Designed to complement John Thompson's Easiest Piano Course this repertoire book contains 15 hits by the Swedish pop band ABBA arranged for beginner pianists.The pieces in this book are ideal for pupils reaching Part Two Part Three or Part Four of the course. As well as reinforcing basic technique they help to develop musicality and increase the enjoyment of learning.John Thompson's Easiest Piano Course: First ABBA Hits includes the songs Dancing Queen Chiquitita Mamma Mia Super Trouper and more.

15 all time pop songs arranged for easy piano-A superb collection of pop music for easy Piano. Contents include: A groovy kind of love (Phil Collins) - A salty dog (Procol Harum) - A whiter shade of pale (Procol Harum) - Against all odds (Phil Collins) - All night long (Lionel Richie) - Another brick in the wall (Pink Floyd) - Anywhere is (Enya) - Bohemian rhapsody Queen) - Careless whisper (Wham) - Europa (Carlos Santana) and more.

Big Note Piano. Par SWIFT TAYLOR. 16 of pop/country crossover queen Taylor Swift's best in Big Note Piano arrangements so beginning pianists can play her hits/ Recueil / Piano

Teach Yourself To Play Piano Songs-Teach yourself to play your favourite songs on the Piano with this multi-media learning experience. Each arrangement includes a video lesson with tips and tricks music examples keyboard diagrams and interactive audio. The price of the book includes access to all of these online features. This volume features 10 rock classics: Bohemian Rhapsody (Queen) Colour My World (Chicago) Come Sail Away (Styx) Home at Last (Steely Dan) It's Too Late (Carole King) Jump (Van Halen) My Life (Billy Joel) November Rain (Guns N' Roses) Sweet Home Alabama (Lynyrd Skynyrd) and Werewolves ofLondon (Warren Zevon).

Rockschool Piano is the essential syllabus for any aspiring contemporary pianists. Building on Rockschool's long standing tradition of industry relevant, musically rigorous syllabi, the Grade 8 book has been designed to provide both teacher and student with a diverse range of repertoire, a truly innovative range of supporting tests and a vast array of backing tracks and audio examples.The six pieces of repertoire include songs by Jamie Cullum, Diana Krall and Queen.Other features include:Professionally recorded backing tracks for pieces and supporting testsFact files for each trackExamples of the Ear Test, Technical Exercises, Sight Reading and Improvisation and Interpretation sections of the examDownloadable audio / Piano

Seventeen songs from the film adaptation of the megahit musical featuring the songs of ABBA. Includes classic ABBA hits such as Dancing Queen The Winner Takes It All and Gimme! Gimme! Gimme! (A Man After Midnight).This stage-to-film adaptation has proved hugely popular with audiences of all ages as well as creating a new interactive cinema experience with Mamma Mia!: The Sing-Along Edition. Now you can sing and play along at home with this accompanying book for big-note Piano.

It's super easy! This series features accessible arrangements for Piano with simple right-hand melody letter names inside each note and basic left-hand chord diagrams. This edition includes 60 songs from the Great White Way such as; All I Ask of You • Bring Him Home • Cabaret • Comedy Tonight • Dancing Queen • Defying Gravity • Edelweiss • Footloose • Goodnight My Someone • Hello Dolly! • I Could Have Danced All Night • Lullaby of Broadway • Memory • Oh What a Beautiful Mornin' • On My Own • Puttin' on the Ritz • Seasons of Love • Singin' in the Rain • Sunrise Sunset • Try to Remember • You'll Never Walk Alone and many more.

Pam Wedgwood's hugely popular 'Up-Grade!' series now extends into pop and jazz so even young beginners can bridge the gap between grades with some of their favourite tunes in cool new arrangments. 'Up-Grade Pop!' offers Pam’s own take on songs such as '(Is this the way to) Amarillo?' the disney classic 'Can You Feel the Love Tonight' and ABBA’s 'Dancing Queen' alongside her own specially composed pieces. Guaranteed to breathe new life into your piano playing the varied pieces in this collection are designed to easy you gently on to the next grade. So lighten up and move on with 'Up-Grade'!

Twenty pieces from this popular jazz composer including titles featured in the Tony Award-winning musical Jelly's Last Jam. Includes 'Billy Goat Stomp' 'Jelly Roll Blues' 'London Blues' 'Queen Of Spades' and 'ShreveportStomp'.

