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2 Sopranos, Choeur Mixte (SATB… (6)
Guitar Tab, Voice, Bass, Drum (6)
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:: (3)
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2 Snare Drums (duet) (2)
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Voix Et Instruments Divers (2)
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1 Ou 2 Flûte(s) Traversière(… (2)
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3 Saxophones (trio) (2)
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UNIS/PFA::Children's Voices wi… (2)
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Flute/Piccolo, Hautbois, Clar… (2)
Melody instruments (2)
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Saxophone and Orchestra (2)
REC/VLN/VLA/VLC::Fl–te … B… (2)
Trompette en Sib (2)
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Matériel D'Orchestre (2)
2 Flutes and Guitar (2)
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Holzbläserquintett - Flöte,… (1)
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Base Musicale (1)
Cassette (1)
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3 Hautbois (1)
Saxophone Alto et Piano en PDF… (1)
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VLN/VLC/ORCH::Violin, Cello, O… (1)
Harp, Orchestra (1)
Cahier (1)
2 Pianos et Orchestre (1)
Choeur D'Hommes Ou Solistes (T… (1)
Trombone, Piano Et Percussions… (1)
Instrument En Sib (1)
Percussion, Piano (duet) (1)
2 Bassoons (duet) (1)
Saxophone Tenor Ou Soprano (1)
Clarinette et Piano ad lib. (1)
Piano (Accompagnement) (1)
Guitare, Ukulélé, Mandoline … (1)
Choeur Mixte et Instruments Di… (1)
Soprano, Alto Tenor, Bass, Pia… (1)
Flûte Traversière, Hautbois … (1)
Ensemble A 4 Parties (1)
Soprano, Alto, Tenor, Bass, Pi… (1)
SMezBar, Choir et Orchestre (1)
Cor en Fa et Piano (1)
Trombone Alto et Piano ou Orgu… (1)
Tuba or Saxhorn (1)
Guitare Tablatures Flatpick et… (1)
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Harp, Flute (duet) (1)
Accompagnement Piano (1)
Flûte (ou Hautbois), Clarine… (1)
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Ensemble Flexible 4 Parties (1)
Oeuvres Théâtrales/Oratorios… (1)
K7 Vidéo (1)
Basse (Baryton) Et Piano (1)
Choeur Mixte Et Orgue (Ou Pian… (1)
Chœur Mixte [SATB] avec Percu… (1)
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Melody line, Piano (1)
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Scores (1)
ML::Melody Line (1)
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4 Cellos (1)
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Vocal (with Chords Symbols) (1)
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Georg Friedrich Händel: Four Coronation Anthems: Orchestra: Score
Orchestra
Oxford University Press
These four splendid anthems were composed for the coronation of George II in Oct...
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These four splendid anthems were composed for the coronation of George II in October 1727 and have since retained a position at the heart of the English choral tradition. The popular anthem Zadok the Priest has been performed at all subsequent coronations and Handel's other contributions to the royal occasion - Let thy hand be strengthened The King shall rejoice and My heart is inditing - have the same majestic grandeur with affecting contrasts between different sections of the sacred texts. The editor Clifford Bartlett has corrected various inconsistencies in Handel's score and completedetails of sources and editorial method additional performance notes and a critical commentary are included.
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Kongen Af Himmelby - Demo: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Kongen Af Himmeby-Demo/Utopiaville-Demofor Symphony Orchestra (2009). The Utopia...
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Kongen Af Himmeby-Demo/Utopiaville-Demofor Symphony Orchestra (2009). The Utopiaville-Demo is commissioned by Finn Schumacker for The Odense Symphony Orchestra. Repertoire operas occationally have orchestral suites: Bits and pieces of overture interlude etc. tied up in a bouquet of 'schönste Tränen'. Contemporary opera usually wither after the first season so the focus is on getting people to come and have a sniff before it's too late. Consequently it seemed obvious to me to start making orchestral excerpts from my operas that are meant to be played before the premiere (and after please); I call them 'operatrailers' when they're substantial enough to be considered independent works and 'opera demos' when they're relatively short and more appetizer-ish. The Utopiaville-Demo is a fast-and-furious cinemascope 3D THX-demo for my chamber opera 'The King ofUtopiaville' which is sort of a mix between a reversed revolutionary opera (reversed because it's about a revolutionthat flops) and a rhythm'n blues theatre concert. The opera takes place on the remote tropical island of Honga-Tonga where a mayor form Europe is taking a much needed holiday as far away as possible from his home town Utopiaville. The mayor desperately needs to get away:He has overstepped his authority blatantly and broken every rule of law he felt like in order to create a modern liberalistic society where sanitation medicare hospitals schools the police and all other public institutions are sold to private investors and then leased back by the public - that way noone will ever have to pay taxes because everything finances itself the mayor says and in order to keep reality at a safe distance he drinks massive amounts of insanely expensive french claret all in the best interest of the inhabitants of Utopiaville of course.Honga Tonga can't get any further away from Waikiki Beach: It looks something like the 1933 version of
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Peter Maxwell Davies: Peter Maxwell Davies: Orchestra: Miniature Score
Orchestra
[Sheet music]
Chester
Caroline Mathilde Act I (Concert Suite)-The story centres on the English princes...
