The orchestral score was completed on February 6 1996 and was later transcribed for band accompaniment by Mark Rogers and tuba with piano by Yukiko Nishimura.

Symphony No. 6 'At The End Of Day' (1997-99) for Orchestra by Per NørgÃ¥rd. Programme note: ”… with the Lord a day is like a thousand years and a thousand years is like a day”  (New Testament 2 Peter 3:8)  My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra the Göteborg Symphony Orchestra and the Oslo Philharmonic Orchestra to be premiered at the millenium 2000.  The subtitle AT THE END OF THE DAY can be understood literally or it can mean “when all is added up”. However in my opinion nothing ever quite adds up there is always “something” missing any ending will be provisional ...  This symphony appears to end only a few minutes into the first movement the first passage as the music fades away to almost-silence after a start of flying colours. But then there is still “something” a small motive (first heard in the initial sound-waves) which reappears hesitant but persistent and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next until all the voices become obsessed with the same phrase a see-saw motive based on thirds. This section evolves into almost martial ferocity when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony emplyoing instruments that I have never used before: double-bass tuba double-bass trombone double-bass clarinet and bass flute).  The second movement the second passage apparently takes off where the first passage ended but now the events are more ambiguous and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia the characteristic baroque bass-variation.  Without a break follows the third and last passage in a

Orchestral & Instrumental Carol & Hymn Accompaniments-Scoring for the 5-part arrangement is: 2 trumpets in B flat horn in F trombone tuba and optional percussion. Scoring for the 8-part arrangement is: 4 trumpets in B flat 3 trombones tuba and optional percussion. Organ parts and scores of the fanfares are included in the sets.

The Harry Potter Symphonic Suite arranged for full orchestra by Jerry Brubaker. This medley based on the endearing themes from the box office smash hit Harry Potter and the Sorcerer's Stone weaves the vivid imagery of the film with varied textures to produce a work that will be loved by all. Wonderful symphonic literature certain to be a hit on any concert program. Duration 7:20. Score and all parts. 1 Conductor 1 1st C Flute/C Piccolo (Alto Flute Opt. Recorder) 1 2nd C Flute (Opt. Recorder) 2 Oboe (English Horn) 1 1st Bb Clarinet 1 2nd Bb Clarinet 1 Bb Bass Clarinet 2 Bassoons 1 1st Horn In F 1 2ndHorn In F 1 3rd Horn In F 1 4th Horn In F 1 1st Bb Trumpet 1 2nd Bb Trumpet 1 3rd Bb Trumpet 1 1st Trombone 1 2nd Trombone 1 3rd Trombone 1 Tuba 4 Percussion 1 (Orchestra Bells Xylophone Antique Bells Marimba Glockenspiel) 1 Percussion 2 (Hand Drums Antique Bells Timpani) 4 Percussion 3 (Vibraphone Chimes Small Tuned Drums Tambourine Snare Drum Suspended Cymbal) 4 Percussion 4 (Suspended Cymbal Small Tambourine Small Triangle Tam-Tam Bass Drum Crash Cymbals) 1 Celeste 1 Harp 8 1st Violin 8 2nd Violin 5 Viola 5 Cello 5 String Bass

Listing for Viola Part only.Orchestration: 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Snare drum Strings (Violin 1 Violin 2 Viola Cello Bass)Peter Warlock wrote the Capriol Suite for Piano duet. He also produced a version for string orchestra and both were published in 1926. Two years later in 1928 he made this arrangement for full orchestra. This new edition corrects a few minor errors that were present in the 1928 edition published by Curwen and also shows the trumpets in Bb; they were shown in C originally. The six movements which are based on sixteenth century dance tunes are:- Basse-Danse Pavane Tordion Bransles Pieds-en-l´air Mattachins.

Jack Mason's showcase features six songs skillfully scored for school orchestra. This set from Bernstein's timeless West Side Story contains score and seperate parts for Flute I Flute II Piccolo Oboe I Oboe II English Horn Clarinet in B I Clarinet in B II Bassoon I Bassoon II Alto-Sax I Alto-Sax II Tenor-Sax. Baritone-Sax F-Horn I-IV Trompete I-III Posaune I-III Tuba 3 Timpani-Percussion Harp 8 Violin I 8 Violin II 4 Viola 4 Cello and 4 Double Bass.

Orchestration:2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F (or Horns/Saxophones in Eb) 2 Trumpets in Bb 3 Trombones Tuba Timpani Percussion (Side drum Glockenspiel [1 player]) Strings (Violin 1 Violin 2 Viola or Violin 3 Cello Double Bass)The famous Rule Britannia in a new arrangement by Nigel Wicken. Each verse features different sections of the orchestra. The final part has the benefit of some interesting harmonies more 'Wicken' than 'Arne'. Although no voice part is scored it is quite possible for the audience to join in at the traditional moments! The Violin 3 part is a treble clef version of the Viola partexcept for a few out-of-range notes.Duration: 4 minutes.

