Partie, … (5)
Accessoire (5)
Treble (Alto) Recorder, Piano (5)
Choral, Organ (5)
Melody line, Piano (5)
Flûte Traversière, Clarinett… (5)
Lyrics & Chords (5)
Flute Trio: 3 flutes (5)
Choeur de Femmes (5)
Voix, Piano (5)
Flûte Traversière, Clarinett… (4)
Clarinette, Saxophone, Trompet… (4)
Trompette Sib 1 Cor en Fa 1 Tr… (4)
Trumpet, Horn and Piano (4)
3 Cornets (4)
3 Trombones et Piano ou Orgue (4)
Viol et Basse Continue (4)
2 Flûtes Traversières et Vio… (4)
Flûte Traversière, Clarinett… (4)
Flûte à Bec, Ténor/Bassgamb… (4)
Flûte Traversière (Ney), Sop… (4)
Violon, Viole et Basse Continu… (4)
Guitare, Violon, Mandoline, ba… (4)
2 Flûtes Traversières ou Fl… (4)
Cello, String Bass (duet) (4)
4 Voix (SSAB) (4)
Flûte Traversière, Violoncel… (4)
Flûte Traversière, Hautbois,… (4)
Trombone and Orchestra (4)
Soprano, Violon I, Violon II e… (4)
Orchestre Scolaire (Piano Ad L… (4)
Euphonium (4)
Flûte Traversière Basse, Ele… (4)
Flûte Traversière, Violons I… (4)
3 Clarinettes et Piano ou Orgu… (4)
Flûte Traversière Hautbois, … (4)
Flûte Traversière, Clarinett… (4)
2 Instruments A Cordes (Ou Fl… (4)
Batterie et Percussions (4)
String Quintet : 2 Violins, Vi… (4)
Violon, Alto, Violoncelle et C… (4)
Hautbois et Harpe (4)
Hautbois, Clarinette, Piano, V… (4)
Duo d'Instruments à Cordes (4)
Orchestre De Chambre (4)
Brass Quartet (4)
Saxophone and Organ (4)
Voix, Flûte à Bec et Basse C… (4)
Hautbois ou Flûte Traversièr… (4)
2 Cornets et Piano ou Orgue (4)
Pop music (4)
Solistes STB, Choeur SATB, ou … (4)
Flûte Traversière, Alto et V… (4)
Clavecin (Ou Piano), 2 Violons… (4)
2 Trombones et Piano ou Orgue (4)
Clarinette, 2 Violons, Alto et… (4)
2 Euphoniums et Piano (4)
Clarinet (band part) (4)
Musique de Chambre (Fac-simil… (4)
Contrebasse (Partie séparée)… (4)
Piano 4 Mains, Clarinette, Sax… (4)
Musical (4)
Flûte Traversière (Piccolo),… (4)
Vocal duet (4)
Ensembles de Cordes (4)
Clarinette, Basson, Cor, 2 Vio… (4)
Orgue, Timbales et Percussions… (4)
Septuor et Dispositif Electroa… (4)
Flûte Traversière, Clarinett… (4)
Récitant, Choeur 1 à 5 Voix … (4)
String Quartet (4)
2 Violons, Violoncelle et Pian… (4)
Trompette ou Cornet, Cor en Mi… (4)
4-8 Instruments à Cordes (4)
Flûte Traversière, Accordéo… (4)
Trompette Sib 1 Cor en Fa 1 Tr… (4)
Musique de chambre (4)
Trompette et Réduction pour P… (4)
Orchestre de Chambre Spatialis… (4)
Clavecin Et Instruments A Cord… (4)
Flûte Traversière, Violon, V… (4)
Violon, Orgue, Cordes et Basse… (4)
Quintette à vent et Percussio… (4)
Clarinette et 4 Violoncelles (4)
Oboe and Orchestra (4)
2 Trompettes (duo) (4)
Instruments A Vent (4)
2 Violons, Alto et Basse (4)
2 Saxophones Ténor et Piano o… (4)
Guitar, String Quartet (4)
Flûte Traversière, Violon, A… (4)
Flûte Traversière et Trio à… (4)
Flûte Traversière ou Hautboi… (4)
4 Saxophones (Soprano, Alto, T… (4)
Flute, Violin, Cello and Piano… (4)
Piano, 2 Violons, Alto, Violon… (4)
Trumpet (band part) (4)
4 Violons, 2 Altos, Violoncell… (4)
Piano Quartet: piano, 2 violin… (4)
Flûte à Bec Alto, 2 Flûtes … (4)
Violoncelle (Partie Séparée)… (4)