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Caroline Mathilde Act I (Concert Suite)-The story centres on the English princess Caroline Mathilde (1751-1775) sister of George III who at the age of 15 was sent to Denmark to marry the 17-year-old eccentric and schizophrenic Danish King Christian VII. The balletportrays her unhappy marriage the King's growing madness and her fatal love-affair with Struensee the King's influential physician which leads to their arrest his execution and her exile at the age of 20 separated from hertwo young children. In keeping with the period and perhaps also with the traditions of Romantic ballet the music is relatively simple in harmony and form and most of the action is conveyed in set-piece dances. The suite which consists essentially of the second half of Act I begins with one of these a bristling interplay of wind and string ensembles in D major portraying in the ballet a curious nuptial game with the king and princess on movablepedestals. The slow music that follows has to do with the king's healing by Dr. Struensee and the new queen's unquiet reverie (oboe and cor anglais solos). Then the suite like the act is capped by a pair of pas-de-deux thefirst savage and bizarre for the royal couple the second rich and passionate for the queen and the miracle-working doctor.Score (miniature). Duration c. 25mins.
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Viktor Ullmann: The Emperor of Atlantis or Death's Refusal op. 49b: Orchestra:
Orchestra
Eulenburg
One-act play by Peter Kien-In September 1942 Viktor Ullmann was interned in the ...
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One-act play by Peter Kien-In September 1942 Viktor Ullmann was interned in the concentration camp of Theresienstadt where he composed the opera Der Kaiser von Atlantis [The Emperor of Atlantis] on a libretto of Peter Kien a fellow prisoner in 1943.This opera was rehearsed by a chamber ensemble founded with the permission of the SS but its first performance was prohibited after the final rehearsal. The autograph of the score only survived because shortly before his deportation to Auschwitz in 1944 Ullmann handed it together with the libretto to a friend who was able to save both manuscripts at the end of the war.The opera is a parable of a cruel emperor whose senseless war isclaiming many lives. Death puts an end to the chaos by refusing his duty - now everyone lives for eternity. The king becomes disempowered but the people long for a release from the pain of life. Only the voluntary death of the emperor can restore death's original purpose. The libretto is a vigorous take on the Third Reich and more particularly the concentration camp of Theresienstadt through the means of a mystery play. The music with its numerous references to jazz and then current light music sometimes by direct quotation puts the composer in the role of political commentator following the tradition of topical opera in the 1920's.
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Thea Musgrave: Points Of View: Chamber Ensemble: Score
Orchestra
[Sheet music]
Novello & Co Ltd.
For Chamber Orchestra (Flute Oboe Cor Anglais Basson Horn in F Trumpet in C...
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For Chamber Orchestra (Flute Oboe Cor Anglais Basson Horn in F Trumpet in C Strings: [5.4.3.2.1])Composer's Programme Note:Points of View is a work about the different musical elements which arepersonified by soloists from the orchestra all unifying at the end in a passionateclimax.The first section ‘Mysterious’ features a solo horn and also establishes tonality [Bflat] texture and harmony. The harmonies are often chordal 6-note clusters andthey are an important binding articulating and textual element throughout thework.A solo trumpet joins the solo horn and as the chordal clusters disappearintothe stratosphere initiates the rhythm of a light-hearted scherzo ‘Lively’. Thetrumpet’s rhythmic figure is echoed and developed by the winds.The solo oboe and cor anglais now introduce a very lyrical melody in fallingthirds ‘Sensuous’. The chordal clusters as well as the trumpet’s rhythmic figureeventually reappear to accompany this melodic theme and then the violinspassionately respond by taking it over ‘Passionato’. All the elements thusunifying to culminate in the coda.These elements could also perhaps be described in non-musical terms as‘imagination’ [solo horn] ‘action’ [solo trumpet] ‘emotion’ [solo oboe and coranglais] which eventually combine in the climax [violins].
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Aulis Sallinen: At The Palace Gates: Orchestra: Score
Orchestra
Novello & Co Ltd.