Aulis Sallinen’s Symphony No.7 is related to J.R.R. Tolkien’s great novel 'The Lord of the Rings.' The symphony does not actually depict the events in the novel; rather it is a musical expression of the literary atmosphere and poetry. The symphony was commissioned by the Gothenburg Symphony Orchestra and composed in 1995-6. Orchestration: 3 Flutes 3 Oboes 3 Clarinets in B flat 3 Bassoons 4 Horns in F 4 Trumpets in B flat 3 Trombones Tuba Timpani Percussion Celesta Harp Strings. The duration of the work is 25 minutes full score and orchestral material is available for hire.

The theme from the film 'The Big Country' is surely the epitome of 'Western' music: you can see the cowboys the cattle the arid landscape the waggons spread out before you! Jerome Moross wrote a large amount of music but nothing that quite matched up to the brilliance of this piece. Arranged here for full orchestra by Richard Ling. Score and Parts.Orchestration: 2 Flutes 2 Oboes 2 Clarinets in Bb Alto Saxophone (optional) 2 Bassoons 2 Horns in F 3 Trumpets in Bb 3 Trombones Tuba Timpani Percussion (Side drum Bass drum Cymbal Glockenspiel) Strings (Violin 1 Violin 2 Viola Cello Bass)

From the Soundtrack of the Film The Mission-Ennio Morricone's score for the film the Mission has been arranged for Orchestra by Richard Ling. Orchestration: 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Timpani Percussion [1] (Bass drum Suspended Cymbal) Harpsichord (optional) Strings (Violin 1 Violin 2 Viola Cello Double Bass).

Instrumental Pak (Full Orchestra)-From the darkness and hope of Advent to the light and joy of Christmas this new cantata captures the varied colors of Christmas in fresh tones. With a blend of classic carols and rich new songs this 35-minute cantata literallymoves the service from darkness to light vividly illustrating the hope of Christmas through music and the spoken word. Medium to medium-easy. IPak contains score and parts for Flute; Oboe; Horn; Trumpet 1 2; Trombone; Tuba;Percussion 1 & 2; Timpani; Violin 1; Violin 2; Viola; Cello; String Bass; Piano; Handbells.

This popular march was written for the film 'The Dam Busters' about the wartime exploits of the R.A.F.'s 617 squadron and their attempts to destroy the dams in Germany's industrial heartland using the 'bouncing bomb' a secret weapon invented by Barnes-Wallis. No secret weapons are required to perform this arrangement just a reasonably able orchestra! Saxophone parts are provided as alternatives (or additions) to the horn parts. The 3rd violin doubles the viola (where necessary at the octave) and either may be omitted.Duration: 4 minutes Orchestration2 Flutes 2 Oboes 3 Clarinets in Bb 2 Bassoons 2 Horns in F (or Alto saxes in Eb or Tenorsaxes in Bb) 3 Trumpets in Bb 2 Trombones Tuba Timpani Percussion (Triangle Cymbals Side Drum Bass drum) Strings (Violin 1 Violin 2 Viola or Violin 3 Cello Bass)

Abertura Festiva by Lu s Tinoco commissioned by the Teatro Nacional de S.Carlos / Opart to celebrate the 20th anniversary of the Portuguese Symphony Orchestra.3 flutes (3rd = piccolo) 2 oboes 1 cor anglais 2 clarinets in Bb 1 bass clarinet 2 bassoons 1 contrabassoon 4 horns in F 3 trumpets in C 2 trombones 1 bass trombone 1 tuba timpani percussion (2 players) Harp Strings

Score-Walter Piston's Three New England Sketches for Symphony Orchestra.Commissioned by the Worcester County Musical Association. First performed on October 23 1959 by Detroit Symphony Orchestra atthe Worcester (Mass.) Music Festival Paul Paray Conducting.Instrumentation:Piccolo2 Flutes2 OboesEnglish Horn2 Clarinets In BbBass Clarinet2 BassoonsContrabassoon4 Horns In F3Trumpets In C (Parts in Bb)3 TrombonesTubaTimpaniPercussion (Snare Drum Bass Drum Cymbals Susp. Cymbal Triangle Tam-tam Glockenspiel Tambourine Wood Block)2 HarpsStrings

For Orchestra. Premiered by The Royal Danish Orchestra conducted by Michael Schonwandt Koncerthuset DR 29th May 2009.Commissioned by and written for The Serge Koussevitzky Music Foundation in the Library of Congress.Dedicated to the memory of Serge and Natalie Koussevitzky.Instrumentation.3 Flutes 3rd doubling Piccolo3 Oboe 3rd doubling Cor Anglais3 Clarinets in Bb 3rd doubling Bass Clarinet In Bb3 Bassoons 3rd doubling Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba3 Percussion (three players)1 - Triangle Mark Tree Tubular Bells TamTam (Large) Glockenspiel Snare Drum Lion's Roar.2 - TamTam (Large) Chinese Cymbal Spring Coil (Mounted) TamTam (Large) Reco-Reco.3 - Bass Drum (Large) Antique Cymbals (full range) Spring Coil (mounted) TamTam (large) Cymbal (suspended) Reco-Reco.The three large TamTams should differ slightly in pitch.Strings (minimum 16-14-12-10-8)