Flûte à Bec (Alto ou Soprano… (4)
Flûte Traversière, Alto et H… (4)
Clarinette en Sib et Trio de C… (4)
Contrebasse, Orchestre à Cord… (4)
3 Saxophones (Alto, Ténor) et… (4)
Violon, Clarinette (Alto) et O… (4)
Viola, Organ (4)
4 Clarinettes et Piano ou Orgu… (4)
Flûte à Bec Alto et Basse Co… (4)
Trombone, Organ (4)
5 Voix (SSATB), 2 Violons et B… (4)
Harp, Cello (duet) (4)
Saxophone Alto Solo (4)
Flûte Traversière I (Aussi A… (4)
Flûte Traversière Violon et … (4)
Double Quintette de Bois et Co… (4)
Flûte, Violon, Alto et Violon… (4)
Violons I et II, Alto ou Violo… (4)
Trompette Solo (4)
Guitare, Flûte Traversière V… (4)
Clarinette, Cor, Trio Pour Cor… (4)
Flûte Traversière, Clarinett… (4)
Flûte à Bec Alto ou Flûte T… (4)
3 Trombones (trio) (4)
2 Cors et Piano ou Orgue (4)
Saxophone Alto, Saxophone Tén… (4)
Flûte Traversière et Piccolo… (4)
Harpe, Violon et Violoncelle A… (4)
Violoncelle, Harpe et Timbales… (4)
Vibraphone (4)
Clarinette, Violoncelle, Percu… (4)
Hautbois, Basson et Piano (4)
Flute Quartet: Flute, Violin, … (4)
Ensemble Moyen Contemporain (4)
Sextuor à Cordes et Quintette… (4)
3 Flûtes Traversières et Pia… (4)
Choeur De Femmes (SSA) A Cappe… (4)
Flûte Traversière Alto, Clar… (4)
Snare drums (4)
2 Violoncelles et Basse Contin… (4)
Cor, Trombone et Piano (4)
2 Trompettes ou Cornets et Cor… (4)
Flûte Traversière, Alto, Tro… (4)
Mandoline I, Mandoline II, Man… (4)
Archet (4)
SAM a Cappella (4)
Orchestre à Cordes et Basse C… (4)
Guitare Electrique (4)
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Clarinette en A, Flûte Traver… (4)
Harpsychord (4)
Piano, Clavier ou Orgue (4)
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Voix et Brass Band (4)
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Voix, Instruments (4)
Clarinette (4)
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Bassoon, Orchestra (4)
Cor en Fa Solo (4)
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Opéra (4)
Ensemble De Violon (3)
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2 Trombones, Piano (3)
Quatuor A Cordes Et Piano (3)
Soprano Solo (3)
Electronique (3)
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Flute, Viola and harp (3)
Soprano voice, Organ (3)
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Saxhorn Basse, Euphonium ou Tu… (3)
Ensemble de Violons (4 Parties… (3)
Baryton et Quatuor à Cordes (3)
Choeur A L'Unisson Et Orgue (3)
2 Flûtes Traversières, Instr… (3)
2 Saxophones, Piano (3)
2 French horns (duet) (3)
Flute, Clarinet, Piano (trio) (3)
Piccolo, Piano (3)
Violon 1 (3)
Trumpet, Orchestra (3)
Recorder, Bass Continuo (3)
Soprano Et Instruments Divers (3)
Choeur Mixte Et 8 Instruments … (3)
3 Saxhorns (3)
Petit Choeur SATB et Orgue (3)
4 Cellos (3)
Trombone Ou Tuba (3)
Orgue et Orchestre (3)
Alto voice, Piano (3)
String Quartet : 4 violas (3)
Tuba Basse Solo (3)
Choeur De Femmes Et Orgue (3)
Nursery rhyme (3)
Narrateur, Choeur D'Hommes (TT… (3)
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Symphony F Major Hob. I:89
Orchestra
Barenreiter
Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the...