Opus 68a; Overture to the opera The Palace (1994). The libretto (by Irene Dische...
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Opus 68a; Overture to the opera The Palace (1994). The libretto (by Irene Dische and Hans Magnus Enzenberger) is strongly influenced by Mozart's Die Entfuhrung aus dem Serail and it alludes to the original Bretzner/Stephanie text as wellas the book King of The Kings by Ryszard Kapuscinski which tells of the downfall of Haile Selassie's court in Ethiopia. Facsimile Study Score. Duration 6-7mins. Orchestration: 2.2.2.2 4.2.2.1 Timpani 2 Percussion Harp Strings.
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Joseph M. Martin: We Are Music of the King: Orchestra: Parts
Orchestra
Shawnee Press
A bold declaration of purpose for all Christians this inspiring anthem from Jos...
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A bold declaration of purpose for all Christians this inspiring anthem from Joseph Martin poetically states what it is that God's children are called to do. We are one great alleluia. We declare the risen Christ... We must bea hymn of healing... We must share... love's redeeming grace... Triumphant and echoing with confidence “We Are Music of the King” says it all – who we are and why we are.
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Joseph M. Martin: The Song Heard 'Round the World: Orchestra: Parts
Orchestra
Shawnee Press
A Cantata for Christmas-The Song Heard 'Round the World is a journey of internat...
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A Cantata for Christmas-The Song Heard 'Round the World is a journey of international carols and folk songs that incorporate narration and scripture to share Christmas story. With sections for Advent Christmas and Epiphany the anticipation incarnation and proclamation of Christ's birth is presented. Each movement is from a different nation filling the work with a tapestry of musical diversity. The overall theme of unity and peace on earth is timely giving many options for creative presentations. Colorful orchestrations by Brant Adams capture the diversity that is so much a part of this meaningful work. A smaller chamber orchestration is also available as well as a full line of support products.Songs include: A Joyful Journey of Carols Hear the Song Heard 'Round the World An Advent Prayer Prepare the Way of the King Ges¨ Bambino Rejoice! Christ Is Born! A Unity Carol Music of the Morning Star Prayer for Peace. Score and Parts for Full Orchestra (fl 1-2/pic ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-2 tba timp perc 1-4 hp kybd vn 1-2 va vc db) and Consort (fl cl tpt 1-2 tbn bls perc kybd) available as a Printed Edition and as a digital download.
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Heather Sorenson: Little Lion Little Lamb: Mixed Choir and Ensemble: Parts
Orchestra
Daybreak Music
A Cantata for Christmas-Composed in both traditional and blended choral stylings...
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A Cantata for Christmas-Composed in both traditional and blended choral stylings this cantata weaves the historic symbolism of both the Lion of Judah and the Lamb of God into the Christmas story. Through original songs and traditional carols singers and listeners are reminded that this story is not just an event in history but a living story that still impacts the world today. Narration solos congregational participation and optional children's voices along with gorgeous orchestrations by Keith Christopher all work together to make this service a time of both celebration and worship. Songs include: Overture/Sing Christmas! And So We Wait It Came upon a Midnight Clear Who's the Little Baby? Sleep Little Lion Sleep Little Lamb Where Is Peace Tonight? In This Moment Angels from the Realms of Glory Carol of the King. Score and Parts (fl 1-2/pic ob cl 1-2 bn tpt 1-3 hn 1-2 tbn 1-2 tbn 3/tba perc 1-2 timp hp pno rhy vn 1-2 va vc db) available as a Printed Edition and as a digital download.
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Small Pieces Composed In Homage To The Saxon Court
Orchestra
Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
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Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Score
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Olivier Messiaen: Saint Francois d'Assise - Act II 5.: Opera: Score
Français
Orchestra
[Sheet music]
Leduc, Alphonse
L'Ange musicien-Saint François D'Assise is an opera in 3 acts by Olivier Messi...
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L'Ange musicien-Saint François D'Assise is an opera in 3 acts by Olivier Messiaen. This volume is part of the edition that includes the books with the full Orchestra scores as well as the explanations analysis and comments of each tableau. It is focused on the “Act II 5. L'Ange musicien” which describes the appearance of the “Musician Angel” to Saint Francis. This tableau is introduced by St Francis on his knees next to the cave. Three themes stand out in the opening of this tableau: the Decision the Joyce and the Calling. Some bird songs can be heard and the Angel appears in the light with a Viol and a bow. TheAngel Musician plays alongside some birds and leave St Francis fainting. He is soon joined by Brother Léon Brother Massée and Brother Bernard who try to help him. The last theme played is the Joyce one with some notes on the Viol while the tableau finishes with the three Brothers looking at the sky. Based on the life of Saint Francis of Assisi this opera is set in Italy and is composed divided as per below: Act I: 1. La croix 2. Les laudes 3. Le baiser au lépreux Act II 4. L’ange voyageur 5. L’ange musicien 6. Le prêche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French Organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsongs including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm colour and ornithology' in 7 volumes.