Level 2 Upper Elementary Level-8 fun to play island themes: Aloha Oe (Queen Liluokalani) - At the Luau (traditional) - Hawaii Ponoi (King Kalakaua) - Hawaiian Warriors' Dance (traditional) - Hula O Makee (traditional) - Lei Day (King Kalakaua) - Paahana hula (traditional) - Waipio (traditional).

CONTENTSAlman; Bull's Goodnight; Chromatic Galliard; Chromatic (Queen Elizabeth's) Pavan; Coranto 'Kingston'; Germain's Almain; Irish Toy; My Jewel; My Self; Prince's Coranto; Prince's Galliard; Revenant

Par GRECO JOSE LUIS. A piano sonata composed in 2011 and premiered by Nelson Ojeda in the all-Greco program of the Queens New Music Festival of New York on 18 May 2019. A 17-minute virtuoso work whose technical challenges are sure to excite both performer and audience. Bold and dramatic, with moments of lyricism, it culminates in overwhelming waves of sound before ending in the way it began. / Date parution : 2022-04-01/ Répertoire / Piano

Alabama Dream George D. Barnarda Ragtime Nightmare Tom Turpinchopsticks Euphemia Allencotton Bolls Chas Huntercreole Belles J. Bodewalt Lampeheliotrope Bouquet Louis Chauvin/Scott Joplinjust AskMe Chas Hunterpossum And Taters Chas Hunterqueen Of Love Chas Hunterrag Medley No. 1 John W Boonerag Medley No. 2 John W Boonesure Fire Rag Henry Lodgethe St Louis Rag Tom Turpintickled ToDeath Chas Hunter forewordthe Latter Half Of The Nineteenth Century Was A Period Of Great Development In American Music. Ragtime Became Extremely Popular And It Dominated The Popular Music Of The Early TwentiethCentury. One Tends To Imagine That Scott Joplin Was The Only Ragtime Composer But There Were Many Others. The Recent Revival Of Ragtime Has Led To The Rediscovery Of Many Lost Compositions. The Manner In Which RagtimeDeveloped Is A Matter Of Conjecture. Some Suggest That The Catalyst Was 'Chopsticks' Which Was Written By A 16 - Year - Old English Girl Euphemia Allen. It Was Published In 1877 And Became An 'Overnight Success'. The TechniqueNeeded To Play It Is In Some Ways Similar To That Which Is Needed For Ragtime.ragtime Undoubtedly Has Afro-american Roots. The Great Ethno- Musicologist Trebor Jay Tichenor Has Written That The End Of The Civil War Gave BlackMusicians Much Greater Access To Keyboard Instruments And That This Was A Factor In Ragtime's Development. It Was However Preceded By Dances Known As 'Cakewalks'. They Became All The Rage And Were So Called Because Black CouplesWould Dress Up In Their Finest Clothes And Parade About Town - The Best Dressed Were Said To 'Take The Cake'. Needless To Say As Ragtime Developed Many Prudes Condemned It As The 'Music Of Satan' - One Recalls SimilarReactions To 'Rock And Roll'. Ragtime Achieved A Vitality And Spontaneity Which Transformed Popular Music. It Led To A Great Craze For 'Animal Dances' - The Foxtrot Is A