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Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the 'Paris? symphonies (Hob. I:82-87) and their 'London? counterparts (Hob. I: 93-104) - the last ones he wrote before his trips to England in 1791-92 and 1794-95. The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece, possibly owing to deadline pressure. The second and fourth movements are arrangements of movements 2 and 3 from his Concerto in F major Hob. VIIh:5 for two 'lire organizzate? and orchestra. The fact that he also arranged movements from his other lire concertos suggests that he regarded them as a sort of musical quarry. This at least allowed him to recycle parts of these works after his patron had probably prohibited him from offering them commercially.This edition continues the collaboration with the Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies. It is based on the Henle Complete Edition of the 'Works of Joseph Haydn?. The complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies is now available from Bärenreiter. o Based on the Henle Complete Edition of the 'Works of Joseph Haydn?o Orchestral parts in a large format (25.5 x 32.5 cm) / Orchestre
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The Horses Of Saint Mark (ZEBELJAN I)
Orchestra
[Score]
Ricordi
An Illumination For Orchestra - Partitura. Par ZEBELJAN I.. An Illumination For ...
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An Illumination For Orchestra - Partitura. Par ZEBELJAN I.. An Illumination For Orchestra - Partitura / Musique contemporaine / Date parution : 1905-06-28/ Répertoire / Orchestre
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Symphony Nr. 91 E-Flat Major Hob. I:91
Orchestra
Barenreiter
This four-movement work with a slow introduction is Haydn's last symphony for 's...
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This four-movement work with a slow introduction is Haydn's last symphony for 'small' orchestra, i.e. without trumpets and timpani.However it has long passages for solo violoncello and is also scored for two bassoons.The editor of this edition recommends a performance with low horns (additionally included in the wind set) to prevent the musical character of the 'Andante? from being compromised by the predominantly high registers.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large choral works, operas and symphonies, this edition is appearing, based on the Henle Complete Edition of the 'Works of Joseph Haydn?.The complete performance material for several of Haydn's 'Sturm und Drang? symphonies and all the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the 'Works of Joseph Haydn?- Orchestral parts in a large format (25.5 × 32.5 cm) / Conducteur
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Symphony No. 79 In F Major Hob. I:79 (HAYDN FRANZ JOSEF)
Orchestra
[Sheet music]
Barenreiter
Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 80 and 81, Haydn's Symphony in...
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Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 80 and 81, Haydn's Symphony in F major Hob. I:79 belongs to a group of works that he composed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy who wished to be entertained with new music. The symphonies were tailored for the twenty-five to thirty musicians who were in the prince's court orchestra. Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn”. Bärenreiter has already published the complete performance material for several 'Sturm und Drang” symphonies and all the Paris and London symphonies. / Date parution : 2019-06-20/ Répertoire / Orchestre
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Symphony In D Minor Hob. I:80 (HAYDN FRANZ JOSEF)
Orchestra
[Sheet music]
Barenreiter
Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 79 and 81, Haydn's D-minor Sym...
(+)
Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 79 and 81, Haydn's D-minor Symphony Hob. I:80 belongs to a set of symphonies that he completed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy, his task being to entertain the prince with new music. The symphonies had to be suitable for the twenty-five to thirty musicians who were in the prince's orchestra. Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn”. Bärenreiter has already published the complete performance material for several 'Sturm und Drang” symphonies and all the London and Paris symphonies./ Répertoire / Orchestre
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Concerto For Orchestra
Orchestra
Schott Music Ltd., London
Mon Concerto pour orchestre (2007) est une oeuvre de vingt minutes dans laquelle...
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Mon Concerto pour orchestre (2007) est une oeuvre de vingt minutes dans laquelle les différentes sections de l'orchestre, ainsi que différents solos et duos du sein de l'orchestre, sont mis en évidence que la musique se déploie. Le travail continue mon intérêt pour les formes à deux mouvement qui a commencé avec mon Concerto pour violoncelle (1991), et plus tard a été développé dans Sortilège (1996) et la Symphonie (Broken Consort) (2004). Dans ces oeuvres, et dans le Concerto pour orchestre, chaque mouvement est le même poids et de l'importance avec le second développement de matériel plus tôt et prendre de nouvelles directions.La forme en deux mouvements du Concerto pour orchestre vient d'une structure symphonique sonate, remodeler la forme en quatre mouvements traditionnels et en combinant cela avec les aspects de la forme sonate, une tradition qui remonte à Liszt, Schoenberg et Sibelius:1er mouvement (i) l'exposition d'idées - dramatique et soudaine (ii) scherzo et développement 1 - résolue2ème mouvement (iii) adagio - calme et tranquille (iv) le développement 2 avec récapitulation - intense et énergiqueLe Concerto pour orchestre a été commandée par le Musikalische Akademie des Nationaltheatre-Orchesters Mannheim avec le soutien de Die Landesbank Baden-Württemberg pour ses deux premières représentations le 31 Mars et 1er Avril 2008 réalisée par Friedemann Layer. La partition est dédiée à l'amitié et l'admiration pour Ronald Zollman. / Orchestre
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Symphony No.52 in C minor Hob.I:52 (HAYDN JOSEPH)
Orchestra
[Score]
Barenreiter
Par HAYDN JOSEPH. Only eleven of the over one hundred symphonies by Joseph Haydn...