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Howard Shore: The Lord of the Rings: The Return of the King: Orchestra
Orchestra
Alfred Publishing
Containing Minas Tirith Into the West and The Return of the King this arrangem...
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Containing Minas Tirith Into the West and The Return of the King this arrangement brings back all of the emotion of the Academy Award-winning film. Scored at the intermediate level so that you can perform this beautiful medley with strings alone or with the addition of any number of winds up to a full orchestra this is an ideal choice for your spring program. (4:53)
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Matthew King: The Darker Side of Mechanical Perfection: Orchestra: Score
Orchestra
Cadenza Music
The Darker Side of Mechanical Perfection
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Liszt F. - Les Preludes And Other Symphonic Poems - Conducteur
Orchestra
[Study Score / Miniature]
Dover Publications
This authoritative edition presents full-score reproductions of three of Liszt...
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This authoritative edition presents full-score reproductions of three of Liszt’s best-known symphonic poems. Les Preludes (Symphonic Poem No.3) grew out of the composer’s unpublished choral setting of Joseph Autran’s poem “The Four Elements”, blending stirring martial music and lovely pastoral themes to make this work the most popular of the symphonic poems. Mazeppa (Symphonic Poem No.6) evokes Victor Hugo’s portrayal of the Cossack leader and the symbolic triumph that comes only after defeat: “He runs, he flies, he falls, and he stands up king!” Heroide Funebre (Symphonic Poem No.8) is the last vestige of the monumental Revolutionary Symphony, planned but never completed, suggesting universal brotherhood: a fine, heroic, dignified funeral march. In these richly sonorous works, Liszt explored the concept of the one-movement “transformation of themes,” an approach to composition that Wagner would carry forward in his development of the leitmotif. Liszt’s expanding chromaticism would be no less influential, anticipating the twentieth century’s embrace of atonality. Frequently performed favourites of audiences around the world, these three works are reprinted from the original Breitkopf & Härtel edition.
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Georg Friedrich Händel: The King Shall Rejoice - Coronation Anthem: Orchestra:
Orchestra
Eulenburg
Eulenburg's celebrated and highly authoritative miniature score is the definitiv...
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Eulenburg's celebrated and highly authoritative miniature score is the definitive reference source.
12.99 GBP - Sold by Musicroom UK
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Herbert Howells: The King's Herald: Orchestra: Study Score
Orchestra
[Study Score / Miniature]
Novello & Co Ltd.
The King's Herald
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Selections from The King and I: Orchestra: Score
Orchestra
Hal Leonard
Selections from The King and I
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David Angerman Joseph M. Martin: God Is Gone Up with a Shout: Orchestra: Parts
Orchestra
Shawnee Press
Uses: General Ascension Christ the King EastertideScripture: Psalm 47The poet...
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Uses: General Ascension Christ the King EastertideScripture: Psalm 47The poetic imagery of this Psalm makes it usable not only as a general anthem but also for Ascension Eastertide or Christ theKing Sunday. The festive brass and percussion parts added to the organ make this an anthem of great impact. Mixed meter sections dance with more lyric passages as the anthem develops and a very special “wall of sound”section is an outstanding moment of choral virtuosity. We are proud to now offer this proven winner for men's voices! Score and Parts (tpt 1-2 hn tbn tba timp) available as a Printed Edition.
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Joseph M. Martin: Carols of the Manger (from Canticle of Joy): Orchestra: Parts
Orchestra
Shawnee Press
Here is a medley of carols that is sure to delight your choir and congregation a...
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Here is a medley of carols that is sure to delight your choir and congregation alike. Moving from tender lullabies to the triumphant declaration “Hail the King of Glory ” this impressive octavo from the cantataCanticle of Joy is a must for the Christmas season. “Carols of the Manger” celebrates the tremendous joy and sense of wonder that our Creator took His place among His creation in a cattle stall. Awesome!
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Mel Brooks: The Producers: Orchestra: Score
Orchestra
[Score and Parts]
Hal Leonard
I grew up with all the great shows. And that's what you're going to get here...a...
