This is the study score featuring the complete original music by Mica Levi composed for Jonathan Glazer's stunning 2013 film Under the Skin, starring Scarlett Johansson. The score for this critically-acclaimed film is a vivid sound world constructed from Flute, Strings, Percussion and Synthesisers.Mica Levi is a classically-trained musician whose work is characterised by the experimental use of distortion, noise and found-object sounds. Her collaboration with the London Sinfonietta caught Jonathan Glazer's attention, who wanted to use her talents with creating uncomfortable and jarring yet beautiful soundscapes to complement his starkly unusual imagery. Levi won a European Film Award for best composer for this work, and she was also nominated for a BAFTA. / Conducteur De Poche

from the Classical Symphony op. 25. Par PROKOFIEV SERGEI. From The Classical Symphony Op. 25/ Répertoire / Orchestre

from the Classical Symphony op. 25. Par PROKOFIEV SERGEI. From The Classical Symphony Op. 25/ Répertoire / Orchestre

The more you read, the more you hear!



The Eulenburg Audio Score Series contains the orchestral world's treasures from the baroque, classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score, an informative preface detailing the biographical and creative background, and a Naxos CD containing the work in full length.

Eulenburg Audio Score is the new way to hear, read and understand music. / Partition CD /

Beethoven's Symphony #4, like #5, portrays the transition from darkness to light. Despite being scored for a small ensemble and its classical structure the work is brimming with originality and grace - 'a slender Greek maiden' as described by Robert Schumann. / Orchestre

Par HENZE HANS WERNER. In this work, I had wanted completely to submit to the traditional rules of the classical symphony so as to mould my musical expression as if in a furnace and enable it to reach the listener as directly and clearly as possible. The first movement is a kind of German dance, an Allemande, so to speak; the second one a Lied. The third, in strict scherzo-form, is a representation of the sufferings of the German poet Friedrich Hölderlin, in Dr. Autenriedth's mental institution in Tübingen. The last movement is a setting of Hölderlin's poem 'Half of Live'. - Hans Werner Henze/ Répertoire / Orchestre

Beethoven is presumed to have completed his 5th Symphony in early 1808- today, it is one of the most famous works of classical music of all. Its nickname 'Fate Symphony? was given to it posthumously by Beethoven's biographer Anton Schindler- a title which no longer plays a role in modern-day Beethoven scholarship. Based on the recently published musical text of the Beethoven Complete Edition and supplied with a new preface by editor Jens Dufner, one of the most vibrant and stimulating orchestral works of the standard repertoire is now available in a practical format for travel, study or the concert hall. / Conducteur De Poche

Par SCHUBERT FRANZ. Schubert's much-loved masterpiece is a mainstay of the classical choral repertoire. Prepared from the composer's autograph manuscript, Brian Newbould's authoritative new performing edition takes account of invaluable additional source material in Schubert's hand, discovered recently and now held in the Monastery Library at Klosterneuburg./ Répertoire / Conducteur

Composed in January-February 1875, ?árka is the third symphonic poem in Smetana's six-part cycle Má vlast (My Fatherland). He first published it in a version for piano-duet issued by publisher Urbánek in 1880. The score of the first edition did not appear in print until 1888, four years after Smetana's death.Owing to the many errors in the first edition, Hugh Macdonald has based this new edition on the autograph score with annotations by Adolf Cech, who conducted the premiere on 17 March 1877. The autograph and print of the piano-duet version served as additional sources. - Classical masterpiece of Czech music in a new scholarly-critical edition - Follows on from Hugh Macdonald's Urtext edition of Vltava (The Moldau) - Detailed Foreword by Smetana expert Olga Moj?í?ová (Eng/Cz/Ger) and Critical Commentary by the editor (Eng) / Orchestre

Clara Wieck’s sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that “it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano…” In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music, but he also found the time to comply with his beloved Clara’s wish by creating a number of musical pieces composed specifically for Piano and Orchestra. Although Schumann’s genius is most in evidence in his masterful solo Piano compositions and superb lieder, his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann’s Piano music are evident in these compositions. Three of his finest are presented here in full score, including the A Minor Piano Concerto, one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music, diverting substantially from the classic models of the day, and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann’s compositions for Piano and Orchestra are: Piano Concerto In A minor, Op. 54 (published 1846) Concertstück, Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro, Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians, music lovers and students, as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at an affordable price.

The 'Linz Symphony 'is included among Mozart's best. The first movement is cheerful and buoyant in mood, yet retains an air of dignity and poise reflective of a true master of the genre. Richard Meyer's full orchestra arrangement of this classic is a terrific addition for any concert or contest. (5:20) / Orchestre

Songscape is a timeless collection of 24 songs covering an exciting range of musical styles, from ethnic music, theatre, pop classics and rounds, to Lin Marsh's wonderful original pieces. It is also ideal for bringing confidence to classroom and concert singing, and a must for recently formed choirs.

Par RIHM WOLFGANG. Jagden und Formen is so immediately gripping that it is already considered a classic of the modern age. As a ‘work-in-progress’ that has grown over the years, Jagden und Formen has reached its final form in the version of 2008. It begins as a mating dance of two violins and increases to a breathless music of irresistible pull: virtuosic, intoxicating and exuberant with ideas, without ever losing the tension. / Date parution : 2023-03-21/ Répertoire / Orchestre

Par OUTI TARKIAINEN. A Room of One's Own is based on Virginia Woolf's classic essay of the same name of 1928. The libretto is by the German opera director, dramaturg and librettist Francis Hüsers and the opera seeks to answer the question of why, from one century to another, women merely flit as shadows across the stage in the arts and history. The opera is set in 1920s England and has three main characters. Each called Mary, they are all intelligent, educated women whose seemingly light conversation leads them into ever deeper waters and who ultimately spread before the viewer's eyes the whole gamut of human life, in all its grittiness, passions and realities. / Date parution : 2023-03-11/ Répertoire / Orchestre