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Par HAYDN JOSEPH. Only eleven of the over one hundred symphonies by Joseph Haydn are composed in a minor key. Written in the early 1770s, the Symphony Hob.I:52 in C minor bears some similarities to the slightly earlier Symphony in E minor Hob.I:44 (?Mourning?, BA 10988), not only because they both are composed in a minor key but also because they both feature a pair of horns tuned at different pitches. Haydn seems to have experimented with differently tuned horns inspired by an article in Johann Adam Hiller?s journal ?Musikalische Nachrichten und Anmerkungen? of July 1770, which suggested to tune the horns a minor third apart in order to expand the total horn range. While Haydn followed this recommendation just like that in the E-minor symphony, he chose to have the horns tuned a major sixth apart (high C and E-flat) in the outer movements of the C-minor symphony Hob. I:52, resulting in an unusual horn sound within the orchestral texture. In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition ?Joseph Haydn Works? published by G. Henle Verlag. - Urtext of the Complete Edition ?Joseph Haydn Works? published by G. Henle Verlag - Orchestral parts in a large format (25.5 cm x 32.5 cm) / Date parution : 2022-11-08/ Répertoire / Orchestre
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Symphony G Major Hob. I:81 (HAYDN FRANZ JOSEF)
Orchestra
[Sheet music]
Barenreiter
Hob I:81. Par HAYDN FRANZ JOSEF. Haydn' s Symphony in G major Hob. I:81 comes fr...
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Hob I:81. Par HAYDN FRANZ JOSEF. Haydn' s Symphony in G major Hob. I:81 comes from a series of three symphonies completed in late 1784 (nos. 81, 80 and 79, presumably in that order). No autograph score survives for Hob. I:81, thus our Urtext edition is based on copyists' manuscripts and first editions. As with so many of his symphonies, Haydn wrote this one to provide new music for his employer, Prince Nikolaus Esterházy. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn' s large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has now published the complete performance material for several Sturm und Drang symphonies and all the London and Paris symphonies (Nos. 81 to 104). - Based on the G. Henle Complete Edition of the Works of Joseph Haydn - Orchestral parts in a large format (25.5 x 32.5 cm)/ Répertoire / Orchestre
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Symphony C Major Hob. I:90
Orchestra
Barenreiter
Haydns Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs to a...
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Haydns Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82-87) and the London symphonies (Hob. I: 93-104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791-92 and 1794-95. Continuing the collaboration between Barenreiter and the G. Henle publishing company regarding Haydns large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90, Barenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 as well as several Sturm und Drang symphonies. / Orchestre
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Symphonies 1780/81 (HAYDN FRANZ JOSEF)
Orchestra
G. Henle
Edition complète avec commentaire critique, reliure paperback, Reihe I, Band 10...
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Edition complète avec commentaire critique, reliure paperback, Reihe I, Band 10. Par HAYDN FRANZ JOSEF. / Répertoire / Orchestre
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La Mer
Orchestra
[Part]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
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'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Violon I
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Symphonies 1780/81 (HAYDN FRANZ JOSEF)
Orchestra
G. Henle
Edition complète avec commentaire critique, reliure lin, Reihe I, Band 10. Par ...
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Edition complète avec commentaire critique, reliure lin, Reihe I, Band 10. Par HAYDN FRANZ JOSEF. / Répertoire / Orchestre
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La Mer
Orchestra
[Score]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
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'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Ensemble A Vent
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Symphony G Major Hob. I:81 Violon 2 (HAYDN FRANZ JOSEF)
Orchestra
[Sheet music]
Barenreiter
Hob I:81. Par HAYDN FRANZ JOSEF. / Répertoire / Violon (Partie Séparée)
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La Mer
Orchestra
[Part]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Contrebasse
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Symphony G Major Hob. I:81 Violon 1 (HAYDN FRANZ JOSEF)
Orchestra
[Sheet music]
Barenreiter
Hob I:81. Par HAYDN FRANZ JOSEF. / Répertoire / Violon (Partie Séparée)
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Symphonie 07 (HENZE HANS WERNER)
Orchestra
[Score]
Schott
Par HENZE HANS WERNER. In this work, I had wanted completely to submit to the tr...