CX. Felix namque 2. Thomas Tallis. (1564) CXI. [Exercise]. Anon CXII. Daphne. Giles Farnaby CXIII. Pawles Wharfe. Giles Farnaby CXIV. Quodlings Delight. Giles Farnaby CXV. Praeludium [X]. John Bull CXVI. Praeludium. Dor. [XIII*]. John Bull CXVII. Praeludium [VII]. Anon CXVIII. Ut, re, mi, fa, sol, la, a 4 voci. J. P. Sweelinck CXIX. In Nomine [IX]. John Bull CXX. Praeludium [VII]. Anon CXXI. Pavana Lachrymae. John Dowland, set by William Byrd. (See No. CLIII and CCXC) CXXII. Galiarda. James Harding, set by Byrd CXXIII. Pavana. Thomas Tomkins CXXIV. Fantasia [I]. Thomas Morley CXXV. Christe Redemptor. John Bull CXXVI. The Maydens Song. William Byrd CXXVII. Put up thy Dagger, Jemy. Giles Farnaby CXXVIII. Bony sweet Robin (see No. XV). Giles Farnaby CXXIX. Fantasia [I]. Giles Farnaby CXXX. A Grounde. Thomas Tomkins CXXXI. Barafostus' Dream (see No. XVIII). Thomas Tomkins CXXXII. The Hunting Galliard. Thomas Tomkins CXXXIII. The Quadran Paven (see No. XXXI). William Byrd CXXXIV. Galiard to the Quadran Paven (see No. XXXIII) CXXXV. The King's Hunt. John Bull CXXXVI. Pavana [I]. John Bull CXXXVII. Galiarda [I]. John Bull CXXXVIII. Dr. Bull's Juell. John Bull CXXXIX. The Spanish Paven. John Bull CXL. In Nomine. [John?] Parsons CXLI. Wooddy-Cook. Giles Farnaby CXLII. The Duke of Brunswick's Alman. John Bull CXLIII. Rosasolis. Giles Farnaby CXLIV. Psalme [140]. J. P. Sweelinck CXLV. Alman [I]. Robert Johnson CXLVI. Alman [I]. Robert Johnson CXLVII. Alman. Robert Johnson, set by Giles Farnaby CXLVIII. The New Sa-Hoo. Giles Farnaby CXLIX. Nobody's Gigge. Richard Farnaby CL. Malt's come downe. William Byrd CLI. Praeludium [IX]. Anon CLII. Alman [XIII]. Thomas Morley CLIII. Pavana [IX]. [Lachrymae.] Thomas Morley CLIV. Galiarda [IX]. Thomas Morley CLV. La Volta. William Byrd CLVI. Alman [VII]. William Byrd CLVII. Wolsey's Wilde. William Byrd CLVIII. Callino Casturame. William Byrd CLIX. La Volta. T. Morley, set by William Byrd CLX. Rowland. William Byrd CLXI. Why aske you. Anon (see No. CCLXXXVI) CLXII. The Ghost. William Byrd CLXIII. Alman [IX*]. William Byrd CLXIV. Galliard [I]. William Byrd CLXV. Pavana [IX*]. William Byrd CLXVI. Galliarda [IX*]. William Byrd CLXVII. Pavana [I**]. William Byrd CLXVIII. Galiarda [I**]. William Byrd CLXIX. Pavana [XIII*]. Thomas Morley CLXX. Galliarda [XIII*]. Thomas Morley CLXXI. [deest, owing to an error in numbe CLXXII. The Queenes Alman. William Byrd CLXXIII. A Medley. William Byrd CLXXIV. Pavana [IX]. William Byrd CLXXV. Galliarda [IX]. William Byrd CLXXVI. Miserere. 3 parts. William Byrd CLXXVII. Miserere. 4 parts. William Byrd CLXXVIII. Pakington's Pownde. Anon CLXXIX. The Irishe Dumpe. Anon CLXXX. Watkins Ale. Anon CLXXXI. A Gigg. William Byrd CLXXXII. Pipers Paven. Martin Peerson CLXXXII. Pipers Galliard. John Bull CLXXXIII. Variatio ejusdem. John Bull CLXXXIV. Praeludium. D. [XIII]. John Bull CLXXXV. Galiarda [IX*]. John Bull CLXXXVI. Galiarda [IX*]. John Bull CLXXXVII. Allemanda. Marchant CLXXXVIII. Can Shee. Anon CLXXXIX. A Gigge. Doctor Bull's my selfe. John Bull CXC. A Gigge. John Bull CXCI. Sr. Jhon Grayes Galliard. W. B. CXCII. Preludium [VII]. John Bull CXCIII. A Toy. Anon (see No. CCIV) CXCIV. Giles Farnaby's Dreame. Giles Farnaby CXCV. His Rest. Giles Farnaby CXCVI. His Humour. Giles Farnaby CXCVII. Fayne would I wedd. Richard Farnaby CXCVIII. A Maske. Giles Farnaby CXCIX. A Maske. Giles Farnaby CC. An Almain [VII]. Anon CCI. Corranto [VII]. Anon CCII. Alman [XIII]. Anon CCIII. Corranto [X]. Anon CCIV. Corranto [VII]. (See No. CXCIII.) Anon CCV. Corranto [I]. Anon CCVI. Daunce. Anon CCVII. Worster Braules. Thomas Tomkins CCVIII. Fantasia [VII]. Giles Farnaby CCIX. A Maske. Giles Farnaby CCX. Praeludium [IX]. John Bull CCXI. [Praeludium] [V]. Anon CCXII. Martin sayd to his Man. Anon CCXIII. Almand. William Tisdall CCXIV. Pavana Chromatica. William Tisdall CCXV. Ut, re, mi, fa, sol, la. John Bull CCXVI. Gipseis Round. William Byrd CCXVII. Fantasia [I*]. J. P. Sweelinck CCXVIII. Coranto [IX]. William Byrd CCXIX. Pavana. Clement Cotton. William Tisdall CCXX. Pavana [I*]. William Tisdall CCXXI. Coranto [I]. Anon CCXXII. Alman. Hooper CCXXIII. Corranto [I]. Anon CCXXIV. Corranto [I]. Anon CCXXV. Corranto [I*]. Anon CCXXVI. Corranto [VII]. Anon CCXXVII. Alman [III]. Anon CCXXVIII. Corranto. Hooper CCXXIX. Fantasia [VII]. Giles Farnaby CCXXX. Loth to depart. Giles Farnaby CCXXXI. Fantasia [I]. Giles Farnaby CCXXXII. [Fantasia] [I*]. Giles Farnaby CCXXXIII. [Transcription of Ay me, poore Heart.] Giles Farnaby CCXXXIV. [Fantasia] [I]. Giles Farnaby CCXXXV. Walter Erle's Paven. Giles Farnaby CCXXXVI. [Fantasia] [IX]. Giles Fa CCXXXVII. [Fantasia] [VII]. Giles Farnaby CCXXXVIII. Fantasia [VII]. Giles Farnaby CCXXXIX. The L. Zouches Maske. Giles Farnaby CCXL. Grounde. Giles Farnaby CCXLI. Coranto [XIII]. William Byrd CCXLII. Up T[ails] all. Giles Farnaby CCXLIII. Jhonson's Medley. Edward Johnson CCXLIV. Nowel's Galliard. Anon CCXLV. Tower Hill. Giles Farnaby CCXLVI. Praeludium [XIII]. Giles Farnaby CCXLVII. The King's Morisco. Anon CCXLVIII. A Duo. Richard Farnaby CCXLIX. Alman [VII]. Anon CCL. A Galiard Ground. William Inglot CCLI. The Leaves bee greene. William Inglot CCLII. Pavana [IX]. William Byrd CCLIII. Galiarda [X]. William Byrd CCLIV. Pavana [IX*]. William Byrd CCLV. Galiarda [IX]. William Byrd CCLVI. Pavana [XIII]. William Byrd CCLVII. Pavana Fant[asia] [VIII]. William Byrd CCLVIII. Galiarda [VII]. William Byrd CCLIX. The Earle of Oxfords Marche. William Byrd CCLX. Galiarda. Jehan Oystermayre CCLXI. Fantasia [VIII]. William Byrd CCLXII. The Duchesse of Brunwick's Toye. John Bull CCLXIII. A Toye [VIII]. Anon CCXIV. Corranto [I]. Anon CCLXV. Lady Riche. Anon CCLXVI. Corranto [VIII]. Anon CCLXVII. A Gigge. Giles Farnaby CCLXVIII. A Toy [VII]. Anon CCLXIX. Galiarda [X]. Giles Farnaby CCLXX. A Toye [X]. Giles Farnaby CCLXXI. The Primerose. Martin Peerson CCLXXII. The Fall of the Leafe. Martin Peerson CCLXXIII. Farnabye's Conceit. Giles Farnaby CCLXXIV. Allemanda [VII]. Anon CCLXXV. Pavana. Canon, 2 in 1. William Byrd CCLXXVI. Pescodd Time. William Byrd (see No. LIX) CCLXXVII. Pavana. Delight. Edward Johnson, set by William Byrd CCLXXVIII. Galiarda. Edward Johnson, set by William Byrd CCLXXIX. Miserere, 3 parts. John Bull CCLXXX. Tell mee, Daphne. Giles Farnaby CCLXXXI. Mal Sims. Giles Farnaby CCLXXXII. Munday's Joy. John Munday CCLXXXIII. Rosseter's Galiard, set by Giles Farnaby CCLXXXIV. The Flatt Pavan. Giles Farnaby CCLXXXV. Pavana [VII]. Giles Farnaby CCLXXXVI. Why aske you. (See No. CLXI.) Giles Farnaby CCLXXXVII. Farmer's Paven. Giles Farnaby CCLXXXVIII. Dalling Alman. Anon CCLXXXIX. The Old Spagnoletta. Giles Farnaby CCXC. Lachrymae Pavan. John Dowland, set by Giles Farnaby (see No. CXXI and CLIII) CCXCI. Meridian Alman. Set by Giles Farnaby CCXCII. Pavana. Orlando Gibbons CCXCIII. Muscadin. Giles Farnaby (see No. XIX) CCXCIV. Lady Montegle's Paven. William Byrd CCXCV. Galiarda. William Tisdall CCXCVI. Fantasia [I]. Giles Farnaby CCXCVII. Hanskin. Richard Fa