Seven bubbly pieces for organ-There is a large demand for lively and joyful wedding music which speaks to contemporary congregations in the language they know. This collection of Jazzy pieces will command the attention and enhance the atmosphere ofhappiness which is such a wonderful part of the wedding ceremony. Congregations will love these pieces and organists will find them exciting and thrilling to play. We know that organists are always looking for something fresh toplay for weddings and this new collection fits the bill perfectly!Wedding Jazz includes Groovy Gavotte (Tim Blinko) To a slightly Wilder Rose! (Rosalie Bonighton) Mr Purcell’sTrumpeting Tune & Air (Robert Jones) The Perfect Love Waltz (June Nixon) Troldhaugen Blues & Waltz (Betty Roe) Amazing Grace Variation ‘Bluesy Dance’ (Martin Setchell) and Rave TrumpetVoluntary (Andrew Wright).

100 Ultimate Jazz Riffs for Organ authored by Andrew D. Gordon consists of as the title suggests 100 Jazz riffs based on common chord progressions used in jazz such as II-V-I III-VI-II-V etc. There are five separate sections: Jazz-Swing Jazz-Ballad Jazz-Funk Jazz-Waltz and Latin-Jazz. Besides the 100 riffs at the end of the book there is the chord progression for the popular jazz standard “Blue Moon” showing you how to use the various riffs from the 100 riffs to create an improvised solo over the cho

Long ago popular styles have conquered the traditional pipe organ. Various characters have been espressed. The continuing succes of the first two editions of our series ?Jazz Inspirations for Organ?

Combining both lively and spirited pieces from across the years we are delighted to bring you a hundred of the best jazzy pieces together under one cover.

Album for organ solo from the composer of the much-recorded 'Miroir?. The album consists of four pieces of between 2½ and 4 minutes' duration respectively. 'Play it cool!? was composed as the mandatory test piece in the 2012 First Breda International Organ Competition, with the Grote Kerk's four-manual Flentrop/Van den Heuvel instrument in mind. As the title suggests, the piece makes great play on syncopated, jazz- and rock-inflected figures. Suitable for advanced standard performers. 'The Messenger on the Hill?, while similarly syncopated and witty, is within easy reach of intermediate standard players. Laid out for two-manual instrument it features an almost continuous oscillating left-hand figure with right-hand melody and a very simple pedal part. 'Rejoice!? is an arrangement of a work for saxophone and organ, made at the request of, and in collaboration with, Thomas Trotter. A duo for contrasting manuals, with a simple, syncopated bass part in the pedals. Suitable for advanced standard performers. '­Passacaglia?, also for two-manual instrument, is composed almost entirely for the white notes. The simple passacaglia theme is repeated throughout on the pedals. Above this, melodic material derived from the theme is played in the right hand against a sustained, chordal left-hand accompaniment. Later on, there is dialogue between the hands, with some optional ornamentation in the right hand. Suitable for intermediate standard performers. / Orgue

We are thrilled to announce that Sarah Watts' popular jazz-influenced style has now been applied to organ music!

Composée à partir d'un célèbre thème de J,S, Bach extrait de la cantate 'Wachet auf, ruft uns die Stimme?, 'Turning Bach? est une des très rares pièces de jazz écrites pour l'orgue, Son interprétation, bien qu'idéale à l'orgue de jazz (orgue Hammond B3 avec cabine Leslie), est néanmoins parfaitement réalisable sur l'orgue à tuyaux, donnant ainsi aux organistes de musique classique l'opportunité de jouer du jazz sur leur instrument, / Orgue

Salve Regina-The first in a series of five concertos Concerto 1 sees several Marian songs arranged like a sonata in a traditional large-scale three-movement form. For example the hymn of praise 'Salve Regina' is combined with surprising jazz-inspired episodes.

Alec Templeton (1909-1963):Bach Goes to TownGeorge Gershwin (1898-1937):Prelude in C sharp minorJohann Sebastian Bach (1685-1750)Johann Simon Kreuzpointner (*1968):Toccata à la Jazz / Orgue

Même avec Ravel, Gershwin et Stravinsky trouve la connexion des Moody Blues caractère avec le style mélodique et tonal caractéristique de l'art musical. Sur la base de l'expression picturale 'Je me sens bleu' (Je suis triste) que l'expression vocale profane des gens de couleur sont leurs noms peuvent être un pont direct à l'hymne populaire Carême 'tristesse O, o grève chagrin'. Witt riches 'Blues' Choral jouer avec des harmonies de jazz typiques (modifications), rainure triplet caractéristique de relief avec drone et soutient une 'complainte' l'humeur, comme en témoigne la chute des lignes mélodiques chromatiques. Le modèle stéréotypé de blues à 12 mesures est exclue ici. Une précieuse contribution à l'élargissement du répertoire organe, qui a ouvert ces dernières décennies formes aussi populaires de la musique, du rock, de la pop et du jazz dans les locaux de l'église. / Orgue

La référence AL25941 de l'éditeur Leduc dont l'auteur célèbre est Sichler Jean, qui a pour titre American Blues, a été écrite et composée pour Orgue et plus particulièrement pour Orgue Electronique. Cette partition musicale appartient à la catégorie Jazz & Blues. / Orgue Electronique / Partition

Extraite de la Suite de jazz n°2

Transcrite pour orgue par Jean-Paul Imbert / Partition /