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Par HENZE HANS WERNER. In this work, I had wanted completely to submit to the traditional rules of the classical symphony so as to mould my musical expression as if in a furnace and enable it to reach the listener as directly and clearly as possible. The first movement is a kind of German dance, an Allemande, so to speak; the second one a Lied. The third, in strict scherzo-form, is a representation of the sufferings of the German poet Friedrich Hölderlin, in Dr. Autenriedth's mental institution in Tübingen. The last movement is a setting of Hölderlin's poem 'Half of Live'. - Hans Werner Henze/ Répertoire / Orchestre
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Ouvertüre Nr. 7 G-Dur (MUFFAT GEORG)
Orchestra
Doblinger
Constantia. Par MUFFAT GEORG. Aus , , Florilegium I” / Date parution : 1695-01...
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Constantia. Par MUFFAT GEORG. Aus , , Florilegium I” / Date parution : 1695-01-01/ Répertoire / Orchestre
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La Mer
Orchestra
[Part]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Alto
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La Mer
Orchestra
[Score and Parts]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
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'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Orchestre
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Etudes D'Orchestre Pour Basson: Mozart, Opéras Vol.I (PIESK)
Orchestra
[Sheet music]
Zimmermann
Mozart: Opern I. Par PIESK. / Répertoire / Orchestre
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London Symphony No.12 -D Major Hob.I:104 (JOSEF STOIBER FRANZ)
Orchestra
Barenreiter
Par JOSEF STOIBER FRANZ. About London Symphony No. 12Urtext of the Haydn Complet...
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Par JOSEF STOIBER FRANZ. About London Symphony No. 12Urtext of the Haydn Complete Edition. By Franz Joseph Haydn. Edited by Hubert Unverricht. For Flute (2), Oboe (2), Clarinet (b flat) (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum. Score; Urtext Edition (paperbound). Hob. I:104. Duration 40'. Published by Baerenreiter-Ausgaben (German import). (BA4668 01) ISBN M006498253./ Répertoire / Orchestre
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Nachtigall-Polka (Française) (I / 13 / 13) Op. 222
Orchestra
Doblinger
I/13/13. Par STRAUSS JOHANN (FILS). grOrch/ Répertoire / Orchestre
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Scenas Picaras (ZEBELJAN I)
Orchestra
[Score]
Ricordi
Sinfonia In Tre Movimenti - Partitura. Par ZEBELJAN I.. Sinfonia In Tre Moviment...
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Sinfonia In Tre Movimenti - Partitura. Par ZEBELJAN I.. Sinfonia In Tre Movimenti - Partitura / Musique contemporaine / Date parution : 1905-06-30/ Répertoire / Orchestre
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Haydn J. - Sinfonie D-dur Hob. I:104 - Score
Orchestra
[Study Score / Miniature]
G. Henle
Joseph Haydn Symphonie en Ré majeur Hob. I:104 (Symphonie de Londres) Hubert U...
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Joseph Haydn Symphonie en Ré majeur Hob. I:104 (Symphonie de Londres) Hubert Unverricht (Editeur) Ulrich Wilker (Préface) Edition Urtext, Studien-Edition (partition de poche), reliure paperback Les douze «Symphonies de Londres» constituent le sublime accord final dans l??uvre symphonique de Haydn. Elles furent composées pour l?impresario londonien Johann Peter Salomon, et Haydn lui-même en dirigea les créations alors qu?il demeurait pour un certain temps dans la métropole anglaise dans les années 1791-92 et 1794-95. La Symphonie n° 96 en Ré majeur de 1791 fait partie des premières symphonies conçues à Londres, pour Londres. Elle a été postérieurement surnommée «Le miracle», mais ce surnom lui a été affecté par erreur car si un miracle a bien eu lieu, épargnant les auditeurs lors de la chute d?un lourd candélabre sans que personne de l?assistance ne fût blessé, ce fut à l?occasion d?un concert où était jouée une autre symphonie de Haydn. Elle n?en reste pas moins un miracle d?esprit musical: du raffinement des rapports harmoniques des motifs en accords parfaits par lesquels commence chacun des quatre mouvements, jusqu?aux changements d?atmosphère virtuoses résultant de surprenantes modulations harmoniques, Haydn livre ici une véritable parade démonstrative du développement de ses idées musicales. L?édition d?étude reprend le texte de l?édition complète des ?uvres de Haydn, garantissant ainsi la plus haute qualité scientifique. Une préface informative et un bref commentaire critique font de cette partition en format maniable un accompagnateur idéal pour tous les fans de Haydn, ainsi que tous ceux qui souhaitent le devenir.