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I grew up with all the great shows. And that's what you're going to get here...an old-fashioned traditional musical comedy. - Mel Brooks This Tony award winner has become an entertainment phenomenon--the hardest ticket to get on Broadway. Ted Ricketts' spectacular medley includes: Along Came Bialy Der Guten Tag Hop-Clop I Wanna Be a Producer Keep It Gay The King of Broadway Prisoners of Love That Face and Springtime for Hitler.
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Orchanics 2: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orc...
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Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 2 contains:-Marching through Mud (Richard Ling); When I was a lad (from HMS Pinafore); Ghost Ride (Richard Ling); Largo (Dvorak); Battle Zone (Richard Ling); Persian March (J Strauss II); Lazy Horse (Richard Ling); Good King Wenceslas.
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Elvis Presley: A Tribute to the King: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Hal Leonard
The Music of Elvis Presley-Commissioned by the Sarasota Orchestra.
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Joseph M. Martin: Could This Be the Day (from Canticle of Joy): Orchestra: Parts
Orchestra
Shawnee Press
For generations the people of the world walked in darkness unable to find thei...
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For generations the people of the world walked in darkness unable to find their way. They yearned for a king who would lead them. Could This Be the Day? is one of the most memorable moments from Joseph and Pamela Martin'scantata Canticle of Joy and is available here as a separate octavo. Orchestrated by Brant Adams and incorporating “O Come O Come. Emmanuel ” this hauntingly beautiful Advent choral expresses the world's deeplonging and emotional prayers of hope that the Messiah will come.
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Poul Ruders: Final Nightshade - An Adagio Of The Night: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fish...
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Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be
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Elvis Presley: A Tribute to the King: Orchestra: Score
Orchestra
Hal Leonard
The Music of Elvis Presley
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Georg Friedrich Händel: Giulio Cesare: Orchestra: Score
Orchestra
Dover Publications
G F Handel (1685-1759) was a German-born British composer and organist who spent...
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G F Handel (1685-1759) was a German-born British composer and organist who spent his life working in London. He is credited with popularising opera in Britain both importing Italian works and composing his own. Giulio Cesare was composed in 1723-4 and first performed at the King's Theatre Haymarket London in February 1724. It remains today one of the most popular of Handel's Italian language operas enjoyed for its many gorgeous melodies inspired orchestration and exciting plot.Musicians scholars and music lovers will welcome this handsome reprint of the full score of Giulio Cesare reproduced complete andunabridged from the definitive Deutsche Handelgesellschaft edition.
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The Voices of Christmas: Orchestra: Parts
Orchestra
Shawnee Press
Joseph Martin and the creative team that brought you The Winter Rose and Journey...
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Joseph Martin and the creative team that brought you The Winter Rose and Journey of Promises now present their latest major work The Voices of Christmas. Using beloved carols and new anthems especiallycomposed for the cantata the story of Christmas unfolds through the “voices” of witnesses (narration) and is echoed in the voices of the choir as they sing the good news of the Savior's birth. Beautiful orchestrationsby Brant Adams are available as well as a full menu of companion products and support material. Familiar carol melodies abound: The First Noel • The Gallery Carol • St. Denio • O Come O Come Emmanuel • GodRest Ye Merry Gentleman • Masters in this Hall • Adeste Fideles • Still Still Still • In Dulci Jubilo – making this joyful cantata a splendid choice for your holiday programming.
324.99 GBP - Sold by Musicroom UK
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James Newton Howard: King Kong Soundtrack Highlights: Orchestra: Score & Parts
Orchestra
Hal Leonard
The classic cinematic tale of King Kong has made its mark with another generatio...
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The classic cinematic tale of King Kong has made its mark with another generation of movie lovers with this year's blockbuster film by Peter Jackson. James Newton Howard's musical backdrop is filled with powerful dramatic andbeautiful themes all included in this suite for the concert stage.
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Adolphus Hailstork: My Lord What a Mourning: Orchestra: Full Score
Orchestra
Lauren Keiser Music Publishing
Elegies on the Death of Martin Luther King Jr.-Elegies on the Death of Martin L...
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Elegies on the Death of Martin Luther King Jr.-Elegies on the Death of Martin Luther King Jr.
39.99 GBP - Sold by Musicroom UK
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Joseph M. Martin: We Are the People of God: Orchestra: Parts
Orchestra
Shawnee Press
Truly inspiring We Are the People of God is destined to become the theme song f...
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Truly inspiring We Are the People of God is destined to become the theme song for many churches of all denominations. Drawing from the Psalms and incorporating Lead On O King Eternal this triumphant anthem of praise is a pledgeof allegiance to the Almighty and a powerful statement of who and whose we are.
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