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La Mer
Orchestra
[Part]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
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'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Violon II
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Fraternité (HENZE HANS WERNER)
Orchestra
[Study Score / Miniature]
Schott
Air pour l'orchestre. Par HENZE HANS WERNER. In October of 1997, I received an i...
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Air pour l'orchestre. Par HENZE HANS WERNER. In October of 1997, I received an invitation from New York Philharmonic Music Director Kurt Masur asking me to contribute a musical message for the coming millennium. Maestro Masur's letter read 'My dream would be to have you provide us with a work lasting from 10 to 15 minutes that could both stand on its own or perhaps be combined with musical messages with other composers which we might compile for a full evening's concert.' I welcomed the opportunity to bring one of six unique perspectives to this collective exploration of the meanings of the new millennium, and it is my hope that the Multi-Arts Production Fund will chose to support the New York Philharmonic's 'Messages for the Millennium' project. My Millennium Message, Fraternité, Air for Orchestra, can best be described as a quiet and placid work in which all the instruments of the orchestra are as one ... and sing in praise of harmony and peace. - Hans Werner Henze/ Répertoire / Orchestre
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No other people (BARRY GERALD)
Orchestra
[Study Score / Miniature]
Schott
for orchestra. Par BARRY GERALD. 'The title, No other people., is taken from Ray...
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for orchestra. Par BARRY GERALD. 'The title, No other people., is taken from Raymond Roussel's New Impressions of Africa, a fifty-nine page poem which took him fifteen years to write - a length of time mainly caused by his tortuous compositional methods. In Roussel, sentences are broken down in maze-like ways, often producing others which relate to the sound of the original. I'm not aware of any direct, illustrative connection between the music of No other people. and Roussel's book. But I was very struck by the everydayness of Zo's drawings. There is something poignant in his not knowing what he was illustrating. Like the drawings of a blind person. Their banality takes on a mysteriousness by being placed by Roussel in his book, seeming to illustrate bizarre events unknown to Zo. They are impersonal, the people in them unaware that they lead another life in a poem of which they know nothing. Something of this is in the music.' Gerald Barry, 2009/ Répertoire / Orchestre
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Sinfonia Concertante In Es Für Violine, Viola Und Orchester (MOZART WOLFGANG AMADEUS)
Orchestra
[Sheet music]
Barenreiter
for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no refere...
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for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no reference to the origin, occasion or a performance of the Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn, 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ; Symphonie concertante his special attention. On April 5, 1778, he wrote to his father: ; Now I shall write a sinfonie concertante for flute wendling, oboe Ramm, Punto horn, and Ritter bassoon. Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels, Le Gros, contrary to his promise, did not include the mentioned ; sinfonie concertante in his program. Mozart had no reason to compose any more for this genre in Paris. After Mozart's return to Salzburg, he might have been eager to introduce the new genre there, especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time. - Urtext of the New Mozart Edition - Full score & parts (BA4900), study score format 22. 5 x 16. 5cm (TP176), violin, viola and piano reduction (BA4900-90) available for sale/ Répertoire / Orchestre
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Symphony No. 3 Op. 78 (SAINT-SAENS CAMILLE)
Orchestra
[Score]
-
Intermediate/advanced
Barenreiter
Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] ...
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Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth, this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London, where itreceived its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of “Camille Saint-Saëns - Complete Edition of the Instrumental Works”. This performing Urtext edition is based on volume BA 10303 from that series. - First scholarly-critical edition of this famous symphony based on “Camille Saint-Saëns – Complete Edition of the Instrumental Works”- Now with separate parts for all winds- Orchestral parts in a large format (25. 5 cm x 32. 5 cm) ; In this work I gave everything I had to give. [… ] What I did here I will never do again. Camille Saint-Saë ns was justifiably proud of his Symphony No. 3 in C minor Op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called ; Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marksthe launch of a large-scale project: the publication of Camille Saint-Saë ns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saë ns & Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25. 5 cm x 32. 5 cm) / Niveau : 5 / Répertoire / Orchestre
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